Khorshed and Rumi Bhavnagri lost their sons, Vispi and Ratoo, in a tragic car crash. With both their sons gone, the couple felt they would not survive for long. They had lost all faith in God until a miraculous message from the Spirit World gave them hope and sent them on an incredible journey.

This major study reconsiders the creation of the Gandhian legend through the myriad texts and images that helped spread it through both India and the Western world. In revealing how the picture of the Mahatma as saint-as-politician was founded on Indian nationalistic selectivity and limited Western representations of Gandhi, Claude Markovits shows how Gandhi s legend has obscured the facts of his public career. Gandhi's professional role in the public sphere, Markovits argues, was heavily influenced by his long and critical phase of maturation in South Africa, a period often dismissed as the precursor to his celebrated work in India. Markovits proposes that Gandhi s later Indian career, marked by his meteoric rise to prominence, was the result of his own radical self-reinvention as he negotiated the pitfalls of political life in order to create his influential political manifesto.In reevaluating critical stages of Gandhi's career, and his sometimes ambivalent ideological positions, Markovits confronts the discrepancies between his early and late careers, closely rereading the Mahatma's varying intellectual positions as described both within his own writings and in those by commentators and biographers. Rather than seeing Gandhi as an upholder of traditional Indian values, Markovits stresses the paradoxical modernity of Gandhi's anti-modernism.The picture of Gandhi that emerges from "The Un-Gandhian Gandhi" is of a contradictory, multifaceted figure, whose peculiar modernity, and susceptibility to varying appropriations, makes him of enduring significance for future generations.

One of India's greatest epics, the Ramayana pervades the country's moral and cultural consciousness. For generations it has served as a bedtime story for Indian children, while at the same time engaging the interest of philosophers and theologians. Believed to have been composed by Valmiki sometime between the eighth and sixth centuries BC, the Ramayana tells the tragic and magical story of Rama, the prince of Ayodhya, an incarnation of Lord Visnu, born to rid the earth of the terrible demon Ravana. An idealized heroic tale ending with the inevitable triumph of good over evil, the Ramayana is also an intensely personal story of family relationships, love and loss, duty and honor, of harem intrigue, petty jealousies, and destructive ambitions. All this played out in a universe populated by larger-than-life humans, gods and celestial beings, wondrous animals and terrifying demons. With her magnificent translation and superb introduction, Arshia Sattar has successfully bridged both time and space to bring this ancient classic to modern English readers.

We live in an era defined by a sense of separation, even in the midst of networked connectivity. As cultural climates sour and divisive political structures spread, we are left wondering about our ties to each other. Consequently, there is no better time than now to reconsider ideas of unity. In The Ethics of Oneness, Jeremy David Engels reads the Bhagavad Gita alongside the works of American thinkers Ralph Waldo Emerson and Walt Whitman. Drawing on this rich combination of traditions, Engels presents the notion that individuals are fundamentally interconnected in their shared divinity. In other words, everything is one. If the lessons of oneness are taken to heart, particularly as they were expressed and celebrated by Whitman, and the ethical challenges of oneness considered seriously, Engels thinks it is possible to counter the pervasive and problematic American ideals of hierarchy, exclusion, violence, and domination.

The Rajputs ruled the vast majority of the kingdoms that were joined together after Indian Independence to form the state Rajasthan, "Land of Kings." An important part of Rajput religion is the worship of "heroes" who have died in battle. In this book, Harlan explores the idea of the Rajput hero. She is particularly interested in the role played by gender in stories about heroes and their worship. She looks at the differences between female and male storytellers, the relationships of the hero to the woman in his tale, and the relationship of the hero to the goddess for whom he is both a sacrifice and henchman. She obtains her materials from interviews with Rajput families and their servants, from songfests, from bystanders at shrines, from ritual specialists. Ultimately she shows how heroic traditions encapsulate and express ideals of perfection and masculinity, defied most visibly against the backdrop of domesticity and femininity. More broadly she argues that heroes reflect ever-changing valuations of history, and serve as sources of inspiration for facing contemporary challenges (domestic, communal, national) and concerns about the future.

