The Sanskrit narrative text Devi Mahatmya, "The Greatness of The Goddess," extols the triumphs of an all-powerful Goddess, Durga, over universe-imperiling demons. These exploits are embedded in an intriguing frame narrative: a deposed king solicits the counsel of a forest-dwelling ascetic, who narrates the tripartite acts of Durga which comprise the main body of the text. It is a centrally important early text about the Great Goddess, which has significance to the broader field of Puranic Studies. This book analyzes the Devi Mahatmya and argues that its frame narrative cleverly engages a dichotomy at the heart of Hinduism: the opposing ideals of asceticism and kingship. These ideals comprise two strands of what is referred to herein as the dharmic double helix. It decodes the symbolism of encounters between forest hermits and exiled kings through the lens of the dharmic double helix, demonstrating the extent to which this common narrative trope masterfully encodes the ambivalence of brahmanic ideology. Engaging the tension between the moral necessity for nonviolence and the sociopolitical necessity for violence, the book deconstructs the ideological ambivalence throughout the Devi Mahatmya to demonstrate that its frame narrative invariably sheds light on its core content. Its very structure serves to emphasize a theme that prevails throughout the text, one inalienable to the rubric of the episodes themselves: sovereignty on both cosmic and mundane scales. The book sheds new light on the content of the Devi Mahatmya and contextualizes it within the framework of important debates within early Hinduism. It will be of interest to academics in the fields of Asian Religion, Hindu Studies, Goddess Studies, South Asian Studies, Narrative Studies and comparative literature.

Indian classical music has long been fascinating to Western audiences, most prominently since the Beatles' sessions with Ravi Shankar in the 1960s. This fascination with the musical genre still prevails in the twenty-first century.

Hindi Poetry in a Musical Genre examines Thumri Lyrics, a major genre of Hindustani music, from a primarily linguistic perspective. On a cultural level, it discusses the interface between devotional and secular poetry. Furthermore, it explains the impact of social and political change on the musical life on North India.

Well-written and thoroughly researched, this book is a valuable contribution to the field of South Asian studies. It will be interesting to academics across the discipline, including linguistics, politics, sociology, cultural and gender studies.

Within the broad Hindu religious tradition, there have been for millennia many subtraditions generically called Vaisnava, who insist that the most appropriate mode of religious faith and experience is bhakti, or devotion, to the supreme personal deity, Visnu. Caitanya Vaisnavas are a community of Vaisnava devotees who coalesced around Krsna Caitanya (1486-1533), who taught devotion to the name and form of Krsna, especially in conjunction with his divine consort Radha and who also came to be looked upon by many as Krsna himself who had graciously chosen to be born in Bengal to exemplify the ideal mode of loving devotion (prema-bhakti). This book focusses on the relationship between the 'transcendent' intentionality of religious faith of human beings and their 'mundane' socio-cultural ways of living, through a detailed study of the social implications of the Caitanya Vaisnava devotional Hindu tradition in pre-colonial and colonial Bengal. Structured in two parts, the first analyzes the articulation of Krsna-bhakti within the broad Hindu sector of Bengali society. The second section examines Hindu-Muslim relationships in Bengal from the particular vantage point of the Caitanya Vaisnava tradition, and in which the subtle influence of Krsna-bhakti, it is argued, may be detected. In both sections, the bulk of attention is given to the sixteenth and seventeenth centuries, when Bengal was under independent Sultanate or emergent Mughal rule and thus free of the impact of British and European colonial influence. Arguing that the Caitanya Vaisnava devotion contributed to the softening of the potentially alienating socio-cultural divisions of class, caste, sect and religio-political community in Bengal, this book will be of interest to academics in the field of Asian Religion and Hinduism, in particular devotional Hinduism, both premodern and modern, as well as to scholars and students of South Asian social history, Hindu-Muslim relations, and Bengali religious culture.

