This book details the goddess Kali and the culture of devotion to her in West Bengal and South Asia. The term Adya means primal, original or archean. Adya Kali is the primordial energy, the shakti, that creates, preserves, and transforms/dissolves all existence. She is the womb that births all, and the tomb that swallows all. In Praise of Adya Kali is different from most contemporary books about Kali because it offers a liturgy of worship, a type of spiritual practice (sadhana) that the reader (both male and female) can use over the course of days, weeks, or months, to cultivate a direct devotional relationship to Kali. But, beyond that, In Praise of Adya Kali is a context-setting guide. Rather than simply recommending that we recite these sacred names, each one a prayer, the author establishes this practice as a general orientation to life. Furthermore, and most compelling, the text and Commentaries on this liturgy contain an intimate revelation of how the goddess establishes herself in her devotees' bodies and thus intervenes, by unconditional love and acceptance, in their lives. A lengthy Introduction, both scholarly and personal, describes the goddess and the possibilities that these prayers will offer. Aditi Devi guides us in how to build a shrine to Kali, various types of offerings to make to her, and suggests a schedule for how to use this liturgy with a long-term commitment over the course of 108 nights. This book presents a serious practice, not for the faint-hearted. It requires courage, strength and joy to permit the goddess's energy to slowly, sensuously and irrevocably be invoked-conceived, allowed to gestate, birthed according to her will. And while the orientation here is toward realizing her sacred presence in the "womb" of the devotee, the practice can be undertaken by anyone. The physical form of the body is not a limitation, as the author notes: "In this lineage we practice into the depths of whatever form we have, & arise from within that, knowing that we are her, male or female. This Song of the Hundred Names is a powerful teaching that all forms are her forms." Male, female or other gendered, we are presented with the possibility to experience the depths of our own internal feminine energies & thereby come into greater healing & wholeness, more readily able to express this often neglected part of ourselves. Aditi Devi's long study & spiritual practice within living tantric lineages in South Asia has made this book possible.

This book is a historical exploration of the social and cultural processes that led to the rise of the ideology of labor as a touchstone of Bengali Muslim politics in late colonial India. The book argues that the tremendous popularity of the Pakistan movement in Bengal is to be understood not just in terms of "communalization" of class politics, or even "separatist" demands of a religious minority living out anxieties of Hindu political majoritarianism, but in terms of a distinctively modern idea of Muslim self and culture which gave primacy to production/labor as the site where religious, moral, ethical as well as economic value would be anchored. In telling the story of the formation of a modern Muslim identity, the book presents the conceptual congruence between Islam and egalitarianism as a distinctively early twentieth century phenomenon, and the approach can be viewed as key to explaining the mass appeal of the desire for Pakistan. A novel contribution to the study of Bengal and Pakistan's origins, the book will be of interest to researchers studying South Asian history, the history of colonialism and end of empire, South Asian studies, including labour studies, Islamic Studies, and Muslim social and cultural history.

The sharp contrast between cultures with a monotheistic paternal deity and those with pluralistic maternal deities is a theme of abiding interest in religious studies. Attempts to understand the implications of these two vast organizing principles for religious life lead to an overwhelmingly diverse set of facts and their meanings. In Freud's India, the companion volume to Freud's Mahabharata, Alf Hiltebeitel takes up this enormously engaging question, focusing on the thinking of two spokespeople for the inner life of their cultures- Sigmund Freud and Girindrasekhar Bose. Hiltebeitel examines the attempts of these two men to communicate with and understand each other and these issues in the heated context of emotionally divisive allegiances. The book is elegant in its nuanced attention to these two thinkers and its tightly controlled exploration of what their interactions reveal about their contributions and limitations as representatives of the psychology and religion of their respective cultures. Anxieties about mothers, says Hiltebeitel, separate Eastern from Western imaginations. They separate Freud from Bose, and they separate Hindu foundational texts from the foundational texts of Judaism.

The World and God Are Not-Two is a book about how the God in whom Christians believe ought to be understood. The key conceptual argument that runs throughout is that the distinctive relation between the world and God in Christian theology is best understood as a non-dualistic one. The "two"-"God" and "World" cannot be added up as separate, enumerable realities or contrasted with each other against some common background because God does not belong in any category and creatures are ontologically constituted by their relation to the Creator. In exploring the unique character of this distinctive relation, Soars turns to Sara Grant's work on the Hindu tradition of Advaita Vedanta and the metaphysics of creation found in Thomas Aquinas. He develops Grant's work and that of the earlier Calcutta School by drawing explicit attention to the Neoplatonic themes in Aquinas that provide some of the most fruitful areas for comparative engagement with Vedanta. To the Christian, the fact that the world exists only as dependent on God means that "world" and "God" must be ontologically distinct because God's existence does not depend on the world. To the Advaitin, this simultaneously means that "World" and "God" cannot be ontologically separate either. The language of non-duality allows us to see that both positions can be held coherently together without entailing any contradiction or disagreement at the level of fundamental ontology. What it means to be "world" does not and cannot exclude what it means to be "God."

