Track list:
I Apologise if You Feel Something
Mantra
Nihilist (Ft. Grimes)
In the Dark
Wonderful Life (Ft. Dani Filth)
Ouch
Medicine
Sugar Honey Ice & Tea
Why You Gotta Kick Me when I'm Down
Fresh Bruises
Mother Tongue
Heavy Meetal (Ft. Rahzel)
I Don't Know What to Say

Album Description Pantera: Philip Anselmo (vocals); Diamond Darrell (guitar); Rex (bass); Vinnie Paul (drums). Recorded at Pantego Sound Studio, Pantego, Texas. With a rougher image and a more focused, aggressive sound than in their hairspray and spandex days on an independent label, Texas natives Pantera made a serious dent in the heavy music scene with the major label release of COWBOYS FROM HELL, which inspired radio play and MTV support. While Metallica and Megadeth were watering down their approach for a more mainstream sound, Pantera got harder with VULGAR DISPLAY OF POWER.

Track Listings
1 : Rural Juror - Headless Kross
2 : Who Is This Who Is Coming - Headless Kross
3 : Even the Destroyed Things Have Been Destroyed - Headless Kross

Glasgow's Headless Kross combine monolithic riffs, mind-bending psychedelia and crust-tinged freak-outs to give them their unique sound. Frequently described as 'psychedelic doom', swirling phasers and repetitive pounding rhythms give way to downtuned heaviness in a way that is somehow both tight and loose at the same time.

Track list
Ix
What the Dead men Say
Catastrophist
Amongst the Shadows & the Stones
Bleed into Me
The Defiant
Sickness into You
Scattering the Ashes
Bending the Arc to Fear
The Ones We Leave Behind
Bleed into Me (Acoustic)
Scattering the Ashes (Acoustic)
Drowning in the Sound
I Don't Wanna Be Me
Kill the Poor
Coracao Nao Tem Idade (Vou Beijar)

Track Listings
1 : PO
2 : Statue
3 : Thread Tugging
4 : Copper Mirror

This release is pressed on 12" one colored vinyl with a screen-printed Side B. Positivity is a rare commodity these days. Mythless is the most aggressively major-key-laden, percussion-heavy, heart-warming experimental music you're likely to hear. The new guitar-worshiping project from Fang Island co-founder Jason Bartell is at once heavy, anthemic, pensive, and triumphantly hopeful. The debut EP Patience Hell somehow exists at the intersection of trance-metal and meditative-hardcore. Driven by the shredding, drone-like drums of fellow Fang Island expat Marc St. Sauveur, Mythless flirts with the tech-y music of their peers, but seems to share more DNA with Enya than The Dillinger Escape Plan. The band's unabashed guitar rock exists without ego and without irony. It comes from a place deep inside. Bartell's artistic candor seems to possess a brazen joy and obliviousness to judgement, like watching a stranger in the car next to you belt out a Journey song without a care in the world. It's beautiful, and infectious.

Collection of live performances from the English metal band Asking Alexandria, including their sold out show at the O2 Academy, Brixton and their Reckless Halloween performance at The Wiltern in Los Angeles.

Badlands' long lost, third and final album, Dusk isn't really an album at all, but a batch of demos recorded between 1991 and 1992 for the group's then label, Atlantic, which first rejected them, then dropped the band, already mired in personal strife since the troubled sessions for their commercially disappointing second album, Voodoo Highway. Accordingly, the tracks that would eventually surface as Dusk were circulated as bootlegs and would have likely been mostly forgotten if not for the AIDS-related death of singer Ray Gillen, in December 1993, and the subsequent rise of the worldwide web -- both of which undoubtedly helped stimulate interest in the recordings. This led, in time, to their "official" release in 1998 by the Pony Canyon label, but it hardly altered the fact that Dusk's ten tracks were mostly one-take jobs, reportedly cut by Gillen, guitarist Jake E. Lee, bassist Greg Chaisson, and drummer Jeff Martin in just six-to-eight hours. So although the musicianship was impressively solid and the sound acceptable enough, Dusk's songs lacked the usual refinements of a final album mix, and some lyrics were even ad-libbed, resulting in a rather uniform set, devoid of the characteristic variety and bombast heard on Badlands' first two albums. Instead, most cuts might accurately be described as competent blues metal (not unlike previous efforts, just duller), with rare standouts like foreboding opener "Healin'," the distinctively brash "Walking Attitude," and the notably funky "Ride the Jack," still draped under a mantle of weary resignation, reflective of the band's dispirited frame of mind at the time. Also worth mention, though are "The River" and "Lord Knows" -- two promising sketches that may, with additional studio seasoning, have been transformed into powerful, slow-burning blues rockers; as well as the Eastern-flavored "Sun Red Sun," which contained intriguing traces of Alice in Chains, then on the rise along with the entire grunge nation. But, as mentioned earlier, all of the material collected on Dusk was far too raw and undeveloped for proper mainstream consumption, making its commercial existence justifiable only as a parting treasure for avowed Badlands aficionados. ~ Eduardo Rivadavia

After a multi-platinum debut, Grammy nominations, a successful sophomore album, sold-out tours, and a collaboration with Jay-Z, the pressure was on for Linkin Park to deliver the goods with their 2007 release, Minutes to Midnight. Interestingly, the alternative metal outfit, best known for mixing rap, rock, and electronic touches, deviates from their aggressive, angst-filled sound on their third outing--opting instead to dabble in moody, atmospheric rock. Opener "Wake" establishes the ethereal, synth-driven feel that characterizes much of the disc. Crunching electric guitars are few and far between, and most of the swirling, electronica-textured tracks weigh in at mid-to-downtempo. There are still moments of rock intensity, such as "Bleed It Out" (featuring one of rapper Mike Shinoda's few appearances), but the overall mood seems better suited to pensive bedsitting than a festival mosh pit. Co-producer Rick Rubin makes the dreamy soundscapes gleam, but longtime fans may miss the fist-pumping energy of early Linkin Park. Still, the new sonic palette of Minutes to Midnightshows a band willing to push past their own tried-and-true formulas.

Disturbed began building Asylum as soon as they got off the road in the summer of 2009. Officially entering Groovemaster Studios in February 2010, the band set about self-producing the album, as they did with Indestructible. Each CD includes a card to access exclusive download or stream of the documentary "Decade of Disturbed" that recalls ten years of history in the most candid of ways. It takes you through years of countless tours, dedication and sacrifice stripping away all the gloss and letting the real story be told... the documentary is about the fans and their brotherhood that has been formed with the band.

After a triple-platinum debut and platinum follow-up, Disturbedfuses the brutality and darkness of 2000's The Sicknesswith the added melodic nature and complexity of 2002's Believefor album number three. Aggressive, relentless and intense-yet at the same time transcendent- Ten Thousand Fistsis a rock sledgehammer.