This book deals with the history of interpretation of a theological concept of self-surrender - prapatti - in late 12th - 13th century religious texts of the Shrivaishnava community of South India. It is a unique textual study, which shows that medieval sectarian formation in its theological dimension is a fluid and ambivalent enterprise, where conflict and differentiation are presaged on "sharing," whether of a common canon, or two languages (Tamil and Sanskrit), a common saint, a common corpus of rituals or of a "meta-social" arena such as the temple itself.
Arguing that the core ideas of prapatti in these texts reveal the description of a heterogeneous theological concept, its nature dependent on the status of its practitioner, this book demonstrates that this concept is theologically moulded by the emergence of new literary genres, such as commentaries with hagiographical elements, in this period. The author puts forward the idea that this original heterogeneous understanding of prapatti is a majorcontributory cause to the emergence of sectarian divisions among the Shrivaishnavas, which lead to the eventual formation of two sub-sects, the Tenkalai and the Vatakalai, who stand respectively, for the "cat" and "monkey" theological positions.
The book contributes to a new, intellectual history of medieval Indian religion with a specific emphasis on South Indian Shrivaishnavism. It will be of interest to scholars of Shrivaishnavism and Hindu and Indian Religious Studies.

In Indian philosophy and theology, the ideology of Vedanta occupies an important position. Hindu religious sects accept the Vedantic soteriology, which believes that there is only one conscious reality, Brahman from which the entire creation, both conscious and non-conscious, emanated.

Madhusudana Sarasvati, who lived in sixteenth century Bengal and wrote in Sanskrit, was the last great thinker among the Indian philosophers of Vedanta. During his time, Hindu sectarians, rejected monistic Vedanta. Although a strict monist, Madhusudana tried to make a synthesis between his monistic philosophy and his theology of emotional love for God.

Sanjukta Gupta provides the only comprehensive study of Madhusudana Sarasvati's thought. She explores the religious context of his extensive and difficult works, offering invaluable insights into Indian philosophy and theology.

This book analyses the contemporary global revival of Nondual Saivism, a thousand-year-old medieval Hindu religious philosophy. The author bridges the current gap in the literature between "insider" (emic) and "outsider" (etic) perspectives by examining modern Nondual Saivism from multiple standpoints as both a critical scholar of religion and an empathetic participant-observer. This book will be of interest to academics in the fields of religion and Asian philosophies, especially South Asian, tantric, neo-tantric and yoga philosophies, alternative and New Age spiritualities, religion and consumerism, and new religious movements (NRMs) and cults.

Historically, Kashmir was one of the most dynamic and influential centers of Sanskrit learning and literary production in South Asia. In Poetry as Prayer in the Sanskrit Hymns of Kashmir, Hamsa Stainton investigates the close connection between poetry and prayer in South Asia by studying the history of Sanskrit hymns of praise (stotras) in Kashmir. The book provides a broad introduction to the history and general features of the stotra genre, and it charts the course of these literary hymns in Kashmir from the eighth century to the present. In particular, it offers the first major study in any European language of the Stutikusumanjali, an important work of religious literature dedicated to the god Siva and one of the only extant witnesses to the trajectory of Sanskrit literary culture in fourteenth-century Kashmir. The book also contributes to the study of Saivism by examining the ways in which Saiva poets have integrated the traditions of Sanskrit literature and poetics, theology (especially non-dualism), and Saiva worship and devotion. It substantiates the diverse configurations of Saiva bhakti expressed and explored in these literary hymns and the challenges they present for standard interpretations of Hindu bhakti. More broadly, this study of stotras from Kashmir offers new perspectives on the history and vitality of prayer in South Asia and its complex relationships to poetry and poetics.

There is a steady and growing scholarly and popular interest in Hindu religious - especially devotional (bhakti) traditions as forms of spiritual practice and expressions of divine embodiment. Associated with this is the attention to sacred images and their worship. This book extends the discussion on Indian images and their worship, bringing historical and comparative dimensions and considering Krishna worship in the context of modernity, both in India and the West. It focuses on one specific worship tradition, the Chaitanya Vaishnava tradition of the 14th to 16th centuries, as it develops and sustains itself in two specific locales. By applying the comparative category of "religious truth," the author provides a comprehensive understanding of a living religious tradition. He successfully demonstrates the understanding of devotion as a process of participation with divine embodiment in which worship of Krishna's image is integral.
A presentation of a traditional north Indian Krishna temple, which represents an "embodied community" and a western Krishna temple to represent a "missionizing tradition" of the Hari Krishnas (ISCON-The International Society of Krishna Consciousness), completes this analysis.
This book offers an original contribution to comparative religious studies.

