Standing Against the Whirlwind is a history of the Evangelical party in the Episcopal Church in nineteenth-century America. A surprising revisionist account of the church's first century, it reveals the extent to which evangelical Episcopalians helped to shape the piety, identity, theology, and mission of the church. Using the life and career of one of the party's greatest leaders, Charles Pettit McIlvaine, the second bishop of Ohio, Diana Butler blends institutional history with biography to explore the vicissitudes and tribulations of evangelicals in a church that often seemed inhospitable to their version of the Gospel. This gracefully written narrative history of a neglected movement sheds light on evangelical religion within a particular denomination and broadens the interpretation of nineteenth-century American evangelicalism as a whole. In addition, it elucidates such wider cultural and religious issues as the meaning of millennialism and the nature of the crisis over slavery.

In recent decades, Christianity has acquired millions of new adherents in Africa, the region with the world's fastest-expanding population. What role has this development of evangelical Christianity played in Africa's democratic history? To what extent do its churches affect its politics? By taking a historical view and focusing specifically on the events of the past few years, Evangelical Christianity and Democracy in Africa seeks to explore these questions, offering individual case studies of six countries: Nigeria, Zimbabwe, South Africa, Kenya, Zambia, and Mozambique. Unlike most analyses of democracy which come from a secular Western tradition, these contributors, mainly younger scholars based in Africa, bring first-hand knowledge to their chapters and employ both field and archival research to develop their data and analyses. The result is a groundbreaking work that will be indispensable to everyone concerned with the future of this volatile region.
Evangelical Christianity and Democracy in Africa is one of four volumes in the series Evangelical Christianity and Democracy in the Global South, which seeks to answer the question: What happens when a revivalist religion based on scriptural orthodoxy participates in the volatile politics of the Third World? At a time when the global-political impact of another revivalist and scriptural religion -- Islam -- fuels vexed debate among analysts the world over, these volumes offer an unusual comparative perspective on a critical issue: the often combustible interaction of resurgent religion and the developing world's unstable politics.

The publication of the Book of Mormon in 1830 began a new scriptural tradition. Resisting the long-established closed biblical canon, the Book of Mormon posited that the Bible was incomplete and corrupted. With a commitment to an open canon, a variety of Latter Day Saint denominations have emerged, each offering their own scriptural works to accompany the Bible, the Book of Mormon, and other revelations of Joseph Smith. Open Canon breaks new ground as the first volume to examine these writings as a single spiritual heritage. Chapters cover both well-studied and lesser-studied works, introducing readers to scripture dictated by nineteenth- and twentieth-century revelators such as James Strang, Lucy Mack Smith, Sidney Rigdon, Harry Edgar Baker, and Charles B. Thompson, among others. Contributors detail how various Latter Day Saint denominations responded to scriptures introduced during the ministry of Joseph Smith and how churches have employed the Book of Mormon, the Doctrine and Covenants, and the Lectures of Faith over time. Bringing together studies from across denominational boundaries, this book considers what we can learn about Latter Day Saint resistance to the closed canon and the nature of a new American scriptural tradition.

The Church of Jesus Christ of Latter-day Saints adopted the vocal and theatrical traditions of American musical theater as important theological tenets. As Church membership grew, leaders saw how the genre could help define the faith and wove musical theater into many aspects of Mormon life. Jake Johnson merges the study of belonging in America with scholarship on voice and popular music to explore the surprising yet profound link between two quintessentially American institutions. Throughout the twentieth and twenty-first centuries, Mormons gravitated toward musicals as a common platform for transmitting political and theological ideas. Johnson sees Mormons using musical theater as a medium for theology of voice--a religious practice that suggests how vicariously voicing another person can bring one closer to godliness. This sounding, Johnson suggests, created new opportunities for living. Voice and the musical theater tradition provided a site for Mormons to negotiate their way into middle-class respectability. At the same time, musical theater became a unique expressive tool of Mormon culture.

This is the story the daily press didn't give us, the definitive book about what happened at Mt. Carmel, near Waco, Texas, examined from both sides - the Bureau of Alcohol, Tobacco and Firearms (ATF) and the FBI on one hand, and David Koresh and his followers on the other. Dick J. Reavis points out that the government had little reason to investigate Koresh and even less to raid the compound at Mt. Carmel. The government lied to the public about most of what happened - about who fired the first shots, about drug allegations, about child abuse. The FBI was duplicitous and negligent in gassing Mt. Carmel - and that alone could have started the fire that killed seventy-six people. Drawing on interviews with survivors of Koresh's movement (which dates back to 1935, long before Koresh was born), on published accounts, on trial transcripts, on esoteric religious tracts and audiotapes that tell us who Koresh was and why people followed him, and most of all on secret documents that the government has not released to the public yet, Reavis has uncovered the real story from beginning to end, including the trial that followed.