Part of the ancient Hindu epic The Mahabharata, The Bhagavad Gita is one of the enduring religious texts of the world The Bhagavad Gita is an early poem that recounts the conversation between Arjuna the warrior and his charioteer Krishna, a manifestation of God. In the moments before a great battle, Krishna sets out the important lessons Arjuna must learn to understand his own role in the war he is about to fight. Krishna reveals to Arjuna his true cosmic form and counsels the warrior to act according to his sacred obligations. Ranging from instructions on yoga to moral discussion, the Gita has served for centuries as an everyday, practical guide to living well. Translated with an introduction by Laurie L. Patton

Formalized by the tenth century, the expansive Bhagavata Purana resists easy categorization. While the narrative holds together as a coherent literary work, its language and expression compete with the best of Sanskrit poetry. The text's theological message focuses on devotion to Krishna or Vishnu, and its philosophical outlook is grounded in the classical traditions of Vedanta and Samkhya. No other Purana has inspired so much commentary, imitation, and derivation. The work has grown in vibrancy through centuries of performance, interpretation, worship, and debate and has guided the actions and meditations of elite intellectuals and everyday worshippers alike. This annotated translation and detailed analysis shows how one text can have such enduring appeal. Key selections from the Bhagavata Purana are faithfully translated, while all remaining sections of the Purana are concisely summarized, providing the reader with a continuous and comprehensive narrative. Detailed endnotes explain unfamiliar concepts and several essays elucidate the rich philosophical and religious debates found in the Sanskrit commentaries. Together with the multidisciplinary readings contained in the companion volume The Bhagavata Purana: Sacred Text and Living Tradition (Columbia, 2013), this book makes a central Hindu masterpiece more accessible to English-speaking audiences and more meaningful to scholars of Hindu literature, philosophy, and religion.

Why do certain groups and individuals seek to do harm in the name of God? While studies often claim to hold the key to this frightening phenomenon, they seldom account for the crucial role that religious conviction plays, not just in radical Islam, but also in the fundamentalist branches of the world's two other largest religions: Christianity and Hinduism. As the first book to examine violent extremism in all three religions together, Competing Fundamentalisms draws on studies in sociology, psychology, culture, and economicswhile focusing on the central role of religious ideasto paint a richer portrait of this potent force in modern life. Clarke argues that the forces of globalization fuel the aggression of these movements to produce the competing feature of religious fundamentalisms, which have more in common with their counterparts across religious lines than they do with the members of their own religions. He proposes ways to deescalate religious violence in the service of peacemaking. Readers will gain important insights into how violent religious fundamentalism works in the world's three largest religions and learn new strategies for promoting peace in the context of contemporary interreligious conflict.

The first book to put the sacred and sensuous bronze statues from India's Chola dynasty in social context From the ninth through the thirteenth century, the Chola dynasty of southern India produced thousands of statues of Hindu deities, whose physical perfection was meant to reflect spiritual beauty and divine transcendence. During festivals, these bronze sculptures-including Shiva, referred to in a saintly vision as "the thief who stole my heart"-were adorned with jewels and flowers and paraded through towns as active participants in Chola worship. In this richly illustrated book, leading art historian Vidya Dehejia introduces the bronzes within the full context of Chola history, culture, and religion. In doing so, she brings the bronzes and Chola society to life before our very eyes. Dehejia presents the bronzes as material objects that interacted in meaningful ways with the people and practices of their era. Describing the role of the statues in everyday activities, she reveals not only the importance of the bronzes for the empire, but also little-known facets of Chola life. She considers the source of the copper and jewels used for the deities, proposing that the need for such resources may have influenced the Chola empire's political engagement with Sri Lanka. She also investigates the role of women patrons in bronze commissions and discusses the vast public records, many appearing here in translation for the first time, inscribed on temple walls. From the Cholas' religious customs to their agriculture, politics, and even food, The Thief Who Stole My Heart offers an expansive and complete immersion in a community still accessible to us through its exquisite sacred art. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC

In recent years, scholars from a wide range of disciplines have examined the revival in intellectual and literary cultures that took place during India's 'early modern' centuries. This was both a revival as well as a period of intense disputation and critical engagement. It took in the relationship of contemporaries to their own intellectual inheritances, shifts in the meaning and application of particular disciplines, the development of new literary genres and the emergence of new arenas and networks for the conduct of intellectual and religious debate. Exploring the worlds of Sanskrit and vernacular learning and piety in the subcontinent, these essays examine the role of individual scholar intellectuals in this revival, looking particularly at the interplay between intellectual discipline, sectarian links, family history and the personal religious interests of these men. Each essay offers a fine-grained study of an individual. Some are distinguished scholars, poets and religious leaders with subcontinent-wide reputations, others obscure provincial writers whose interest lies precisely in their relative anonymity. A particular focus of interest will be the way in which these men moved across the very different social milieus of early modern India, finding ways to negotiate relationships at courtly centres, temples, sectarian monasteries, the pandit assemblies of the cosmopolitan city of Banaras and lesser religious centres in the regions. This bookw as published as a special issue of South Asian History and Culture.

Hinduism comprises perhaps the major cluster of religio-cultural traditions of India, and it can play a valuable role in helping us understand the nature of religion and human responses to life. Hindu image-worship lies at the core of what counts for Hinduism - up-front and subject to much curiosity and misunderstanding, yet it is a defining feature of this phenomenon. This book focuses on Hindu images and their worship with special reference to Vaisnavism, a major strand of Hinduism. Concentrating largely, but not exclusively, on Sanskritic source material, the author shows in the course of the book that Hindu image-worship may be understood via three levels of interpretation: the metaphysical/theological, the narratival or mythic, and the performative or ritual. Analysing the chief philosophical paradigm underlying Hindu image-worship and its implications, the book exemplifies its widespread application and tackles, among other topics such as the origins of image-worship in Hinduism, the transition from Vedic to image worship, a distinguishing feature of Hindu images: their multiple heads and limbs. Finally, with a view to laying the grounds for a more positive dialogic relationship between Hinduism and the "Abrahamic" faiths, which tend to condemn Hindu image-worship as "idolatry", the author examines the theological explanation and justification for embodiment of the Deity in Hinduism and discusses how Hinduism might justify itself against such a charge. Rich in Indological detail, and with an impressive grasp of the philosophical and theological issues underlying Hindu material culture, and image-worship, this book will be of interest to academics and others studying theology, Indian philosophy and Hinduism.

The Bhagavad Gita is one of the most widely read Hindu scriptures in the Western world. Taking the form of a dialogue between the warrior Arjuna and the divine Krishna on the eve of battle, it is concerned with the most profound aspects of social and religious duty, and the relationship of human beings to God. In its eighteen short chapters it explores the spiritual struggle of the human soul and the search for both the true self and eternal life, culminating in an unparalleled vision of God the omnipotent.

In this book Paramahansa Yogananda offers prayers and affirmations that beginners and experienced meditators alike can use to awaken the boundless joy, peace, and inner freedom of the soul.

Includes introductory instructions on how to meditate. An encouraging guide that teaches us through our own experience how to spiritually enrich our everyday life.

This new verse translation of the classic Sanskrit text combines the skills of leading Hinduist Gavin Flood with the stylistic verve of award-winning poet and translator Charles Martin. The result is a living, vivid work that avoids dull pedantry and remains true to the extraordinarily influential original. A devotional, literary, and philosophical masterpiece of unsurpassed beauty and imaginative relevance, The Bhagavad Gita has inspired, among others, Mahatma Gandhi, J. Robert Oppenheimer, T. S. Eliot, Christopher Isherwood, and Aldous Huxley. Its universal themes life and death, war and peace, sacrifice resonate in a West increasingly interested in Eastern religious experiences and the Hindu diaspora."

"The books line up on my shelf like bright Bodhisattvas ready to take tough questions or keep quiet company. They stake out a vast territory, with works from two millennia in multiple genres: aphorism, lyric, epic, theater, and romance."
--Willis G. Regier, "The Chronicle Review"

"No effort has been spared to make these little volumes as attractive as possible to readers: the paper is of high quality, the typesetting immaculate. The founders of the series are John and Jennifer Clay, and Sanskritists can only thank them for an initiative intended to make the classics of an ancient Indian language accessible to a modern international audience."
--"The Times Higher Education Supplement"

"The Clay Sanskrit Library represents one of the most admirable publishing projects now afoot. . . . Anyone who loves the look and feel and heft of books will delight in these elegant little volumes."
--"New Criterion"

"Published in the geek-chic format."
--"BookForum"

