"The books line up on my shelf like bright Bodhisattvas ready to take tough questions or keep quiet company. They stake out a vast territory, with works from two millennia in multiple genres: aphorism, lyric, epic, theater, and romance."
--Willis G. Regier, "The Chronicle Review"

"No effort has been spared to make these little volumes as attractive as possible to readers: the paper is of high quality, the typesetting immaculate. The founders of the series are John and Jennifer Clay, and Sanskritists can only thank them for an initiative intended to make the classics of an ancient Indian language accessible to a modern international audience."
--"The Times Higher Education Supplement"

"The Clay Sanskrit Library represents one of the most admirable publishing projects now afoot. . . . Anyone who loves the look and feel and heft of books will delight in these elegant little volumes."
--"New Criterion"

"Published in the geek-chic format."
--"BookForum"

"Very few collections of Sanskrit deep enough for research are housed anywhere in North America. Now, twenty-five hundred years after the death of Shakyamuni Buddha, the ambitious Clay Sanskrit Library may remedy this state of affairs."
--"Tricycle"

aNow an ambitious new publishing project, the Clay Sanskrit Library brings together leading Sanskrit translators and scholars of Indology from around the world to celebrate in translating the beauty and range of classical Sanskrit literature. . . . Published as smart green hardbacks that are small enough to fit into a jeans pocket, the volumes are meant to satisfy both the scholar and the lay reader. Each volume has a transliteration of the original Sanskrit texton the left-hand page and an English translation on the right, as also a helpful introduction and notes. Alongside definitive translations of the great Indian epics -- 30 or so volumes will be devoted to the Maha-bharat itself -- Clay Sanskrit Library makes available to the English-speaking reader many other delights: The earthy verse of Bhartri-hari, the pungent satire of Jayanta Bhatta and the roving narratives of Dandin, among others. All these writers belong properly not just to Indian literature, but to world literature.a
--"LiveMint"

aThe Clay Sanskrit Library has recently set out to change the scene by making available well-translated dual-language (English and Sanskrit) editions of popular Sanskritic texts for the public.a
--"Namarupa"

The Pandavas believe they have completed the terms of their exile, though Duryodhana claims that they did not live unknown for the full thirteenth year, since Arjuna was recognised in the battle at the end of the preceding book, aVirata.a While the Pandavas and Kurus make their preparations for war they organise a series of embassies to negotiate peace. This volume constantly highlights the inevitability of conflict and the futility of negotiation. Most characters are concerned that war between family cannot fail to be sinful. Contained herein is the aSanat-sujatiya, a a philosophical passage to rival the aBhagavad-gita.a Like the aBhagavad-gita, a the aSanat-sujatiyaa tells that karma will not chain one in the cycle of rebirth, if one refrains from desire. Through understanding the truth of non-duality, that the world is mere illusion, one is subsumed into eternal existence with Brahman.

Co-published by New York University Press andthe JJC Foundation

For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org

Unlike many other ancient mythologies, Hinduism thrives in the modern world. One billion followers and countless others have been captivated by its symbolic representations of love, karma, and reincarnation.
Handbook of Hindu Mythology offers an informative introduction to this dauntingly complex mythology of multifaceted deities, lengthy heroic tales, and arcane philosophies-all with a 3,000-year history of reinterpretations and adaptations. Williams offers a number of pathways by which to approach Hinduism's ever-changing gods and goddesses (e.g., Brahma, Vishnu, Siva), spiritual verses (such as the vedas), secular epics (including the Ramayana and the Mahabharata), myths within myths, devotional and esoteric traditions, psychic and yogic disciplines, and magical practices. With this handbook, readers can explore the history of Hindu mythology, follow a detailed timeline of key episodes and historical events, and look up specific elements of historical or contemporary Hinduism in a beautifully illustrated reference work. It is the ideal introduction to the origins of Hinduism, the culture that shaped it from antiquity to the present, and the age-old stories, ideas, and traditions that speak to the human condition as eloquently today as ever.
Including annotated bibliographies, a glossary of cultural and mythological terms, and numerous illustrations, here is a gold mine of information on Hindu mythology.

This book is an indispensable resource for students and researchers wishing to develop a deeper understanding of one of the world's oldest and most multifaceted religious traditions.

Sushil Mittal and Gene Thursby, leading scholars in the field, have brought together a rich variety of perspectives which reflect the current lively state of the field. Studying Hinduism is the result of cooperative work by accomplished specialists in several fields that include anthropology, art, comparative literature, history, philosophy, religious studies, and sociology. Through these complementary and exciting approaches, students will gain a greater understanding of India's culture and traditions, to which Hinduism is integral. The book uses key critical terms and topics as points of entry into the subject, revealing that although Hinduism can be interpreted in sharply contrasting ways and set in widely varying contexts, it is endlessly fascinating and intriguing.

