Reform, Identity and Narratives of Belonging focuses on the Heraka, a religious reform movement, and its impact on the Zeme, a Naga tribe, in the North Cachar Hills of Assam, India. Drawing upon critical studies of 'religion', cultural/ethnic identity, and nationalism, archival research in both India and Britain, and fieldwork in Assam, the book initiates new grounds for understanding the evolving notions of 'reform' and 'identity' in the emergence of a Heraka 'religion'. Arkotong Longkumer argues that 'reform' and 'identity' are dynamically inter-related and linked to the revitalisation and negotiation of both 'tradition' legitimising indigeneity, and 'change' legitimising reform. The results have deepened, yet challenged, not only prevailing views of the Western construction of the category 'religion' but also understandings of how marginalised communities use collective historical imagination to inspire self-identification through the discourse of religion. In conclusion, this book argues for a re-evaluation of the way in which multi-religious traditions interact to reshape identities and belongings.

Native Americans and Canadians are largely romanticised or sidelined figures in modern society. Their spirituality has been appropriated on a relatively large scale by Europeans and non-Native Americans, with little concern for the diversity of Native American opinions. Suzanne Owen offers an insight into appropriation that will bring a new understanding and perspective to these debates. This important volume collects together these key debates from the last 25 years and sets them in context, analyses Native American objections to appropriations of their spirituality and examines 'New Age' practices based on Native American spirituality. The Appropriation of Native American Spirituality includes the findings of fieldwork among the Mi'Kmaq of Newfoundland on the sharing of ceremonies between Native Americans and First Nations, which highlights an aspect of the debate that has been under-researched in both anthropology and religious studies: that Native American discourses about the breaking of 'protocols', rules on the participation and performance of ceremonies, is at the heart of objections to the appropriation of Native American spirituality.

"Spirit Wars" is an exploration of the ways in which the destruction of spiritual practices and beliefs of native peoples in North America has led to conditions of collective suffering--a process sometimes referred to as cultural genocide. Ronald Niezen approaches this topic through wide-ranging case studies involving different colonial powers and state governments: the seventeenth-century Spanish occupation of the Southwest, the colonization of the Northeast by the French and British, nineteenth-century westward expansion and nationalism in the swelling United States and Canada, and twentieth-century struggles for native people's spiritual integrity and freedom. Each chapter deals with a specific dimension of the relationship between native peoples and non-native institutions, and together these topics yield a new understanding of the forces directed against the underpinnings of native cultures.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

African cults and religions enrich all aspects of Cuba's social, cultural and everyday life, and encompass all ethnic and social groups. Politics, art, and civil events such as weddings, funerals, festivals and carnivals all possess distinctly Afro-Cuban characteristics. Miguel Barnet provides a concise guide to the various traditions and branches of Afro-Cuban religions. He distinguishes between the two most important cult forms - the Regla de Ocha (Santeria), which promotes worship of the Oshira (gods), and the traditional oracles that originated in the old Yoruba city of lle-lfe', which promote a more animistic worldview. Africans who were brought to Cuba as slaves had to recreate their old traditions in their new Caribbean context. As their African heritage collided with Catholicism and with Native American and European traditions, certain African gods and traditions became more prominent while others lost their significance in the new Afro-Cuban culture. This book, the first systematic overview of the syncretization of the gods of African origin with Catholic saints, introduces the reader to a little-known side of Cuban culture.

A healing and balanced faith, Haitian Vodou is a member of the African Traditional Religions that came into the Western Hemisphere via the Transatlantic slave trade. Despite a much misunderstood image, Vodou gives its practitioners the tools to understand the world around them. By participating in an annual calendar of observances, rituals and services, servitors can engage with the Vodou "Mysteries," thereby enlisting their aid in helping lead a balanced life. Manbo Vye Zo uses her own story of becoming manbo or mother of the spirits as a stepping stone for her students and godchildren so they can learn by her example. An educational text as well as story, Manbo helps the reader gain a greater understanding of the faith as she leads us ever deeper into unexplored territory. Come experience the world of Haitian Vodou from an insider's perspective, and leave forever changed in your outlook on the world of Vodou.

Dread Jesus explores the black, dreadlocked Jesus in the teachings of Rastafari.Is Rastafari simply a bizarre Christian cult, destined to fade if the Emporer Haile Selassie never reappears? Or could it become a vibrant Two-Thirds World reform movement, recalling Christianity to its original non-oppressing gospel for all people?Rigorously researched, William David Spencer 's unique and compelling study - which includes exclusive inteviews with major Rastafarian thinkers and close analysis of the lyrics of many reggae songs - will prove genuinely accessible to anyone who wishes to learn more about Rastafari and its significance for global Christianity.

