This is the first full-length study of the devotional poetry and poetics of the 14th-century poet-philosopher Vedantadesika, one of the most outstanding and influential figures in the hindu tradition of Sri-Vaishnavism (the cult of Lord Vishnu). Despite their intrinsic beauty and theological importance, the poetry and philosophy of Vedantadesika have received very little scholarly attention. However, for millions who belong to the Vaishnava tradition these poems are not just classical literature; they are committed to memory, recited, sung and enacted in ritual both in India and throughout the Hindu diaspora. Steven Hopkins here offers a comparative study of the Sanskrit, Pakrit and Tamil poems composed by Vedantadesika in praise of important Vaishnava shrines and their icons - poems that are considered to be the apogee of South Indian devotional literature.

Over a period of ten years, William Sax studied the inhabitants of the former kingdom of Garhwal, located in north India. These people are deeply devoted to the great Indian national epic, the Mahabharata. Sax attended and participated in dozens of performances of the pandav lila - a ritual reenactment of scenes from the Mahabharata in dance - and observed in context in village life. He also discovered and documented a bizarre and fascinating cult whose existence was only previously rumoured, which worships and exalts the villains of the epic and reviles the usual heroes. This book not only opens a window on a fascinating (and threatened) aspect of rural Indian life and Hinduism as a living religion, but provides an accessible introduction to the Mahabharata itself, including lively translations of many songs and poems based on the epic, and a prologue containing a concise and readable summary of the entire story.

As a place to die, to dispose of the physical remains of the deceased and to perform the rites that ensure that the departed attains a "good state" after death, the north Indian city of Banaras attracts pilgrims and mourners from all over the Hindu world. This book is primarily about the priests and other kinds of "sacred specialists" who serve them, about the way in which they organize their business, and about their representations of death and understandings of the rituals over which they preside.

Over a period of ten years, William Sax studied the inhabitants of the former kingdom of Garhwal, located in north India. These people are deeply devoted to the great Indian national epic, the Mahabharata. Sax attended and participated in dozens of performances of the pandav lila - a ritual reenactment of scenes from the Mahabharata in dance - and observed in context in village life. He also discovered and documented a bizarre and fascinating cult whose existence was only previously rumoured, which worships and exalts the villains of the epic and reviles the usual heroes. This book not only opens a window on a fascinating (and threatened) aspect of rural Indian life and Hinduism as a living religion, but provides an accessible introduction to the Mahabharata itself, including lively translations of many songs and poems based on the epic, and a prologue containing a concise and readable summary of the entire story.

This vibrant collection presents 145 brief Bengali lyric poems dedicated to the Hindu goddesses Kali and Uma. These poems - many of which are presented here for the first time in English translation - were written from the early eighteenth century up to the contemporary period. They represent the unique Bengali tradition of goddess worship (Saktism) as it developed over this period. McDermott's lucid introduction places these works in their historical context and shows how images of the goddesses evolved over the centuries. Her lively translations of these poetic lyrics evoke the passion and devotion of the followers of Kali and Uma and shed light on the history and practice of goddess worship.

This book offers a close-up view of the religious world of one of the most influential families in Vrinbadan, India's premier place of pilgrimage for worshipers of Krishna. This priestly family has arguably been the most creative force in this important town. Their influence also radiates well beyond India's borders both because of their tireless work in fostering scholarship and performance about Krishna and because the scion of the family, Shrivatsa Goswami, has become an international spokesman for Hindu ways and concerns. Case, who has been an occasional resident in the family ashram, gives the reader a real sense of the atmosphere of daily life there, and the complete devotion of the residents to the service and worship of Krishna.

Hindu apologists routinely support their interpretations of the Hindu world view with an almost promiscuous use of the world's many philosophies and religions. This book examines the classical roots and contemporary significance of this eclecticism within modern Hindu discourse. Brian Hatcher begins by focusing on the thought of Swami Vivekananda as exemplary of the tone and character of modern Hindu eclecticism. Hatcher then identifies the ancient antecedents of this eclecticism in the sacrificial ritualism of the Vedas. Returning to the modern period, he focuses on 19th-century Bengal, introducing the reader to a wide range of modern Indian eclecticisms. In conclusion, Hatcher proposes a pragmatic approach to evaluating the validity of eclectic knowledge.

