Seeking recognition presents an important driving force in the making of religious minorities, as is shown in this study that examines current debates on religion, globalization, diaspora, and secularism through the lens of Hindus living in the French overseas department of La Reunion. Through the examination of religious practices and public performance, the author offers a compelling study of how the Hindus of the island assert pride in their religion as a means of gaining recognition, self-esteem, and social status.

William Ward's account of the Hindu communities among whom he served as a Baptist missionary in Serampore in West Bengal was first published in 1811 and reprinted in this third edition in 1817. It was an extremely influential work that shaped British views of the newly defined entity of 'Hinduism' in the early nineteenth century. Ward and his fellow missionaries promoted social reforms and education, establishing the Serampore Mission Press in 1800 and Serampore College in 1818. Ward devoted twenty years to compiling his study of Hindu literature, history, mythology and religion, which was eventually published in four volumes. It provided richly detailed information, and was regarded as authoritative for the next fifty years. It is therefore still an important source for researchers in areas including Indian history, British colonialism, Orientalism and religious studies. Volume 3 focuses on the social history of India, the caste system, and birth rituals.

First published in 1875, this book reflects a growing nineteenth-century British interest in South Asian culture and literature. In it Monier Williams, the Professor of Sanskrit at Oxford, outlines the patterns of thought and customs of the Hindu religion. He also describes the character and content of Sanskrit literature, which had not previously been attempted in English. According to Williams, Sanskrit literature holds the key to a full understanding of Hinduism. He makes it unequivocally clear that Britain's colonial hold over India involves a particular responsibility and indeed opportunity to study the three religions confronting Christianity there, namely Brahmanism, Buddhism and Islam. Monier Williams writes about the Vedas (the sacred texts of Hinduism), the different traditions of philosophy and the five schools of Hindu law. He elaborates on the epic poems and the doctrine of incarnation embedded in them, and compares this ancient poetry with that of Homer.

William Ward's account of the Hindu communities among whom he served as a Baptist missionary in Serampore in West Bengal was first published in 1811 and reprinted in this third edition in 1817. It was an extremely influential work that shaped British views of the newly defined entity of 'Hinduism' in the early nineteenth century. Ward and his fellow missionaries promoted social reforms and education, establishing the Serampore Mission Press in 1800 and Serampore College in 1818. Ward devoted twenty years to compiling his study of Hindu literature, history, mythology and religion, which was eventually published in four volumes. It provided richly detailed information, and was regarded as authoritative for the next fifty years. It is therefore still an important source for researchers in areas including Indian history, British colonialism, Orientalism and religious studies. Volume 1 describes and categorises Hindu deities and objects of worship, celestial, terrestrial, animate and inanimate.

William Ward's account of the Hindu communities among whom he served as a Baptist missionary in Serampore in West Bengal was first published in 1811 and reprinted in this third edition in 1817. It was an extremely influential work that shaped British views of the newly defined entity of 'Hinduism' in the early nineteenth century. Ward and his fellow missionaries promoted social reforms and education, establishing the Serampore Mission Press in 1800 and Serampore College in 1818. Ward devoted twenty years to compiling his study of Hindu literature, history, mythology and religion, which was eventually published in four volumes. It provided richly detailed information, and was regarded as authoritative for the next fifty years. It is therefore still an important source for researchers in areas including Indian history, British colonialism, Orientalism and religious studies. Volume 2 focuses on places of worship, ritual practices, and beliefs about death and reincarnation.

William Ward's account of the Hindu communities among whom he served as a Baptist missionary in Serampore in West Bengal was first published in 1811 and reprinted in this third edition in 1817. It was an extremely influential work that shaped British views of the newly defined entity of 'Hinduism' in the early nineteenth century. Ward and his fellow missionaries promoted social reforms and education, establishing the Serampore Mission Press in 1800 and Serampore College in 1818. Ward devoted twenty years to compiling his study of Hindu literature, history, mythology and religion, which was eventually published in four volumes. It provided richly detailed information, and was regarded as authoritative for the next fifty years. It is still an important source for researchers in areas including Indian history, British colonialism, Orientalism and religious studies. Volume 4 includes translations from Hindu sacred texts and philosophical writings, and Ward's own reflections on education.

