The first book to analyze why India's caste system has authoritatively endured for so long, this path-breaking text provides, for the first time anywhere, an exhaustive analysis of the historical predecessor to caste: the ancient Indian varna system as it was laid out in the Vedic literature. Presenting a revisionist overview of the way the religion of the Veda is to be understood, Classifying the Universe demonstrates that social classes were systematically reduplicated in taxonomies that organized the universe as a whole. The classification of society, in which some groups were accorded rights and privileges withheld from others, could thus be represented as part of a primordial and universally applicable order of things. Social hierarchy, argues the author, was in this way subtly but powerfully justified by recourse to other realms of the cosmos that were similarly ordered, and this essentially religious understanding of varna is the key to comprehending the Vedic world-view in all its complexity, and the persistence of its power in the social realm.

Recent scholarship has shown that modern postural yoga is the outcome of a complex process of transcultural exchange and syncretism. This book doubles down on those claims and digs even deeper, looking to uncover the disparate but entangled roots of modern yoga practice. Anya Foxen shows that some of what we call yoga, especially in North America and Europe, is genealogically only slightly related to pre-modern Indian yoga traditions. Rather, it is equally, if not more so, grounded in Hellenistic theories of the subtle body, Western esotericism and magic, pre-modern European medicine, and late-nineteenth-century women's wellness programs. The book begins by examining concepts arising out of Greek philosophy and religion, including Pythagoreanism, Stoicism, Neo-Platonism, Galenic medicine, theurgy, and other cultural currents that have traditionally been categorized as "Western esotericism," as well as the more recent examples which scholars of American traditions have labeled "metaphysical religion." Marshaling these under the umbrella category of "harmonialism," Foxen argues that they represent a history of practices that were gradually subsumed into the language of yoga. Orientalism and gender become important categories of analysis as this narrative moves into the nineteenth century. Women considerably outnumber men in all studies of yoga except those conducted in India, and modern anglophone yoga exhibits important continuities with women's physical culture, feminist reform, and white women's engagement with Orientalism. Foxen's study allows us to recontextualize the peculiarities of American yoga-its focus on aesthetic representation, its privileging of bodily posture and unsystematic incorporation of breathwork, and above all its overwhelmingly white female demographic. In this context it addresses the ongoing conversation about cultural appropriation within the yoga community.

One of India's most famous writers offers an articulate and accessible introduction to Indian spirituality. This collection of essays by Nobel Laureate Rabindranath Tagore is based on a lecture series he presented at Harvard University. Oriented towards a Western readership, the essays examine different aspects of Indian culture and philosophy. They address as their central concerns the relationship between humanity and the divine, the ultimate goal of human existence, and how this goal can be achieved. An author whose creative works are infused with spirituality, Tagore is uniquely qualified to communicate the sacred underpinnings of Indian life to the outsider. Sadhana is an enjoyable and edifying read.

Through in-depth analysis of musical theatre choreography and choreographers, Making Broadway Dance challenges long-held perceptions of Broadway dance as kitsch, disposable, a dance form created without artistic process. Setting out to demonstrate that musical theatre dance is not a monolith but rather multi-varied in terms of dance styles, aesthetics and methodologies, author Liza Gennaro provides insights into how Broadway dance is made. By examining choreography for musical theatre through the lens of dance studies, script analysis, movement research and dramaturgical inquiry, she treads in uncharted territory by offering a close examination of a dance form that has heretofore received only the most superficial interrogation. She also explores how musical theatre choreographers create within the parameters of librettos, enhance character development and build dance languages that inform and propel narrative. By considering influences from ballet, modern, postmodern, Jazz, social and global dance, she reveals a rich understanding of musical theatre dance. This book exposes the choreographic systems of some of Broadway's most influential dance-makers including George Balanchine, Agnes de Mille, Jerome Robbins, Katherine Dunham, Bob Fosse, Savion Glover, Sergio Trujillo, Steven Hoggett and Camille Brown, and is essential reading for theatre and dance scholars, students, practitioners, and Broadway fans.