"Very few collections of Sanskrit deep enough for research are housed anywhere in North America. Now, twenty-five hundred years after the death of Shakyamuni Buddha, the ambitious Clay Sanskrit Library may remedy this state of affairs."
--"Tricycle"

aNow an ambitious new publishing project, the Clay Sanskrit Library brings together leading Sanskrit translators and scholars of Indology from around the world to celebrate in translating the beauty and range of classical Sanskrit literature. . . . Published as smart green hardbacks that are small enough to fit into a jeans pocket, the volumes are meant to satisfy both the scholar and the lay reader. Each volume has a transliteration of the original Sanskrit texton the left-hand page and an English translation on the right, as also a helpful introduction and notes. Alongside definitive translations of the great Indian epics -- 30 or so volumes will be devoted to the Maha-bharat itself -- Clay Sanskrit Library makes available to the English-speaking reader many other delights: The earthy verse of Bhartri-hari, the pungent satire of Jayanta Bhatta and the roving narratives of Dandin, among others. All these writers belong properly not just to Indian literature, but to world literature.a
--"LiveMint"

aThe Clay Sanskrit Library has recently set out to change the scene by making available well-translated dual-language (English and Sanskrit) editions of popular Sanskritic texts for the public.a
--"Namarupa"

The Pandavas believe they have completed the terms of their exile, though Duryodhana claims that they did not live unknown for the full thirteenth year, since Arjuna was recognised in the battle at the end of the preceding book, aVirata.a While the Pandavas and Kurus make their preparations for war they organise a series of embassies to negotiate peace. This volume constantly highlights the inevitability of conflict and the futility of negotiation. Most characters are concerned that war between family cannot fail to be sinful. Contained herein is the aSanat-sujatiya, a a philosophical passage to rival the aBhagavad-gita.a Like the aBhagavad-gita, a the aSanat-sujatiyaa tells that karma will not chain one in the cycle of rebirth, if one refrains from desire. Through understanding the truth of non-duality, that the world is mere illusion, one is subsumed into eternal existence with Brahman.

Co-published by New York University Press andthe JJC Foundation

For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org

Discover how the crown jewel of Hindu teachings can enrich your life and spirituality.

Guarded for centuries by saints and ascetics in the forests and mountains of India, the universal principles of Vedanta were deemed too precious to be understood by the masses until Swami Vivekananda first introduced them in the West at the end of the nineteenth century.

Today Vedanta s principles of self-awareness, self-knowledge and self-control are available for anyone who wants to enrich their life by following this ancient tradition. Fusing science, philosophy, meditation and contemplation, these timeless teachings encourage spiritual growth by inviting critical inquiry, encouraging honest doubt and providing realistic explanations of the mysteries of spiritual quest.

This comprehensive guide examines in detail the tenets of Vedanta, its relationship to other spiritual paths and its applications for your own spiritual journey, such as: Re-establishing Contact with the Ultimate Reality Acting in the Living Present Awakening Spiritual Consciousness Mastering the Restless Mind Grasping the Essentials Liberating the Soul And much more

The philosophy of Yoga tells us that the root cause of our sorrows and suffering is loss of contact with our true Self. Our recovery is only possible by reestablishing contact with our innermost Self, the Reality of all realities, and by recognizing that knowledge of Self is our salvation. In this comprehensive guide, Swami Adiswarananda introduces the overall philosophy of Yoga and then delves deeply into each path: ? Karma-Yoga: the path of selfless action, for the active ? Bhakti-Yoga: the path of divine love, for the emotional ? Raja-Yoga: the path of meditation, for the contemplative ? Jnana-Yoga: the path of knowledge, for the rational Covering the message and practice of each of the yogas as well as philosophy and psychology, preparatory practices, common obstacles and ways to overcome them, this accessible book will prove invaluable to anyone wishing to follow a yoga practice in order to realize the goal of Self-knowledge.

Techniques explained by the masters for today s spiritual seeker

Meditation is designed to give you direct access to the spiritual. Whether it s through deep breathing during a busy day, listening to the quiet after turning off the car radio, chanting in prayer, or ten minutes of visualization exercises each morning, meditation takes many forms. But it is always a personal method of centering our spiritual self.

Meditation has long been practiced in the Jewish community as a powerful tool to transcend words, personality, and ego and to directly experience the divine. Inspiring yet practical, this introduction to meditation from a Jewish perspective approaches it in a new and illuminating way: As it is personally practiced by today s most experienced Jewish meditators from around the world.