The demolition of the Babri Mosque at Ayodhya on December 6, 1992 was an event as significant as it was unexpected. In this book, nine scholars (Theodore P. Wright, Jr., John J. Carroll, Matthew A. Cook, Dhirendra K. Vajpeyi, Subhas C. Kashyap, Steven A. Hoffman, Srinivas Tilak, Koenraad Elst, and Vasudha Narayanan) explore the myriad significances of this event for the Hindu and Muslim communities, and for the relations between them, in India.

An examination of the contemporary practices, beliefs, and issues of one of the world's oldest and most enduring religions, both within its Indian homeland and throughout the world. Contemporary Hinduism: Ritual, Culture, and Practice illuminates the modern-day ritual, range, and reach of this ancient and diverse religion. A brief historical overview is followed by discussions of the oral and written origins of Hinduism that give context for the main emphasis-contemporary thought, practice, and key issues. Unique to this work is the consistent attention given to the practice of Hinduism for both men and women. What roles do caste and gender play in modern Hinduism? How are issues like ethics and the environment approached? What are the differences between urban and rural Hinduism, fundamental and secular Hinduism? To what countries has this religion spread, and how do the beliefs and practices of their people compare and contrast? Essays written by Indian and Western scholars answer these and other intriguing questions, introducing readers to the whole world of "living Hinduism" rather than the perspectives and traditions of a small elite. Ten essays explore the history, modern practice, and contemporary issues of Hinduism Maps including ancient and contemporary India and the Hindu diaspora, as well as illustrations within individual essays The book includes a glossary of terms and a guide to pronouncing words from Indian languages A comprehensive introductory essay provides a basic historical overview and addresses the development of the definition and study of Hinduism

This book is the first in-depth study of the Saiva oeuvre of the celebrated polymath Appaya Diksita (1520-1593). Jonathan Duquette documents the rise to prominence and scholarly reception of Sivadvaita Vedanta, a Sanskrit-language school of philosophical theology which Appaya single-handedly established, thus securing his reputation as a legendary advocate of Saiva religion in early modern India. Based to a large extent on hitherto unstudied primary sources in Sanskrit, Duquette offers new insights on Appaya's early polemical works and main source of Sivadvaita exegesis, Srikantha's Brahmamimamsabhasya; identifies Appaya's key intellectual influences and opponents in his reconstruction of Srikantha's theology; and highlights some of the key arguments and strategies he used to make his ambitious project a success. Centred on his magnum opus of Sivadvaita Vedanta, the Sivarkamanidipika, this book demonstrates that Appaya's Saiva oeuvre was mainly directed against Visistadvaita Vedanta, the dominant Vaisnava school of philosophical theology in his time and place. A far-reaching study of the challenges of Indian theism, this book opens up new possibilities for our understanding of religious debates and polemics in early modern India as seen through the lenses of one of its most important intellectuals.

This work contains almost everything written by Bhagavan Sri Ramana Maharshi, his inspired compositions, and a number of translations from ancient Advaitic texts, representing the essence of his teachings. They fall into two categories-those which exemplify the path of surrender through love and devotion to the Divine, and those which are more doctrinal. The first group included the Five Hymns to Sri Arunachala, of which the first poem, The Marital Garland of Letters, "is among the most profound and moving poems in any language" and expressses the attitude of the soul aspiring for union with God. Sri Bhagavan has affirmed that seekers who study these works are certain to attain the Bliss of Liberation.

About Carole Satyamurti's translation "Carole Satyamurti's version of the Mahabharata moves swiftly and powerfully. She has found a voice that's capable of a wide variety of expression, and a line--basically classical English blank verse with a jazz-like freedom to swing--that propels the reader effortlessly onward through the cosmic, terrifying, erotic, sublime events of this extraordinary work. I think I shall never get tired of it." --PHILIP PULLMAN, author of The Golden Compass

Music and Temple Ritual in South India: Performing for Siva explores the musical practices of the periya melam, a South Indian instrumental temple ensemble of professional musicians. The book is much more than a rich and vivid ethnographic description of a local tradition. It also develops a comprehensive and original analytical model, in which music and performance are understood as both situated and creative practices and where the fluid relationship between humans and non-humans, in this case divine beings, is truly taken into consideration.