For centuries Western scholarship, and the African scholars seduced by this body of knowledge, have not been interested in African "religions" per se, but what was worse, African scholars began not to study indigenous African spirituality on its own terms but through European eyes and intellectual categories. Okot p'Bitek, who is best known for Song of Lawino, was one of the first African scholars to call attention to this situation and argue African scholars need not "Hellenize" African spiritual practices and ideas and that what we have come to think as "African religions" are European versions in African disguise. This publication, along with a new introduction by Ghanaian philosopher Kwasi Wiredu, reintroduces a classic work to a new generation, especially for those with an interest in African spiritual cultures and in need of "decolonizing" them so that they be studied, appreciated, and engaged on their own cultural and historic terms.

An Account of the Rites and Mysteries Connected with the Origin, Rise, and Development of Serpent Worship in various Parts of the World, Enriched with Interesting Traditions, and A Full Description of the Celebrated Serpent Mounds and Temples, Forming An Exposition of One of the Phasks of Phallic, or Sex Worship.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This work surveys a wide spread of old rites, practised during initiations, puberty, marriages, burials, and other major events of life. Relying on ornamental artwork on pottery and on ancient inscriptions and literature, the author examines, among other topics, Old Testament terms for "dancing," and forms of musical accompaniment in the time of the Hebrews; the sacred processional dance, performed by Hittites, Egyptians, Greeks, Romans, and other peoples; the ritual dance around sacred objects; and sacred dances performed during harvests and other festivals. Students of bygone civilizations, dancers, choreographers, and anyone interested in the history of this age-old art form will find this text of immense value. The chapters include: The origin and purposes of the sacred dance; The sacred dance among the Israelites, Old Testament terms for "dancing," The sacred processional dance and dances in honour of supernatural powers, The ritual dance round a sacred object, The ecstatic dance, The sacred dance at vintage, harvest, and other festivals, Dances in celebration of victory, The sacred dance as a marriage rite, and Dancing as a mourning and burial rite.

The Icelandic Sagas are prose histories, describing life and events that took place in Iceland, during the 10th and 11th centuries. They are stories of families, adventures, feuding, deal-making, wars, great journeys, history, and myth. They are stories of the Norse and Celtic settlers and their descendants in Iceland during what is sometimes called the Saga Age. For Asatruars and Heathens, there is indispensible knowledge to be gained here. These tales give us a window into the world of our heathen ancestors. What did they value? How did they resolve conflicts? How did they uphold their responsibilities to their famlies and their friends? How did they approach life and their places within the community? How did they view and honor their Gods and Ancestors? Contained in this volume are nearly 800 pages of Icelandic Sagas. Read, learn, and enjoy these tales of our Ancestors. This is part of a planned 3 volume set. All profits go into a fund to build a Hof and Hall here in the Heartland.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

A unique characteristic of Native American medicine is the belief that each patient holds a different spirit, and that the healing can only work when it affects the individual spirit. Mythology is essential to this healing process. The belief stories within these pages reflect a culture that holds both poignant and alarming lessons. Readers of this book will discover the intriguing past and knowledge of Native American history and beliefs which are more enlightening than they may have previously realized. Teresa Pijoan was raised as a young child on San Juan Pueblo Reservation in New Mexico by her Barcelona born father and her New York born mother. When Teresa was twelve years old, her family moved to Nambe Indian Reservation. She also spent several summers with her adopted aunt at Hopi. As a University of New Mexico at Valencia history professor, Teresa Pijoan, PhD, is an internationally acclaimed author, storyteller, and lecturer. She has won many awards for her teaching and her publications. Her other books from Sunstone Press are "American Indian Creation Myths," "Pueblo Indian Wisdom," "Ways of Indian Magic," and "Dead Kachina Man."

Shamanism... what is it? Is it a phenomenon with a clear definition or with a set of clearly definable attributes? Has the phenomenon changed over time, or are today's versions found in suburban basements the same as those that were practiced hundreds of years ago by various tribal people? What can we figure out about shamanism if we simply look at the term itself and how it has been employed over time? What if we restrict ourselves to one geographic location? These are some of the questions grappled with, and partially answered, in this book. By discussing the historical use of the terms shamanism and shaman in North America, Peter N. Jones offers fresh insights into the history of this phenomenon. Comparing current understandings and descriptions of the phenomenon with those of the historical and archival record, Shamans and Shamanism presents a comprehensive analysis of the terms use over time. Included in the book is a comprehensive bibliography of the term's use in North America. Shamans and Shamanism is an important resource for anyone interested in this phenomenon. It provides new insights into the history of the terms, their use in both academic and pop literature, and offers a starting point for future investigations of the phenomenon.

There exists a race of Giants who live in the Blue Mountains of India. Read this book and discover who they are, how they use Spiritual Powers, and why they Worship the Sacred Buffalo. This is a true story of Blavatsky's contact with these ancient people.

All the races of men, along with their gods, descend from Japhet, son of Noah. The Hebrew and Hindu holy books say that all our deities and religions came from a race of spacemen from Outer Space, to keep mankind from devolving to animal level. "It was then, and later too, that the Nephilim appeared on earth-when the divine beings cohabited with the daughters of men ." (Genesis 6:4). The ancient Hindus and Turks called them Navalin (Star Ship People) and Anunaka/Anunaki (One who is from the Sky; From the Place of No Pain). The Sumerians, Mesopotamians, and Akkadians called them Anunaki (Sky Gods; People of Heaven and Earth).