Ishita Pande's innovative study provides a dual biography of India's path-breaking Child Marriage Restraint Act (1929) and of 'age' itself as a key category of identity for upholding the rule of law, and for governing intimate life in late colonial India. Through a reading of legislative assembly debates, legal cases, government reports, propaganda literature, Hindi novels and sexological tracts, Pande tells a wide-ranging story about the importance of debates over child protection to India's coming of age. By tracing the history of age in colonial India she illuminates the role of law in sculpting modern subjects, demonstrating how seemingly natural age-based exclusions and understandings of legal minority became the alibi for other political exclusions and the minoritization of entire communities in colonial India. In doing so, Pande highlights how childhood as a political category was fundamental not just to ideas of sexual norms and domestic life, but also to the conceptualisation of citizenship and India as a nation in this formative period.

Modern Hinduism in Text and Context brings together textual and contextual approaches to provide a holistic understanding of modern Hinduism. It examines new sources - including regional Saiva texts, Odissi dance and biographies of Nationalists - and discusses topics such as yoga, dance, visual art and festivals in tandem with questions of spirituality and ritual. The book addresses themes and issues yet to receive in-depth attention in the study of Hinduism. It shows that Hinduism endures not only in texts, but also in the context of festivals and devotion, and that contemporary practice, devotional literature, creative traditions and ethics inform the intricacies of a religion in context. Lavanya Vemsani draws on social scientific methodologies as well as history, ethnography and textual analysis, demonstrating that they are all part of the toolkit for understanding the larger framework of religion in the context of emerging nationhood, transnational and transcultural interactions.

Rudra Puja has been practised in India since the beginning of time. Shiva means Auspicious. Rudra is a synonym for Shiva that means 'Destroyer of Evil'. Puja means that which is born of fullness. The Vedic scriptures hail the Rudram chants as a method to remove sufferings, attain desires and bestow all round prosperity in one's village. This book presents the complete Rudra Puja Abhisheka procedure in Sanskrit using clear Devanagari font. Headings are given in English for the performer to follow the text correctly. The Rudram Verses for NORTH INDIAN Shukla Yajur Veda as well as for SOUTH INDIAN Krishna Yajur Veda are both given in separate sections with correct Vedic Accents. Additionally, the Devanagari Latin Transliteration is given for the South Indian version. A copious Appendix gives the Devanagari Alphabet, Pronunciation Key, and some famous Shiva Shlokas. Ideal for use at home or in the temple.

In the second half of the eighteenth century, several British East India Company servants published accounts of what they deemed to be the original and ancient religion of India. Drawing on what are recognised today as the texts and traditions of Hinduism, these works fed into a booming enlightenment interest in Eastern philosophy. At the same time, the Company's aggressive conquest of Bengal was facing a crisis of legitimacy and many of the prominent political minds of the day were turning their attention to the question of empire. In this original study, Jessica Patterson situates these Company works on the 'Hindu religion' in the twin contexts of enlightenment and empire. In doing so, she uncovers the central role of heterodox religious approaches to Indian religions for enlightenment thought, East India Company policy, and contemporary ideas of empire.

The marriage of Bhagavad Gita's profound wisdom and India's premier artists culminates in The Gita Deck: Wisdom from the Bhagavad Gita. Sixty-eight jewel-like verses of spiritual understanding adorn beautiful art cards depicting India's rich spiritual heritage. Each card showcases a verse from the Gita under headings including Individuality, True Leaders, Winds of Desire, Maintaining Balance, Determination, Eternal Soul, and Fall from Grace. The cards are unique and inspirational-a contemporary gateway for accessing the guidance and wisdom of the Gita. A portable, easily referenced box set.

This volume examines several theoretical concerns of embodiment in the context of Asian religious practice. Looking at both subtle and spatial bodies, it explores how both types of embodiment are engaged as sites for transformation, transaction and transgression. Collectively bridging ancient and modern conceptualizations of embodiment in religious practice, the book offers a complex mapping of how body is defined. It revisits more traditional, mystical religious systems, including Hindu Tantra and Yoga, Tibetan Buddhism, Bon, Chinese Daoism and Persian Sufism and distinctively juxtaposes these inquiries alongside analyses of racial, gendered, and colonized bodies. Such a multifaceted subject requires a diverse approach, and so perspectives from phenomenology and neuroscience as well as critical race theory and feminist theology are utilised to create more precise analytical tools for the scholarly engagement of embodied religious epistemologies. This a nuanced and interdisciplinary exploration of the myriad issues around bodies within religion. As such it will be a key resource for any scholar of Religious Studies, Asian Studies, Anthropology, Sociology, Philosophy, and Gender Studies.