This book investigates the relationship between the various interpretations of the "Bhagavad-Gita" and the Hindu tradition.
The Bhagavad-Gita is probably the most popular - and certainly the most frequently quoted and widely studied - work of the Hindu scriptures. This book investigates the relationship between the various interpretations of the Bhagavad-Gita and the Hindu tradition.
Taking into account a range of influential Indian and western thinkers to illustrate trends in writing about the Bhagavad-Gita including Western academic; Indian activist; Christian theological; Hindu Universalist; perennialist mystical and contemporary experiential accounts. Examining the ideas of such influential figures as F Max Muller, M K Ghandi, Bede Griffiths, Swami Vivekananda, Aldous Huxley and Swami Bhakivedanta, this book demonstrates the inextricable link between different interpretations of the Bhagavad-Gita and images of the Hindu tradition.
This accessible book aptly demonstrates the relevance of the Bhagavad-Gita for an understanding of Hinduism as a modern phenomenon.

The Ramayana is one of the great epics of the ancient world, with versions spanning the cultures, religions and languages of Asia. Its story of Rama's quest to recover his wife Sita from her abduction by Raavana, the Lord of the Underworld, has enchanted readers and audiences across the Eastern world for thousands of years. Daljit Nagra was captivated by his grandparents' Punjabi version as a child, and has chosen to rejuvenate the story for a new generation of multicultural, multi-faith readers. By drawing on scenes originating in versions such as those from Cambodia, Laos and Thailand, as well as the better-known Indian Ramayanas, and by incorporating elements of Hindu, Buddhist, Sikh, Jain and secular versions, Nagra creates a consciously multicultural Ramayana. This dazzling version is both accessible and engaging, written in Nagra's typically vibrant and eclectic language, and bursting with energy, pathos and humour.

Imagining Religious Communities tells the story of the Gupta family through the personal and religious narratives they tell as they create and maintain their extended family and community across national borders. Based on ethnographic research, the book demonstrates the ways that transnational communities are involved in shaping their experiences through narrative performances. Jennifer B. Saunders demonstrates that narrative performances shape participants' social realities in multiple ways: they define identities, they create connections between community members living on opposite sides of national borders, and they help create new homes amidst increasing mobility. The narratives are religious and include epic narratives such as excerpts from the Ramayana as well as personal narratives with dharmic implications. Saunders' analysis combines scholarly understandings of the ways in which performances shape the contexts in which they are told, indigenous comprehension of the power that reciting certain narratives can have on those who hear them, and the theory that social imaginaries define new social realities through expressing the aspirations of communities. Imagining Religious Communities argues that this Hindu community's religious narrative performances significantly contribute to shaping their transnational lives.

This book shows you how to access the wisdom of the Nakshatras in your personal life and for society. Through it the modern reader can understand the energies of their stars and learn how to utilize these to bring their lives into harmony with the great forces of the universe. This book is must reading not only for any students of astrology but for anyone interested in self-development or spiritual growth.

Neo-Hindutva explores the recent proliferation and evolution of Hindu nationalism - the assertive majoritarian, right-wing ideology that is transforming contemporary India. This volume develops and expands on the idea of 'neo-Hindutva' -- Hindu nationalist ideology which is evolving and shifting in new, surprising, and significant ways, requiring a reassessment and reframing of prevailing understandings. The contributors identify and explain the ways in which Hindu nationalism increasingly permeates into new spaces: organisational, territorial, conceptual, rhetorical. The scope of the chapters reflect the diversity of contemporary Hindutva - both in India and beyond - which appears simultaneously brazen but concealed, nebulous and mainstreamed, militant yet normalised. They cover a wide range of topics and places in which one can locate new forms of Hindu nationalism: courts of law, the Northeast, the diaspora, Adivasi (tribal) communities, a powerful yoga guru, and the Internet. The volume also includes an in-depth interview with Christophe Jaffrelot and a postscript by Deepa Reddy. Helping readers to make sense of contemporary Hindutva, Neo-Hindutva is ideal for scholars of India, Hinduism, Nationalism, and Asian Studies more generally. This book was originally published as a special issue of Contemporary South Asia.

