Tantra has formed an integral part of Asian religious history for centuries, but since "Arthur Avalon" introduced the concept to a global readership in the early twentieth century, Tantric traditions have exploded in popularity. While it was long believed that Sir John Woodroffe stood behind Avalon, it was in fact mainly a collaboration between learned South Asians. Julian Strube considers Tantra from the Indian perspective, offering rare insight into the active roles that Indians have played in its globalization and re-negotiation in local Indian contexts. In the early twentieth century, Avalon's publications were crucial to Tantra's visibility in academia and the recognition of Tantra's vital role in South Asian culture. South Asian religious, social, and political life is inexorably intertwined with various Tantric scriptures and traditions, especially in Shaiva and Shakta contexts. In Bengal, Tantra was central to cultural dynamics including Vaishnava and Muslim currents, as well as universalist tendencies incorporating Christianity and esoteric movements such as New Thought, Spiritualism, and Theosophy. Global Tantra contextualizes struggles about orthodoxy and reform in Bengal, and explores the global connections that shaped them. The study elides boundaries between academic disciplines as well as historical and regional contexts, providing insights into global debates about religion, science, esotericism, race, and national identity.

This book surveys the development of the religious landscape in Suriname and Guyana, focusing on the interaction between Hindus, Muslims, and Christians and responses to Christian dominance. It reflects on how and why these religiously diverse Caribbean societies are characterized by relative harmony, whereas interreligious relationships in other parts of the world have been marked by extreme conflict and violence. The chapters explore ideological and institutional dimensions, including the role of government policies, religious demography, religious leadership, and private religious institutions. The author takes a critical stance towards a negative approach to power struggles and offers a perspective that does not necessarily consider religious diversity a hindrance for religious harmony. Making valuable data accessible to scholars in the English language, this volume provides a framework for the study of interreligious relations and for understanding the religious worlds of the Caribbean.

The Dancing God: Staging Hindu Dance in Australia charts the sensational and historic journey of de-provincialising and popularising Hindu dance in Australia. In the late nineteenth and early twentieth centuries, colonialism, orientalism and nationalism came together in various combinations to make traditional Hindu temple dance into a global art form. The intricately symbolic Hindu dance in its vital form was virtually unseen and unknown in Australia until an Australian impresario, Louise Lightfoot, brought it onto the stage. Her experimental changes, which modernised Kathakali dance through her pioneering collaboration with Indian dancer Ananda Shivaram, moved the Hindu dance from the sphere of ritualistic practice to formalised stage art. Amit Sarwal argues that this movement enabled both the authentic Hindu dance and dancer to gain recognition worldwide and created in his persona a cultural guru and ambassador on the global stage. Ideal for anyone with an interest in global dance, The Dancing God is an in-depth study of how a unique dance form evolved in the meeting of travellers and cultures.

RGVV (History of Religion: Essays and Preliminary Studies) brings together the mutually constitutive aspects of the study of religion(s)-contextualized data, theory, and disciplinary positioning-and engages them from a critical historical perspective. The series publishes monographs and thematically focused edited volumes on specific topics and cases as well as comparative work across historical periods from the ancient world to the modern era.

Offering a summary of ancient Indian philosophy, "The Gita" places particular emphasis on the Supreme Spirit as both immanent and transcendent. In this translation and interpretation, the author bridges this ancient thought with a modern occidental approach.

The Arthasastra is the foundational text of Indic political thought and ancient India's most important treatise on statecraft and governance. It is traditionally believed that politics in ancient India was ruled by religion; that kings strove to fulfil their sacred duty; and that sovereignty was circumscribed by the sacred law of dharma. Mark McClish's systematic and thorough evaluation of the Arthasastra's early history shows that these ideas only came to prominence in the statecraft tradition late in the classical period. With a thorough chronological exploration, he demonstrates that the text originally espoused a political philosophy characterized by empiricism and pragmatism, ignoring the mandate of dharma altogether. The political theology of dharma was incorporated when the text was redacted in the late classical period, which obscured the existence of an independent political tradition in ancient India altogether and reinforced the erroneous notion that ancient India was ruled by religion, not politics.

If by monotheism we mean the idea of a single transcendent God who creates the universe out of nothing (creatio ex nihilo), as in the Abrahamic religions, then that is not found in the history of Hinduism. But if we mean a supreme, transcendent deity who impels the universe, sustains it and ultimately destroys it before causing it to emerge once again, who is the ultimate source of all other gods who are her or his emanations, then this idea does develop within that history. It is a Hindu monotheism and its nature that is the topic of this Element.

Ishita Pande's innovative study provides a dual biography of India's path-breaking Child Marriage Restraint Act (1929) and of 'age' itself as a key category of identity for upholding the rule of law, and for governing intimate life in late colonial India. Through a reading of legislative assembly debates, legal cases, government reports, propaganda literature, Hindi novels and sexological tracts, Pande tells a wide-ranging story about the importance of debates over child protection to India's coming of age. By tracing the history of age in colonial India she illuminates the role of law in sculpting modern subjects, demonstrating how seemingly natural age-based exclusions and understandings of legal minority became the alibi for other political exclusions and the minoritization of entire communities in colonial India. In doing so, Pande highlights how childhood as a political category was fundamental not just to ideas of sexual norms and domestic life, but also to the conceptualisation of citizenship and India as a nation in this formative period.

