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Books > Religion & Spirituality > Non-Christian religions > Religions of Indic & Oriental origin > Hinduism
The proposed book presents an overview of select theories in the
classical Vaisesika system of Indian philosophy, such as the
concept of categories, creation and existence, atomic theory,
consciousness and cognition. It also expounds in detail the concept
of dharma, the idea of the highest good and expert testimony as a
valid means of knowing in Vaisesika thought. Some of the major
themes discussed are the religious inclination of Vaisesika thought
towards Pasupata Saivism, the affiliation of the Vaisesika System
to the basic foundations of Indian philosophical thought, namely
Veda and Yoga, and their insights into science, hermeneutics and
metaphysics. In addition, this book includes recent Sanskrit
commentaries on key Vaisesika texts and provides a glimpse of
Vaisesika studies across the world. Overall, this book enunciates
the Vaisesika view from original sources and is an important work
for Vaisesika studies in current times for serious students as well
as researchers.
Recorded in sacred Sanskrit texts, including the Rig Veda and the
Mahabharata, Hindu Myths are thought to date back as far as the
tenth century BCE. Here in these seventy-five seminal myths are the
many incarnations of Vishnu, who saves mankind from destruction,
and the mischievous child Krishna, alongside stories of the minor
gods, demons, rivers and animals including boars, buffalo, serpents
and monkeys. Immensely varied and bursting with colour and life,
they demonstrate the Hindu belief in the limitless possibilities of
the world - from the teeming miracles of creation to the origins of
the incarnation of Death who eventually touches them all.
In his Lectures on the Philosophy of Religion, Hegel treats the
religions of the world under the rubric "the determinate religion."
This is a part of his corpus that has traditionally been neglected
since scholars have struggled to understand what philosophical work
it is supposed to do. In Hegel's Interpretation of the Religions of
the World, Jon Stewart argues that Hegel's rich analyses of
Buddhism, Hinduism, Zoroastrianism, Judaism, Egyptian and Greek
polytheism, and the Roman religion are not simply irrelevant
historical material, as is often thought. Instead, they play a
central role in Hegel's argument for what he regards as the truth
of Christianity. Hegel believes that the different conceptions of
the gods in the world religions are reflections of individual
peoples at specific periods in history. These conceptions might at
first glance appear random and chaotic, but there is, Hegel claims,
a discernible logic in them. Simultaneously, a theory of mythology,
history, and philosophical anthropology, Hegel's account of the
world religions goes far beyond the field of philosophy of
religion. The controversial issues surrounding his treatment of the
non-European religions are still very much with us today and make
his account of religion an issue of continued topicality in the
academic landscape of the twenty-first century.
Annually during the months of autumn, Bengal hosts three
interlinked festivals to honor its most important goddesses: Durga,
Kali, and Jagaddhatri. While each of these deities possesses a
distinct iconography, myth, and character, they are all martial.
Durga, Kali, and Jagaddhatri often demand blood sacrifice as part
of their worship and offer material and spiritual benefits to their
votaries. Richly represented in straw, clay, paint, and decoration,
they are similarly displayed in elaborately festooned temples,
thronged by thousands of admirers. The first book to recount the
history of these festivals and their revelry, rivalry, and
nostalgic power, this volume marks an unprecedented achievement in
the mapping of a major public event. Rachel Fell McDermott
describes the festivals' origins and growth under British rule. She
identifies their iconographic conventions and carnivalesque
qualities and their relationship to the fierce, Tantric sides of
ritual practice. McDermott confronts controversies over the
tradition of blood sacrifice and the status-seekers who compete for
symbolic capital. Expanding her narrative, she takes readers beyond
Bengal's borders to trace the transformation of the goddesses and
their festivals across the world. McDermott's work underscores the
role of holidays in cultural memory, specifically the Bengali
evocation of an ideal, culturally rich past. Under the thrall of
the goddess, the social, political, economic, and religious
identity of Bengalis takes shape.
Practicing Caste attempts a fundamental break from the tradition of
caste studies, showing the limits of the historical, sociological,
political, and moral categories through which it has usually been
discussed. Engaging with the resources phenomenology,
structuralism, and poststructuralism offer to our thinking of the
body, Jaaware helps to illuminate the ethical relations that caste
entails, especially around its injunctions concerning touching. The
resulting insights offer new ways of thinking about sociality that
are pertinent not only to India but also to thinking the common on
a planetary basis.
