By analyzing concrete examples of the creation of a heritage in the context of migration, this multi-sited ethnography considers the implications of representations of religions and diaspora for Sindhi Hindus and other similar communities.

The Pushtimarg, or the Path of Grace, is a Hindu tradition whose ritual worship of the deity Krishna has developed in close relationship to a distinct genre of early-modern Hindi prose hagiography. This volume introduces readers to the most popular hagiographic text of the Pushtimarg-the Chaurasi Vaishnavan ki Varta, or "Narratives of Eighty-Four Vaishnavas," which tells the sacred life stories of the community's first preceptor Vallabhacharya (1497-1531) and his most beloved disciples. At the core of these narratives are descriptions of how Vallabhacharya's disciples cultivated intimate relationships with Lord Krishna through ritual performances known as seva, or loving service. Despite the widespread practice of illustrating seva through painting, these narratives, which showcase everyday men and women, have rarely been visually depicted. This book focuses on the only extant Chaurasi Vaishnavan ki Varta manuscript dated to the beginning of the 18th century, now in artist Amit Ambalal's collection.

Each card in this deck highlights a particular deity in the Hindu pantheon and provides corresponding mantras, meditations, prayers and blessings. These cards reveal a who's who in the spiritual world, and identify which roles particular gods and goddesses play in the universe. For greater intelligence, petition Saraswati or for the removal of obstacles, invoke the presence of Ganesh by chanting his mantra.

The role of the visual is essential to Hindu tradition and culture, but many attempts to understand India's divine images have been laden with misperceptions. "Darsan, " a Sanskrit word that means "seeing," is an aid to our vision, a book of ideas to help us read, think, and look at Hindu images with appreciation and imagination.

The Virgin Mary has long been the object of both devotional and scholarly interest, and recent years have seen a proliferation of studies on Hindu goddess-worship traditions. Despite the parallels between the two, however, no one has yet undertaken a book-length comparison of these traditions. In Divine Mother, Blessed Mother, Francis Clooney offers the first extended comparative study of Hindu goddesses and the Virgin Mary. Clooney is almost unique in the field of Hindu studies as a Christian theologian with the linguistic and philosophical expertise necessary to produce sophisticated comparative analyses. Building on his previous work in comparative theology, he sheds new light not only on these individual traditions but also on the nature of gender and the divine.

A celebration of Neem Karoli Baba, one of the most influential spiritual leaders of our time, the divine guru who inspired and led a generation of seekers-including Ram Dass, Daniel Goleman, and Larry Brilliant-on life-changing journeys that have ultimately transformed our world. In 1967, Baba Ram Dass-former American Harvard professor Richard Alpert-left India to share stories of his mysterious guru, Neem Karoli Baba, known as Maharajji. Introducing idealistic Western youth to the possibilities inherent in spiritual development, Ram Dass inspired a generation to turn on and tune in to a reality far different from the one they had known. From the spring of 1970 until Maharajji died on September 11, 1973, several hundred Westerners had his darshan (in Hinduism, the beholding of a deity, revered person, or sacred object). Those who saw him formed the Maharajji satsang-fellow travelers on the path. Love Everyone tells the stories of those who heard the siren call of the East and followed it to the foothills of the Himalayas. The ways they were called to make the journey, their experiences along the way, and their meeting with Maharajji form the core of this multicultural adventure in shifting consciousness. The contributors share their recollections of Maharajji and how his wisdom shaped their lives. All have attempted to follow Maharajji's basic teaching, his seemingly simple directives: Love everyone, feed everyone, and remember God. All have found their own way to be of service in the world and, in so doing, have collectively touched the hearts and souls of countless others.

The Ramayana is one of India's foundational epics, and it demonstrates a continuing power to influence social, religious, cultural, and political life. Brought to textual life in Sanskrit by the legendary "first poet," Valmiki, over the ensuing centuries the tale has been recycled with extraordinary adaptability and diversity through the varied cultural heritages of India and other parts of Asia. The basic tale of the Ramayana is continually adapted to new contexts, forms, and media. It is read, recited, sung, danced, and acted in one form or another, and renewed so constantly by changing times and values that it demands constant revaluation.
The Ramayana Revisited presents the latest in Ramayana scholarship. Fourteen leading scholars examine the epic in its myriad contexts throughout South and Southeast Asia. They explore the role the narrative plays in societies as varied as India, Indonesia, Thailand, and Cambodia. The essays also expand the understanding of the "text" to include non-verbal renditions of the epic, with particular attention to the complex ways such retellings change the way the narrative deals with gender. This volume will be invaluable to students and scholars interested in mythology, Hinduism, Asian studies, and anthropology.

The Wisdom of the Hindu Mystics
The principal texts selected and translated from the original Sanskrit, "Upanishad" means "sitting near devotedly," which conjures images of the contemplating student listening with rapt attention to the teachings of a spiritual master. These are widely considered to be philosophical and spiritual meditations of the highest order.