This handbook is a comprehensive study of the archaeology, social history and the cultural landscape of the Hindu temple. Perhaps the most recognizable of the material forms of Hinduism, temples are lived, dynamic spaces. They are significant sites for the creation of cultural heritage, both in the past and in the present. Drawing on historiographical surveys and in-depth case studies, the volume centres the material form of the Hindu temple as an entry point to study its many adaptations and transformations from the early centuries CE to the 20th century. It highlights the vibrancy and dynamism of the shrine in different locales and studies the active participation of the community for its establishment, maintenance and survival. The illustrated handbook takes a unique approach by focusing on the social base of the temple rather than its aesthetics or chronological linear development. It fills a significant gap in the study of Hinduism and will be an indispensable resource for scholars of archaeology, Hinduism, Indian history, religious studies, museum studies, South Asian history and Southeast Asian history. Chapters 1, 4 and 5 of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. They have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

The Dancing God: Staging Hindu Dance in Australia charts the sensational and historic journey of de-provincialising and popularising Hindu dance in Australia. In the late nineteenth and early twentieth centuries, colonialism, orientalism and nationalism came together in various combinations to make traditional Hindu temple dance into a global art form. The intricately symbolic Hindu dance in its vital form was virtually unseen and unknown in Australia until an Australian impresario, Louise Lightfoot, brought it onto the stage. Her experimental changes, which modernised Kathakali dance through her pioneering collaboration with Indian dancer Ananda Shivaram, moved the Hindu dance from the sphere of ritualistic practice to formalised stage art. Amit Sarwal argues that this movement enabled both the authentic Hindu dance and dancer to gain recognition worldwide and created in his persona a cultural guru and ambassador on the global stage. Ideal for anyone with an interest in global dance, The Dancing God is an in-depth study of how a unique dance form evolved in the meeting of travellers and cultures.

In World of Wonders, Alf Hiltebeitel addresses the Mahabharata and its supplement, the Harivamsa, as a single literary composition. Looking at the work through the critical lens of the Indian aesthetic theory of rasa, "juice, essence, or taste," he argues that the dominant rasa of these two texts is adbhutarasa, the "mood of wonder." While the Mahabharata signposts whole units of the text as "wondrous" in its table of contents, the Harivamsa foregrounds a stepped-up term for wonder (ascarya) that drives home the point that Vishnu and Krishna are one. Two scholars of the 9th and 10th centuries, Anandavardhana and Abhinavagupta, identified the Mahabharata's dominant rasa as santarasa, the "mood of peace." This has traditionally been received as the only serious contestant for a rasic interpretation of the epic. Hiltebeitel disputes both the positive claim that the santarasa interpretation is correct and the negative claim that adbhutarasa is a frivolous rasa that cannot sustain a major work. The heart of his argument is that the Mahabharata and Harivamsa both deploy the terms for "wonder" and "surprise" (vismaya) in significant numbers that extend into every facet of these heterogeneous texts, showing how adbhutarasa is at work in the rich and contrasting textual strategies which are integral to the structure of the two texts.

This book surveys the development of the religious landscape in Suriname and Guyana, focusing on the interaction between Hindus, Muslims, and Christians and responses to Christian dominance. It reflects on how and why these religiously diverse Caribbean societies are characterized by relative harmony, whereas interreligious relationships in other parts of the world have been marked by extreme conflict and violence. The chapters explore ideological and institutional dimensions, including the role of government policies, religious demography, religious leadership, and private religious institutions. The author takes a critical stance towards a negative approach to power struggles and offers a perspective that does not necessarily consider religious diversity a hindrance for religious harmony. Making valuable data accessible to scholars in the English language, this volume provides a framework for the study of interreligious relations and for understanding the religious worlds of the Caribbean.

RGVV (History of Religion: Essays and Preliminary Studies) brings together the mutually constitutive aspects of the study of religion(s)-contextualized data, theory, and disciplinary positioning-and engages them from a critical historical perspective. The series publishes monographs and thematically focused edited volumes on specific topics and cases as well as comparative work across historical periods from the ancient world to the modern era.

"Mystical Prayers of Poetic Beauty" - In the tradition of the great lyric mystics of all religions, Paramahansa Yogananda's "Whispers from Eternity" offers a window on the devotional experience of ecstasy. Sharing prayers and affirmations directly inspired by his high state of God-communion, this beloved spiritual master helps modern seekers achieve their own mystical relationship with the Divine. Now with a contemporary new look, these universal prayers and prose poems offer daily inspiration for seekers of all faiths. A uniquely devotional offering in the spirit of Yogananda's best-selling "Metaphysical Meditations," this popular collection will inspire a new legion of readers seeking a nonsectarian, experiential relationship with God.

Offering a summary of ancient Indian philosophy, "The Gita" places particular emphasis on the Supreme Spirit as both immanent and transcendent. In this translation and interpretation, the author bridges this ancient thought with a modern occidental approach.