This book offers new translations of the Tiruppavai and Nacciyar Tirumoli, composed by the ninth-century Tamil mystic and poetess Kotai. Two of the most significant compositions by a female mystic, the Tiruppavai and Nacciyar Tirumoli give expression to her powerful experiences through the use of a vibrant and bold sensuality, in which Visnu is her awesome, mesmerizing, and sometimes cruel lover. Kotai's poetry is characterized by a richness of language in which words are imbued with polyvalence and even the most mundane experiences are infused with the spirit of the divine. Her Tiruppavai and Nacciyar Tirumoli are garlands of words, redolent with meanings waiting to be discovered. Today Kotai is revered as a goddess, and as a testament to the enduring relevance of her poetry, her Tiruppavai and Nacciyar Tirumoli continue to be celebrated in South Indian ritual, music, dance, and the visual arts.
This book aims to capture the lyricism, beauty, and power of Kotai's original works. In addition, detailed notes based on traditional commentaries, and discussions of the ritual and performative lives of the Tiruppavai and Nacciyar Tirumoli highlight the importance of this ninth-century poet and her two poems over the past one thousand years.

This introduction to the Madhva school of Vedanta is accessible to a wide audience with interest in Hinduism, Indian thought and in the comparative philosophy of religion. Deepak Sarma explores the philosophical foundations of Madhva Vedanta and then presents translations of actual debates between the Madhva and Advaita schools of Vedanta, thus positioning readers at the centre of the 700 year-old controversy between these two schools of Vedanta. Original texts of Madhvacarya are included in an appendix, in translation and in Sanskrit.

An ancient classic that can become a companion for your own spiritual journey.

Millions of people turn daily to India's most beloved holy book, the Bhagavad Gita ("Song of the Lord"), to instruct their spiritual practice. A Hindu classic, it has universal appeal for people of all faith traditions who turn to its inspirational support in the struggles of life, its consolation in times of grief, and its deeply moving promise of God's love and guidance.

Composed in Sanskrit verse thousands of years ago, this timeless text tells the story of a distraught warrior on the verge of battle and the compassionate counsel he receives from Krishna God in human form. In just seven hundred lines, the Gita presents concise teachings on such topics as the immortality of the soul, meditation and yoga, worship and sacrifice, the ideal of selfless action, and the oneness of all life in the Divine.Now you can read and understand the Gita with no previous knowledge of Hinduism required.

This SkyLight Illuminations edition offers insightful yet unobtrusive commentary that explains references and philosophical terms; shares the inspiring interpretations of famous spiritual teachers; and addresses questions such as the inner meaning of India's caste system and why this sublime discourse on inner peace is set against the background of a violent civil war."

A god transforms into a nymph and enchants another god.A king becomes pregnant.A prince discovers on his wedding night that he is not a man.Another king has children who call him both father and mother. A hero turns into a eunuch and wears female apparel. A princess has to turn into a man before she can avenge her humiliation. Widows of a king make love to conceive his child. Friends of the same sex end up marrying each other after one of them metamorphoses into a woman. These are some of the tales from Hindu lore that this unique book examines. The Man Who Was a Woman and Other Queer Tales from Hindu Lore is a compilation of traditional Hindu stories with a common thread: sexual transformation and gender metamorphosis. In addition to the thought-provoking stories in The Man Who Was a Woman and Other Queer Tales from Hindu Lore, you'll also find: an examination of the universality of queer narratives with examples from Greek lore and Irish folklore a comparison of the Hindu paradigm to the biblical paradigm a look at how Hindu society and Hindu scripture responds to queer sexuality a discussion of the Hijras, popularly believed to be the "third gender" in India--their probable origin, and how they fit into Hindu society With the telling of each of these tales, you will also learn how the author came upon each of them and how they relate to the context of dominant Hindu attitudes toward sex, gender, pleasure, fertility, and celibacy.

With its promise of personal improvement, physical well-being and spiritual enrichment, yoga is enjoying a resurgence in popularity at the turn of the third millennium. To unravel the mystery of the discipline, its philosophies and relevance in contemporary life, the original text of the Yoga Sutras of Patanjali must be explored. This book offers the first accessible translation and commentary on Patanjali's Yoga Sutras. An introductory section examines the multidimensional aspects of yoga as philosophy, psychology, science, and religion, as well as exploring popular versions of yoga in the West. The core of the book offers a new translation of the entire text of the Yoga Sutras, in a language that is clear and comprehensible to students. Commentaries are presented to highlight the meaning of various statements (sutras) and key themes are outlined via sectional summaries. A full glossary of key words and names is also provided. Concluding chapters look at yoga in contemporary life, revealing the popularity of yoga in the 21st century through Star Wars, and exploring yoga's connection to health and science, contrasting yoga's holistic view of healing with that of the limited view of present day medical science. Sample physical, breathing and meditation exercises are provided. An Introduction to Yoga Philosophy offers a comprehensive introduction to the Yoga Sutras text of Patanjali to all students and interested readers of Indian philosophy and religion, world religions, east-west psychology, and mysticism.

