The Bektashi dervish order is a Sufi Alevite sect found in Anatolia and the Balkans with a strong presence in Albania. In this, his final book, Robert Elsie analyses the Albanian Bektashi and considers their role in the country's history and society. Although much has been written on the Bektashi in Turkey, little has appeared on the Albanian branch of the sect. Robert Elsie considers the history and culture of the Bektashi, analyses writings on the order by early travellers to the region such as Margaret Hasluck and Sir Arthur Evans and provides a comprehensive list of tekkes (convents) and tyrbes (shrines) in Albania and neighbouring countries. Finally he presents a catalogue of notable Albanian Bektashi figures in history and legend. This book provides a complete reference guide to the Bektashi in Albania which will be essential reading for scholars of the Balkans, Islamic sects and Albanian history and culture.

This book and accompanying compact disc provide a rare excursion in the innovative ways a community of Haitian migrants to South Florida has maintained religious traditions and familial connections. It demonstrates how religion, ritual, and aesthetic practices affect lives on both sides of the Caribbean, and it debunks myths of exotic and primitive vodou (often spelled ""voodoo""), which have long been used against Haitians. As Karen Richman shows, Haitians at home and in migrant settlements make ingenious use of audio and video tapes to extend the boundaries of their ritual spaces and to reinforce their moral and spiritual anchors to one another. The book and CD were produced in collaboration to give the reader intimate access to this new expressive media. Sacred songs are recorded on tapes and circulated among the communities. Migrants are able to hear not only the performance sounds--drumming, singing, and chatter--but also a description, as narrators tell of offerings, sacrifices, prayers, and the exchange of possessions. Spirits who inhabit the bodies of ritual actors are aware of the recording devices and personally address the absent migrants, sometimes warning them of their financial obligations to family members in Haiti. The migrants' dependence on their home village is dramatically reinforced while their economic independence is restricted. Using standard ethnographic methods, Richman's work illuminates the connections among social organization, power, production, ritual, and aesthetics. With its transnational perspective, it shows how labor migration has become one of Haiti's chief economic exports. A volume in the series New World Diasporas, edited by Kevin A. Yelvington

This edition updates the scholarship on ancestor worship-with the addition of three new chapters. Beginning with Akan theology and ending with sacrifices, the study examines Akan conception of God, the abosom (gods and goddesses) relative to creation, centrality of the ancestors' stool as the ultimate religious symbol housing the soul of the Akan, and organized annual propitiatory festivities carried out among the Akan in honor of the ancestors (Nananom Nsamanfo) and abosom. The book, therefore, serves as an invaluable resource for those interested in the phenomenon of African religion, because it provides real insight into ancestor worship in ways that are meaningful, practical, systematic, and as a way of life by an Akan Traditional ruler ( dikro) and a professor of Africana studies.

Rastafari Reasoning and the RastaWoman: Gender Constructions in the Shaping of Rastafari Livity examines the complex ways that gender and race shaped a liberation movement propelled by the Caribbean evolution of an African spiritual ethos. Jeanne Christensen proposes that Rastafari represents the most recent reworking of this spiritual ethos, referred to as African religiosity. The book contributes a new perspective to the literature on Rastafari, and through a historical lens, corrects the predominant static view of Rastafari women. In certain Rastafari manifestations, a growing livity developed by RastaMen eventually excluded women from an important ritual called "Reasoning"-a conscious search for existential and ontological truth through self-understanding performed in a group setting. Restoring agency to the RastaWoman, Christensen argues that RastaWomen, intimately in touch with this spiritual ethos, challenged oppressive structures within the movement itself. They skirted official restrictions, speaking out in public and written forums whenever such avenues presented themselves, and searched for their own truth through conscious intentional self-examination characteristic of the Reasoning ritual. With its powerful, theoretically informed narrative, Rastafari Reasoning and the RastaWoman: Gender Constructions in the Shaping of Rastafari Livity will appeal to students and scholars interested in religious transformation, resistance movements, gender issues, critical race studies, and the history and culture of the English-speaking Caribbean.

The Mi'kmaq of eastern Canada were among the first indigenous North Americans to encounter colonial Europeans. As early as the mid-sixteenth century, they were trading with French fishers, and by the mid-seventeenth century, large numbers of Mi'kmaq had converted to Catholicism. Mi'kmaw Catholicism is perhaps best exemplified by the community's regard for the figure of Saint Anne, the grandmother of Jesus. Every year for a week, coinciding with the saint's feast day of July 26, Mi'kmaw peoples from communities throughout Quebec and eastern Canada gather on the small island of Potlotek, off the coast of Nova Scotia. It is, however, far from a conventional Catholic celebration. In fact, it expresses a complex relationship between the Mi'kmaq, Saint Anne, a series of eighteenth-century treaties, and a cultural hero named Kluskap.