Mirigavati or The Magic Doe is the work of Shaikh Qutban
Suhravardi, an Indian Sufi master who was also an expert poet and
storyteller attached to the glittering court-in-exile of Sultan
Husain Shah Sharqi of Jaunpur. Composed in 1503 as an introduction
to mystical practice for disciples, this powerful Hindavi or early
Hindi Sufi romance is a richly layered and sophisticated text,
simultaneously a spiritual enigma and an exciting love-story full
of adventures. The Mirigavati is both an excellent introduction to
Sufism and one of the true literary classics of pre-modern India, a
story that draws freely on the large pool of Indian, Islamic, and
European narrative motifs in its distinctive telling of a mystical
quest and its resolution. Adventures from the Odyssey and the
voyages of Sindbad the Sailor-sea voyages, encounters with
monstrous serpents, damsels in distress, flying demons and
cannibals in caves, among others-surface in Suhravardi's rollicking
tale, marking it as first-rate entertainment for its time and, in
private sessions in Sufi shrines, a narrative that shaped the
interior journey for novices. Before his untimely death in 2009,
Aditya Behl had completed this complete blank verse translation of
the critical edition of the Mirigavati, which reveals the precise
mechanism and workings of spiritual signification and use in a
major tradition of world and Indian literature.
Saffron-robed monks and long-haired gurus have become familiar
characters on the American popular culture scene. Jane Iwamura
examines the contemporary fascination with Eastern spirituality and
provides a cultural history of the representation of Asian
religions in American mass media. Encounters with monks, gurus,
bhikkhus, sages, sifus, healers, and masters from a wide variety of
ethnic backgrounds and religious traditions provided initial
engagements with Asian spiritual traditions. Virtual Orientalism
shows the evolution of these interactions, from direct engagements
with specific individuals to mediated relations with a
conventionalized icon: the Oriental Monk. Visually and psychically
compelling, the Oriental Monk becomes for Americans a ''figure of
translation''--a convenient symbol for alternative spiritualities
and modes of being. Through the figure of the solitary Monk, who
generously and purposefully shares his wisdom with the West, Asian
religiosity is made manageable-psychologically, socially, and
politically--for popular culture consumption. Iwamura's insightful
study shows that though popular engagement with Asian religions in
the United States has increased, the fact that much of this has
taken virtual form makes stereotypical constructions of "the
spiritual East" obdurate and especially difficult to challenge.
An engrossing and definitive narrative account of history and myth
that offers a new way of understanding one of the world's oldest
major religions, The Hindus elucidates the relationship between
recorded history and imaginary worlds. Hinduism does not lend
itself easily to a strictly chronological account: many of its
central texts cannot be reliably dated even within a century; its
central tenets karma, dharma, to name just two arise at particular
moments in Indian history and differ in each era, between genders,
and caste to caste; and what is shared among Hindus is
overwhelmingly outnumbered by the things that are unique to one
group or another. Yet the greatness of Hinduism - its vitality, its
earthiness, its vividness - lies precisely in many of those
idiosyncratic qualities that continue to inspire debate today.
Wendy Doniger is one of the foremost scholars of Hinduism in the
world. With her inimitable insight and expertise Doniger
illuminates those moments within the tradition that resist forces
that would standardize or establish a canon. Without reversing or
misrepresenting the historical hierarchies, she reveals how
Sanskrit and vernacular sources are rich in knowledge of and
compassion toward women and lower castes; how they debate tensions
surrounding religion, violence, and tolerance; and how animals are
the key to important shifts in attitudes toward different social
classes. The Hindus brings a fascinating multiplicity of actors and
stories to the stage to show how brilliant and creative thinkers -
many of them far removed from Brahmin authors of Sanskrit texts -
have kept Hinduism alive in ways that other scholars have not fully
explored. In this unique and authoritative account, debates about
Hindu traditions become platforms from which to consider the
ironies, and overlooked epiphanies, of history.
Here is the first translation into English of the Basava Purana, a
fascinating collection of tales that sums up and characterizes one
of the most important and most radical religious groups of South
India. The ideas of the Virasaivas, or militant Saivas, are
represented in those tales by an intriguing mix of outrageous
excess and traditional conservatism. Written in Telugu in the
thirteenth century, the Basava Purana is an anthology of legends of
Virasaivas saints and a hagiography of Basavesvara, the
twelfth-century Virasaiva leader. This translation makes accessible
a completely new perspective on this significant religious group.