The rise of authoritarian Hindu mass movements and political formations in India since the early 1980s raises fundamental questions about the resurgence of chauvinistic ethnic, religious and nationalist movements in the late modern period. This book examines the history and ideologies of Hindu nationalism and ]i]Hindutva]/i] from the end of the last century to the present, and critically evaluates the social and political philosophies and writings of its main thinkers.Hindu nationalism is based on the claim that it is an indigenous product of the primordial and authentic ethnic and religious traditions of India. The book argues instead that these claims are based on relatively recent ideas, frequently related to western influences during the colonial period. These influences include eighteenth and nineteenth century European Romantic and Enlightenment rationalist ideas preoccupied with archaic primordialism, evolution, organicism, vitalism and race. As well as considering the ideological impact of National Socialism and Fascism on Hindu nationalism in the 1930s, the book also looks at how Aryanism continues to be promoted in unexpected forms in contemporary India.Using a wide range of historical and contemporary sources, the author considers the consequences of Hindu nationalist resurgence in the light of contemporary debates about minorities, secular citizenship, ethics and modernity.

The rise of authoritarian Hindu mass movements and political formations in India since the early 1980s raises fundamental questions about the resurgence of chauvinistic ethnic, religious and nationalist movements in the late modern period. This book examines the history and ideologies of Hindu nationalism and -i-Hindutva-/i- from the end of the last century to the present, and critically evaluates the social and political philosophies and writings of its main thinkers.
Hindu nationalism is based on the claim that it is an indigenous product of the primordial and authentic ethnic and religious traditions of India. The book argues instead that these claims are based on relatively recent ideas, frequently related to western influences during the colonial period. These influences include eighteenth and nineteenth century European Romantic and Enlightenment rationalist ideas preoccupied with archaic primordialism, evolution, organicism, vitalism and race. As well as considering the ideological impact of National Socialism and Fascism on Hindu nationalism in the 1930s, the book also looks at how Aryanism continues to be promoted in unexpected forms in contemporary India.
Using a wide range of historical and contemporary sources, the author considers the consequences of Hindu nationalist resurgence in the light of contemporary debates about minorities, secular citizenship, ethics and modernity.

Goddess worship has long been a significant aspect of Hinduism. In this book David Kinsley, author of "The Sword and the Flute--Kali & Krsna: Dark Visions of the Terrible and the Sublime in Hindu Mythology," sorts out the rich yet often chaotic history of Hindu goddess worship.

Hagiography, the saint's life, is one of the most popular genres of religious literature in India. For this study, Robin Rinehart has delved into the multiple written and oral accounts of the life of Swami Rama Tirtha (1873-1906). While the earliest accounts of his life portray him as a deeply spiritual man and compelling religious leader, the most recent accounts make far more sweeping claims about him as an avatar and as the primary force behind India's achievement of independence from the British in 1947. Through analysis of the rhetorical strategies of those who have written about his life (his hagiographers), Rinehart shows that descriptions of the experience of being in Swami Rama Tirtha's presence are a central feature of these accounts. The differences between the experiences of close disciples of the Swami and those of followers of a later period help account for the radical changes in the portrayal of the Swami in the hagiographical tradition. Focusing on the role of the hagiographer as mediator between the saint and the saint's followers, Rinehart highlights the role of hagiographers in shaping these followers' communities.

This book offers a new exploration of the mythology of the Hindu god Siva, who spends his time playing dice with his wife, to whom he habitually loses. The result of the game is our world, which turns the god inside-out and changes his internal composition. Hindus maintain that Siva is perpetually absorbed in this game, which is recreated in innumerable stories, poems, paintings, and sculptural carvings. This notion of the god at play, arguee Handelman and Shulman, is one of the most central and expressive veins in the metaphysics elaborated through the centuries, in many idioms and modes, around the god.
The book comprises three interlocking essays; the first presents the dice-game proper, in the light of the texts and visual depictions the authors have collected. The second and third chapters take up two mythic "sequels" to the game. Based on their analysis of these sequels, the authors argue that notions of "asceticism" so frequently associated with Siva, with Yoga, and with Hindu religion are, in fact, foreign to Hinduism's inherent logic as reflected in Siva's game of dice. They suggest an alternative reading of this set of practices and ideas, providing startling new insights into Hindu mythology and the major poetic texts from the classical Sanskrit tradition.

