An electrifying journey through the history of rock and roll, told through the lives of fifteen iconic drummers and their percussion rivals—from John Bonham and Charlie Watts to Ringo Starr and Questlove.

Rock and roll thrives on rhythm, but the drummers who drive that pulse often stay in the shadows. In Backbeats,acclaimed music historian John Lingan brings these unsung heroes into the spotlight, delivering a fascinating journey through six decades of rock history.

Lingan’s deep research and vivid storytelling explores the lives of fifteen pathbreaking drummers and their fellow timekeepers—men and women who together laid down the beat of an era. From Bernard Purdie’s legendary work with Aretha Franklin to Dave Grohl’s funk- and punk-indebted swing for Nirvana, these drummers redefined what was possible in pop music. Iconic figures like Ringo Starr, whose inventive style transformed the Beatles, and Charlie Watts, the steady backbone of the Rolling Stones, take center stage. But Lingan doesn’t stop there—he also shines a light on groundbreaking, underappreciated talents like Maureen Tucker of The Velvet Underground, whose minimalist beats rewrote the rulebook, and Sam Lay, a pivotal figure in rock’s evolution from the blues.

Packed with insider stories and exclusive interviews—from Robert Plant’s reflections on Led Zeppelin’s legendary sessions to superstar recording engineer Steve Albini’s behind-the-scenes accounts—Backbeats offers an eye-opening glimpse into some of rock’s most unforgettable moments, including the seismic shift of Dylan going electric at Newport, James Brown’s explosive creation of funk in the late sixties, and the birth of LA thrash metal in the early eighties.

More than just a tribute to an unrecognized group of virtuosos, this book is a love letter to the art of drumming itself. Backbeats shows how these remarkable artists not only kept the beat but drove rock and roll forward. It’s a must-read for any music lover, offering a fresh and thrilling perspective on a story we only thought we knew.

for soprano and baritone soloists, SATB, and orchestra Drawing upon the Bible, sections from the Mass, and poems by Walt Whitman, this is a powerful musical evocation of the destruction and death brought about through war and violence, with an overarching message of peace and reconciliation. It was composed in 1936, a time when war was threatening to engulf Europe once again, and the title, which translates as 'Give us peace', is as relevant now as it was when the work was premiered in 1936. Featuring some of the composer's most potent music (both serene and violent), it makes an affecting plea. Materials for the full orchestral version and an accompaniment for strings and piano are available on hire.

for SATB and piano or organ or small orchestra A semi-chorus and then a baritone solo begin this vibrant carol. Also available in Twelve Christmas Carols Set 1 and Advent for Choirs. Score and orchestral parts are available on hire.

"Sylvan's thesis furnishes far more of the same valued experiences than is usually realized: ritual activity, communal ceremony, a philosophy and worldview, a code for living one's life, a cultural identity, a social structure, a sense of belonging, and crucially, Sylvan argues encounters with the numinous."
--"Journal of Religion"

Most studies of the religious significance of popular music focus on music lyrics, offering little insight into the religious aspects of the music itself. Traces of the Spirit examines the religious dimensions of popular music subcultures, charting the influence and religious aspects of popular music in mainstream culture today and analyzing the religious significance of the audience's experiences, rituals, and worldviews. Sylvan contends that popular music subcultures serve the function of religious communities and represent a new and significant religious phenomenon.

Drawing on ethnographic fieldwork using interviews and participant observation, Sylvan examines such subcultures as the Deadheads, raves and their participants, metalheads, and Hip Hop culture. Based on these case studies, he offers a comprehensive theoretical framework in which to study music and popular culture. In addition, he traces the history of West African possession religion from Africa to the diaspora to its integration into American popular music in such genres as the blues, rock and roll, and contemporary musical youth subcultures.

Suitable for SATB unaccompanied, this work is a setting of two poems from Romances sans paroles by Verlaine. The songs are sung in French, but each has been given an English title, as the poems, which burst with character and atmosphere, reflect on two areas of London: Soho and Paddington.