Beyond Compare is a remarkable work that offers a commentary on spiritual learning for the twenty-first century rooted in two classic texts from the Hindu and Christian traditions: the Essence of the Three Auspicious Mysteries by r Ved nta De ika and Treatise on the Love of God by St. Francis de Sales. In his commentary, Clooney achieves multiple goals-the book is a contribution to Christian spiritual theology, highlighting for today the beautiful insights into love by St. Francis de Sales (1567-1623), Doctor of the Church. At the same time it points out how even in our world of many religious paths, we can recover and deepen the ancient tradition of loving surrender into God's hands by opening ourselves to the wisdom of India and one of Hindu India's most famous traditions of loving God, explained to us by the south Indian Hindu theologian r Ved nta De ika (1268-1369). Clooney goes further, offering a comparative study of these classic works in which he self-consciously writes about the process of reading the two works and the impact this approach has on the reader. The good advice found through this deep engagement with these texts offers a deeper insight into how we can most fruitfully and spiritually think about religious pluralism in the 21st century, remaining open in heart and mind while loyal still to our own tradition. Not merely a book about loving surrender to God, Beyond Compare offers us the opportunity to advance along that path ourselves, learning from the wisdom of St. Francis de Sales and r Ved nta De ika, meditating on their two paths together, deepening our own love and willingness to surrender in love to God.

The World and God Are Not-Two is a book about how the God in whom Christians believe ought to be understood. The key conceptual argument that runs throughout is that the distinctive relation between the world and God in Christian theology is best understood as a non-dualistic one. The "two"-"God" and "World" cannot be added up as separate, enumerable realities or contrasted with each other against some common background because God does not belong in any category and creatures are ontologically constituted by their relation to the Creator. In exploring the unique character of this distinctive relation, Soars turns to Sara Grant's work on the Hindu tradition of Advaita Vedanta and the metaphysics of creation found in Thomas Aquinas. He develops Grant's work and that of the earlier Calcutta School by drawing explicit attention to the Neoplatonic themes in Aquinas that provide some of the most fruitful areas for comparative engagement with Vedanta. To the Christian, the fact that the world exists only as dependent on God means that "world" and "God" must be ontologically distinct because God's existence does not depend on the world. To the Advaitin, this simultaneously means that "World" and "God" cannot be ontologically separate either. The language of non-duality allows us to see that both positions can be held coherently together without entailing any contradiction or disagreement at the level of fundamental ontology. What it means to be "world" does not and cannot exclude what it means to be "God."

This book is a historical exploration of the social and cultural processes that led to the rise of the ideology of labor as a touchstone of Bengali Muslim politics in late colonial India. The book argues that the tremendous popularity of the Pakistan movement in Bengal is to be understood not just in terms of "communalization" of class politics, or even "separatist" demands of a religious minority living out anxieties of Hindu political majoritarianism, but in terms of a distinctively modern idea of Muslim self and culture which gave primacy to production/labor as the site where religious, moral, ethical as well as economic value would be anchored. In telling the story of the formation of a modern Muslim identity, the book presents the conceptual congruence between Islam and egalitarianism as a distinctively early twentieth century phenomenon, and the approach can be viewed as key to explaining the mass appeal of the desire for Pakistan. A novel contribution to the study of Bengal and Pakistan's origins, the book will be of interest to researchers studying South Asian history, the history of colonialism and end of empire, South Asian studies, including labour studies, Islamic Studies, and Muslim social and cultural history.

Ishita Pande's innovative study provides a dual biography of India's path-breaking Child Marriage Restraint Act (1929) and of 'age' itself as a key category of identity for upholding the rule of law, and for governing intimate life in late colonial India. Through a reading of legislative assembly debates, legal cases, government reports, propaganda literature, Hindi novels and sexological tracts, Pande tells a wide-ranging story about the importance of debates over child protection to India's coming of age. By tracing the history of age in colonial India she illuminates the role of law in sculpting modern subjects, demonstrating how seemingly natural age-based exclusions and understandings of legal minority became the alibi for other political exclusions and the minoritization of entire communities in colonial India. In doing so, Pande highlights how childhood as a political category was fundamental not just to ideas of sexual norms and domestic life, but also to the conceptualisation of citizenship and India as a nation in this formative period.

The sharp contrast between cultures with a monotheistic paternal deity and those with pluralistic maternal deities is a theme of abiding interest in religious studies. Attempts to understand the implications of these two vast organizing principles for religious life lead to an overwhelmingly diverse set of facts and their meanings. In Freud's India, the companion volume to Freud's Mahabharata, Alf Hiltebeitel takes up this enormously engaging question, focusing on the thinking of two spokespeople for the inner life of their cultures- Sigmund Freud and Girindrasekhar Bose. Hiltebeitel examines the attempts of these two men to communicate with and understand each other and these issues in the heated context of emotionally divisive allegiances. The book is elegant in its nuanced attention to these two thinkers and its tightly controlled exploration of what their interactions reveal about their contributions and limitations as representatives of the psychology and religion of their respective cultures. Anxieties about mothers, says Hiltebeitel, separate Eastern from Western imaginations. They separate Freud from Bose, and they separate Hindu foundational texts from the foundational texts of Judaism.