This book offers a new exploration of the mythology of the Hindu god Siva, who spends his time playing dice with his wife, to whom he habitually loses. The result of the game is our world, which turns the god inside-out and changes his internal composition. Hindus maintain that Siva is perpetually absorbed in this game, which is recreated in innumerable stories, poems, paintings, and sculptural carvings. This notion of the god at play, argue Handelman and Shulman, is one of the most central and expressive veins in the metaphysics elaborated through the centuries, in many idioms and modes, around the god.
The book comprises three interlocking essays; the first presents the dice-game proper, in the light of the texts and visual depictions the authors have collected. The second and third chapters take up two mythic "sequels" to the game. Based on their analysis of these sequels, the authors argue that notions of "asceticism" so frequently associated with Siva, with Yoga, and with Hindu religion are, in fact, foreign to Hinduism's inherent logic as reflected in Siva's game of dice. They suggest an alternative reading of this set of practices and ideas, providing startling new insights into Hindu mythology and the major poetic texts from the classical Sanskrit tradition.

This is the first complete English translation of an important work of Tamil poetics. Composed in southern India around the eighth century CE, this is a commentary structured around 60 verses of uncertain origin on the poetry of love. The commentary also includes hundreds of illustrative poems drawn from various Tamil literary periods ranging from the very earliest through the eighth century.

The Hindu Goddess Laksmi is the consort of the great God Vishnu. This book looks at the relationship between Laskmi and Vishnu in South Indian tradition. In some other sub-traditions, P. Pratap Kumar shows, the Goddess is seen as a mediator between devotees and God. Others put her on a par with her male counterpart. In yet other traditions she is worshiped as an independent deity in her own right. South Indian Vaisnavism views the Goddess in all of these ways, with the result that theological debates have flourished. Clarifying these debates and the assumptions behind them, Kumar contributes not only to our understanding of this particular tradition, but also to an understanding of gender issues in the study of religion.

For roughly two thousand years, the veneration of sacred fossil ammonites, called Shaligrams, has been an important part of Hindu and Buddhist ritual practice throughout South Asia and among the global Diaspora. Originating from a single remote region of Himalayan Nepal, called Mustang, Shaligrams are all at once fossils, divine beings, and intimate kin with families and worshippers. Through their lives, movements, and materiality, Shaligrams then reveal fascinating new dimensions of religious practice, pilgrimage, and politics. But as social, environmental, and national conflicts in the politically-contentious region of Mustang continue to escalate, the geologic, mythic, and religious movements of Shaligrams have come to act as parallels to the mobility of people through both space and time. Shaligram mobility therefore traverses through multiple social worlds, multiple religions, and multiple nations revealing Shaligram practitioners as a distinct, alternative, community struggling for a place in a world on the edge.

Today, powerful political forces seek to make the Indian state Hindu. Their rising influence since 1980 has occurred during a period of radical change in Indian society and politics, and has been accomplished by electoral means as well as by organized violence. The 1996 elections will be a major test of their power and of the influence of Hindu majoritarianism among the Indian electorate.Animated by a sense of urgency that was heightened by the massive violence following the destruction of the Babri mosque in Ayodhya on December 6, 1992, "Contesting the Nation" explores Hindu majoritarian politics over the last century and its dramatic reformulation during the decline of the Congress Party in the 1980s. Twelve prominent scholars from India, Europe, and the United States provide perspectives from the fields of political science, religious studies, ethnomusicology, history, art history, and anthropology, comparing trends in India with ethnic, religious, and cultural movements in other parts of the world.

The Bhagavad Gita, literally "The Song of God," is one of the most important spiritual and religious texts of the world, and is to Hindus what the Torah is to Jews, the Bible to Christians, and the Quran to Moslems. With text, translation, and Sri Aurobindo's commentary, this is probably the finest translation and commentary on the Bhagavad Gita that we have seen.

