Ethan Allen and HGTV may have plenty to say about making a home look right, but what makes a home feel right? In House Thinking, journalist and cultural critic Winifred Gallagher takes the reader on a psychological tour of the American home. By drawing on the latest research in behavioral science, an overview of cultural history, and interviews with leading architects and designers, she shows us not only how our homes reflect who we are but also how they influence our thoughts, feelings, and actions.

How does your entryway prime you for experiencing your home? What makes a bedroom a sensual oasis? How can your bathroom exacerbate your worst fears? House Thinking addresses provocative questions like these, enabling us to understand the homes we've made for ourselves in a unique and powerful new way. It is an eye-opening look at how we live . . . and how we could live.

The essential companion to discover the styles, architecture, form, significance and historical impact of castles from all over the world. How to Read Castles is a travel-size primer that takes a strictly visual approach to castle architecture, building up your vocabulary of castle types, styles and materials, and showing you how these aspects can be recognised across architectural features from the floor-plan and moat, to the towers and crenulations. Focusing on the 10th-16th century period, and crusading across the globe from a Welsh motte-and-bailey to a Japanese hirajiro, this is both an architectural reference and a visitor's guide showing you how to read the stories embedded in every castle's stones. Castles once dominated the landscape as seats of power and symbols of wealth and status, providing a means of control over borders, passes, routes and rivers. Armed with this book you will be able to unpick their histories and see how they shaped the land around them. From rugged coastline defences to soaring mountain fortresses, this book takes you on an international journey of discovery, exploring some of the most inspiring and impressive architecture history has ever seen.

Natalia Vlasenko (PhD) is a well-known lecturer at Moscow State University of Culture and Arts. She is passionate about the education of students and teaching them how to discuss their own culture in the English language. Empowering students to spread information about the Russian culture, in English, has gained her an impressive reputation. This book gives an overview of various aspects of Russian culture as well as insight into prominent figures and will be of interest to all students, especially those studying the Arts.

Hey, kids!

If you liked learning the basics of three-dimensional drawing from Mark Kistler in his books Draw Squad and Imagination Station, you'll love his new book, Drawing in 3-D with Mark Kistler. Featuring a fun, action-filled tale about a family of lovable characters struggling through a series of breathtaking discoveries and hilarious adventures, Drawing in 3-D with Mark Kistler is all you need -- along with a sharpened pencil, a ready imagination, and Mark Kistler's Drawing in 3-D Wacky Workbook -- to draw cool creatures and awesome objects such as:

• Atomic Androids, Big Bug-Eyed Birds, and Colossal Castles
• Daring Driving Dogs, Early Egyptian Sphinx, and Kissing Kangaroos
• Magnificent Macaroni, Peaceful Pelicans, and Zapping Zombies

...as well as your own favorite fantasies and imagined adventures!

After many visits to Wales to photograph some of the castles I decided to produce this book, I selected 20 castles, not the biggest or grandest, to represent the spirit of these old structures. Steve Howe, a local writer, researched and wrote a potted history of each castle, I think between us we have created not only a picture book but also a history book.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.

A former New York Times Paris bureau chief explores the Louvre, offering an intimate journey of discovery and revelation.

The Louvre is the most famous museum in the world, attracting millions of visitors every year with its masterpieces. In Adventures in the Louvre, Elaine Sciolino immerses herself in this magical space and helps us fall in love with what was once a forbidding fortress.

Exploring galleries, basements, rooftops, and gardens, Sciolino demystifies the Louvre, introducing us to her favorite artworks, both legendary and overlooked, and to the people who are the museum’s lifeblood: the curators, the artisans producing frames and engravings, the builders overseeing restorations, the firefighters protecting the aging structure.

Blending investigative journalism, travelogue, history, and memoir, Sciolino walks her readers through the museum’s front gates and immerses them in its irresistible, engrossing world of beauty and culture. Adventures in the Louvre reveals the secrets of this grand monument of Paris and basks in its timeless, seductive power.

Published to accompany an exhibition at Salisbury Museum and Art Gallery, this volume explores the most significant works of art engaged with prehistoric moments across Britain from the 18th century to the 21st. While some of the works in the earlier period may be familiar to readers - especially Turner and Constable's famous watercolours of Stonehenge - the varied responses to British Antiquity since 1900 are much less well known and have never been grouped together. The author aims to show the significance of antiquity for 20th-century artists, demonstrating how they responded to the observable features of prehistoric Britain and exploited their potential for imaginative re-interpretation. The classic phase of modernist interest in these sites and monuments was the 1930s, but a number of artists working after WWII developed this legacy or were stimulated to explore that landscape in new ways. Indeed, it continues to stimulate responses and the book concludes with an examination of works made within the last few years. An introductory essay looks at the changing artistic approach to British prehistoric remains over the last 250 years, emphasizing the artistic significance of this body of work and examining the very different contexts that brought it into being. The cultural intersections between the prehistoric landscape, its representation by fine artists and the emergence of its most famous sites as familiar locations in public consciousness will also be examined. For example, engraved topographical illustrations from the 18th and 19th centuries and Shell advertising posters from the 20th century will be considered. Artists represented include: JMW Turner, John Constable, Thomas Hearne, William Blake, Samuel Prout, William Geller, Richard Tongue, Thomas Guest, John William Inchbold, George Shepherd, William Andrews Nesfield, Copley Fielding, Yoshijiro (Mokuchu) Urushibara, Alan Sorrell, Edward McKnight Kauffer, Frank Dobson, Paul Nash, Eric Ravilious, John Piper, Henry Moore, Barbara Hepworth, Ithell Colquhoun, Gertrude Hermes, Norman Stevens, Norman Ackroyd, Bill Brandt, Derek Jarman, Richard Long, Joe Tilson, David Inshaw and Jeremy Deller.

