Beethoven's Opus 59, Number 2 is the first of three quartets written for a commission by Prince Andreas Razumovsky, who was Russian Ambassador to Vienna at the time. The work comes just six years after the last of Beethoven's early quartets, yet shows a significant difference in style - and in length, with performance times of over 40 minutes common for the quartet. This edition is a Pocket Score, designed for ease of use in rehearsals or in studying the work. Its compact size allows for easy transport in your case.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Wilhelm Richard Wagner (1813-1883) was a German composer, conductor, theatre director, philosopher, music theorist, poet, essayist and writer primarily known for his operas, for which he wrote both the music and libretto. "Tristan und Isolde" is based largely on the romance by Gottfried von Strassburg, and inspired by the philosophy of Arthur Schopenhauer.

Composed in 1914, Ravel's sole work for the classical ensemble of piano, violin and cello was first heard in Paris at the Salle Gaveau on January 28, 1915, with Alfredo Casella on the piano, Gabriel Willaume on violin and Louis Feuillard on cello. The work was quickly recognized as a worthy addition to an already wealthy repertoire and remains popular today. The score reproduced here was first issued in 1915 by Durand. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

This is the second, revised edition. . NB. This is Vol. 2 onyly 978-1-84955-105-2. . Vol.1 is 978-1-84955-103-8. . Your customer may prefer to buy the two volumes as one book 978-1-84955-035-2. .

Holst's popular suite was named for the St. Paul's Girls' School of Hammersmith, London - where he was the music director from 1904 until his death thirty years later. Composed in 1912 as a token of gratitude for the installation of a sound-proof teaching studio. Holst composed this and nearly all subsequent works in this studio. Now available in a newly-engraved, easy-to-read score edited by Richard Sargeant.

This is a facsimile of the CUP 1921 edition of Part iii - The Hymns and Hymn Melodies of the Organ works.

This is a facsimile of the the CUP 1917 edition of Part ii of Bach's Chorals - The Hymns and Hymn Melodies of the Cantatas and Motetts. Walter Emery said that his biography of Bach was "the only one that is both detailed and readable."

This is a facsimile reprint of the CUP edition of 1915.

Beethoven's String Quartet No. 5 (Opus 18, No. 5), is part of the set of 6 quartets that Beethoven wrote between 1798 and 1800. This is the Performer's Edition of the quartet, with clean print and easy to read markings designed for the performer. This version is a pocket score, sized at approximately half a standard sheet of paper for easy transport and use for performing musicians and students.

Three of the most outstanding waltzes from Tchaikovsky's ballet masterpiece have been thoughtfully arranged as a 15-minute dance suite by Carl Simpson, who also prepared the new critical edition of the complete ballet. The final waltz is the most familar, but the two others offer quite different perspectives on the familar dance form from the Russian master.

The seventh in his visionary series of thirteen tone poems for orchestra, Liszt's "Festkl nge" was composed in 1853 and was given its premiere in Weimar on 9 September 1854 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the fourth volume of the Liszt-Stiftung edition, published in 1909. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

This is a facsimile of volume 2 of the first edition in 1773, ISBN 978-1-84955-067-3. . Volume 1 is available as a matching pair, 978-1-84955-065-9. . Both volumes have also been reprinted as one book which makes it slightly cheaper, 978-1-904331-58-2. .

Beethoven's String Quartet No. 2 (Opus 18, No. 2), is part of the set of 6 quartets that Beethoven wrote between 1798 and 1800. This is the Performer's Edition of the quartet, with clean print and easy to read markings designed for the performer. This version is a pocket score, sized at approximately half a standard sheet of paper for easy transport and use for performing musicians and students.

Lofty and Ascendant, for String Quartet, was composed in 2005 in conjunction with the novel, 'Lofty and Ascendant, this view of a girl', also written by Phaedimus. It was first performed in concert on 7th April 2007.

"Liszt's Dante Symphony" is a thrilling tale of murder and covert spy rings amid the turbulent rise of Bismarck's Prussia, thus leading to Hitler's infernal Third Reich. Following the lives of a student of Liszt's, named Angelo Di Purezza, and his son, the reader is taken on a journey of suspense that cascades over two generations. During those years Europe would experience numerous revolutions, the unification of Italy, and witness two World Wars that would feature ghastly chemical weapons, atomic bombs, and insidious poison gas called Zyklon-B. Franz Liszt is joined by a huge cast of historical characters, including Napoleon III, Pope Pius IX, Rossini, Saint-Saens, Gustave Dore, Victor Hugo, Albert Einstein, Adolf Hitler and many others. The tale is an exciting amalgamation of history, politics, religion, music, the fine arts, secret codes, murder, suspense, sacrifices, and even romance.

Facsimile reprint of his biography. Translated from German into English and this edition originally published in 1865. NB. This is 2 vols in one book.

With this volume, Howard Smither completes his monumental History of the Oratorio. Volumes 1 and 2, published by the University of North Carolina Press in 1977, treated the oratorio in the Baroque era, while Volume 3, published in 1987, explored the genre in the Classical era. Here, Smither surveys the history of nineteenth- and twentieth-century oratorio, stressing the main geographic areas of oratorio composition and performance: Germany, Britain, America, and France. Continuing the approach of the previous volumes, Smither treats the oratorio in each language and geographical area by first exploring the cultural and social contexts of oratorio. He then addresses aesthetic theory and criticism, treats libretto and music in general, and offers detailed analyses of the librettos and music of specific oratorios (thirty-one in all) that are of special importance to the history of the genre. As a synthesis of specialized literature as well as an investigation of primary sources, this work will serve as both a springboard for further research and an essential reference for choral conductors, soloists, choral singers, and others interested in the history of the oratorio. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

The Best Of Singing Grades 1-3 (High Voice) celebrates the wealth of exciting repertoire featured on the current ABRSM and Trinity College London singing syllabuses. As well as carefully selected range of classical, contemporary and folk songs, these books bring together some of the greatest jazz standards and Broadway hits ever written, all edited to the highest standard and with online audio .

This work is a cantata for chorus and orchestra, with baritone solo, celebrating the pioneers who settled the American wilderness. In his poem, Green has given us the finer spirit of the ancestors of many native Americans throughout the republic. Charles Vardell has brought his imagination and distinguished skill to the translation of emotions, ideas, and aspirations into music.
Originally published in 1947.
A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Il Turco In Italia: Dramma Buffo Per Musica Gioacchino Rossini Tip. G. Pirola, 1814

Gustav Holst's first excursion into music for band (known as "military band" at the time) was composed in 1909. Despite there being very little standardization of the instruments and number of players used in such ensembles, Holst managed to score his three-movement work in a very flexible way so that the work could be played by an ensemble with as few as 19 wind and brass players, plus percussion. Although the occasion and ensemble which motivated the work's creation remain obscure, the 'First Suite' became tremendously popular in the years after its first publication in 1921.With the advent of public school bands in the USA, the original publisher added numerous parts for instruments not found in the original manuscript and provided substitutes for some originally designated instruments which had become obsolete over the years, producing a bloated full score in 1948. Richard Sargeant's newly engraved edition goes back to Holst's small band concept, with substitutions made to match the parts disposition and timbre of original score. Now available at an affordable price in a convenient format, this score will be welcomed by bands, wind ensembles and devoted fans of a work which is now part of the core repertoire worldwide.