Patanjali wrote this collection of yoga wisdom over 2,000 years ago. They are amongst the world’s most revered and ancient teachings and are the earliest, most holy yoga reference.The Sutras are short and to the point - each being only a line or two long. BKS Iyengar has translated each one, and provided his own insightful commentary and explanation for modern readers.The Sutras show the reader how we can transform ourselves through the practice of yoga, gradually developing the mind, body and emotions, so we can become spiritually evolved.The Sutras are also a wonderful introduction to the spiritual philosophy that is the foundation of yoga practise.The book is thoroughly cross-referenced, and indexed, resulting in an accessible and helpful book that is of immense value both to students of Indian philosophy and practitioners of yoga.

Kabir was an extraordinary oral poet whose works have been sung and recited by millions throughout North India for half a millenium. He may have been illiterate--'I do not touch ink or paper, this hand has never grasped a pen'--and he preached an abrasive, sometimes shocking, always uncompromising message that exhorted his audience to shed their delusions, pretensions, and empty orthodoxies in favour of an intense, direct, and personal confrontation with the truth. Thousands of poems are popularly attributed to Kabir, but only a few written collections have survived over the centuries. The Bijak is one of the most important, and is the sacred book of those who follow Kabir.

Over a period of ten years, William Sax studied the inhabitants of the former kingdom of Garhwal, located in north India. These people are deeply devoted to the great Indian national epic, the Mahabharata. Sax attended and participated in dozens of performances of the pandav lila - a ritual reenactment of scenes from the Mahabharata in dance - and observed in context in village life. He also discovered and documented a bizarre and fascinating cult whose existence was only previously rumoured, which worships and exalts the villains of the epic and reviles the usual heroes. This book not only opens a window on a fascinating (and threatened) aspect of rural Indian life and Hinduism as a living religion, but provides an accessible introduction to the Mahabharata itself, including lively translations of many songs and poems based on the epic, and a prologue containing a concise and readable summary of the entire story.

Over a period of ten years, William Sax studied the inhabitants of the former kingdom of Garhwal, located in north India. These people are deeply devoted to the great Indian national epic, the Mahabharata. Sax attended and participated in dozens of performances of the pandav lila - a ritual reenactment of scenes from the Mahabharata in dance - and observed in context in village life. He also discovered and documented a bizarre and fascinating cult whose existence was only previously rumoured, which worships and exalts the villains of the epic and reviles the usual heroes. This book not only opens a window on a fascinating (and threatened) aspect of rural Indian life and Hinduism as a living religion, but provides an accessible introduction to the Mahabharata itself, including lively translations of many songs and poems based on the epic, and a prologue containing a concise and readable summary of the entire story.

This vibrant collection presents 145 brief Bengali lyric poems dedicated to the Hindu goddesses Kali and Uma. These poems - many of which are presented here for the first time in English translation - were written from the early eighteenth century up to the contemporary period. They represent the unique Bengali tradition of goddess worship (Saktism) as it developed over this period. McDermott's lucid introduction places these works in their historical context and shows how images of the goddesses evolved over the centuries. Her lively translations of these poetic lyrics evoke the passion and devotion of the followers of Kali and Uma and shed light on the history and practice of goddess worship.

"In BANARAS, Diana Eck . . . has written a notable book about this greatest of Indian pilgrimage sites. . . . Her brilliant, comprehensive book seems likely to remain for a long time the definitive work on this great Indian city".--WASHINGTON POST. 61 photos. 7 maps.

This book offers a close-up view of the religious world of one of the most influential families in Vrinbadan, India's premier place of pilgrimage for worshipers of Krishna. This priestly family has arguably been the most creative force in this important town. Their influence also radiates well beyond India's borders both because of their tireless work in fostering scholarship and performance about Krishna and because the scion of the family, Shrivatsa Goswami, has become an international spokesman for Hindu ways and concerns. Case, who has been an occasional resident in the family ashram, gives the reader a real sense of the atmosphere of daily life there, and the complete devotion of the residents to the service and worship of Krishna.