A how to guide for both beginning and experienced meditators, Meditation from the Heart of Judaism will help you start meditating or help you enhance your practice. Meditation is a Jewish spiritual resource for today that can benefit people of all faiths and backgrounds and help us add spiritual energy to our lives. Contributors include:

A message of love, compassion and the spiritual unity of
humankind from one of India s visionary teachers

Vivekananda s message gives us hope for the future. His love for humanity gave him the mandate for his message, and his innate purity gave him an irresistible power that nobody could match. The same love that was born as Buddha, the Compassionate One, once again assumed human form as Vivekananda. from the Introduction

At the World s Parliament of Religions in Chicago in 1893, a young Hindu monk caused a sensation. At the utterance of his simple opening words Sisters and Brothers of America the audience broke into spontaneous applause for Swami Vivekananda. What followed was a stunning speech about the validity and unity of all religions. In just a little over a century, Vivekananda s message has spread throughout the world.

In this book for spiritual seekers of all faiths and backgrounds, and for all who yearn for solutions to the ideological conflicts that threaten our world, Swami Adiswarananda presents a selection of Vivekananda s most profound and inspiring lectures and an intimate glimpse of his life through newspaper reports from the time, personal reminiscences from disciples and others close to him, and impressions of his life and message from world leaders. A chapter by Swami Nikhilananda, founder of the Ramakrishna-Vivekananda Center of New York, offers a fascinating view of Vivekananda s spiritual mission to America a mission that brought the ideals of spiritual freedom and spiritual democracy to the forefront of Western religious thought.

This second half of Bhishma describes the events from the beginning of the fifth day till the end of the tenth of the great battle between the K&#225uravas and the P&#225ndavas. Despite grandfather Bhishma's appeal to conclude peace with the P&#225ndavas, Dury&#243dhana continues the bloody battle. The key strategist is general Bhishma, commander of the K&#225urava forces. Even though he is compelled to fight on the side of the K&#225uravas, Bhishma's sympathies are with the P&#225ndavas. After the ninth day of war, when Bhishma has wreaked havoc with their troops, the P&#225ndavas realise that they will be unable to win as long as invincible Bhishma is alive. Bhishma willingly reveals to them how he can be destroyed. Strictly observing the warrior code, he will never fight with Shikh&#225ndin, because he was originally born a woman. Bhishma advises the P&#225ndava brothers that &#193rjuna should strike him from behind Shikh&#225ndin's back, and they follow the grandfather's advice.

The Bhagavad Gita is India's most sacred textthe Hindu "Bible." Yogananda's translation and commentary brings a unique and deeply penetrating insight into this great scripture, and is widely regarded as one of the most comprehensive books available on the science and philosophy of Yoga. God Talks With Arjuna explains the Bhagavad Gita's profoundest spiritual, psychological, and metaphysical truths, long obscured by metaphor and allegory. Yogananda takes Lord Krishna's counsel to the warrior Arjuna and applies it to our everyday struggles with the human ego. Our greatest battle he explains, like Arjuna's, takes place within our own minds as we fight our doubts, fears, negative habits, self-defeating thoughts, and erroneous thinking. Appealing to scholar and general reader alike, there is no other Gita on the market as attractive, and comprehensive.

This is a timely introduction to the poetry and prose of the renowned Indian guru, Sri H. W. L. Poonja. These wise and deeply spiritual selections are from the "Satsangs", or "Truths", recorded in Poonja's comprehensive The Truth Is, and they distill the essence of his teachings into a shorter, more portable collection.

"The books line up on my shelf like bright Bodhisattvas ready to take tough questions or keep quiet company. They stake out a vast territory, with works from two millennia in multiple genres: aphorism, lyric, epic, theater, and romance."
--Willis G. Regier, "The Chronicle Review"

"No effort has been spared to make these little volumes as attractive as possible to readers: the paper is of high quality, the typesetting immaculate. The founders of the series are John and Jennifer Clay, and Sanskritists can only thank them for an initiative intended to make the classics of an ancient Indian language accessible to a modern international audience."
--"The Times Higher Education Supplement"

"The Clay Sanskrit Library represents one of the most admirable publishing projects now afoot. . . . Anyone who loves the look and feel and heft of books will delight in these elegant little volumes."
--"New Criterion"

"Published in the geek-chic format."
--"BookForum"