This vivid oral snapshot of an America that planted the blues is full of rhythmic grace. From the son of a sharecropper to an itinerant bluesman, Honeyboy's stories of good friends Charlie Patton, Big Walter Horton, Little Walter Jacobs, and Robert Johnson are a godsend to blues fans. History buffs will marvel at his unique perspective and firsthand accounts of the 1927 Mississippi River flood, vagrancy laws, makeshift courts in the back of seed stores, plantation life, and the Depression.

This superior Manuscript Notebook is designed to inspire all musicians to compose. It contains 240 pages of high-quality 120gsm white paper, ideal for ink or pencil. The sewn binding allows for lie-flat pages, a page-finder ribbon helps you keep your place, and the elastic closure and pen loop provide ease of use. Each page presents twelve 6mm staves, designed with optimal spacing and line weight, plus an increased left-hand margin to allow for instrumentation indications. The cover features an extract from the manuscript of Thomas Ades' In Seven Days score and quotes from composers and songwriters provide inspiration on the inside endpapers.

for SATB unaccompanied This hymn to the 'Queen of the Heavens' is a glorious work, replete with dramatic changes of mood and texture. The majestic chords of the opening bars quickly give way to a spirited section in which unison altos and basses mimic the insistent flourishes of the sopranos and tenors. This pattern of contrasts is repeated throughout the piece before the final jubilant chords fade away to a modest triple piano. This is an approachable and rewarding motet, appropriate for the Feast of the Blessed Virgin Mary in addition to Eastertide. Regina caeli has been recorded by the renowned American choir, the Phoenix Chorale, and released on a Grammy award-winning CD by Chandos (Spotless Rose CHSA 5066)

for SATB unaccompanied This beautiful and spacious Magnificat and Nunc Dimittis setting of the Canticle of Mary is pure Jackson. Alternating stripped back, plainchant-style sections with homorhythmic passages for full choir, this music possesses an understated emotional intensity. The glorious key changes at the end of both the Magnificat and the Nunc Dimittis are spine-tingling. Appropriate for both Evensong and concert performance, this piece is well within the reach of most choirs.

Suitable for SATB unaccompanied, this setting of the Song of Songs expresses the emotional essence of the text.

A DAILY TELEGRAPH BOOK OF THE YEAR AN IRISH TIMES BOOK OF THE YEAR 'Genuinely eye-popping.' Guardian 'Electrifying.' Kerrang 'Essential.' Classic Rock 'Required reading.' Irish Times The must-read music book of the year, now with a brand new chapter covering the death of Taylor Hawkins and his massive Wembley memorial concert. In Bodies, author Ian Winwood explores the music industry's many failures, from addiction and mental health issues to its ongoing exploitation of artists. Much more than a touchline reporter, Winwood also tells the story of his own mental health collapse, following the shocking death of his father, in which extinction-level behaviour was given perfect cover by a reckless industry. 'This is such a shrewd, funny, psychologically perceptive, frank, well-written, jawdropping book . Absolutely buy and read the hell out of this.' DAVID STUBBS 'Winwood makes a compelling argument and overturns some long-held notions about "rock and roll excess" by deftly tying together a vast amount of information . . . and liberally lacing it with dark, self-deprecating humour.' ALEXIS PETRIDIS

for soprano soloist, mixed choir, and small orchestra This is one of the best-loved and most widely performed choral works of the twentieth century. The texts (in Latin and English) are from the Missa pro Defunctis, the Book of Common Prayer, and the Psalms. The seven sections form an arch-like meditation on the themes of life and death: prayers on behalf of all humanity, psalms, personal prayers to Christ, and in the central Sanctus an affirmation of divine glory. The full scores have been edited and engraved by the composer himself and are presented in handsome, cloth-bound editions. Vocal and orchestral material is available on hire.

