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Books > Religion & Spirituality > Christianity > Protestantism & Protestant Churches > Other Protestant & Nonconformist Churches > General
This book offers an authoritative overview of the history of
evangelicalism as a global movement, from its origins in Europe and
North America in the first half of the eighteenth century to its
present-day dynamic growth in Africa, Asia, Latin America and
Oceania. Starting with a definition of the movement within the
context of the history of Protestantism, it follows the history of
evangelicalism from its early North Atlantic revivals to the great
expansion in the Victorian era, through to its fracturing and
reorientation in response to the stresses of modernity and total
war in the late nineteenth and early twentieth centuries. It
describes the movement's indigenization and expansion toward
becoming a multicentered and diverse movement at home in the
non-Western world that nevertheless retains continuity with its
historic roots. The book concludes with an analysis of contemporary
worldwide evangelicalism's current trajectory and the movement's
adaptability to changing historical and geographical circumstances.
This fascinating book brings more than one hundred previously
unpublished Shaker songs to the attention of scholars, performers,
and aficionados of folk music. A Shaker Musical Legacy introduces
Shaker songs and dances that Brother Ricardo Belden, the last male
member of the Hancock Shakers, gave in original manuscript form to
Jerry and Sybil Count, the first directors of the Shaker Village
Camp. The Opdahls have selected from and transcribed this music and
included dance directions to honor Brother Ricardo's hope that
doing so would keep alive a part of the Shaker heritage.
The songs are transcribed as modern musical scores for use by
contemporary musicians and singers. Many examples are also shown in
their original Shaker musical notation. Step-by-step instructions
show how to perform the dances as the Shakers themselves danced
them. Explanatory notes introduce each of nine musical sections.
This book shows that new centers of Christianity have taken root in
the global south. Although these communities were previously poor
and marginalized, Stephen Offutt illustrates that they are now
socioeconomically diverse, internationally well connected, and
socially engaged. Offutt argues that local and global religious
social forces, as opposed to other social, economic, or political
forces, are primarily responsible for these changes.
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