The rise of authoritarian Hindu mass movements and political formations in India since the early 1980s raises fundamental questions about the resurgence of chauvinistic ethnic, religious and nationalist movements in the late modern period. This book examines the history and ideologies of Hindu nationalism and -i-Hindutva-/i- from the end of the last century to the present, and critically evaluates the social and political philosophies and writings of its main thinkers.
Hindu nationalism is based on the claim that it is an indigenous product of the primordial and authentic ethnic and religious traditions of India. The book argues instead that these claims are based on relatively recent ideas, frequently related to western influences during the colonial period. These influences include eighteenth and nineteenth century European Romantic and Enlightenment rationalist ideas preoccupied with archaic primordialism, evolution, organicism, vitalism and race. As well as considering the ideological impact of National Socialism and Fascism on Hindu nationalism in the 1930s, the book also looks at how Aryanism continues to be promoted in unexpected forms in contemporary India.
Using a wide range of historical and contemporary sources, the author considers the consequences of Hindu nationalist resurgence in the light of contemporary debates about minorities, secular citizenship, ethics and modernity.

The rise of authoritarian Hindu mass movements and political formations in India since the early 1980s raises fundamental questions about the resurgence of chauvinistic ethnic, religious and nationalist movements in the late modern period. This book examines the history and ideologies of Hindu nationalism and ]i]Hindutva]/i] from the end of the last century to the present, and critically evaluates the social and political philosophies and writings of its main thinkers.Hindu nationalism is based on the claim that it is an indigenous product of the primordial and authentic ethnic and religious traditions of India. The book argues instead that these claims are based on relatively recent ideas, frequently related to western influences during the colonial period. These influences include eighteenth and nineteenth century European Romantic and Enlightenment rationalist ideas preoccupied with archaic primordialism, evolution, organicism, vitalism and race. As well as considering the ideological impact of National Socialism and Fascism on Hindu nationalism in the 1930s, the book also looks at how Aryanism continues to be promoted in unexpected forms in contemporary India.Using a wide range of historical and contemporary sources, the author considers the consequences of Hindu nationalist resurgence in the light of contemporary debates about minorities, secular citizenship, ethics and modernity.

These enchanting stories from early modern Bengal reveal how Hindu and Muslim traditions converged on timeless themes of human morality, social culture, and survival. The Bengali stories in this collection are first and foremost tales of survival. Each story in Needle at the Bottom of the Sea underscores the need for people to work together-not just to overcome the challenges of living in the Sundarban swamps of Bengal, but also to ease hostilities born of social differences in religion, caste, and economic class. Translated by award-winning scholar of early modern Bengali literature Tony K. Stewart, Needle at the Bottom of the Sea brims with fantasy and excitement. Sufi protagonists travel through a world of wonder where tigers talk and men magically grow into giants, a Hindu princess falls in love with a Muslim holy man, and goddesses rub shoulders with kings and merchants. Across religion, class, and gender, what binds these fabulous stories together is the characters' pursuit of living honorably and morally in a difficult, corrupt world.

Peter Gottschalk offers a compelling study of how, through the British implementation of scientific taxonomy in the subcontinent, Britons and Indians identified an inherent divide between mutually antagonistic religious communities. England's ascent to power coincided with the rise of empirical science as an authoritative way of knowing not only the natural world, but the human one as well. The British scientific passion for classification, combined with the Christian impulse to differentiate people according to religion, led to a designation of Indians as either Hindu or Muslim according to rigidly defined criteria that paralleled classification in botanical and zoological taxonomies. Through an historical and ethnographic study of the north Indian village of Chainpur, Gottschalk shows that the Britons' presumed categories did not necessarily reflect the Indians' concepts of their own identities, though many Indians came to embrace this scientism and gradually accepted the categories the British instituted through projects like the Census of India, the Archaeological Survey of India, and the India Museum. Today's propogators of Hindu-Muslim violence often cite scientistic formulations of difference that descend directly from the categories introduced by imperial Britain. Religion, Science, and Empire will be a valuable resource to anyone interested in the colonial and postcolonial history of religion in India.

