Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

From internationally recognized Bible teacher and daughter of Billy Graham, this focused Bible course and workshop is designed to guide you into a deeper relationship with the Holy Spirit through reading God's Word. In the Jesus In Me video-based Bible study (video streaming included) Anne Graham Lotz provides a format for studying the Bible that will help you learn to listen for God's voice, know Him in an intimate relationship, and communicate with Him through His Word. Throughout the eight sessions, you and your group will discover why the Holy Spirit is an essential part of the Christian life and how he speaks directly to you through the pages of your Bible. Anne begins with a workshop and video instruction on an effective, 5-step approach to studying your Bible. After that, you'll apply the skills of asking and listening as you work through five Bible studies per week on selected Scriptures about the Holy Spirit. This video study guide has everything you need for both small group and individual use and includes: The study guide itself-with the workshop instruction, discussion and reflection questions, video notes, and a facilitator's guide. An individual access code to stream all eight video presentations online (you don't need to buy a DVD!). Sessions and run times: Bible Study Workshop (49:00) Loving the Person of the Holy Spirit (18:00) Enjoying the Presence of the Holy Spirit (17:30) Relying on the Power of the Holy Spirit (17:00) Embracing the Purpose of the Holy Spirit (15:00) Living by the Precepts of the Holy Spirit (16:30) Reflecting on the Purity of the Holy Spirit (21:00) Trusting the Priority of the Holy Spirit (21:30) Streaming video access code included. Access code subject to expiration after 12/31/2027. Code may be redeemed only by the recipient of this package. Code may not be transferred or sold separately from this package. Internet connection required. Void where prohibited, taxed, or restricted by law. Additional offer details inside.

Based in the riches of Christian worship and tradition, this brief, eloquently written introduction to Christian thinking and worldview helps readers put back together again faith and reason, truth and beauty, and the fragmented academic disciplines. By reclaiming the classic liberal arts and viewing disciplines such as science and mathematics through a poetic lens, the author explains that unity is present within diversity. Now repackaged with a new foreword by Ken Myers, this book will continue to benefit parents, homeschoolers, lifelong learners, Christian students, and readers interested in the history of ideas.

"What are Christians to make of their mission in an pluralistic world?" asks Paul F. Knitter, author of the landmark work in interfaith dialogue No Other Name? As a recognized scholar and participant in interfaith dialogue, Knitter is in a unique position to explore the key concept of what Christian mission must entail in a world that will remain a world of many religious faiths for the foreseeable future. From the first chapter of Jesus and the Other Names, which recounts his own theological and dialogical odyssey, Knitter constructs what he calls a "correlational, globally-responsible theology of religions" as a necessary correction to traditional pluralist and exclusivist approaches. By anticipating and addressing his critics - both conservative and liberal - Knitter makes a powerful argument for a reconstruction of mission faithful to the Christian imperative and dynamically attuned to the plurality of the world. Jesus and the Other Names will give pause to those who believe Christian mission can be carried on as it was in the modern era. Sure to inspire debate as well as dialogue it offers a more humble, but perhaps more "Christic", postmodern approach to mission in the new millennium that has little to do with earthly glory and nothing to do with the sense of cultural superiority that has so often - and often so tragicallyaccompanied modern missionary movements. Theologians, missiologists, Christian historians, can all benefit from its thoughtful and timely message.

Two thousand years ago the Lady Mary, the sacred 'Rose in the Heart', made pilgrimage to the mystical British Isles, with the boy Jesus, Naomi her daughter and Joseph of Arimathea. Her Holy Mission as designated by the Masters, was to reactivate the Cosmic Light at ancient Druidic sites, some which held an Atlantean Temple in the Etheric Realm. As 'instructed' by Mary and with Divine guidance, Caroline Harris has followed in her footsteps, travelling through ancient Dummonia - Cornwall, Devon and Somerset, performing sacred Ceremonies to revitalize that Light, and earth the ancient Temples. Intuitively received inspirational messages for the Aquarian Age, are offered from the Masters, Angelic Messengers and those from the Devic Kingdom. Among many subjects explored are: Britain - the New Jerusalem; Atlantis, Hyperborea and Lyonesse; the Ancient Wisdom; the Immaculate Conception; did Jesus die on the Cross?; the Lost Goddess; the Holy Grail; Celtic Christianity; Arthurian Tales; the Crystalline Grid; Ley Lines; Reincarnation; Unicorns; the Essenes; the Egyptian Mysteries; Aboriginal Wisdom, Thought Travel, plus Visions of Glastonbury. You will find this fascinating story, absorbing, enlightening and thought provoking, whatever your persuasion, and it will be of special interest to the dedicated Pilgrim and Light Worker.