The Vijayanagara Empire flourished in South India between 1336 and 1565. Conveying the depth and creativity of Hindu religious and literary expression during that time, Vijayanagara Voices explores some of the contributions made by poets, singer-saints, and philosophers. Through translations and discussions of their lives and times, Jackson presents the voices of these cultural figures and reflects on the concerns of their era, looking especially into the vivid images in their works and their legends. He examines how these images convey both spiritual insights and physical experiences with memorable candour. The studies also raise intriguing questions about the empire's origins and its response to Muslim invaders, its 'Hinduness', and reasons for its ultimate decline. Vijayanagara Voices is a book about patterns in history, literature and life in South India. By examining the culture's archetypal displays, by understanding the culture in its own terms, and by comparing associated images and ideas from other cultures, this book offers unique insights into a rich and influential period in Indian history.

This book offers an in-depth study of right-wing politics in India by analysing the shifting ideologies of Hindu nationalism and its evolution in the late nineteenth century through to twenty-first century. The authors provide a thorough overview of the chronological evolution of Hindu nationalist organizational outfits to reveal how Hindu nationalist ideology has adapted in ways that have not always corresponded with the orthodox Hindu nationalist position. An examination of the overriding preference for Hindu nationalism demonstrates how it has flourished and continues to remain relevant in contemporary India despite being marginalized at the dawn of India's independence. The book demonstrates that Hindu nationalism is a context-driven ideological device which is sensitive to the ideas and priorities that gradually gain salience. It also explores Hindu nationalism as a vote-catching device, especially from the late twentieth century onwards. Providing a nuanced analysis of Hindu nationalism in India as a constantly evolving phenomenon, this book will be of interest to researchers on Asian political theory, nationalism, religious politics and South Asian and Indian politics.

For the first time, the work "Genealogy of the South Indian Deities" of the first Protestant missionary to India, Bartholomaeus Ziegenbalg (1682-1719), is made accessible to an English readership. Originally published in 1713, the text reveals Ziegenbalg's ethos in the emerging European Enlightenment and his willingness to learn from the South Indians. The text contains the original voices of knowledgeable South Indians from various religious backgrounds and presents South India in a vivid, direct and unfiltered way. In this volume Daniel Jeyaraj edits and presents the German original in an English translation. This is followed by a detailed textual analysis, a glossary and an appendix. This book is invaluable for anyone interested in reliable information about the interactions of Europeans with Hindu and Tamil religion and culture.

This book is a thematic study of the poet-thinker Rabindranath Tagore's conceptual project of harmonizing the one and its many. Tagore's writings, in Bengali and in English, on religious and social themes are held together by the leitmotif of a "harmony" which operates across several existential, religious, and social polarities - the finite and the infinite, the temporal and the eternal, and the individual and the universal. Tagore creatively appropriated materials from diverse sources such as the classical Hindu Vedantic systems, the folk piety of Bengal, and others, to configure a dialectic which shapes his writings on both religious and social themes. On the one hand, each individual is irreducibly distinct from everyone else, and, on the other hand, each individual gains their spiritual depth precisely by being placed within the dynamic matrices of an interrelated whole. Thus, we find Tagore rejecting certain monastic forms of Hindu world-renunciation and also certain ecstatic dimensions of devotional worship - the former because they efface individuality and the latter because they can generate self-absorbed styles of living. Again, Tagore is as sharply opposed to Bengali imitativeness of English modes of being in the world as he is to Bengali forms of insularity - the former because it dilutes the concrete richness of indigenous lifeforms and the latter because it confines individuals to parochial enclosures. Tagore's life-long endeavor was to configure a "third way" by rejecting both the blank homogeneity of an undifferentiated one and the particularistic insularities of a multitude without a deeper center of coherence.