The sixth book of the Ramayana of Valmiki, the Yuddhakanda, recounts the final dramatic war between the forces of good led by the exiled prince Rama, and the forces of evil commanded by the arch demon Ravana. The hero Rama's primary purpose in the battle is to rescue the abducted princess Sita and destroy the demon king. However, the confrontation also marks the turning point for the divine mission of the Ramavatara, the incarnation of Lord Visnu as a human prince, who will restore righteousness to a world on the brink of chaos. The book ends with the gods' revelation to Rama of his true divine nature, his emotional reunion with his beloved wife, his long-delayed consecration as king of Kosala, and his restoration of a utopian age. The Yuddhakanda contains some of the most extraordinary events and larger-than-life characters to be found anywhere in world literature. This sixth volume in the critical edition and translation of the Valmiki Ramayana includes an extensive introduction, exhaustive notes, and a comprehensive bibliography.

If there is one grand tale that has impacted Asia, it has to be the Ramayana, the great Indian epic. In this sumptuously illustrated volume, the author highlights the various southern and south-eastern Asian traditions and variations of the tale with nearly a hundred superb watercolour paintings. That this ancient narrative has adapted itself to multiple art forms is not surprising, given the diversity of its retellings in both literary and non-literary forms-oral narratives, dance-dramas, plays, and more. From India, the Rama tale is presumed to have travelled along three routes: by land, the northern route took the story from Punjab and Kashmir into China, Tibet, and East Turkestan; by sea, the southern route carried the story from Gujarat and South India into Java, Sumatra, and Malaya; and again by land, the eastern route delivered the story from Bengal into Burma, Thailand, Laos, and to some extent, Cambodia and Vietnam. In Indonesia and Malaysia, the epic has been incorporated into the Islamic tradition; Theravada Buddhism in Thailand and Cambodia adopted Hindu divinities from the Rama story into its fold.

Loving Stones is a study of devotees' conceptions of and worshipful interactions with Mount Govardhan, a sacred mountain located in the Braj region of north-central India that has for centuries been considered an embodied form of Krishna. It is often said that worship of Mount Govardhan "makes the impossible possible." In this book, David L. Haberman examines the perplexing paradox of an infinite god embodied in finite form, wherein each particular form is non-different from the unlimited. He takes on the task of interpreting the worship of a mountain and its stones for a culture in which this practice is quite alien. This challenge involves exploring the interpretive strategies that may explain what seems un-understandable, and calls for theoretical considerations of incongruity, inconceivability, and other realms of the impossible. This aspect of the book includes critical consideration of the place and history of the pejorative concept of idolatry (and its twin, anthropomorphism) in the comparative study of religions. Loving Stones uses the worship of Mount Govardhan as a site to explore ways in which scholars engaged in the difficult work of representing other cultures struggle to make "the impossible possible."

In this multifaceted work, John Carman and Vasudha Narayanan clarify historical developments in South Asian religion and make important contributions to the methodology of textual interpretation and the comparative study of world religions.

After the War is a new translation of the final part of the Mahabharata, the great Sanskrit Epic poem about a devastating fraternal war. In this aftermath of the great war, the surviving heroes find various deaths, ranging from a drunken debacle in which they kill many of their own comrades to suicide through meditation and, finally, magical transportation to both heaven and hell. Bereaved mothers and widows on earth are comforted when their dead sons and husbands are magically conjured up from heaven and emerge from a river to spend one glorious night on earth with their loved ones. Ultimately, the bitterly opposed heroes of both sides are reconciled in heaven, but only when they finally let go of the vindictive masculine pride that has made each episode of violence give rise to another. Throughout the text, issues of truth and reconciliation, of the competing beliefs in various afterlives, and of the ultimate purpose of human life are debated. This last part of the Mahabharata has much to tell us both about the deep wisdom of Indian poets during the centuries from 300 BCE to 300 CE (the dates of the recension of this enormous text) and about the problems that we ourselves confront in the aftermath of our own genocidal and internecine wars. The author, a distinguished translator of Sanskrit texts (including the Rig Veda, the Laws of Manu, and the Kamasutra), puts the text into clear, flowing, contemporary prose, with a comprehensive but unintrusive critical apparatus. This book will delight general readers and enlighten students of Indian civilization and of great world literature.

* A true meeting: supported by Hindus as well as Christians

A new English translation of the most influential legal text in medieval India. A Treatise on Dharma, written in the fourth or fifth century, is the finest example of the genre of dharmasastra-texts on religious, civil, and criminal law and the duties of rulers-that informed Indian life for a thousand years. It illuminates major cultural innovations, such as the prominence of documents in commercial and legal proceedings, the use of ordeals in resolving disputes, and the growing importance of yoga in spiritual practices. Composed by an anonymous author during the reign of the imperial Guptas, the Treatise is ascribed to the Upanishadic philosopher Yajnavalkya, whose instruction of a group of sages serves as the frame narrative for the work. It became the most influential legal text in medieval India, and a twelfth-century interpretation came to be considered "the law of the land" under British rule. This translation of A Treatise on Dharma, based on a new critical edition and presented alongside the Sanskrit original in the Devanagari script, opens the classical age of ancient Indian law to modern readers.