"The poem is rising into splendid popularity. Some say it is better than Milton-but that is all bosh-nothing can be better than Milton; many say it licks Kalidasa; I have no objection to that. I don't think it impossible to equal Virgil, Kalidasa, and Tasso." Michael Madhusudan Datta wrote this in a letter to a friend about his verse narrative, The Slaying of Meghanada (1861). The epic, a Bengali version of the Ramayana story in which Ravana, not Rama, is the hero, has become a classic of Indian literature. Datta lived in Bengal at the height of what is frequently called the Bengal Renaissance, a time so labeled for its reinvigoration and reconfiguration of the Hindu past and for the florescence of the literary arts. It was also a period when the Bengali city of Kolkata was a center of world trade-the second city of the British empire-and thus a site of cultural exchange between India and the West. Datta was the perfect embodiment of this time and place. The Slaying of Meghanada is deeply influenced by western epic tradition, and is sprinkled with nods to Homer, Milton, and Dante. Datta's deft intermingling of western and eastern literary traditions brought about a sea change in South Asian literature, and is generally considered to mark the dividing line between pre-modern and modern Bengali literature. Datta's masterpiece is now accessible to readers of English in Clinton Seely's elegant translation, which captures both the sense and the spirit of the original. The poem is supplemented by an extensive introduction, notes, and a glossary.

From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation. This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought-a concept for the stage-to its flourishing in literary thought-a concept for the page. A Rasa Reader incorporates primary texts by every significant thinker on classical Indian aesthetics, many never translated before. The arrangement of the selections captures the intellectual dynamism that has powered this debate for centuries. Headnotes explain the meaning and significance of each text, a comprehensive introduction summarizes major threads in intellectual-historical terms, and critical endnotes and an extensive bibliography add further depth to the selections. The Sanskrit theory of emotion in art is one of the most sophisticated in the ancient world, a precursor of the work being done today by critics and philosophers of aesthetics. A Rasa Reader's conceptual detail, historical precision, and clarity will appeal to any scholar interested in a full portrait of global intellectual development. A Rasa Reader is the inaugural book in the Historical Sourcebooks in Classical Indian Thought series, edited by Sheldon Pollock. These text-based books guide readers through the most important forms of classical Indian thought, from epistemology, rhetoric, and hermeneutics to astral science, yoga, and medicine. Each volume provides fresh translations of key works, headnotes to contextualize selections, a comprehensive analysis of major lines of development within the discipline, and exegetical and text-critical endnotes, as well as a bibliography. Designed for comparativists and interested general readers, Historical Sourcebooks is also a great resource for advanced scholars seeking authoritative commentary on challenging works.

Through analysis of an impressive array of "low" and "high" Hindi literature, particularly pamphlets, tracts, magazines and newspapers, compounded with archival data, Gupta explores the emerging discourse of gender and sexuality, which was essential to the development of notions of Hindu nationalism and community identity in the colonial period. The book offers an exceptionally nuanced account of Hindu gender politics.

Why don't Hindus eat beef? Why do Hindu women wear a dot on their forehead? Who is the Monkey God? Who's that God with the elephant head? Children can ask the weirdest of questions and sometimes it's difficult to tell them the answers to these questions. The reality is that even the adults don't know the answers to many of these questions. The fact is, Hinduism is a complex religion even to those who are born Hindus. This book covers a complex religion in simple questions and answers.

'Hinduism For Kids: Beliefs And Practices' is designed mainly for children of all ages of reading abilities for all nationalities and religious beliefs. The book can be used by non-Hindu parents who want to teach their children about Hinduism, its beliefs, practices and rituals. It will also be useful to children and adults alike who are considering taking a course on Hinduism or simply those who want to learn about Hinduism. Those thinking of visiting India especially those in pursuit of spirituality will find some of the answers in this book. Finally, parents of Hindu children who want to teach their children about their ancestral religion will also find the book useful.

Here are the topics covered in 'Hinduism For Kids: Beliefs And Practices What is Hinduism?
Who are the Hindus?
Where do Hindus live?
Where do Hindus worship?
When was Hinduism discovered?
What are the Hindu holy books?
What are the Vedas?
What is a bhajan?
What is Aum?
What is the swastika?
What is Ishvara?
Who is a sadhu?
Meaning of aarti in Hinduism?
What is ahimsa?
Do Hindus eat meat?
Why don't Hindus eat beef
? Do Hindus eat pork?
Why is the River Ganges holy?
What is the importance of the lotus in Hinduism?
Why do Hindu women put a dot on their head?
Why do Hindus put a dot on their forehead?
Who is Lord Ganesha?
How did Ganesha get the elephant head?
Who is Lord Rama?
Who is Lord Shiva?
Who is Lord Krishna?
Who is Lord Vishnu?
Who is Goddess Durga?
Who is Goddess Lakshmi?
Who is the Monkey God?
What is Holi?
What is Diwali?
What is Raksha Bandhan?
What is the caste system?
What is reincarnation?
What is moksha?
What is yoga?
What is the Bhagavad Gita?
What is the Ramayana?
What is the Mahabharata?
What is aatma?
What is maya?
What is the Gayatri Mantra?
What is the Saraswati Mantra?
What are the other Hindu Festivals?
What is Namaste?
Where do Hindus go for pilgrimage?
Why are cows sacred in Hinduism?
Is Buddhism the same as Hinduism?
Who are the Jains?
Who are the Sikhs?