This is the second volume of a translation of India's most beloved and influential epic saga, the monumental R?m?ya?a of V?lm?ki. Of the seven sections of this great Sanskrit masterpiece, the Ayodhyak???a is the most human, and it remains one of the best introductions to the social and political values of traditional India. This readable translation is accompanied by commentary that elucidates the various problems of the text--philological, aesthetic, and cultural. The annotations make extensive use of the numerous commentaries on the R?m?ya?a composed in medieval India. The substantial introduction supplies a historical context for the poem and a critical reading that explores its literary and ideological components.

The High-Caste Hindu Woman (1887) is a work of political nonfiction by Pandita Ramabai. Written for an American audience, The High-Caste Hindu Woman was published in Philadelphia while Ramabai was living in the United States as a lecturer for the Women's Christian Temperance Union. Born and raised in India, Ramabai converted to Christianity and dedicated her life to advocating on behalf of impoverished women and children. A fiery orator and true iconoclast, Ramabai's activism led to important educational and social reforms in her native country. Arguing for the need to offer education to women, Ramabai examines the nature of life for Hindu women born into the Brahman caste in nineteenth century India. Despite their position in Indian society, these women remained subjected to the control of their husbands, who limited their freedom and social mobility. Ramabai examines the traditions and customs of Hinduism in order to show how women are made ignorant by their oppression and taught to accept their conditions, thereby prolonging the suffering of lower caste and impoverished Hindus. Through education alone, Ramabai shows, are women able to alter their oppressed condition. Both a portrait of Indian life and a moving political treatise, The High-Caste Hindu Woman showcases Ramabai's foresight as an activist and reformer who sought to radically improve the lives of her people. With a beautifully designed cover and professionally typeset manuscript, this edition of Pandita Ramabai The High-Caste Hindu Woman is a classic work of Indian political nonfiction reimagined for modern readers.

The name Bhagavad Gita sounds exotic; but the truths it teaches are the essential truths of every great teaching. To understand the Gita is to understand truth, religion, and the depth of each person's divine nature.

With the Hindu nationalist BJP now replacing the Congress as the only national political force, the communalization of the Indian polity has qualitatively advanced since the earlier edition of this book in 1997. This edition has been substantially reworked and updated with several new chapters added. Hindutva's rise necessitates a more critical take on mainstream secular claims ironically reinforced by liberal-left sections discovering special virtues in India's 'distinctive' secularism. The careful evaluation of the ongoing debate on 'Indian fascism' has resonances for the broader debate about how best to assess the dangers of the far right's rise in other liberal democracies. A study follows of how Hindutva forces are pursuing their project of establishing a Hindu Rashtra and how to thwart them through a wider transformative struggle targeting capitalism itself.

This text acts as an introduction to the essence of Hindu Tantrism. It introduces the major concepts and offers corrections for many misconceptions. The reader will learn of the ten wisdom goddesses and core Tantric practices, such as meditation and mantra recitation.

The Veda in Kashmir presents a detailed history and the current state of Veda tradition in Kashmir. It traces the vicissitudes of Vedic texts and rituals and their survival during some 400 years of Muslim rule. The peculiarities of the Sakalya Rgveda, Katha Yajurveda, and Paippalada Atharvaveda texts are discussed in great detail. The rituals from birth to death of the Pandits, the Kashmiri Brahmins, are depicted and explained, including current interpretation. This two-volume work includes a DVD that contains additional texts, rituals, sound recordings, and films taken in 1973 and 1979.

RELIGION / HINDUISM "Peter Marchand has accomplished something unique in his new book. He has turned Jnana Yoga, the highest non-dual philosophy, into a real page-turner. I especially enjoy reading the book just before going to sleep; when I do, I find myself resting deeply and waking up each morning more connected to my unchanging Being." --Swami Asokananda, president of Satchidananda Ashram-Yogaville In The Yoga of Truth, Peter Marchand, through a series of deceptively simple introspective questions, leads the seeker into discarding everything--body, personality, thoughts, memories, experiences--that disguises the ego's relentless masquerade as the Self. This is a contemplative yoga, requiring constant commitment to witnessing without attachment. This inner examination disempowers the ego's fixation on its products and leads instead to the realization that the witnessing consciousness is, in fact, the one immutable Being within or without--the real Self, the true You. The universal illusion rests upon space and time, body and elements, the life force, mind, intellect, ego, and self. Jnana Yoga reveals not only the insubstantial and illusory nature of our presumptions but also our habitual commitment to the false sense of self that they create. This illusion of individuality collapses before direct inspection. When something has form, when it can change, it cannot be the eternal with which we seek union. Witnessing consciousness stands alone as that which is without form. In The Yoga of Truth, Marchand leads us simply, and compellingly, to the truth of our nature and the peaceful bliss of true Being. PETER MARCHAND is one of the founders of Sanatan Society, a networking organization ofthe family and students of Harish Johari (1934-1999), a tantric scholar, poet, and artist who authored twelve books, including Chakras and Tools for Tantra. Marchand became a student of Johari in 1983 and teaches Rasa Sadhana and Jnana Yoga in Europe, India, the United States, and Canada. The author of The Yoga of the Nine Emotions, he lives in Belgium

This book explores what integral morality and maturity means in traditional yogic terms and in the context of contemporary culture. Feuerstein shows how the ancient teachings of Yoga are singularly relevant in our time of global crisis. At the same time, he offers a trenchant critique of the contemporary Yoga movement. This work, which is full of surprising insights, is required reading for anyone aspiring to understand or practice authentic Yoga.