Devotional Spaces of a Global Saint focuses on the presence and contemporaneity of Shirdi Sai Baba (d.1918), who has a vast following in postcolonial South Asia and an ever-growing global diaspora. Essays consider the saint's influence on everyday life and how visual, narrative, textual, sensorial, performative, political, social, and spatial practices interpenetrate to produce multiple terrains of devotion. Contributions by twelve scholars of several academic disciplines explore eruptions and circulations of sacred materials, spatialities of devotional practices, visual and digital imaginaries, transcultural narrativizations, and material affects and effects of Sai Baba. The presentation transcends routine scholarly discussions about sainthood, cultures of worship, religious objects, Hinduism and Islam. Shirdi Sai Baba's presence conveys inspiration and healing energies and he accepted the entreaties of people of all castes and creeds, offering an alternative to communal ideologies of his time - and the present. Considerations of Shirdi Sai Baba's milieux of devotional praxis situate and localize debates about the meaning of nation and religion, past and present, urbanization, and class identity in transitions from colonial to postcolonial/global South Asia. The book expands the boundaries of the study of Shirdi Sai Baba and makes important contributions to South Asia Studies, Anthropology, Religious Studies, Global Studies, Urban Studies, Indian Ocean Studies, Inter-Asian Studies, Visual and Media Studies, and Cultural Geography.

The volume deals with the witness and the service of Protestants and Protestant churches in all nations and contexts and sketches Protestantism as a global renewal movement. It is active in the setting of all 171 nations with a non-Protestant religious or secular majority, and in the 28 Protestant majority nations. Protestantism wants to make all people 'mature' and all societies 'responsible.' It made the Bible the most translated book on earth and provided more songs and hymns than any other religion or movement. About 10 % of the world population is Protestant. But the impact of Protestantism on world culture is larger than 10 %. The book highlights the significance of Protestant Noble Peace Prize winners and martyrs. Billy Graham, Martin Luther King, Desmond Tutu and Nelson Mandela are the most influential Protestants in the post-war period. Protestants dream of a universal language, a universal statement of faith, and a universal hymn.

This book expands the current axiology of theism literature by assessing the axiological status of alternative conceptions of God and the divine. To date, most of the literature on the axiology of theism focuses almost exclusively on the axiological status of theism and atheism. Specifically, it focuses almost entirely on monotheism, typically Judeo-Christian conceptions of God, and atheism, usually construed as ontological naturalism. This volume features essays from prominent philosophers of religion, ethicists, and metaphysicians addressing the value impact of alternative views such as ultimism, polytheism, pantheism, panentheism, and idealism. Additionally, it reflects a wider trend in analytic philosophy of religion to broaden its scope beyond the Judeo-Christian tradition. Value Beyond Monotheism will be of interest to scholars and advanced students working in the philosophy of religion, ethics, and metaphysics.

A first and coherent enquiry on vernacular religions across Monsoon Asia and critically questioning why they have been frequently alienated in the elitist discourse of mainstream Indic religions.

This is a Comprehensive Survey of the Bhakti Movement as it sprang in South India to spread across the subcontinent in independent and multifarious manifestations yet marked with amazing commonalities. Spanning a period of 11 centuries starting from the 6th CE, the movement encompassed in its sweep a vast range of dimensions; Social, political, economic, religious, cultural, linguistic, ethical and philosophical. Among the multifarious movements which contributed to the formation of India and its Culture, the Bhakti was undoubtedly the most pervasive and persistent, says the author. Besides its sweep and depth, what proved most remarkable about the movement was that it arose almost everywhere from the masses who belonged to the lowest class and castes. Though spirituality was its leitmotif, Bhakti proved to be a stirring song of the subaltern in their varied expressions of resistance and revolt. A seemingly conservative phenomenon became a potent weapon against entrenched hierarchies of orthodoxy and oppression, in a wonderful dialectical expression. This qualifies Bhakti movement to be reckoned on a par with European renaissance as it marked a massive upsurge in the societal value system to directly impact a range of fields like arts, politics, culture or religion. Even as he takes note of the elements of reactionary revivalism that also marked the Bhakti movement, the author convincingly argues that those of renaissance and progress far outweighed the former.