This comprehensive Gandhi reader provides an essential new reference for scholars and students of his life and thought. It is the only text available that presents Gandhi's own writings, including excerpts from three of his books An Autobiography: The Story of My Experiments with Truth, Satyagraha in South Africa, Hind Swaraj (Indian Home Rule)-a major pamphlet, Constructive Programme: Its Meaning and Place, and many journal articles and letters along with a biographical sketch of his life in historical context and recent essays by highly regarded scholars. The writers of these essays hailing from the United States, Canada, Great Britain and India, with academic credentials in several different disciplines examine his nonviolent campaigns, his development of programs to unify India, and his impact on the world in the second half of the twentieth century and the beginning of the twenty-first. Gandhi's Experiments with Truth provides an unparalleled range of scholarly material and perspectives on this enduring philosopher, peace activist, and spiritual guide."

Advaita Vedanta is one of the most important and widely studied schools of thought in Hindu religion and the Vivekacudamani is one of the most important texts in the Advaita tradition and the most popular philosophical work ascribed to the great Indian philosopher, Sankara. Sankara (c.650-700) is considered to be a giant among giants and probably the most venerated philosopher in India's long history. The Vivekacudamani is in the form of a dialogue between a preceptor (guru) and a pupil (sisya) expounding the quintessence of Advaita in which the pupil humbly approaches the preceptor and, having served the teacher selflessly, implores to be rescued from worldly existence (samsara). The guru promises to teach the way to liberation (moksa) which culminates in the ecstatic experience of one's own Self. This book presents an accessible translation of the entire text and also includes Upanisadic cross-referencing to most of its 580 verses, extensive notes, a lengthy Introduction, list of variant readings, an extensive bibliography, and an index to the verses. All those interested in Indian religion and philosophy, Hindu studies, or Sanskrit, will find this readable English translation of an Indian philosophical classic invaluable.

This book focuses on the ritualized forms of mobility that constitute phenomena of pilgrimage in South Asia and establishes a new analytical framework for the study of ritual journeys. The book advances the conceptual scope of 'classical' Pilgrimage Studies and provides empirical depth through individual case studies. A key concern is the strategies of ritualization through which actors create, assemble and (re-)articulate certain modes of displacement to differentiate themselves from everyday forms of locomotion. Ritual journeys are understood as being both productive of and produced by South Asia's socio-economically uneven, politically charged and culturally variegated landscapes. From various disciplinary angles, each chapter explores how spaces and movements in space are continually created, contested and transformed through ritual journeys. By focusing on this co-production of space and mobility, the book delivers a conceptually driven and empirically grounded engagement with the diverse and changing traditions of ritual journeying in South Asia. Interdisciplinary in its approach, the book is a must-have reference work for academics interested in South Asian Studies, Religious Studies, Anthropology and Human Geography with a focus on pilgrimage and the socio-spatial ideas and practices of ritualized movements in South Asia.

Imagining Hinduism examines how Hinduism has been defined, interpreted and manufactured through Western categorizations, from the foreign interventions of eighteenth and nineteenth century Orientalists and missionaries to the present day. Sugirtharajah argues that ever since early Orientalists 'discovered' the ancient Sanskrit texts and the Hindu 'golden age', the West has nurtured a complex and ambivalent fascination with Hinduism, ranging from romantic admiration to ridicule. At the same time, Hindu discourse has drawn upon Orientalist representations in order to redefine Hindu identity.
As the first comprehensive work to bring postcolonial critique to the study of Hinduism, this is essential reading for a full understanding of Hinduism.

This volume investigates the historic and ethnographic accounts of the ongoing religious contestations over the status of the Mahabodhi Temple complex in Bodhgaya (a UNESCO World Heritage Site since 2002) and its surrounding landscape to critically analyse the working and construction of sacredness. It endeavours to make a ground-up assessment of ways in which human participants in the past and present respond to and interact with the Mahabodhi Temple and its surroundings. The volume argues that sacredness goes beyond scriptural texts and archaeological remains. The Mahabodhi Temple is complex and its surround ing landscape is a 'living' heritage, which has been produced socially and constitutes differential densities of human involvement, attachment, and experience. Its significance lies mainly in the active interaction between religious architecture within its dynamic ritual settings. This endless con testation of sacredness and its meaning should not be seen as the 'death' of the Mahabodhi Temple; on the contrary, it illustrates the vitality of the ongoing debate on the meaning, understanding, and use of the sacred in the Indian context. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka