This book investigates Rammohun Roy as a transnational celebrity. It examines the role of religious heterodoxy - particularly Christian Unitarianism - in transforming a colonial outsider into an imagined member of the emerging Victorian social order It uses his fame to shed fresh light on nineteenth-century British reformers, including advocates of liberty of the press, early feminists, free trade imperialists, and constitutional reformers such as Jeremy Bentham. Rammohun Roy's intellectual agendas are also interrogated, particularly how he employed Unitarianism and the British satiric tradition to undermine colonial rule in Bengal and provincialize England as a laggard nation in the progress towards rational religion and political liberty.

By analyzing concrete examples of the creation of a heritage in the context of migration, this multi-sited ethnography considers the implications of representations of religions and diaspora for Sindhi Hindus and other similar communities.

This five thousand year old book of ancient wisdom teachings tells the story of what happens on a battlefield when Arjuna, a man fighting for the sake of his land and birthright, meets Lord Krishna, God in human semblance. Krishna proceeds to give to Arjuna the spiritual and philosophic instruction that has made this book an all-time classic of Eastern religious thought. It answers such pressing questions as "What happens when we die?," and "Do we live again?"; as well as the correct pathway to enlightenment and moral service to God. This timeless treasure of spiritual wisdom will not fail to serve as a fount of inspiration for both the seeker and the committed spiritual devotee. LARGE PRINT FOR EASIER READING.

The Pushtimarg, or the Path of Grace, is a Hindu tradition whose ritual worship of the deity Krishna has developed in close relationship to a distinct genre of early-modern Hindi prose hagiography. This volume introduces readers to the most popular hagiographic text of the Pushtimarg-the Chaurasi Vaishnavan ki Varta, or "Narratives of Eighty-Four Vaishnavas," which tells the sacred life stories of the community's first preceptor Vallabhacharya (1497-1531) and his most beloved disciples. At the core of these narratives are descriptions of how Vallabhacharya's disciples cultivated intimate relationships with Lord Krishna through ritual performances known as seva, or loving service. Despite the widespread practice of illustrating seva through painting, these narratives, which showcase everyday men and women, have rarely been visually depicted. This book focuses on the only extant Chaurasi Vaishnavan ki Varta manuscript dated to the beginning of the 18th century, now in artist Amit Ambalal's collection.

Each card in this deck highlights a particular deity in the Hindu pantheon and provides corresponding mantras, meditations, prayers and blessings. These cards reveal a who's who in the spiritual world, and identify which roles particular gods and goddesses play in the universe. For greater intelligence, petition Saraswati or for the removal of obstacles, invoke the presence of Ganesh by chanting his mantra.

The role of the visual is essential to Hindu tradition and culture, but many attempts to understand India's divine images have been laden with misperceptions. "Darsan, " a Sanskrit word that means "seeing," is an aid to our vision, a book of ideas to help us read, think, and look at Hindu images with appreciation and imagination.

In this revelatory volume, Roberto Calasso, whom the Paris Review has called 'a literary institution', explores the ancient texts known as the Vedas. Little is known about the Vedic people who lived more than three thousand years ago in northern India: they left behind almost no objects, images, ruins. Only a 'Parthenon of words' remains: verses and formulations suggesting a daring understanding of life. 'If the Vedic people had been asked why they did not build cities,' writes Calasso, 'they could have replied: we did not seek power, but rapture.' This is the ardor of the Vedic world, a burning intensity that is always present, both in the mind and in the cosmos. With his signature erudition and profound sense of the past, Calasso explores the enigmatic web of ritual and myth that define the Vedas. Often at odds with modern thought, he shows how these texts illuminate the nature of consciousness more than neuroscientists have been able to offer us up to now.

The Virgin Mary has long been the object of both devotional and scholarly interest, and recent years have seen a proliferation of studies on Hindu goddess-worship traditions. Despite the parallels between the two, however, no one has yet undertaken a book-length comparison of these traditions. In Divine Mother, Blessed Mother, Francis Clooney offers the first extended comparative study of Hindu goddesses and the Virgin Mary. Clooney is almost unique in the field of Hindu studies as a Christian theologian with the linguistic and philosophical expertise necessary to produce sophisticated comparative analyses. Building on his previous work in comparative theology, he sheds new light not only on these individual traditions but also on the nature of gender and the divine.

The Ramayana is one of India's foundational epics, and it demonstrates a continuing power to influence social, religious, cultural, and political life. Brought to textual life in Sanskrit by the legendary "first poet," Valmiki, over the ensuing centuries the tale has been recycled with extraordinary adaptability and diversity through the varied cultural heritages of India and other parts of Asia. The basic tale of the Ramayana is continually adapted to new contexts, forms, and media. It is read, recited, sung, danced, and acted in one form or another, and renewed so constantly by changing times and values that it demands constant revaluation.
The Ramayana Revisited presents the latest in Ramayana scholarship. Fourteen leading scholars examine the epic in its myriad contexts throughout South and Southeast Asia. They explore the role the narrative plays in societies as varied as India, Indonesia, Thailand, and Cambodia. The essays also expand the understanding of the "text" to include non-verbal renditions of the epic, with particular attention to the complex ways such retellings change the way the narrative deals with gender. This volume will be invaluable to students and scholars interested in mythology, Hinduism, Asian studies, and anthropology.