This is the first book to address the social organisation of modern yoga practice as a primary focus of investigation and to undertake a comparative analysis to explore why certain styles of yoga have successfully transcended geographical boundaries and endured over time, whilst others have dwindled and failed. Using fresh empirical data of the different ways in which posture practice was disseminated transnationally by Krishnamacharya, Sivananda and their leading disciples, the book provides an original perspective. The author draws upon extensive archival research and numerous fieldwork interviews in India and the UK to consider how the field of yoga we experience today was shaped by historic decisions about how it was transmitted. The book examines the specific ways in which a small group of yogis organised their practices and practitioners to popularise their styles of yoga to mainstream audiences outside of India. It suggests that one of the most overlooked contributions has been that of Sivananda Saraswati (1887-1963) for whom this study finds his early example acted as a cornerstone for the growth of posture practice. Outlining how yoga practice is organised today on the world stage, how leading brands fit into the wider field of modern yoga practice and how historical developments led to a mainstream globalised practice, this book will be of interest to researchers in the field of Yoga Studies, Religious Studies, Hindu Studies, South Asian History, Sociology and Organisational Studies.

In analyzing the parallels between myths glorifying the Indian Great Goddess, Durga, and those glorifying the Sun, Surya, found in the Marka??eya Pura?a, this book argues for an ideological ecosystem at work in the Marka??eya Pura?a privileging worldly values, of which Indian kings, the Goddess (Devi), the Sun (Surya), Manu and Marka??eya himself are paragons. This book features a salient discovery in Sanskrit narrative text: just as the Marka??eya Pura?a houses the Devi Mahatmya glorifying the supremacy of the Indian Great Goddess, Durga, it also houses a Surya Mahatmya, glorifying the supremacy of the Sun, Surya, in much the same manner. This book argues that these mahatmyas were meaningfully and purposefully positioned in the Marka??eya Pura?a, while previous scholarship has considered this haphazard interpolation for sectarian aims. The book demonstrates that deliberate compositional strategies make up the Saura-Sakta symbiosis found in these mirrored mahatmyas. Moreover, the author explores what he calls the "dharmic double helix" of Brahmanism, most explicitly articulated by the structural opposition between prav?tti (worldly) and niv?tti (other-worldy) dharmas. As the first narrative study of the Surya Mahatmya, along with the first study of the Marka??eya Pura?a (or any Pura?a), as a narrative whole, this book will be of interest to academics in the field of Religion, Hindu Studies, South Asian Studies, Goddess Studies, Narrative Theory and Comparative Mythology.

While Indian visual culture and Tantric images have drawn wide attention, the culture of images, particularly that of the divine images, is broadly misunderstood. This book is the first to systematically address the hermeneutic and philosophical aspects of visualizing images in Tantric practices. While examining the issues of embodiment and emotion, this volume initiates a discourse on image-consciousness, imagination, memory, and recall. The main objective of this book is to explore the meaning of the opaque Tantric forms, and with this, the text aims to introduce visual language to discourse. Language of Images is the result of a long and sustained engagement with Tantric practitioners and philosophical and exegetical texts. Due to its synthetic approach of utilizing multiple ways to read cultural artifacts, this work stands alone in its attempt to unravel the esoteric domains of Tantric practice by means of addressing the culture of visualization.

Becoming Vaishnava in an Ideal Vedic City centers on a growing multinational community of ISKCON (International Society for Krishna Consciousness) devotees in Mayapur, West Bengal. While ISKCON's history is often presented in terms of an Indian guru 'transplanting' Indian spirituality to the West, this book focusses on the efforts to bring ISKCON back to India. Paying particular attention to devotees' failure to consistently live up to ISKCON's ideals and the ongoing struggle to realize the utopian vision of an 'ideal Vedic city', this book argues that the anthropology of ethics must account for how moral systems accommodate the problem of moral failure.