Hinduism is practised by nearly eighty per cent of India's population, and by some seventy million people outside India. In this Very Short Introduction, Kim Knott offers a succinct and authoritative overview of this major religion, and analyses the challenges facing it in the twenty-first century. She discusses key preoccupations of Hinduism such as the centrality of the Veda as religious texts, the role of Brahmins, gurus, and storytellers in the transmission of divine truths, and the cultural and moral importance of epics such as the Ramayana. In this second edition Knott considers the impact of changes in technology and the flourishing of social media on Hinduism, and looks at the presence of Hinduism in popular culture, considering pieces such as Sita Sings the Blues. She also analyses recent developments in India, and the impact issues such as Hindu nationalism and the politicization of Hinduism have on Hindus worldwide. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Hadimba is a primary village goddess in the Kullu Valley of the West Indian Himalayan state of Himachal Pradesh, a rural area known as the Land of Gods. As the book shows, Hadimba is a goddess whose vitality reveals itself in her devotees' rapidly changing encounters with local and far from local players, powers, and ideas. These include invading royal forces, colonial forms of knowledge, and more recently the onslaught of modernity, capitalism, tourism, and ecological change. Hadimba has provided her worshipers with discursive, ritual, and ideological arenas within which they reflect on, debate, give meaning to, and sometimes resist these changing realities, and she herself has been transformed in the process. Drawing on diverse ethnographic and textual materials gathered in the region from 2009 to 2017, The Many Faces of a Himalayan Goddess is rich with myths and tales, accounts of dramatic rituals and festivals, and descriptions of everyday life in the celebrated but remote Kullu Valley. The book employs an interdisciplinary approach to tell the story of Hadimba from the ground up, or rather, from the center out, portraying the goddess in varying contexts that radiate outward from her temple to local, regional, national, and indeed global spheres. The result is an important contribution to the study of Indian village goddesses, lived Hinduism, Himalayan Hinduism, and the rapidly growing field of religion and ecology.

Covering all the major Hindu practices, festivals, beliefs, gods, sacred sites, languages, and religious texts, this is the most comprehensive Hinduism dictionary of its kind. It contains 2,800 entries on everything from Tantra to temples, from bhakti to Divali, as well as biographical entries for key thinkers, teachers, and scholars. All entries are clear, concise, up to date, and fully cross-referenced. With its coverage spanning 3,500 years of Hinduism - from the religion's conception to Hinduism in the 21st century - this brand new A-Z also acknowledges the historical interplay between Hindu traditions and others, for example, Buddhist, Jain, Sikh, and Islamic. Detailed appendices include maps, pronunciation guide, a chronology, principal sources and further reading, and useful websites. This dictionary is an invaluable first port of call for students and teachers of Hinduism, theology, Asian studies, or philosophy, as well as the related disciplines of history, sociology, and anthropology. It is also an ideal source of reference for all practicing Hindus and for anyone with an interest in Indian religions and culture.

In this revelatory volume, Roberto Calasso, whom the Paris Review has called 'a literary institution', explores the ancient texts known as the Vedas. Little is known about the Vedic people who lived more than three thousand years ago in northern India: they left behind almost no objects, images, ruins. Only a 'Parthenon of words' remains: verses and formulations suggesting a daring understanding of life. 'If the Vedic people had been asked why they did not build cities,' writes Calasso, 'they could have replied: we did not seek power, but rapture.' This is the ardor of the Vedic world, a burning intensity that is always present, both in the mind and in the cosmos. With his signature erudition and profound sense of the past, Calasso explores the enigmatic web of ritual and myth that define the Vedas. Often at odds with modern thought, he shows how these texts illuminate the nature of consciousness more than neuroscientists have been able to offer us up to now.