The divine strangers appointed the tribe of Japhet or the Sanskrit Jyapeti to rule the earth. This divine right of kingship extended also to their close relatives, the Yadu, Yadava, and Yahuda (Jews). The divine religions they inherited were Judaism, Christianity, Hinduism, Buddhism, and Jainism-all of which originated in Siberia. But things went wrong. Mankind kept getting worse. Men started to deny that Christaya, Kurus, and Aryans, as they were called, originated from Mt. Meru in Southern Siberia. The ancient Jews insisted that mankind had spread from the Tower of Babylon, which was just a symbol of Meru. The Hindus likewise insisted that their Gods were home grown and not from Outer Space. Yet, the story might be true. It extended over the entire Eastern Hemisphere.

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The Matachines dance is a ritual drama performed on certain saint's days in Pueblo Indian and Mexicano/Hispano communities along the upper Rio Grande valley in New Mexico and elsewhere in the American Southwest. It derives from a genre of medieval European folk dramas symbolizing conflict between Christians and Moors. Spaniards brought it to the Americas as a vehicle for Christianizing the Indians. In this book, Rodriguez explores the colorful, complex, and often enigmatic Matachines dance as it is performed today. In the Upper Rio Grande Valley of New Mexico, the Matachines is the only ritual dance performed in both Indian Pueblos and Hispano communities. There, the dance involves two lines of masked dancers, a young girl in white and her crowned, masked, male partner, a bull, and two clowns. Accompanied usually by violin and guitar, these characters enact a choreographic drama that symbolizes encounter, struggle, and transformation-resolution. In this classic, prize-winning ethnographic study, anthropologist and native New Mexican Sylvia Rodriguez compares Indian Pueblo and Hispano Matachines dance performance traditions to discover what they share, how they differ, what they reveal about specific communities, and what they mean to those who continue to perform them with devotion and skill. Sylvia Rodriguez, a professor of anthropology at the University of New Mexico, studies interethnic relations in the US-Mexico Borderlands, with particular focus on Hispano/Mexicano-Pueblo-Anglo relations in the Upper Rio Grande Valley of New Mexico. She holds degrees from Barnard College and Stanford University, and has taught at Carleton College and the University of California, Los Angeles. Her publications deal with the impact of tourism on ethnic relations; the politics of identity, place, and representation; identity and ritual; and conflict over land and water. She continues to conduct ethnographic fieldwork in and around her home town of Taos.

"Song of the Caiman""Spiritual Beliefs of the CiBoNey Peoples""Connect with the ancestors and there Florida and Caribbean descendents"For more information please contact: Ciboney Tribe of [email protected]

Traditional indigenous cultures in many parts of the world have displayed a profound appreciation of the relationship between human and ecosystem health, something global culture is trying to rediscover under the label of sustainability. A spiritual resource for sustainable living, this poem records the creation story of the Sami, a nomadic people of Northern Europe, and then retells several Scandinavian folk-tales derived from their playfully animistic world view. Their deep kinship with the wild is shown in their awe for bears: The bear is more like people are Than any other thinking creature: He stands up on two legs to strike, With eyes that skewer like a spike, And when we cut away his skin He looks like a great bloody man.

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"An old dog (galu wamkota) does not dig for nothing," so the proverb says. The two authors, one from America (with 45 years in Zambia); the other from Zambia, explore the encounter of the Christian faith with African Traditional Religion, treating concept(s) of God, the world of the spirits, of powers and witchcraft, and then how the Bible can be translated into the language of Zambia and Malawi taking into account both changes in concepts of translation and in society

Lynn V. Andrews takes the reader with her as she goes on inward journeys with the help of the Sisterhood of the Shields, and relates the stories of others.
Join her as she is initiated into the Sisterhood and creates her own shield, which will show her the nature of her spiritual path ("Spirit Woman"). Follow her to the Yucatan, where the medicine wheel leads her, and she is faced with the terrifying reality of the butterfly tree ("Jaguar Woman"). Enter the Dreamtime with her, where she emerges in medieval England as Catherine, and encounters the Grandmother, who offers to show Andrews how to make her life one of goodness, power, adventure, and love ("The Woman of Wyrrd").
Not all these stories describe the author's own spiritual experiences. Meet Sin Coraz?n, an initiate into the Sisterhood, whose husband abandons her. She nearly succumbs to her inner dark power and unleashes her rage on men and the Sisterhood ("Dark Sister"). Andrews also writes about the elder women of the Sisterhood: their loves, their lives, their losses ("Tree of Dreams").
Andrews shows us how to channel our own spiritual and intellectual energy and balance the need for love with the desire for power ("Love and Power"). She takes the reader on numerous spiritual journeys that inevitably uplift.