Salvific space is one of the central ideas in the Hindu traditions of pilgrimage, and concerns the ability of space, especially sites associated with bodies of water such as rivers and lakes, to grant salvific rewards. Focusing on religious, historical and sociological questions about the phenomenon, this book investigates the narratives, rituals, history and structures of salvific space, and looks at how it became a central feature of Hinduism. Arguing that salvific power of place became a major dimension of Hinduism through a development in several stages, the book analyses the historical process of how salvific space and pilgrimage in the Hindu tradition developed. It discusses how the traditions of salvific space exemplify the decentred polycentrism that defines Hinduism. The book uses original data from field research, as well as drawing on main textual sources such as Mahabharata, the Puranas, the medieval digests on pilgrimage places (tirthas), and a number of Sthalapuranas and Mahatmyas praising the salvific power of the place. By looking at some of the contradictions in and challenges to the tradition of Hindu salvific space in history and in contemporary India, the book is a useful study on Hinduism and South Asian Studies.

The Hindu Goddess Laksmi is the consort of the great God Vishnu. This book looks at the relationship between Laskmi and Vishnu in South Indian tradition. In some other sub-traditions, P. Pratap Kumar shows, the Goddess is seen as a mediator between devotees and God. Others put her on a par with her male counterpart. In yet other traditions she is worshiped as an independent deity in her own right. South Indian Vaisnavism views the Goddess in all of these ways, with the result that theological debates have flourished. Clarifying these debates and the assumptions behind them, Kumar contributes not only to our understanding of this particular tradition, but also to an understanding of gender issues in the study of religion.

This is the first complete English translation of an important work of Tamil poetics. Composed in southern India around the eighth century CE, this is a commentary structured around 60 verses of uncertain origin on the poetry of love. The commentary also includes hundreds of illustrative poems drawn from various Tamil literary periods ranging from the very earliest through the eighth century.

How You Can Talk With God explains how we can all experience God's presence directly in our lives. A favorite of spiritual seekers around the world, it shows us how to pray with greater intimacy -- to create a deep and fulfilling personal relationship with the Divine. This is a book to keep by the bedside, discovering with each reading new gems of inspiration and wisdom.

Forming the final part of the Sanskrit Mahabharata, the Harivamsha's main business is to supply narrative details about the great god Vishnu's avatar Krishna Vasudeva, who has been a comparatively minor character in the previous parts of the Mahabharata, despite having taken centre stage in the Bhagavad Gita. Krishna is born in Mathura (some 85 miles south of present-day Delhi). As an infant he is smuggled out of Mathura for his own safety. He and his brother Baladeva grow up among cowherds in the forest, where between them they perform many miraculous deeds and kill many dangerous demons, before returning to Mathura where they kill the evil King Kamsa and his cronies. Thereafter, Krishna is the hero and unofficial leader of his people the Yadava-Vrishnis. When Mathura is besieged by enemies, Krishna leads his people to abandon the town and migrate west, founding the dazzling new city of Dvaraka by the sea. Krishna then repeatedly travels away from that base repeatedly to perform heroic deeds benefitting those in need - including his own people, his more immediate family, and the gods. After narrating the stories of Krishna, the Harivamsha ends by finishing the story of Janamejaya with which the Mahabharata began. The Harivamsha is a powerhouse of Hindu mythology and a classic of world literature. It begins by contextualising Vishnu's appearance as Krishna in several ways, in the process presenting a variety of cosmogonical, cosmological, genealogical, mythological, theological, and karmalogical materials. It then narrates Krishna's birth and adventures in detail. Presenting a wide variety of exciting stories in a poetic register that makes extensive use of natural imagery, the Harivamsha is a neglected literary gem and an ideal starting-point for readers new to Indian literature.