In thirteenth-century Maharashtra, a new vernacular literature emerged to challenge the hegemony of Sanskrit, a language largely restricted to men of high caste. In a vivid and accessible idiom, this new Marathi literature inaugurated a public debate over the ethics of social difference grounded in the idiom of everyday life. The arguments of vernacular intellectuals pushed the question of social inclusion into ever-wider social realms, spearheading the development of a nascent premodern public sphere that valorized the quotidian world in sociopolitical terms. The Quotidian Revolution examines this pivotal moment of vernacularization in Indian literature, religion, and public life by investigating courtly donative Marathi inscriptions alongside the first extant texts of Marathi literature: the Lilacaritra (1278) and the Jnanesvari (1290). Novetzke revisits the influence of Chakradhar (c. 1194), the founder of the Mahanubhav religion, and Jnandev (c. 1271), who became a major figure of the Varkari religion, to observe how these avant-garde and worldly elites pursued a radical intervention into the social questions and ethics of the age. Drawing on political anthropology and contemporary theories of social justice, religion, and the public sphere, The Quotidian Revolution explores the specific circumstances of this new discourse oriented around everyday life and its lasting legacy: widening the space of public debate in a way that presages key aspects of Indian modernity and democracy.

Hinduism comprises perhaps the major cluster of religio-cultural traditions of India, and it can play a valuable role in helping us understand the nature of religion and human responses to life. Hindu image-worship lies at the core of what counts for Hinduism - up-front and subject to much curiosity and misunderstanding, yet it is a defining feature of this phenomenon. This book focuses on Hindu images and their worship with special reference to Vaisnavism, a major strand of Hinduism. Concentrating largely, but not exclusively, on Sanskritic source material, the author shows in the course of the book that Hindu image-worship may be understood via three levels of interpretation: the metaphysical/theological, the narratival or mythic, and the performative or ritual. Analysing the chief philosophical paradigm underlying Hindu image-worship and its implications, the book exemplifies its widespread application and tackles, among other topics such as the origins of image-worship in Hinduism, the transition from Vedic to image worship, a distinguishing feature of Hindu images: their multiple heads and limbs. Finally, with a view to laying the grounds for a more positive dialogic relationship between Hinduism and the "Abrahamic" faiths, which tend to condemn Hindu image-worship as "idolatry", the author examines the theological explanation and justification for embodiment of the Deity in Hinduism and discusses how Hinduism might justify itself against such a charge. Rich in Indological detail, and with an impressive grasp of the philosophical and theological issues underlying Hindu material culture, and image-worship, this book will be of interest to academics and others studying theology, Indian philosophy and Hinduism.

This book investigates women's ritual authority and the common boundaries between religion and notions of gender, ethnicity, and identity. Nanette R. Spina situates her study within the transnational Melmaruvathur Adhiparasakthi movement established by the Tamil Indian guru, Bangaru Adigalar. One of the most prominent, defining elements of this tradition is that women are privileged with positions of leadership and ritual authority. This represents an extraordinary shift from orthodox tradition in which religious authority has been the exclusive domain of male Brahmin priests. Presenting historical and contemporary perspectives on the transnational Adhiparasakthi organization, Spina analyzes women's roles and means of expression within the tradition. The book takes a close look at the Adhiparasakthi society in Toronto, Canada (a Hindu community in both its transnational and diasporic dimensions), and how this Canadian temple has both shaped and demonstrated their own diasporic Hindu identity. The Toronto Adhiparasakthi society illustrates how Goddess theology, women's ritual authority, and "inclusivity" ethics have dynamically shaped the identity of this prominent movement overseas. Based on years of ethnographic fieldwork, the volume draws the reader into the rich textures of culture, community, and ritual life with the Goddess.

This book explores the representation of Hinduism through myth and discourse in urban Hindi theatre in the period 1880-1960. It discusses representative works of seven influential playwrights and looks into the ways they have imagined and re-imagined Hindu traditions. Diana Dimitrova examines the intersections of Hinduism and Hindi theatre, emphasizing the important role that both myth and discourse play in the representation of Hindu traditions in the works of Bharatendu Harishcandra, Jayshankar Prasad, Lakshminarayan Mishra, Jagdishcandra Mathur, Bhuvaneshvar, Upendranath Ashk, and Mohan Rakesh. Dimitrova'a analysis suggests either a traditionalist or a more modernist stance toward religious issues. She emphasizes the absence of Hindi-speaking authors who deal with issues implicit to the Muslim or Sikh or Jain, etc. traditions. This prompts her to suggest that Hindi theatre of the period 1880-1960, as represented in the works of the seven dramatists discussed, should be seen as truly 'Hindu-Hindi' theatre.