We have here a collection of what the author called "affirmations." I am satisfied that that they could only have emerged from direct experience, and this also is the author's claim. What is this "direct experience"? The term is widely employed in the Eastern traditions and refers to an unmediated experience of the divine reality, a vision of that reality in which the world and the meditator are transfigured, revealed for what they truly are and were all along, attained, or "received," as a gift of grace, in that higher state of consciousness, in the Hindu tradition called turiya, or "the fourth state," which is the goal of meditation. The quality of direct experience is a bliss, peace and love perceived without doubt as infinite and eternal and as the very essence of our humanity and the universe, and an ecstatic certitude of being in the presence of, and one with, absolute truth or reality: God. The permutations of this experience are inexhaustible, as the recorded words of the great sages implicitly testify and explicitly proclaim. And the experience - a very important point - occurs in its fullness only within the framework of a revealed doctrine, a spiritual tradition. In the present case, the religion of India, Hinduism. The affirmations in this book "came to" Samnga-Lastri roughly between December 2004 and December 2005; he had been a practitioner of Hinduism for over thirty years. At first he wrote them down without thinking of them as the content of a book, but to preserve them for future reference as a means of awakening and recovering the experience they described and from which they emerged. In time, of course, it became clear to him that they could serve an analogous function for others. This book is being published in the hope that it may facilitate that goal.

Few books or writings are available on Mother Kali, the primordial Goddess and the Divine Mother of the Universe. Twenty-four powerful representations which attend Her remarkable personage and which are eternal portions of Her august form are discussed. Describing many of Her divine aspects and rendering them clear to the contemporary reader, demystifying perplexing issues and removing age-old fallacies while still maintaining the rich meaning and symbology of Her astounding Presence.

Tantric traditions in both Buddhism and Hinduism are thriving throughout Asia and in Asian diasporic communities around the world, yet they have been largely ignored by Western scholars until now. This collection of original essays fills this gap by examining the ways in which Tantric Buddhist traditions have changed over time and distance as they have spread across cultural boundaries in Asia. The book is divided into three sections dedicated to South Asia, Central Asia, and East and Southeast Asia. The essays cover such topics as the changing ideal of masculinity in Buddhist literature, the controversy triggered by the transmission of the Indian Buddhist deity Heruka to Tibet in the 10th century, and the evolution of a Chinese Buddhist Tantric tradition in the form of the True Buddha School. The book as a whole addresses complex and contested categories in the field of religious studies, including the concept of syncretism and the various ways that the change and transformation of religious traditions can be described and articulated. The authors, leading scholars in Tantric studies, draw on a wide array of methodologies from the fields of history, anthropology, art history, and sociology. Tantric Traditions in Transmission and Translation is groundbreaking in its attempt to look past religious, linguistic, and cultural boundaries.

Mr. Heimsath presents here an intellectual history of the social reform movement among Hindus in India in the century between Ram Mohun Roy and Gandhi. Treating separately each major province in which reform movements flourished, he shows the many ways in which social reform was effected. Originally published in 1964. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

1884. Translated by F. Max Muller. The Sacred Books of the East series, comprising fifty volumes, has translations of key sacred texts of Hinduism, Buddhism, Taoism, Confucianism, Zoroastrianism, Jainism, and Islam. The series was edited by the famous linguist Max Muller, who also produced many of the translations and were the foundational documents for the new discipline known as the comparative science of religions. The Upanishads Part II contains: The Katha-Upanishad; The Mundaka-Upanishad; The Taittiriyaka-Upanishad; The Brihadaranyaka-Upanishad; The Svetasvatara-Upanishad; The Prasna-Upanishad; and The Maitrayana-Brahmana-Upanishad. See other titles by this author available from Kessinger Publishing.