Rudra Puja has been practised in India since the beginning of time. Shiva means Auspicious. Rudra is a synonym for Shiva that means 'Destroyer of Evil'. Puja means that which is born of fullness. The Vedic scriptures hail the Rudram chants as a method to remove sufferings, attain desires and bestow all round prosperity in one's village. This book presents the complete Rudra Puja Abhisheka procedure in Sanskrit using clear Devanagari font. Headings are given in English for the performer to follow the text correctly. The Rudram Verses for NORTH INDIAN Shukla Yajur Veda as well as for SOUTH INDIAN Krishna Yajur Veda are both given in separate sections with correct Vedic Accents. Additionally, the Devanagari Latin Transliteration is given for the South Indian version. A copious Appendix gives the Devanagari Alphabet, Pronunciation Key, and some famous Shiva Shlokas. Ideal for use at home or in the temple.

Ma Anandamayi is generally regarded as the most important Hindu woman saint of the twentieth century. Venerated alternately as a guru and as an incarnation of God on earth, Ma had hundreds of thousands of devotees. Through the creation of a religious movement and a vast network of ashramsunprecedented for a womanMa presented herself as an authority figure in a society where female gurus were not often recognized. Because of her widespread influence, Ma is one of the rare Hindu saints whose cult has outlived her. Today, her tomb is a place of veneration for those who knew her as well as new generations of her followers. By performing extensive fieldwork among Ma's current devotees, Orianne Aymard examines what happens to a cult after the death of its leader. Does it decline, stagnate, or grow? Or is it rather transformed into something else entirely? Aymard's work sheds new light not only on Hindu sainthoodand particularly female Hindu sainthoodbut on the nature of charismatic religious leadership and devotion.

Modern Hinduism in Text and Context brings together textual and contextual approaches to provide a holistic understanding of modern Hinduism. It examines new sources - including regional Saiva texts, Odissi dance and biographies of Nationalists - and discusses topics such as yoga, dance, visual art and festivals in tandem with questions of spirituality and ritual. The book addresses themes and issues yet to receive in-depth attention in the study of Hinduism. It shows that Hinduism endures not only in texts, but also in the context of festivals and devotion, and that contemporary practice, devotional literature, creative traditions and ethics inform the intricacies of a religion in context. Lavanya Vemsani draws on social scientific methodologies as well as history, ethnography and textual analysis, demonstrating that they are all part of the toolkit for understanding the larger framework of religion in the context of emerging nationhood, transnational and transcultural interactions.

In the second half of the eighteenth century, several British East India Company servants published accounts of what they deemed to be the original and ancient religion of India. Drawing on what are recognised today as the texts and traditions of Hinduism, these works fed into a booming enlightenment interest in Eastern philosophy. At the same time, the Company's aggressive conquest of Bengal was facing a crisis of legitimacy and many of the prominent political minds of the day were turning their attention to the question of empire. In this original study, Jessica Patterson situates these Company works on the 'Hindu religion' in the twin contexts of enlightenment and empire. In doing so, she uncovers the central role of heterodox religious approaches to Indian religions for enlightenment thought, East India Company policy, and contemporary ideas of empire.

This handbook is a comprehensive study of the archaeology, social history and the cultural landscape of the Hindu temple. Perhaps the most recognizable of the material forms of Hinduism, temples are lived, dynamic spaces. They are significant sites for the creation of cultural heritage, both in the past and in the present. Drawing on historiographical surveys and in-depth case studies, the volume centres the material form of the Hindu temple as an entry point to study its many adaptations and transformations from the early centuries CE to the 20th century. It highlights the vibrancy and dynamism of the shrine in different locales and studies the active participation of the community for its establishment, maintenance and survival. The illustrated handbook takes a unique approach by focusing on the social base of the temple rather than its aesthetics or chronological linear development. It fills a significant gap in the study of Hinduism and will be an indispensable resource for scholars of archaeology, Hinduism, Indian history, religious studies, museum studies, South Asian history and Southeast Asian history. Chapters 1, 4 and 5 of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. They have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Stephen Mitchell is widely known for his ability to make ancient masterpieces thrillingly new, to step in where many have tried before and create versions that are definitive for our time. His celebrated version of the Tao Te Ching is the most popular edition in print, and his translations of Jesus, Rilke, Genesis, and Job have won the hearts of readers and critics alike. Stephen Mitchell now brings to the Bhagavad Gita his gift for breathing new life into sacred texts.

The Bhagavad Gita is universally acknowledged as one of the world's literary and spiritual masterpieces. It is the core text of the Hindu tradition and has been treasured by American writers from Emerson and Thoreau to T. S. Eliot, who called it the greatest philosophical poem after the Divine Comedy. There have been more than two hundred English translations of the Gita, including many competent literal versions, but not one of them is a superlative literary text in its own right.

Now all that has changed. Stephen Mitchell's Bhagavad Gita sings with the clarity, the vigor, and the intensity of the original Sanskrit. It will, as William Arrowsmith said of Mitchell's translation of The Sonnets to Orpheus, "instantly make every other rendering obsolete."


From the Hardcover edition.