The 19th century was a pioneering age for vernacular texts in India. Vernacular writings became popular for making the 'first' interventions of their kind, written by Indians for Indians, and establishing new genres such as the novel. The Subhedar's Son, an award-winning Marathi novel, was written in 1895 and published by the Bombay Tract and Book Society. The novel comprises overlapping personal and political trajectories.The author, The Rev. Dinkar Shankar Sawarkar, inscribed multiple viewpoints into his narrative, including that of his own father, the Shankar Nana (1819-1884), a Brahmin who was one of the early converts of the Church Missionary Society in Western India and served the CMS and the Anglican Church in various capacities for many years. Apart from Shankar Nana's conversion-story, Sawarkar provides readers with a blueprint of what a Brahminical journey towards Christian conversion encompassed, while describing his personal background of having lived a Christian life as a product of both Brahminism and Christianity. He in effect attempts to deconstruct Brahmanism through Christianity and as a Christian he claims Brahmin roots, with the aim of combatting the stigma of Christian conversion. Contextualized by the history of Maharashtra's early missions and the specificities of individual conversions, the novel allows modern researchers to appreciate the particularity of regional and vernacular Indian Christianity. This culturally-specific Christianity spurred the production of Christian vernacular print culture, associating 'being Marathi' with broader and more universal frameworks of Christianity. But this new genre also produced nativist forms of Christian devotion and piety. Deepra Dandekar introduces this annotated translation of The Subhedar's Son, with: an examination of the Church Missionary Society's socio- political context; a biography of Shankar Nana gleaned from archival sources; a brief summary of Sawarkar's biography; and an analysis of the multiple political opinions framing the book. An appendix contains a transcription of Shankar Nana's Christian witness.

The figure of Sakuntala appears in many forms throughout South Asian literature, most famously in the "Mahabharata" and in Kalidisa's fourth-century Sanskrit play, "Sakuntala and the Ring of Recollection." In these two texts, Sakuntala undergoes a critical transformation, relinquishing her assertiveness and autonomy to become the quintessentially submissive woman, revealing much about the performance of Hindu femininity that would come to dominate South Asian culture. Through a careful analysis of sections from "Sakuntala" and their various iterations in different contexts, Romila Thapar explores the interactions between literature and history, culture and gender, that frame the development of this canonical figure, as well as a distinct conception of female identity.

A celebration of Neem Karoli Baba, one of the most influential spiritual leaders of our time, the divine guru who inspired and led a generation of seekers-including Ram Dass, Daniel Goleman, and Larry Brilliant-on life-changing journeys that have ultimately transformed our world. In 1967, Baba Ram Dass-former American Harvard professor Richard Alpert-left India to share stories of his mysterious guru, Neem Karoli Baba, known as Maharajji. Introducing idealistic Western youth to the possibilities inherent in spiritual development, Ram Dass inspired a generation to turn on and tune in to a reality far different from the one they had known. From the spring of 1970 until Maharajji died on September 11, 1973, several hundred Westerners had his darshan (in Hinduism, the beholding of a deity, revered person, or sacred object). Those who saw him formed the Maharajji satsang-fellow travelers on the path. Love Everyone tells the stories of those who heard the siren call of the East and followed it to the foothills of the Himalayas. The ways they were called to make the journey, their experiences along the way, and their meeting with Maharajji form the core of this multicultural adventure in shifting consciousness. The contributors share their recollections of Maharajji and how his wisdom shaped their lives. All have attempted to follow Maharajji's basic teaching, his seemingly simple directives: Love everyone, feed everyone, and remember God. All have found their own way to be of service in the world and, in so doing, have collectively touched the hearts and souls of countless others.

The Kanwar is India's largest annual religious pilgrimage. Millions of participants gather sacred water from the Ganga and carry it across hundreds of miles to dispense as offerings in Siva shrines. These devotees-called bhola, gullible or fools, and seen as miscreants by many Indians-are mostly young, destitute men, who have been left behind in the globalizing economy. But for these young men, the ordeal of the pilgrimage is no foolish pursuit, but a means to master their anxieties and attest their good faith in unfavorable social conditions. Vikash Singh walked with the pilgrims of the Kanwar procession, and with this book, he highlights how the procession offers a social space where participants can prove their talents, resolve, and moral worth. Working across social theory, phenomenology, Indian metaphysics, and psychoanalysis, Singh shows that the pilgrimage provides a place in which participants can simultaneously recreate and prepare for the poor, informal economy and inevitable social uncertainties. In identifying with Siva, who is both Master of the World and yet a pathetic drunkard, participants demonstrate their own sovereignty and desirability despite their stigmatized status. Uprising of the Fools shows how religion today is not a retreat into tradition, but an alternative forum for recognition and resistance within a rampant global neoliberalism.

