"A god transforms into a nymph and enchants another god.A king becomes pregnant.A prince discovers on his wedding night that he is not a man."Another king has children who call him both father and mother. A hero turns into a eunuch and wears female apparel. A princess has to turn into a man before she can avenge her humiliation. Widows of a king make love to conceive his child. Friends of the same sex end up marrying each other after one of them metamorphoses into a woman. These are some of the tales from Hindu lore that this unique book examines. The Man Who Was a Woman and Other Queer Tales from Hindu Lore is a compilation of traditional Hindu stories with a common thread: sexual transformation and gender metamorphosis. In addition to the thought-provoking stories in The Man Who Was a Woman and Other Queer Tales from Hindu Lore, you'll also find: an examination of the universality of queer narratives with examples from Greek lore and Irish folklore a comparison of the Hindu paradigm to the biblical paradigm a look at how Hindu society and Hindu scripture responds to queer sexuality a discussion of the Hijras, popularly believed to be the "third gender" in India--their probable origin, and how they fit into Hindu societyWith the telling of each of these tales, you will also learn how the author came upon each of them and how they relate to the context of dominant Hindu attitudes toward sex, gender, pleasure, fertility, and celibacy.

With its promise of personal improvement, physical well-being and spiritual enrichment, yoga is enjoying a resurgence in popularity at the turn of the third millennium. To unravel the mystery of the discipline, its philosophies and relevance in contemporary life, the original text of the Yoga Sutras of Patanjali must be explored. This book offers the first accessible translation and commentary on Patanjali's Yoga Sutras. An introductory section examines the multidimensional aspects of yoga as philosophy, psychology, science, and religion, as well as exploring popular versions of yoga in the West. The core of the book offers a new translation of the entire text of the Yoga Sutras, in a language that is clear and comprehensible to students. Commentaries are presented to highlight the meaning of various statements (sutras) and key themes are outlined via sectional summaries. A full glossary of key words and names is also provided. Concluding chapters look at yoga in contemporary life, revealing the popularity of yoga in the 21st century through Star Wars, and exploring yoga's connection to health and science, contrasting yoga's holistic view of healing with that of the limited view of present day medical science. Sample physical, breathing and meditation exercises are provided. An Introduction to Yoga Philosophy offers a comprehensive introduction to the Yoga Sutras text of Patanjali to all students and interested readers of Indian philosophy and religion, world religions, east-west psychology, and mysticism.

An ancient classic that can become a companion for your own spiritual journey.

Millions of people turn daily to India's most beloved holy book, the Bhagavad Gita ("Song of the Lord"), to instruct their spiritual practice. A Hindu classic, it has universal appeal for people of all faith traditions who turn to its inspirational support in the struggles of life, its consolation in times of grief, and its deeply moving promise of God's love and guidance.

Composed in Sanskrit verse thousands of years ago, this timeless text tells the story of a distraught warrior on the verge of battle and the compassionate counsel he receives from Krishna God in human form. In just seven hundred lines, the Gita presents concise teachings on such topics as the immortality of the soul, meditation and yoga, worship and sacrifice, the ideal of selfless action, and the oneness of all life in the Divine.Now you can read and understand the Gita with no previous knowledge of Hinduism required.

This SkyLight Illuminations edition offers insightful yet unobtrusive commentary that explains references and philosophical terms; shares the inspiring interpretations of famous spiritual teachers; and addresses questions such as the inner meaning of India's caste system and why this sublime discourse on inner peace is set against the background of a violent civil war."

Beyond Compare is a remarkable work that offers a commentary on spiritual learning for the twenty-first century rooted in two classic texts from the Hindu and Christian traditions: the Essence of the Three Auspicious Mysteries by r Ved nta De ika and Treatise on the Love of God by St. Francis de Sales. In his commentary, Clooney achieves multiple goals-the book is a contribution to Christian spiritual theology, highlighting for today the beautiful insights into love by St. Francis de Sales (1567-1623), Doctor of the Church. At the same time it points out how even in our world of many religious paths, we can recover and deepen the ancient tradition of loving surrender into God's hands by opening ourselves to the wisdom of India and one of Hindu India's most famous traditions of loving God, explained to us by the south Indian Hindu theologian r Ved nta De ika (1268-1369). Clooney goes further, offering a comparative study of these classic works in which he self-consciously writes about the process of reading the two works and the impact this approach has on the reader. The good advice found through this deep engagement with these texts offers a deeper insight into how we can most fruitfully and spiritually think about religious pluralism in the 21st century, remaining open in heart and mind while loyal still to our own tradition. Not merely a book about loving surrender to God, Beyond Compare offers us the opportunity to advance along that path ourselves, learning from the wisdom of St. Francis de Sales and r Ved nta De ika, meditating on their two paths together, deepening our own love and willingness to surrender in love to God.