The Ramayana is, quite simply, the greatest of Indian epics - and one of the world's supreme masterpieces of storytelling 'Almost every individual living in India,' writes R. K. Narayan in the Introduction to this new interpretation, 'is aware of the story of The Ramayana. Everyone of whatever age, outlook, education or station in life knows the essential part of the epic and adores the main figures in it - Rama and Sita. Every child is told the story at bedtime . . . The Ramayana pervades our cultural life.' Although the Sanskrit original was composed by Valmiki, probably around the fourth century BC, poets have produced countless variant versions in different languages. Here, drawing his inspiration from the work of an eleventh-century Tamil poet called Kamban, Narayan has used the talents of a master novelist to recreate the excitement and joy he has found in the original. It can be enjoyed and appreciated, he suggests, for its psychological insight, its spiritual depth and its practical wisdom - or just as a thrilling tale of abduction, battle and courtship played out in a universe thronged with heroes, deities and demons.

‘In death thy glory in heaven, in victory thy glory on earth.  Arise therefore, Arjuna, with thy soul ready to fight’

The Bhagavad Gita is an intensely spiritual work that forms the cornerstone of the Hindu faith, and is also one of the masterpieces of Sanskrit poetry. It describes how, at the beginning of a mighty battle between the Pandava and Kaurava armies, the god Krishna gives spiritual enlightenment to the warrior Arjuna, who realizes that the true battle is for his own soul.

Juan Mascaró’s translation of The Bhagavad Gita captures the extraordinary aural qualities of the original Sanskrit. This edition features a new introduction by Simon Brodbeck, which discusses concepts such as dehin, prakriti and Karma.

Since the beginning of humanity, fables and stories have been the means of imparting instruction and amusement to man. The stories were designed to illustrate and exemplify precept for human conduct. After centuries, these stories eventually found themselves in print. They are divided into four groups: Sanskrit or Hindoo, Arabic or Persian, Western or European, and American. Of these, Sanskrit or Hindoo groups of stories are the oldest and probably served as the basis of Arabic or Persian fables, which again serve as the source for many European storytellers.

Here is the first translation into English of the Basava Purana, a fascinating collection of tales that sums up and characterizes one of the most important and most radical religious groups of South India. The ideas of the Virasaivas, or militant Saivas, are represented in those tales by an intriguing mix of outrageous excess and traditional conservatism. Written in Telugu in the thirteenth century, the Basava Purana is an anthology of legends of Virasaivas saints and a hagiography of Basavesvara, the twelfth-century Virasaiva leader. This translation makes accessible a completely new perspective on this significant religious group. Although Telugu is one of the major cultural traditions of India, with a classical literature reaching back to the eleventh century, until now there has been no translation or exposition of any of the Telugu Virasaiva works in English. The introduction orients the reader to the text and helps in an understanding of the poet's point of view. The author of the Basava Purana, Palkuriki Somanatha, is revered as a saint by Virasaivas in Andhra and Karnataka. His books are regarded as sacred texts, and he is also considered to be a major poet in Telugu and Kannada.

Originally published in 1990.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

It has become increasingly clear that an adequate understanding of the contemporary processes of social, cultural, and religious change is contingent on an appreciation of the growing impact of social media. Utilising results of an unprecedented global study, this volume explores the ways in which young adults in seven different countries engage with digital and social media in religiously significant ways. Presenting and analysing the findings of the global research project Young Adults and Religion in a Global Perspective (YARG), an international panel of contributors shed new light on the impact of social media and its associated technologies on young people's religiosities, worldviews, and values. Case studies from China, Finland, Ghana, Israel, Peru, Poland, and Turkey are used to demonstrate how these developments are progressing, not just in the West, but across the world. This book is unique in that it presents a truly macroscopic perspective on trends in religion amongst young adults. As such, it will be of great interest to scholars working in religious studies, digital media, communication studies, sociology, cultural studies, theology and youth studies.