The Kanwar is India's largest annual religious pilgrimage. Millions of participants gather sacred water from the Ganga and carry it across hundreds of miles to dispense as offerings in Siva shrines. These devotees-called bhola, gullible or fools, and seen as miscreants by many Indians-are mostly young, destitute men, who have been left behind in the globalizing economy. But for these young men, the ordeal of the pilgrimage is no foolish pursuit, but a means to master their anxieties and attest their good faith in unfavorable social conditions. Vikash Singh walked with the pilgrims of the Kanwar procession, and with this book, he highlights how the procession offers a social space where participants can prove their talents, resolve, and moral worth. Working across social theory, phenomenology, Indian metaphysics, and psychoanalysis, Singh shows that the pilgrimage provides a place in which participants can simultaneously recreate and prepare for the poor, informal economy and inevitable social uncertainties. In identifying with Siva, who is both Master of the World and yet a pathetic drunkard, participants demonstrate their own sovereignty and desirability despite their stigmatized status. Uprising of the Fools shows how religion today is not a retreat into tradition, but an alternative forum for recognition and resistance within a rampant global neoliberalism.

Early Tantric Medicine looks at a traditional medical system that flourished over 1,000 years ago in India. The Garuda Tantras had a powerful influence on traditional medicine for snakebite, and some of their practices remain popular to this day. Snakebite may sound like a rare and exotic phenomenon, but in India it is a problem that affects 1.4 million people every year and results in over 45,000 deaths. Michael Slouber offers a close examination of the Garuda Tantras, which were deemed lost until the author himself discovered numerous ancient titles surviving in Sanskrit manuscripts written on fragile palm-leaves. The volume brings to life this rich tradition in which knowledge and faith are harnessed in complex visualizations accompanied by secret mantras to an array of gods and goddesses; this religious system is combined with herbal medicine and a fascinating mix of lore on snakes, astrology, and healing. The book's appendices include an accurate, yet readable translation of ten chapters of the most significant Tantric medical text to be recovered: the Kriyakalagunottara. Also included is a critical edition based on the surviving Nepalese manuscripts.

In this work, Brian Philip Dunn focuses on the embodiment theology of the South Indian theologian, A. J. Appasamy (1891-1975). Appasamy developed what he called a 'bhakti' (devotional) approach to Christian theology, bringing his own primary text, the Gospel of John, into comparative interaction with the writings of the Hindu philosopher and theologian, Ramanuja. Dunn's exposition here is of Appasamy's distinctive adaptation of Ramanuja's 'Body of God' analogy and its application to a bhakti reading of John's Gospel. He argues throughout for the need to locate and understand theological language as embedded and embodied within the narrative and praxis of tradition and, for Appasamy and Ramanuja, in their respective Anglican and Srivaisnava settings. Responding to Appasamy, Dunn proposes that the primary Johannine referent for divine embodiment is the temple and considers recent scholarship on Johannine 'temple Christology' in light of Srivaisnava conceptions of the temple and the temple deity. He then offers a constructive reading of the text as a temple procession, a heuristic device that can be newly considered in both comparative and devotional contexts today.

Jews often consider Hinduism to be Avoda Zara, idolatry, due to its worship of images and multiple gods. Closer study of Hinduism and of recent Jewish attitudes to it suggests the problem is far more complex. In the process of considering Hinduism's status as Avoda Zara, this book revisits the fundamental definitions of Avoda Zara and asks how we use the category. By appealing to the history of Judaism's view of Christianity, author Alon Goshen-Gottstein seeks to define what Avoda Zara is and how one might recognize the same God in different religions, despite legal definitions. Through a series of leading questions, the discussion moves from a blanket view of Hinduism as idolatry to a recognition that all religions have aspects that are idolatrous and non-idolatrous. Goshen-Gottstein explains how the category of idolatry itself must be viewed with more nuance. Introducing this nuance, he asserts, leads one away from a globalized view of an entire tradition in these terms.