Modern Hinduism in Text and Context brings together textual and contextual approaches to provide a holistic understanding of modern Hinduism. It examines new sources - including regional Saiva texts, Odissi dance and biographies of Nationalists - and discusses topics such as yoga, dance, visual art and festivals in tandem with questions of spirituality and ritual. The book addresses themes and issues yet to receive in-depth attention in the study of Hinduism. It shows that Hinduism endures not only in texts, but also in the context of festivals and devotion, and that contemporary practice, devotional literature, creative traditions and ethics inform the intricacies of a religion in context. Lavanya Vemsani draws on social scientific methodologies as well as history, ethnography and textual analysis, demonstrating that they are all part of the toolkit for understanding the larger framework of religion in the context of emerging nationhood, transnational and transcultural interactions.

This volume examines several theoretical concerns of embodiment in the context of Asian religious practice. Looking at both subtle and spatial bodies, it explores how both types of embodiment are engaged as sites for transformation, transaction and transgression. Collectively bridging ancient and modern conceptualizations of embodiment in religious practice, the book offers a complex mapping of how body is defined. It revisits more traditional, mystical religious systems, including Hindu Tantra and Yoga, Tibetan Buddhism, Bon, Chinese Daoism and Persian Sufism and distinctively juxtaposes these inquiries alongside analyses of racial, gendered, and colonized bodies. Such a multifaceted subject requires a diverse approach, and so perspectives from phenomenology and neuroscience as well as critical race theory and feminist theology are utilised to create more precise analytical tools for the scholarly engagement of embodied religious epistemologies. This a nuanced and interdisciplinary exploration of the myriad issues around bodies within religion. As such it will be a key resource for any scholar of Religious Studies, Asian Studies, Anthropology, Sociology, Philosophy, and Gender Studies.

Contemporary debates on "mansplaining" foreground the authority enjoyed by male speech, and highlight the way it projects listening as the responsibility of the dominated, and speech as the privilege of the dominant. What mansplaining denies systematically is the right of women to speak and be heard as much as men. This book excavates numerous instances of the authority of female speech from Indian goddess traditions and relates them to the contemporary gender debates, especially to the issues of mansplaining and womansplaining. These traditions present a paradigm of female speech that compels its male audience to reframe the configurations of "masculinity." This tradition of authoritative female speech forms a continuum, even though there are many points of disjuncture as well as conjuncture between the Vedic, Upanishadic, puranic, and tantric figurations of the Goddess as an authoritative speaker. The book underlines the Goddess's role as the spiritual mentor of her devotee, exemplified in the Devi Gitas, and re-situates the female gurus in Hinduism within the traditions that find in Devi's speech ultimate spiritual authority. Moreover, it explores whether the figure of Devi as Womansplainer can encourage a more dialogic structure of gender relations in today's world where female voices are still often undervalued.

The Dancing God: Staging Hindu Dance in Australia charts the sensational and historic journey of de-provincialising and popularising Hindu dance in Australia. In the late nineteenth and early twentieth centuries, colonialism, orientalism and nationalism came together in various combinations to make traditional Hindu temple dance into a global art form. The intricately symbolic Hindu dance in its vital form was virtually unseen and unknown in Australia until an Australian impresario, Louise Lightfoot, brought it onto the stage. Her experimental changes, which modernised Kathakali dance through her pioneering collaboration with Indian dancer Ananda Shivaram, moved the Hindu dance from the sphere of ritualistic practice to formalised stage art. Amit Sarwal argues that this movement enabled both the authentic Hindu dance and dancer to gain recognition worldwide and created in his persona a cultural guru and ambassador on the global stage. Ideal for anyone with an interest in global dance, The Dancing God is an in-depth study of how a unique dance form evolved in the meeting of travellers and cultures.

