Johann Sebastian Bach's chorale settings have been vital to the teaching of music ever since they were composed. His four-voiced harmonisations represent a Baroque composer's approach to melodies that are often centuries older. As musical styles continued to evolve, each succeeding generation of teachers and students brought their own viewpoint to bear on this small corpus of music. Consequently, during the three centuries since their composition and a quarter of a millennium since their first publication, a range of contrasting ideas and approaches has tended to obscure the fundamental nature of these short yet complex musical works. This volume of Resources presents a comprehensive selection of individual phrases and whole chorales in Bach's harmonisations, together with some alternative settings for comparison. They have been sorted into five principal types and arranged in an increasing order of complexity. Every phrase has been meticulously checked for accuracy against its original version in the cantatas and Passions. This collection complements any course on chorale harmonisation - in particular, it provides authentic solutions to the exercises set in the accompanying Workbook.

Although most people agree that Mozart's music sparkles brilliantly, no one knows for sure how Mozart created those majestic glimmering sounds. Today, scholars are investigating Mozart's life and work, not only to assess and admire how great a composer he was, but also to find why his music is so outstanding and intricate on one hand and so appealing to all including the common man at the same time. Mozart's best music has a natural flow and irresistible charm, and can express humor, joy or sorrow with both conviction and mastery. His compositions, especially his later efforts, are brilliant examples of a pure art form; even his lesser compositions and juvenile works feature much attractive and often masterful music. Despite such fervor and brilliance, Mozart's life was tormented by many difficulties and mysteries which have not yet been completely revealed. This work aims to offer some reflections about the most debated aspects of his intense existence.

LUCA ANDREA GIORDANO lives in Italy. He holds doctorate degrees in Foreign Languages, Modern Philology, Vocal Performance (Opera and Chamber music) and Oboe. He dedicates his time equally as a linguist and interpreter assisting professional departments at various Italian Music Conservatories in English and French, and as author of extensive analytical works in musicology, linguistics and composition for important publishing houses. He has been associated with the Opera House "Giuseppe Verdi" in Salerno, as chorus member, since 1999. He also performs frequently as classical singer and oboist at national and international levels.

The Struggle of the Magicians. Choreographed and staged by Georg Gurdjieff for the first time more than a century ago, this ballet became a magnet attracting thousands of spiritually disillusioned men and women to performances in Europe and the U.S. after WW I, then it simply vanished from sight after WW II. Its reappearance in print commemorates the birthday of Mr. Gurdjieff 131 years ago (Jan 13, 1872)