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Books > Music > Western music, periods & styles > General
This is a facsimile of the orignal 1776 edition, not the Victorian
reprint. This is volume 4 of 5. See other entries for the other 4
volumes.
The last of Beethoven's middle period string quartets, the String
Quartet No. 11 in F minor, Opus 95, represents a departure for
Beethoven. The work, which became known as the "Serioso" quartet
after Beethoven's initial tempo marking of "Quartetto Serioso," was
marked on the autograph as being completed in October 1810, but did
not receive a first performance until 1814. Beethoven was quoted as
saying the work was never intended for public performance.
Throughout the quartet, Beethoven experiments with new techniques
that he had not used in previous quartets, with silences and
unusual tonality for a sonata form work. This is the Performer's
Edition Pocket Score of the work, designed for easy transport in a
case or compact carrying for study of the work.
Life Of Chopin. Many of the earliest books, particularly those
dating back to the 1900s and before, are now extremely scarce and
increasingly expensive. We are republishing these classic works in
affordable, high quality, modern editions, using the original text
and artwork.
Paul Marie Theodore Vincent d'Indy (1851-1931), was a composer and
teacher. He initially read law and then moved to music. He studied
under Cesar Franck at the Conservatoire de Paris. He co-founded the
Schola Cantorum in 1894.
One of Johann Strauss II's most enduring sets of Waltzes, "Roses
from the South" was arranged by the composer from themes taken from
his 1880 operetta, "The Queen's Lace Handkerchief." This new,
convenient sized study score is a licensed reduced-sized reissue of
the outstanding new edition prepared by Clark McAlister that was
first published by E. F. Kalmus in 2007.
This is a facsimile of the origial 1776 edition, not the Victorian
reprint. This is volume 5 of 5. See other ISBN entries for the
other 4 volumes.
Three works by conductor Felix Weingartner (1863-1942) feature the
title essay, which discusses the performing difficulties and
interpretation questions involved in Beethoven's 9 symphonies. Also
includes "On Conducting" and "The Symphony Since Beethoven," both
attesting to the belief that art is at its best when an
"exceedingly delicate balance is attained between the feeling and
the intellect."
Cello Online String Sampler Cello Sheet Music is a fun and easy way
to actively learn, study and play beautiful cello music from a wide
variety of styles and eras. 54 pieces are featured, representing
music history periods, styles and cultures, including Medieval,
Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle,
Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime
and Blues. These arrangements have been simplified for advanced
beginners to intermediate players, and provide a representative
sampling of most major forms of string music such as concertos,
symphonies, sonatas, quartets and trios. A study guide, sold
separately, explains the history and musical form of the selected
pieces, and includes cello technique tips for each piece of music.
As an added bonus, sound files of each piece are currently
available on a website, Cello Online : http://www.celloonline.com
(no guarantees are made that these sound files and website will be
available indefinitely). In addition to sound files, Cello Online
content includes a review of cello basics such as instrument care
and tuning; cello playing position; fingering assistance; cello
technique tips; scales and etudes; and music theory basics. Let the
music begin
This is a facsimile reprint of the 1773 edition. Originally in two
volumes but now bound as one. There is a small bibliography
provided by the publisher.
Facsimile reprint. Arie musicale: per cantarsi nel gravicimbalo, e
tiorba a una, a due, e a tre voci. Di Girolamo Frescobaldi
organista del Serenissimo Gran Duca di Toscana. Libri primo e
secondo. [Florence 1630].
Francesco Geminiani: The art of playing on the violin: containing
all the rules necessary to attain to a perfection on that
instrument, with great variety of compositions which will also be
very useful to those who study the violoncello, Harpsichord etc.
Contains 24 examples & 12 compositions. Facsimile of the 1751
edition.
This is a facsimile reprint of the edition printed by Thomas Este,
circa 1587.
From adagio to voyage, over 800 steps, movements, poses, and
concepts are fully defined. A pronunciation guide and
cross-references to alternate names for similar steps and positions
that vary from the Russian to the French or Italian schools are
also invaluable aids.
Dubois' oratorio was given its premiere on Good Friday (April 19),
1867 at glise de la Madeleine in Paris under the composer's
direction. Although first published in 1886 by Georges Hartmann of
Paris, the vocal score presented here is a digitally enhanced
reprint of the one first produced in 1899 by G. Schirmer of New
York, with an English translation beneath the original Latin text
by Theodore Baker (1851-1934). This score has been carefully
reviewed, with measure numbers and rehearsal letters added. It is
now completely compatible with the widely available full score and
orchestral parts issued by Edwin F. Kalmus. The large (A4) size
makes it particularly easy to read for choruses both at both
professional and community levels.
The Third Symphony is Brahms at his most masterful and most
appealing, from the great fanfare motive of its opening measures to
the lyrical melancholy of the world-famous POCO ALLEGRETTO
movement. The work appears here in full score, with bar-numbered
movements and ample margins at the bottom of each page for notes
and analysis.
"I am sure harpists throughout the world will love to read this
inspiring account of Henriette Renie's life as seen through the
eyes of one of her oldest and dearest friends and former students.
Available now in this fine English edition prepared with devotion
by Jaymee Haefner, this small volume gives the reader a glimpse of
the heart and soul of this great harpist and pedagogue." Susann
McDonald ----- "This is truly one of the finest and most detailed
compilations of Renie's life in existence today. It has always been
sad to me that Mlle Renie did not receive the tributes via the
media that she so truly deserved, probably because of the time in
which she lived. For Carlos Salzedo to say, 'Mlle Renie is higher
above all harpists than the heavens above the earth' is very
profound. It is so helpful to the harp world to have the
information provided in this book and I will encourage all my
students and friends to read it. This book represents many hours
and years of careful research and devotion to an important cause."
Linda Wood Rollo ----- "Henriette Renie was one of the most
inspirational harpists in history. She set a standard of excellence
that harpists for generations will aspire to. This thorough and
comprehensive look at Renie's life and achievements is a treasure,
containing information that is imperative to all harpists." Dr.
Carrol McLaughlin ----- "The Legend of Henriette Renie is the most
extensive resource currently available on the life of this
significant artist in the history of the harp whose life reflected,
intersected, and influenced many of the artistic and cultural
trends in late nineteenth to early-mid-twentieth century France. It
is an immeasurable contribution to the harp world and to those who
are interested in learning about a person who profoundly affected
her chosen profession yet also reflected the cultural and social
restrictions of her time." Dr. Ann Yeung ----- "There are so few
harpists in the world that each of the great ones leaves an
identifiable imprint. Renie has had a far reaching effect on the
world of the harp, and the opportunity to learn about her life and
philosophy should be part of the education of every serious
harpist. She also has much to offer those who consider the place of
faith in everyday life." Anna Vorhes
This book is a facsimile reprint and may contain imperfections such
as marks, notations, marginalia and flawed pages.
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