A celebrated Hindu pilgrimage site, Hardwar lies on the river Ganges at the edge of the Himalayas. Its identity as a holy place is inextricably tied to the mythology and reality of the Ganges, and traditional sources overwhelmingly stress this connection. Virtually nothing has been written about Hardwar's history and development, although the historical record reveals striking changes of the past few centuries. These changes have usually reflected worldly forces such as shifting trade routes, improved transportation, or political instability. Yet such mundane influences have been ignored in the city's sacred narrative, which presents a fixed, unchanging identity. The city's complex identity, says Lochtefeld, lies in the tension between these differing narratives. In this fieldwork-based study, Lochtefeld analyzes modern Hardwar as a Hindu pilgrimage center. He looks first at various groups of local residents -- businessmen, hereditary priests, and ascetics -- and assesses their differing roles in managing Hardwar as a holy place. He then examines the pilgrims and the factors that bring them to Hardwar. None of these groups is as pious as popularly depicted, but their interactions in upholding their own interest create and maintain Hardwar's religious environment. In conclusion, he addresses the wider context of Indian pilgrimage and the forces shaping it in the present day. He finds that many modern Hindus, like many modern Christians, feel some dissonance between traditional religious symbols and their 21st-century world, and that they are reinterpreting their traditional symbols to make them meaningful for their time.

This book explores past expressions of the Jewish interest in Hinduism in order to learn what Hinduism has meant to Jews living mainly in the 12th through the 19th centuries. India and Hinduism, though never at the center of Jewish thought, claim a place in its history, in the picture Jews held of the wider world, of other religions and other human beings. Each chapter focuses on a specific author or text and examines the literary context as well as the cultural context, within and outside Jewish society, that provided images and ideas about India and its religions. Overall the volume constructs a history of ideas that changed over time with different writers in different settings. It will be especially relevant to scholars interested in Jewish thought, comparative religion, interreligious dialogue, and intellectual history.

This book explores the diversity of Hindu goddesses and the variety of ways in which they are worshiped. Although they undoubtedly have ancient origins, Hindu goddesses and their worship is still very much a part of the fabric of religious engagement in India today. The book offers an introduction to a complex and often baffling field of study. Part I, "Beliefs" provides a series of encounters with a range of Hindu goddesses starting with the idea of 'Goddess' as a philosophical concept. Topics include textual evidence for belief structures, goddess mythology, and the importance of 'the Goddess' in Tantrism. Part II, "Practices" leads the reader through the tangled web of goddess worship, pausing along the way to examine the contrast between temple and local worship, the splendour of festivals and the importance of pilgrimage to those places in India where goddesses are considered to reside. A Conclusion provides details of contemporary developments in goddess worship, such as the appearance of new deities who supply the needs of worshipers in the twenty-first century. No prior knowledge is necessary as the book is aimed at undergraduate students and anyone interested in the religions and philosophy of India.

The Arthasastra is the foundational text of Indic political thought and ancient India's most important treatise on statecraft and governance. It is traditionally believed that politics in ancient India was ruled by religion; that kings strove to fulfil their sacred duty; and that sovereignty was circumscribed by the sacred law of dharma. Mark McClish's systematic and thorough evaluation of the Arthasastra's early history shows that these ideas only came to prominence in the statecraft tradition late in the classical period. With a thorough chronological exploration, he demonstrates that the text originally espoused a political philosophy characterized by empiricism and pragmatism, ignoring the mandate of dharma altogether. The political theology of dharma was incorporated when the text was redacted in the late classical period, which obscured the existence of an independent political tradition in ancient India altogether and reinforced the erroneous notion that ancient India was ruled by religion, not politics.

The authoritative new translation of the epic Ramayana, as retold by the sixteenth-century poet Tulsidas and cherished by millions to this day. The Epic of Ram presents a new translation of the Ramcaritmanas of Tulsidas (1543-1623). Written in Avadhi, a literary dialect of classical Hindi, the poem has become the most beloved retelling of the ancient Ramayana story across northern India. A devotional work revered and recited by millions of Hindus today, it is also a magisterial compendium of philosophy and lore and a literary masterpiece. Volume 5 encompasses the story's three middle episodes-Ram's meetings with forest sages, his battles with demons, the kidnapping of his wife, his alliance with a race of marvelous monkeys-and climaxes with the god Hanuman's heroic journey to the island city of Lanka to locate and comfort Sita. This new translation into free verse conveys the passion and momentum of the inspired poet and storyteller. It is accompanied by the most widely accepted edition of the Avadhi text, presented in the Devanagari script.