Finding Kluskap brings together years of historical research and learning among Mi'kmaw peoples on Cape Breton Island, Nova Scotia. The author's long-term relationship with Mi'kmaw friends and colleagues provides a unique vantage point for scholarship, one shaped by not only personal relationships but also by the cultural, intellectual, and historical situations that inform postcolonial peoples. The picture that emerges when Saint Anne, Kluskap, and the mission are considered in concert with one another is one of the sacred life as a site of adjudication for both the meaning and efficacy of religion--and the impact of modern history on contemporary indigenous religion.

This comparative study of African and Hindu popular religions in the Republic of Trinidad and Tobago charts the development of religion in the Caribbean by analyzing the ways ecstatic forms of worship, enacted through trance performance and spirit mediumship, have adapted to capitalism and reconfigured themselves within the context of modernity. Showing how diasporic traditions of West African Orisha Worship and South Asian Shakti Puja converged in their ritual adaptations to colonialism in the West Indies, as well as diverged politically within the context of postcolonial multiculturalism, Keith McNeal reveals the unexpected ways these traditions of trance performance have become both globalized and modernized. The first book-length work to compare and contrast Afro- and Indo-Caribbean materials in a systematic and multidimensional manner, this volume makes fresh and innovative contributions to anthropology, religious studies, and the historiography of modernity. By giving both religious subcultures and their intersections equal attention, McNeal offers a richly textured account of southern Caribbean cultural history and pursues important questions about the history and future of religion.

This book examines alleged "superhuman" powers predominantly associated with smith/artisans in five African societies. It discusses their ritual and social roles, mythico-histories, symbols surrounding their art, and changing relationships between these specialists and their patrons. Needed but also feared, these smith/artisans work in traditionally hereditary occupations and in stratified but negotiable relationships with their rural patron families. Many of them now also work for new customers in an expanding market economy, which is still characterized by personal, face-to-face interactions. Rasmussen maintains that a framework integrating anthropological theories of witchcraft, alterity, symbolism, and power is fundamental to understanding local accusations and tensions in these relationships. She also argues that it is critical to deconstruct and disentangle guilt, blame, and envy-concepts that are often conflated in anthropology at the expense of falsely accused "witch" figures. The first portion of this book is an ethnographic analysis of smith/artisans in Tuareg society, and draws on primary source data from this author's long-term social/cultural anthropological field research in Tuareg (Kel Tamajaq) communities of northern Niger and Mali. The latter portion of the book is a cross-cultural comparison, and it re-analyzes the Tuareg case, drawing on secondary data on ritual powers and smith/artisans in four other African societies: the Amhara of Ethiopia, the Bidan (Moors) of Mauritania, the Kapsiki of Cameroon, and the Mande of southern Mali. In the concluding analysis, there is discussion of similarities and differences between these cases, the social consequences of ritual knowledge and power in each community, and their wider implications for anthropology of religion, human rights, and African studies.

Margaret Mitchell Armand presents a cutting edge interdisciplinary terrain inside an indigenous exploration of her homeland. Her contribution to the historiography of Haitian Vodou demonstrates the struggle for its recognition in Haiti's post-independence phase as well as its continued misunderstanding. Through a methodological, original study of the colonial culture of slavery and its dehumanization, Healing in the Homeland: Haitian Vodou Traditions examines the sociocultural and economic oppression stemming from the local and international derived politics and religious economic oppression. While concentrating the narratives on stories of indigenous elites educated in the western traditions, Armand moves pass the variables of race to locate the historical conjuncture at the root of the persistent Haitian national division. Supported by scholarships of indigenous studies and current analysis, she elucidates how a false consciousness can be overcome to reclaim cultural identity and pride, and include a sociocultural, national educational program, and political platform that embraces traditional needs in a global context of mutual respect. While shredding the western adages, and within an indigenous model of understanding, this book purposefully brings forth the struggle of the African people in Haiti.

Divining the Self weaves elements of personal narrative, myth, history, and interpretive analysis into a vibrant tapestry that reflects the textured, embodied, and performative nature of scripture and scripturalizing practices. Velma Love examines the Odu--the Yoruba sacred scriptures--along with the accompanying mythology, philosophy, and ritual technologies engaged by African Americans. Drawing from the personal narratives of African American Ifa practitioners along with additional ethnographic fieldwork conducted in Oyotunji African Village, South Carolina, and New York City, Love's work explores the ways in which an ancient worldview survives in modern times.

Divining the Self also takes up the challenge of determining what it means for the scholar of religion to study scripture as both text and performance. This work provides an excellent case study of the sociocultural phenomenon of scripturalizing practices.