Words, Music, and the Popular: Global Perspectives on Intermedial Relations opens up the notion of the popular, drawing useful links between wide-ranging aspects of popular culture, through the lens of the interaction between words and music. This collection of essays explores the relation of words and music to issues of the popular. It asks: What is popularity or 'the' popular and what role(s) does music play in it? What is the function of the popular, and is 'pop' a system? How can popularity be explained in certain historical and political contexts? How do class, gender, race, and ethnicity contribute to and complicate an understanding of the 'popular'? What of the popularity of verbal art forms? How do they interact with music at particular times and throughout different media?

Part of a growing group of works that addresses the burgeoning field of sound studies, this book attends not only to theoretical and empirical examinations, but also to methodological and philosophical considerations at the intersection of sound and education. Gershon theoretically advances the rapidly expanding field of sound studies and simultaneously deepens conceptualizations and educational understandings across the fields of curriculum studies and foundations of education. A feature of this work is the novel use of audio files aligned with the arguments within the book as well as the discussion and application of cutting-edge qualitative research methods.

Sound and Action in Music Performance addresses how auditory feedback influences the planning and execution of our movements. Focusing specifically on auditory feedback in music, including instrumental and vocal production, the book also gives substantial coverage to its role in speech. Both of these behaviors are the primary means by which people communicate their thoughts and feelings through the auditory modality, with auditory feedback being critical in each case. The book proposes that the role of auditory feedback emerges from the broader theme of coordination as our brain coordinates planned actions with concurrent perceptual events, including auditory feedback and other intrusive sounds. Critically reviewing the existing literature and proposing hypotheses for future research, this book tackles a topic that has intrigued researchers for decades.

The popularity of Celtic music has soared over the last decade due to the resurgence of folk instruments, Celtic dancing, and Irish culture overall. This amazing collection assembles over 400 songs from Ireland, Scotland and Wales - complete with Gaelic lyrics where applicable - and a pronunciation guide. Titles include: Across the Western Ocean * Along with My Love I'll Go * Altar Isle O' the Sea * Auld Lang Syne * Avondale * The Band Played On * Barbara Allen * Blessing of the Road * The Blue Bells of Scotland * The Bonniest Lass * A Bunch of Thyme * The Chanty That Beguiled the Witch * Columbus Was an Irishman * Danny Boy * Duffy's Blunders * Erin! Oh Erin! * Father Murphy * Finnegan's Wake * The Galway Piper * The Girl I Left Behind Me * Has Anybody Here Seen Kelly * I Know Where I'm Goin' * Irish Rover * Loch Lomond * Molly Malone * My Bonnie Lies Over the Ocean * My Wild Irish Rose * The Shores of Amerikay * The Sons of Liberty * That's an Irish Lullaby * When Irish Eyes Are Smiling * Who Threw the Overalls in Mistress Murphy's Chowder * and hundreds more. Also includes many Irish popular songs as a bonus.

for SATB with one piano (with or without 1 or 2 percussion players), or two pianos (with or without 1 or 2 percussion players), or orchestra This work is classic Chilcott - vibrant, fresh, and great fun. It is an exuberant setting of the well-known carol in which the 'five gold rings' refrain is re-written to appear in an array of guises: gentle soprano solo, swinging barbershop quartet, hard funk, and rock gospel style. This version is for an SATB choir but retains the flexibility to include 'guest' performers. Even the audience can join in!

for SATB, piano, and organ Set to a poem by the American hymnist Thomas Troeger, Rudolph's music brilliantly brings the poet's words, inspired by the prophet Isaiah's vision of peace and harmony among God's creatures, to life. With deft use of voices, percussion, brass and organ, Rudolph develops a simple strophic scheme (with an appealing refrain) through a single long crescendo, progressively bringing out the poem's underlying gravity.

for soprano and piano Larsen's song cycle is based on the novel by the American writer, Willa Cather, and the songs recount Jim Burden's memories of Antonia Shimerda during their shared experiences of the pioneering period of European settlement on the tall-grass prairie of the American Midwest.