The Wisdom of the Hindu Mystics
The principal texts selected and translated from the original Sanskrit, "Upanishad" means "sitting near devotedly," which conjures images of the contemplating student listening with rapt attention to the teachings of a spiritual master. These are widely considered to be philosophical and spiritual meditations of the highest order.

"The poem is rising into splendid popularity. Some say it is better than Milton-but that is all bosh-nothing can be better than Milton; many say it licks Kalidasa; I have no objection to that. I don't think it impossible to equal Virgil, Kalidasa, and Tasso." Michael Madhusudan Datta wrote this in a letter to a friend about his verse narrative, The Slaying of Meghanada (1861). The epic, a Bengali version of the Ramayana story in which Ravana, not Rama, is the hero, has become a classic of Indian literature. Datta lived in Bengal at the height of what is frequently called the Bengal Renaissance, a time so labeled for its reinvigoration and reconfiguration of the Hindu past and for the florescence of the literary arts. It was also a period when the Bengali city of Kolkata was a center of world trade-the second city of the British empire-and thus a site of cultural exchange between India and the West. Datta was the perfect embodiment of this time and place. The Slaying of Meghanada is deeply influenced by western epic tradition, and is sprinkled with nods to Homer, Milton, and Dante. Datta's deft intermingling of western and eastern literary traditions brought about a sea change in South Asian literature, and is generally considered to mark the dividing line between pre-modern and modern Bengali literature. Datta's masterpiece is now accessible to readers of English in Clinton Seely's elegant translation, which captures both the sense and the spirit of the original. The poem is supplemented by an extensive introduction, notes, and a glossary.

From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation. This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought-a concept for the stage-to its flourishing in literary thought-a concept for the page. A Rasa Reader incorporates primary texts by every significant thinker on classical Indian aesthetics, many never translated before. The arrangement of the selections captures the intellectual dynamism that has powered this debate for centuries. Headnotes explain the meaning and significance of each text, a comprehensive introduction summarizes major threads in intellectual-historical terms, and critical endnotes and an extensive bibliography add further depth to the selections. The Sanskrit theory of emotion in art is one of the most sophisticated in the ancient world, a precursor of the work being done today by critics and philosophers of aesthetics. A Rasa Reader's conceptual detail, historical precision, and clarity will appeal to any scholar interested in a full portrait of global intellectual development. A Rasa Reader is the inaugural book in the Historical Sourcebooks in Classical Indian Thought series, edited by Sheldon Pollock. These text-based books guide readers through the most important forms of classical Indian thought, from epistemology, rhetoric, and hermeneutics to astral science, yoga, and medicine. Each volume provides fresh translations of key works, headnotes to contextualize selections, a comprehensive analysis of major lines of development within the discipline, and exegetical and text-critical endnotes, as well as a bibliography. Designed for comparativists and interested general readers, Historical Sourcebooks is also a great resource for advanced scholars seeking authoritative commentary on challenging works.

Through analysis of an impressive array of "low" and "high" Hindi literature, particularly pamphlets, tracts, magazines and newspapers, compounded with archival data, Gupta explores the emerging discourse of gender and sexuality, which was essential to the development of notions of Hindu nationalism and community identity in the colonial period. The book offers an exceptionally nuanced account of Hindu gender politics.

Defending Vedic Dharma: Tackling the Issues to Make a Difference The Vedic culture and its philosophy is one of the most deeply spiritual and all encompassing traditions in the world, and has been a major contributor to philosophical thought and the development of civilization. It does not take that long to understand, but it can take some serious consideration. Until then, there can be some aspects of it that are misunderstood or misinterpreted. Therefore, this book takes some of the issues of the day and describes what they are and the remedies for dealing with them in order to make a difference in how we participate in Vedic culture, how we can make it more effective in our lives, and how it can be perceived in a more positive way. All of this makes a difference in the objectives of preserving, protecting, promoting, and perpetuating the Vedic spiritual path. So this book shows some of the many uplifting and insightful qualities we can find in the Vedic tradition, of which everyone should be aware and can appreciate. Some of the stronger and important issues discussed within include: Why it is important to use the proper vocabulary to express Vedic concepts. Why all religions really are not the same, though many Hindus and gurus like to think they are. Time to wake up to reality. The power of a united Vedic community, and how it could rapidly change things if Hindus actually became more united and worked together. The importance of becoming a Dharmic leader and to do your part, and the danger of Hindu teachers who really do not lead in a way they should. The long-term but realistic cure for the corruption in India. The importance of Vedic temples as centers of sacred knowledge, and why temples should be open to everyone. How and why the Vedic texts say that the knowledge within them must be shared with everyone. The real purpose of the natural Vedic way of social arrangement, but why the present caste system in India should be changed or thrown out completely. An eight point action plan for how Hindus in America can best use the freedoms they have, which often exceed the decreasing freedoms in India, to cultivate their tradition to its fullest extent while they have the means to do so. The clarity with which these and other issues are addressed make this an important book for consideration.