The feminine dimension of the Divine is omnipresent, vivant and alive in Hinduism. Many scholars, particularly women, have undertaken research into the nature and worship of Hindu goddesses and thus have augmented our knowledge of previously little-known, yet complex scared figures. This work pays great attention to local details and differences between individual Indian goddesses, details relating to their diverse locations, their rich phenomenology, here documented by visual evidence, their presence and power in people's lives, and the joyous celebration of their existence and influence through numerous rituals and festivities. Many of the book's nuanced observations and conclusions raise questions about earlier goddess research and invite the reader to a new evaluation of the significance of dynamic goddess beliefs and practices in Indian culture.

Krishna, one of the most beloved characters of the Hindu pantheon, has been portrayed in many lights: a god-child, a prankster, a model lover, a divine hero, an exemplary ruler, and the Supreme Being. In _The Complete Life of Krishna_, Vanamali, a leading Krishna expert from a long line of prominent Krishna devotees, provides the first book in English or Sanskrit to cover the complete range of the avatar's life. Drawing from the Bhagavad Purana, the Bhagavad Gita, the Mahabharata, and India's sacred oral tradition, Vanamali shares stories from Krishna's birth in a dungeon and early days as a merry trickster in Vrindavana, through his time as divine ruler at Dwaraka, to his final powerful acts as the hero Arjuna's charioteer and guru in the Kurukshetra war. She explains how Krishna became a mahayogi, the greatest of all yogis, and attained complete mastery over himself and nature. By integrating the hero-child with the mahayogi, the playful lover with the divine ruler, Vanamali shows how the stories of Krishna's life are expressed with such simplicity and humor that they enable anyone--man, woman, or child--to see the wisdom of his teachings. This complete biography of the man who was also a god provides a valuable meditative tool allowing Krishna's lessons to illuminate from within.

The Mahabharata, an ancient and vast Sanskrit poem, is a remarkable collection of epics, legends, romances, theology, and ethical and metaphysical doctrine. The core of this great work is the epic struggle between five heroic brothers, the Pandavas, and their one hundred contentious cousins for rule of the land. This is the third volume of van Buitenen's acclaimed translation of the definitive Poona edition of the text. Book 4, The Book of Virata, begins as a burlesque, but the mood soon darkens amid molestation, raids, and Arjuna's battle with the principal heroes of the enemy. Book 5, The Book of the Effort, relates the attempts of the Pandavas to negotiate the return of their patrimony. They are refused so much as a pinprick of land, and both parties finally march to battle.

The Mahabharata, an ancient and vast Sanskrit poem, is a remarkable collection of epics, legends, romances, theology, and ethical and metaphysical doctrine. The core of this great work is the epic struggle between five heroic brothers, the Pandavas, and their one hundred contentious cousins for rule of the land. This is the first volume in what will ultimately become a multi volume edition encompassing all eighteen books.

Philosophy of The Bhagavad Gita: A Contemporary Introduction presents a complete philosophical guide and new translation of the most celebrated text of Hinduism. While usually treated as mystical and religious poetry, this new translation focuses on the philosophy underpinning the story of a battle between two sets of cousins of the Aryan clan. Designed for use in the classroom, this lively and readable translation: - Situates the text in its philosophical and cultural contexts - Features summaries and chapter analyses and questions at the opening and end of each of the eighteen chapters encouraging further study - Highlights points of comparison and overlap between Indian and Western philosophical concepts and themes such as just war, care ethics, integrity and authenticity - Includes a glossary allowing the reader to determine the meaning of central concepts Written with clarity and without presupposing any prior knowledge of Hinduism, Philosophy of the Bhagavad Gita: A Contemporary Introduction reveals the importance and value of reading the Gita philosophically.

Four Testaments brings together four foundational texts from world religions-the Tao Te Ching, Dhammapada, Analects of Confucius, and Bhagavad Gita-inviting readers to experience them in full, to explore possible points of connection and divergence, and to better understand people who practice these traditions. Following Brian Arthur Brown's award-winning Three Testaments: Torah, Gospel, Quran, this volume of Four Testaments features essays by esteemed scholars to introduce readers to each tradition and text, as well as commentary on unexpected ways the ancient Zoroastrian tradition might connect Taoism, Buddhism, Confucianism, and Hinduism, along with the Abrahamic faiths. Four Testaments aims to foster deeper religious understanding in our interconnected and contentious world.

The Mahabharata preserves powerful journeys of women recognized as the feminine divine and the feminine heroic in the larger culture of India. Each journey upholds the unique aspects of women's life. This book analytically examines the narratives of eleven women from the Mahabharata in the historical context as well as in association with religious and cultural practices. Lavanya Vemsani brings together history, myth, religion, and practice to arrive at a comprehensive understanding of the history of Hindu women, as well as their significance within religious Indian culture. Additionally, Vemsani provides important perspective for understanding the enduring legacy of these women in popular culture and modern society.