If by monotheism we mean the idea of a single transcendent God who creates the universe out of nothing (creatio ex nihilo), as in the Abrahamic religions, then that is not found in the history of Hinduism. But if we mean a supreme, transcendent deity who impels the universe, sustains it and ultimately destroys it before causing it to emerge once again, who is the ultimate source of all other gods who are her or his emanations, then this idea does develop within that history. It is a Hindu monotheism and its nature that is the topic of this Element.

Since its discovery and the initial efforts toward its critical edition, the Paippaladasamhita of the Atharvaveda (PS) has attracted the attention of Vedic scholars and Indologists for several reasons. It constitutes a precious source for the study of the development of the earliest language. The text contains important information about various rites and magical practices, and hints about the oldest Indo-Iranian and Indo-European myths. All of this makes the PS a text of inestimable value for the study of Indian language and culture.

Ishita Pande's innovative study provides a dual biography of India's path-breaking Child Marriage Restraint Act (1929) and of 'age' itself as a key category of identity for upholding the rule of law, and for governing intimate life in late colonial India. Through a reading of legislative assembly debates, legal cases, government reports, propaganda literature, Hindi novels and sexological tracts, Pande tells a wide-ranging story about the importance of debates over child protection to India's coming of age. By tracing the history of age in colonial India she illuminates the role of law in sculpting modern subjects, demonstrating how seemingly natural age-based exclusions and understandings of legal minority became the alibi for other political exclusions and the minoritization of entire communities in colonial India. In doing so, Pande highlights how childhood as a political category was fundamental not just to ideas of sexual norms and domestic life, but also to the conceptualisation of citizenship and India as a nation in this formative period.

The Kanwar is India's largest annual religious pilgrimage. Millions of participants gather sacred water from the Ganga and carry it across hundreds of miles to dispense as offerings in Siva shrines. These devotees-called bhola, gullible or fools, and seen as miscreants by many Indians-are mostly young, destitute men, who have been left behind in the globalizing economy. But for these young men, the ordeal of the pilgrimage is no foolish pursuit, but a means to master their anxieties and attest their good faith in unfavorable social conditions. Vikash Singh walked with the pilgrims of the Kanwar procession, and with this book, he highlights how the procession offers a social space where participants can prove their talents, resolve, and moral worth. Working across social theory, phenomenology, Indian metaphysics, and psychoanalysis, Singh shows that the pilgrimage provides a place in which participants can simultaneously recreate and prepare for the poor, informal economy and inevitable social uncertainties. In identifying with Siva, who is both Master of the World and yet a pathetic drunkard, participants demonstrate their own sovereignty and desirability despite their stigmatized status. Uprising of the Fools shows how religion today is not a retreat into tradition, but an alternative forum for recognition and resistance within a rampant global neoliberalism.

It is often said that the real confrontation between Christianity and the great religions of the world is only just beginning. Bishop Kulandran's book on the pivotal religious doctrine of Grace marks the first stage in the new encounter between Christianity and Hinduism. The result of considerable research and theological reflection, Bishop Kulandran's book is an objective and scholarly appraisal of Christianity and Hinduism, their similarities and differences, and of the two different worlds in which they move. Hinduism's uncertainty about the character of God and Christianity's dogmatic certainty are examined in detail. The sense of man's need of God's grace in Christianity, and Hinduism's rejection of any act of reconciliation are seen by Bishop Kulandran as central to the dialogue between the two religions. As Dr. Hendrik Kraemer says in the foreword, Bishop Kulandran's book "is animated by the desire for fair presentation and understanding and is a new and important contribution to the subject and not merely a repetition of what has often been said before". The author belonged by birth and experience to the Indian world and as a Bishop of the Church of South India knew the power as well as the limitations of the Christian mission in the world of Hinduism. This scholarly work is a valuable contribution to comparative religion and is an illuminating exploration of two of the world's most important religions.

With historical-critical analysis and dialogical even-handedness, the essays of this book re-assess the life and legacy of Swami Vivekananda, forged at a time of colonial suppression, from the vantage point of socially-engaged religion at a time of global dislocations and international inequities. Due to the complexity of Vivekananda as a historical figure on the cusp of late modernity with its vast transformations, few works offer a contemporary, multi-vocal, nuanced, academic examination of his liberative vision and legacy in the way that this volume does. It brings together North American, European, British, and Indian scholars associated with a broad array of humanistic disciplines towards critical-constructive, contextually-sensitive reflections on one of the most important thinkers and theologians of the modern era.