Arguably the most respected Catholic systematic theologian in the English-speaking world, David Tracy's growing influence internationally and on persons of other Christian traditions and his ability to communicate with representatives of the secular academy stem from the unique quality of his voice. Still, Tracy's views on Catholicism, the mission of the church, and how plurality of worldviews and hermeneutics affect the church mission are largely unknown. Containing both new material and articles written over the past decade for Concilium, the international journal of progressive Catholic theology, these essays reveal dimensions of Tracy's thought on these topics foreshadowed in his books and philosophical theological reflections. In addition, On Naming the Present shows the best of the spirit of Concilium and its project of fostering a critical and prophetic yet world-welcoming Christian future rooted in a troubled present.

When he talked about the Kingdom of God, Jesus was speaking about an utterly different way of relating to human society as we know it. He lays out a blueprint for this new life in his best-known teaching, the Sermon on the Mount. From the Beatitudes onward, the Sermon on the Mount overturns conventional wisdom and traditional power structures, offering a plan for an alternative way of being. Richard Rohr explores the implications of this vision in Jesus' Alternative Plan. Going through the teachings of the sermon, he explains the historical and cultural context of each verse, and offers guidance for what the sermon means for Christians today. The result is a clear, yet challenging look at the alternative plan laid out by Jesus for all to see. This updated edition of Jesus' Plan for a New World will inspire Christians who long for a transformative understanding of Jesus' teachings as they seek the true heart of their faith.

Ross provides a broad survey of pictures and texts concerning saints, from the Early Christian through the late Gothic period. Both Western and Byzantine material is included. Beginning with the earliest pictures of and stories about saints, the book traces the evolution of hagiographic imagery primarily in manuscript contexts. Because of its cross-disciplinary nature, it will be of interest to audiences interested in Early Christian, Byzantine, and Western medieval culture: religion, society, politics, and art. No other book to date is organized similarly in providing detailed descriptions for the identification of medieval manuscripts with hagiographic texts and illustrations.

Along with his Confessions, The City of God is undoubtedly St. Augustine's most influential work. In the context of what begins as a lengthy critique of classic Roman religion and a defence of Christianity, Augustine touches upon numerous topics, including the role of grace, the original state of humanity, the possibility of waging a just war, the ideal form of government, and the nature of heaven and hell. But his major concern is the difference between the City of God and the City of Man - one built on love of God, the other on love of self. One cannot but be moved and impressed by the author's breadth of interest and penetrating intelligence. For all those who are interested in the greatest classics of Christian antiquity, The City of God is indispensible. This long-awaited translation by William Babcock is published in two volumes, with an introduction and annotation that make Augustine's monumental work approachable.

Africa is a continent of striking contrasts, with remarkable diversity and beauty of landscape and peoples. At present, it is a region where the Christian faith shows unprecedented growth and vitality. Yet it is also a place of unparalleled suffering. African believers must grapple with the awesome transformation presence of Christ and the frequently devastating conditions in which he appears. Their efforts to reconcile this seeming incongruity have initiated important theological discussions that have resonated around the globe. This book provides an ideal introduction to the wealth of African theologies and the major questions they raise. Topics range from biblical interpretation to spirituality and ethics, from Pentecostalism and African Instituted Churches to evil and suffering, from feminist theory to Christian identity and ethnicity. The broad range of reflections includes seminal essays by prominent theologians as well as new material written specifically for this volume. All the contributions have been shaped to be accessible at an introductory level. Study questions at the end of each chapter are designed to stimulate original thought to allow the reader to reflect personally on contemporary ideas and participate in discussion.