This comprehensive, beautiful book delves deep into the complex but fascinating story of our relationship with colour throughout human history. Colour is fundamental to our experience and understanding of the world. It crosses continents and cultures, disciplines and decades. It is used to convey information and knowledge, to evoke mood, and to inspire emotion. This book explores the history of our understanding of colour, from the ancient world to the present, from Aristotle to Albers. Interspersed in the historical story are numerous thematic essays that look at how colour has been used across a wide range of disciplines and fields: in food, music, language and many others.   The illustrations are drawn from the Royal College of Art’s renowned Colour Reference Library which spans six centuries of works and nearly 2,000 titles, from a Gothic manuscript on the composition of the rainbow to hand-painted Enlightenment works on colour theory and vibrant 20th-century colour charts, including many fascinating examples not  seen in other books. Delving far and wide in this fascinating and varied subject, this book will help readers find new layers of meaning and complexity in their everyday experiences and teach them to look closer at our colourful lives.

Contributors to this special issue study the visual histories of sex by examining symbols, images, film, and other visual forms ranging from medieval religious icons to twenty-first-century selfies. They argue that engaging BIPOC, antiracist, queer, and feminist perspectives of the past is vital to understanding the complex historical relationships between sex and visual culture and how these relationships continue to shape sexual lives, bodies, myths, and desires. Essay topics include trans visual archives in Francoist Spain, a visual archive of British escort and nightclub hostess Ruth Ellis, pornography and queer pleasure in East Germany, swimsuit advertisements and "bikini blondes" in the age of the atom bomb, and teaching the history of sexuality with images. This issue also contains a roundtable on curating exhibitions devoted to sex and to queer and trans experience; conversations with historians, artists, and curators who study visual culture and the history of sexuality; and an exploration of the photographic archives of Carol Leigh, a.k.a. Scarlot Harlot. Contributors. Heike Bauer, Roland Betancourt, Alexis L. Boylan, Topher Campbell, Joao Florencio, Kyle Frackman, Javier Fernandez Galeano, Sarah Jones, Carol Leigh, Conor McGrady, Ben Miller, Derek Conrad Murray, Lynda Nead, Melina Pappademos, Ashkan Sepahvand, David Serlin, Meg Slater, Katie Sutton, Annette F. Timm, Jennifer Tucker, Jeanne Vaccaro, Sunny Xiang

This book reinterprets architecture in Beijing during the reigns of the Kangxi (1661-1722), Yongzheng (1723-1735) and Qianlong (1736-1795) emperors in the eighteenth century. More specifically, it views the building processes of the four churches and the Western palaces in the Yuanming Yuan garden as an example of cultural dialogue in the context of the Enlightenment. The study is based firstly on archival sources from different institutions from around the globe, using Big Data to manage them. Secondly, it places increased emphasis on architectural remains, preserved both in international collections as well as at archaeological sites. To take advantage of these remains, some were recorded using close-range photogrammetry. Digital sunlight analyses of the buildings' interiors were also carried out. From these emerging technologies, as well as written sources, it becomes possible first to reinterpret Beijing as an imperial capital where religious tolerance and cosmopolitanism were increasing, and second to re-evaluate the entire Yuanming Yuan Garden complex as a miniature version of Beijing. This approach makes for easier subsequent comparisons with other imperial capitals of the time, such as London, Paris and Istanbul. As such, this study reveals a largely neglected chapter in the global history of architecture, while simultaneously offering a crucial re-examination of the existing architectural remains.

In the immediate aftermath of the Revolutionary War, only the wealthiest Americans could afford to enjoy illustrated books and prints. But, by the end of the next century, it was commonplace for publishers to load their books with reproductions of fine art and beautiful new commissions from amateur and professional artists. Georgia Brady Barnhill, an expert on the visual culture of this period, explains the costs and risks that publishers faced as they brought about the transition from a sparse visual culture to a rich one. Establishing new practices and investing in new technologies to enhance works of fiction and poetry, bookmakers worked closely with skilled draftsmen, engravers, and printers to reach an increasingly literate and discriminating American middle class. Barnhill argues that while scholars have largely overlooked the efforts of early American illustrators, the works of art that they produced impacted readers' understandings of the texts they encountered, and greatly enriched the nation's cultural life.