The Upanishads are among the source books of the Hindu faith, being the concluding portion of the Hindu scriptures, the Vedas, also the Vedanta. This selection of translations by Swami Nikhilananda contains the Svetasvatara, Prasna and Mandukya Upanishads together with a special contribution to Western understanding of these important books in the form of a noteworthy essay on Hindu Ethics. Translated from the Sanskrit with an Introduction embodying a study of Hindu Ethics, and with Notes and Explantions based on the Commentary of Sri Sankaracharya, the great Eighth-Century Philosopher and Saint of India. Contents Include: Svetasvatara Upanishad - Prasna Upanishad - Mandukya Upanishad

This work contains almost everything written by Bhagavan Sri Ramana Maharshi, his inspired compositions, and a number of translations from ancient Advaitic texts, representing the essence of his teachings. They fall into two categories-those which exemplify the path of surrender through love and devotion to the Divine, and those which are more doctrinal. The first group included the Five Hymns to Sri Arunachala, of which the first poem, The Marital Garland of Letters, "is among the most profound and moving poems in any language" and expressses the attitude of the soul aspiring for union with God. Sri Bhagavan has affirmed that seekers who study these works are certain to attain the Bliss of Liberation.

Krishna, one of the most beloved characters of the Hindu pantheon, has been portrayed in many lights: a god-child, a prankster, a model lover, a divine hero, an exemplary ruler, and the Supreme Being. In _The Complete Life of Krishna_, Vanamali, a leading Krishna expert from a long line of prominent Krishna devotees, provides the first book in English or Sanskrit to cover the complete range of the avatar's life. Drawing from the Bhagavad Purana, the Bhagavad Gita, the Mahabharata, and India's sacred oral tradition, Vanamali shares stories from Krishna's birth in a dungeon and early days as a merry trickster in Vrindavana, through his time as divine ruler at Dwaraka, to his final powerful acts as the hero Arjuna's charioteer and guru in the Kurukshetra war. She explains how Krishna became a mahayogi, the greatest of all yogis, and attained complete mastery over himself and nature. By integrating the hero-child with the mahayogi, the playful lover with the divine ruler, Vanamali shows how the stories of Krishna's life are expressed with such simplicity and humor that they enable anyone--man, woman, or child--to see the wisdom of his teachings. This complete biography of the man who was also a god provides a valuable meditative tool allowing Krishna's lessons to illuminate from within.

The Upanisads are the central scriptures of Hinduism. They represent some of the most important literary products in the history of Indian culture and religion, both because they played a critical role in the development of religious ideas in India and because they are our greatest source for the religious, social, and intellectual history of ancient India. Composed at a time of great social, economic, and religious change, the Upanisads document the transition from the archaic ritualism of the Veda into new religious ideas and institutions. The first major English translation of the ancient Upanisads for over half a century, Olivelle's work incorporates the most recent historical and philological scholarship. The introduction and detailed notes make this edition ideal for the non-specialist as well as for students of Indian religions. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The present book Sarada-Tilaka of Laksmana Desikendra is one of the important texts on Tantric subjects. It is divided into 25 Chapters. Chapter 1 is Prakrti and deals with the origin of creation: the 23 chapters which follow demonstrate Prakrti-Vikrti; the last chapter 25 is beyond Prakrti and Vikrti. But Sarada-Tilaka is a tantric treatise which deals primarily with the Tantric worship of gods and goddesses.

For many centuries, Hindus have taken it for granted that the religious images they place in temples and home shrines for purposes of worship are alive. Hindu priests bring them to life through a complex ritual "establishment" that invokes the god or goddess into material support. Priests and devotees then maintain the enlivened image as a divine person through ongoing liturgical activity: they must awaken it in the morning, bathe it, dress it, feed it, entertain it, praise it, and eventually put it to bed at night. In this linked series of case studies of Hindu religious objects, Richard Davis argues that in some sense these believers are correct: through ongoing interactions with humans, religious objects are brought to life.

Davis draws largely on reader-response literary theory and anthropological approaches to the study of objects in society in order to trace the biographies of Indian religious images over many centuries. He shows that Hindu priests and worshipers are not the only ones to enliven images. Bringing with them differing religious assumptions, political agendas, and economic motivations, others may animate the very same objects as icons of sovereignty, as polytheistic "idols," as "devils," as potentially lucrative commodities, as objects of sculptural art, or as symbols for a whole range of new meanings never foreseen by the images' makers or original worshipers.