Salvific space is one of the central ideas in the Hindu traditions of pilgrimage, and concerns the ability of space, especially sites associated with bodies of water such as rivers and lakes, to grant salvific rewards. Focusing on religious, historical and sociological questions about the phenomenon, this book investigates the narratives, rituals, history and structures of salvific space, and looks at how it became a central feature of Hinduism. Arguing that salvific power of place became a major dimension of Hinduism through a development in several stages, the book analyses the historical process of how salvific space and pilgrimage in the Hindu tradition developed. It discusses how the traditions of salvific space exemplify the decentred polycentrism that defines Hinduism. The book uses original data from field research, as well as drawing on main textual sources such as Mahabharata, the Puranas, the medieval digests on pilgrimage places (tirthas), and a number of Sthalapuranas and Mahatmyas praising the salvific power of the place. By looking at some of the contradictions in and challenges to the tradition of Hindu salvific space in history and in contemporary India, the book is a useful study on Hinduism and South Asian Studies.

A complete introduction to Sanatana Dharma, the spiritual science of the Hindu sages
- Examines how many core concepts of Hinduism, including Brahman, Atman, bhakti, karma, and reincarnation, relate to modern science
- Explores the scientific discoveries of the rishis, ancient Vedic sages, and how they have only recently been rediscovered by Western scientists
- Reveals the concepts of quantum physics hidden within the Vedas, the Bhagavad Gita, the Upanishads, and the Puranas
Called "the scientists of Hinduism," the rishis of ancient India were the scribes of the Vedas. They developed the spiritual science of Hinduism, Sanatana Dharma, as their way of ensuring the constant renewal and progress of India's spiritual tradition and culture. Sanatana Dharma permeates every aspect of Hindu culture, from religion to the arts to the sciences. Woven within its Vedic texts lie all of the essential concepts of quantum physics and other modern scientific discoveries.
Providing a complete introduction to the science of Sanatana Dharma, Vanamali reveals how the core concepts of Hinduism, including Brahman, Atman, bhakti, karma, and reincarnation, relate to modern science and how the scientific discoveries of the ancient rishis have been recently rediscovered by the West. She examines the scientific principles within the classic stories and texts of India, including the Vedas, the Bhagavad Gita, the Upanishads, and the Puranas. Within the teachings of the ancient Puranic sages and saints such as Valmiki and Vyasa and legendary physicians and mathematician-philosophers such as Aryabhatta and Varahamihir, the author reveals great scientific truths--not those believed by the ancient world, but truths still upheld by modern science, particularly quantum physics. She explores Desha and Kaala (Space and Time), Shankara and his philosophy of Advaita Vedanta, and the Hindu sciences of mathematics, astronomy, and Vedic astrology.
In illustrating the scientific basis of Hinduism and the discoveries of its sages, Vanamali provides a window into the depths of this most ancient spiritual way of life.

Several years ago in Rajasthan, an eighteen-year-old woman was burned on her husband's funeral pyre and thus became sati. Before ascending the pyre, she was expected to deliver both blessings and curses: blessings to guard her family and clan for many generations, and curses to prevent anyone from thwarting her desire to die. Sati also means blessing and curse in a broader sense. To those who revere it, sati symbolizes ultimate loyalty and self-sacrifice. It often figures near the core of a Hindu identity that feels embattled in a modern world. Yet to those who deplore it, sati is a curse, a violation of every woman's womanhood. It is murder mystified, and as such, the symbol of precisely what Hinduism should not be.
In this volume a group of leading scholars consider the many meanings of sati in India and the West; in literature, art, and opera; in religion, psychology, economics, and politics. With contributors who are both Indian and American, this is a genuinely binational, postcolonial discussion. Contributors include Karen Brown, Paul Courtright, Vidya Dehejia, Ainslie Embree, Dorothy Figueira, Lindsey Harlan, John Hawley, Robin Lewis, Ashis Nandy, and Veena Talwar Oldenburg.

The Ramayana is one of the great epics of the ancient world, with versions spanning the cultures, religions and languages of Asia. Its story of Rama's quest to recover his wife Sita from her abduction by Raavana, the Lord of the Underworld, has enchanted readers and audiences across the Eastern world for thousands of years. Daljit Nagra was captivated by his grandparents' Punjabi version as a child, and has chosen to rejuvenate the story for a new generation of multicultural, multi-faith readers. By drawing on scenes originating in versions such as those from Cambodia, Laos and Thailand, as well as the better-known Indian Ramayanas, and by incorporating elements of Hindu, Buddhist, Sikh, Jain and secular versions, Nagra creates a consciously multicultural Ramayana. This dazzling version is both accessible and engaging, written in Nagra's typically vibrant and eclectic language, and bursting with energy, pathos and humour.