"Very few collections of Sanskrit deep enough for research are housed anywhere in North America. Now, twenty-five hundred years after the death of Shakyamuni Buddha, the ambitious Clay Sanskrit Library may remedy this state of affairs."
--"Tricycle"

aNow an ambitious new publishing project, the Clay Sanskrit Library brings together leading Sanskrit translators and scholars of Indology from around the world to celebrate in translating the beauty and range of classical Sanskrit literature. . . . Published as smart green hardbacks that are small enough to fit into a jeans pocket, the volumes are meant to satisfy both the scholar and the lay reader. Each volume has a transliteration of the original Sanskrit texton the left-hand page and an English translation on the right, as also a helpful introduction and notes. Alongside definitive translations of the great Indian epics -- 30 or so volumes will be devoted to the Maha-bharat itself -- Clay Sanskrit Library makes available to the English-speaking reader many other delights: The earthy verse of Bhartri-hari, the pungent satire of Jayanta Bhatta and the roving narratives of Dandin, among others. All these writers belong properly not just to Indian literature, but to world literature.a
--"LiveMint"

aThe Clay Sanskrit Library has recently set out to change the scene by making available well-translated dual-language (English and Sanskrit) editions of popular Sanskritic texts for the public.a
--"Namarupa"

"The Book of Virata" details the Pandavas' 13th year in exile, when they live disguised in King Virata's court. They suffer the humiliation of becoming servants; a topic explored both through comedy and pathos. Having maintained their disguise until the very end of the year, then their troubles really begin. Bhima is forced to come to Draupadi's rescue when King Virata's general, Kichaka, sets his sights on her. Duryodhana and the Tri-gartas decide to invade the defeated Virata's kingdom, unaware the Pandavas are hidden there. In the ensuing battles the Pandavas play a crucial role, save Virata and reveal their true identities. The book ends in celebration, with the Pandavas ready to return from exile and reclaim their kingdom. However, the battles in "Virata" foreshadow the war to come, proving it will not be easy.

Co-published by New York University Press and the JJC Foundation

For more on this title and other titles in the ClaySanskrit series, please visit http: //www.claysanskritlibrary.org

The Ramayana is one of the great epics of the ancient world, with versions spanning the cultures, religions and languages of Asia. Its story of Rama's quest to recover his wife Sita from her abduction by Raavana, the Lord of the Underworld, has enchanted readers and audiences across the Eastern world for thousands of years. Daljit Nagra was captivated by his grandparents' Punjabi version as a child, and has chosen to rejuvenate the story for a new generation of multicultural, multi-faith readers. By drawing on scenes originating in versions such as those from Cambodia, Laos and Thailand, as well as the better-known Indian Ramayanas, and by incorporating elements of Hindu, Buddhist, Sikh, Jain and secular versions, Nagra creates a consciously multicultural Ramayana. This dazzling version is both accessible and engaging, written in Nagra's typically vibrant and eclectic language, and bursting with energy, pathos and humour.

Happiness is experiential, bliss is existential and peace lies somewhere between the two, as a beautiful bridge. Our universe promotes complete harmony and gives equal opportunity to everyone to realize his full potential. Happiness and bliss are not a goal in themselves, but are an integral part of life's Journey. It is also essential to understand that happiness may be induced through a connect with externalities, but verily lies within all of us. Look within, with complete awareness and you shall find it.

The Upanishads represent for the Hindu approximately what the New Testament represents for the Christian.

The earliest of these spiritual treatises, which vary greatly in length, were put down in Sanskrit between 800 and 400 BC. This selection from twelve Upanishads, with its illuminating introduction by Juan Mascaró, whose translation of the Bhagavad Gita is also in the Penguin Classics, reveals the paradoxical variety and unity, the great questions and simple answers, the spiritual wisdom and romantic imagination of these ‘Himalayas of the Soul’.

‘In death thy glory in heaven, in victory thy glory on earth.  Arise therefore, Arjuna, with thy soul ready to fight’

The Bhagavad Gita is an intensely spiritual work that forms the cornerstone of the Hindu faith, and is also one of the masterpieces of Sanskrit poetry. It describes how, at the beginning of a mighty battle between the Pandava and Kaurava armies, the god Krishna gives spiritual enlightenment to the warrior Arjuna, who realizes that the true battle is for his own soul.

Juan Mascaró’s translation of The Bhagavad Gita captures the extraordinary aural qualities of the original Sanskrit. This edition features a new introduction by Simon Brodbeck, which discusses concepts such as dehin, prakriti and Karma.