I presented your research articles to the Dharma Sansad held in November 2003. They greatly appreciated and welcomed your thoughts and were delighted that a person like you in the Foreign service--Understands the meaning and values of the Vedas.

Stephen Mitchell is widely known for his ability to make ancient masterpieces thrillingly new, to step in where many have tried before and create versions that are definitive for our time. His celebrated version of the Tao Te Ching is the most popular edition in print, and his translations of Jesus, Rilke, Genesis, and Job have won the hearts of readers and critics alike. Stephen Mitchell now brings to the Bhagavad Gita his gift for breathing new life into sacred texts.

The Bhagavad Gita is universally acknowledged as one of the world's literary and spiritual masterpieces. It is the core text of the Hindu tradition and has been treasured by American writers from Emerson and Thoreau to T. S. Eliot, who called it the greatest philosophical poem after the Divine Comedy. There have been more than two hundred English translations of the Gita, including many competent literal versions, but not one of them is a superlative literary text in its own right.

Now all that has changed. Stephen Mitchell's Bhagavad Gita sings with the clarity, the vigor, and the intensity of the original Sanskrit. It will, as William Arrowsmith said of Mitchell's translation of The Sonnets to Orpheus, "instantly make every other rendering obsolete."


From the Hardcover edition.

This book explores the representation of Hinduism through myth and discourse in urban Hindi theatre in the period 1880-1960. It discusses representative works of seven influential playwrights and looks into the ways they have imagined and re-imagined Hindu traditions. Diana Dimitrova examines the intersections of Hinduism and Hindi theatre, emphasizing the important role that both myth and discourse play in the representation of Hindu traditions in the works of Bharatendu Harishcandra, Jayshankar Prasad, Lakshminarayan Mishra, Jagdishcandra Mathur, Bhuvaneshvar, Upendranath Ashk, and Mohan Rakesh. Dimitrova'a analysis suggests either a traditionalist or a more modernist stance toward religious issues. She emphasizes the absence of Hindi-speaking authors who deal with issues implicit to the Muslim or Sikh or Jain, etc. traditions. This prompts her to suggest that Hindi theatre of the period 1880-1960, as represented in the works of the seven dramatists discussed, should be seen as truly 'Hindu-Hindi' theatre.

This title is not about the exotic land itself, but rather the hidden glory of Vaishnavism. It may not be the most well-known form of Hinduism but it is India's richest and most significant religious tradition. This book focuses on the Vaishnava tradition and its contemporary manifestations.

In this magisterial volume of essays, Wendy Doniger enhances our understanding of the ancient and complex religion to which she has devoted herself for half a century. This series of interconnected essays and lectures surveys the most critically important and hotly contested issues in Hinduism over 3,500 years, from the ancient time of the Vedas to the present day. The essays contemplate the nature of Hinduism; Hindu concepts of divinity; attitudes concerning gender, control, and desire; the question of reality and illusion; and the impermanent and the eternal in the two great Sanskrit epics, the Ramayana and the Mahabharata. Among the questions Doniger considers are: Are Hindus monotheists or polytheists? How can atheists be Hindu, and how can unrepentant Hindu sinners find salvation? Why have Hindus devoted so much attention to the psychology of addiction? What does the significance of dogs and cows tell us about Hinduism? How have Hindu concepts of death, rebirth, and karma changed over the course of history? How and why does a pluralistic faith, remarkable for its intellectual tolerance, foster religious intolerance? Doniger concludes with four concise autobiographical essays in which she reflects on her lifetime of scholarship, Hindu criticism of her work, and the influence of Hinduism on her own philosophy of life. On Hinduism is the culmination of over forty years of scholarship from a renowned expert on one of the world's great faiths.

An Introduction to Swaminarayan Hinduism, third edition, offers a comprehensive study of a contemporary form of Hinduism. Begun as a revival and reform movement in India 200 years ago, it has now become one of the fastest growing and most prominent forms of Hinduism. The Swaminarayan Hindu transnational network of temples and institutions is expanding in India, East Africa, the UK, USA, Australasia, and in other African and Asian cities. The devotion, rituals, and discipline taught by its founder, Sahajanand Swami (1781-1830) and elaborated by current leaders in major festivals, diverse media, and over the Internet, help preserve ethnic and religious identity in many modern cultural and political contexts. Swaminarayan Hinduism, here described through its history, divisions, leaders, theology and practices, provides valuable case studies of contemporary Hinduism, religion, migrants, and transnationalism. This new edition includes up-to-date information about growth, geographic expansion, leadership transitions, and impact of Swaminarayan institutions in India and abroad.