Although Telugu is one of the major cultural traditions of India,
with a classical literature reaching back to the eleventh century,
until now there has been no translation or exposition of any of the
Telugu Virasaiva works in English. The introduction orients the
reader to the text and helps in an understanding of the poet's
point of view. The author of the Basava Purana, Palkuriki
Somanatha, is revered as a saint by Virasaivas in Andhra and
Karnataka. His books are regarded as sacred texts, and he is also
considered to be a major poet in Telugu and Kannada. Originally
published in 1990. The Princeton Legacy Library uses the latest
print-on-demand technology to again make available previously
out-of-print books from the distinguished backlist of Princeton
University Press. These editions preserve the original texts of
these important books while presenting them in durable paperback
and hardcover editions. The goal of the Princeton Legacy Library is
to vastly increase access to the rich scholarly heritage found in
the thousands of books published by Princeton University Press
since its founding in 1905.
"At last, she arrives at the fatal end of the plank . . . and, with
her hands crossed over her chest, falls straight downward,
suspended for a moment in the air before being devoured by the
burning pit that awaits her. . . ." This grisly 1829 account by
Pierre Dubois demonstrates the usual European response to the Hindu
custom of satis sacrificing themselves on the funeral pyres of
their husbands--horror and revulsion. Yet to those of the Hindu
faith, not least the satis themselves, this act signals the sati's
sacredness and spiritual power.
"Ashes of Immortality" attempts to see the satis through Hindu
eyes, providing an extensive experiential and psychoanalytic
account of ritual self-sacrifice and self-mutilation in South Asia.
Based on fifteen years of fieldwork in northern India, where the
state-banned practice of sati reemerged in the 1970s, as well as
extensive textual analysis, Weinberger-Thomas constructs a
radically new interpretation of satis. She shows that their
self-immolation transcends gender, caste and class, region and
history, representing for the Hindus a path to immortality.
In a book now marked by both critical acclaim and cross-cultural
controversy, Jeffrey J. Kripal explores the life and teachings of
Ramakrishna Paramahamsa, a nineteenth-century Bengali saint who
played a major role in the creation of modern Hinduism. Through
extended textual and symbolic analyses of Ramakrishna's censored
"secret talk," Kripal demonstrates that the saint's famous ecstatic
and visionary experiences were driven by mystico-erotic energies
that he neither fully accepted nor understood. The result is a
striking new vision of Ramakrishna as a conflicted, homoerotic
Tantric mystic that is as complex as it is clear and as sympathetic
to the historical Ramakrishna as it is critical of his traditional
portraits.
In a substantial new preface to this second edition, Kripal answers
his critics, addresses the controversy the book has generated in
India, and traces the genealogy of his work in the history of
psychoanalytic discourse on mysticism, Hinduism, and Ramakrishna
himself. "Kali's Child" has already proven to be provocative,
groundbreaking, and immensely enjoyable.
"Only a few books make such a major contribution to their field
that from the moment of publication things are never quite the same
again. "Kali's Child" is such a book."--John Stratton Hawley,
"History of Religions"
Winner of the American Academy of Religion's History of Religions
Prize for the Best First Book of 1995
The esoteric Hindu traditions of Tantrism have profoundly
influenced the development of Indian thought and civilization.
Emerging from elements of yoga and wisdom traditions, shamanism,
alchemy, eroticism, and folklore, Tantrism began to affect
brahmanical Hinduism in the ninth century. Nevertheless, Tantrism
and its key historical figures have been ignored by scholars. This
accessible work introduces the concepts and practices of Hindu
Sakta Tantrism to all those interested in Hinduism and the
comparative study of religion.
Sri Nisargadatta Maharaj (1897-1981), a revered master of the
Tantric Nath lineage, is an inspiring example of an ordinary family
man who attained complete realization of the Infinite. His words
carry a rare potency that can jolt the listener or reader into a
profound sense of awareness, which at the same time signifies true
freedom -- the freedom from all fear and mental suffering.
In this, the final volume of a trilogy published by Blue Dove
Press, Nisargadatta clearly demonstrates that logic and
spirituality do not necessarily stand in opposition to one another.
In a chapter after which this book has been titled, Nisargadatta
relentlessly pursues a logical argument with his visitor to its
very end, showing that until there is transcendence of all thought,
logic remains fully valid and should be pursued rigorously.
Through shrewd marketing and publicity, Hindu spiritual leaders can
play powerful roles in contemporary India as businessmen and
government officials. Focusing on the organizations and activities
of Hindu ascetics and gurus, the author explores the complex
interrelations among religion, the political economy of India and
global capitalism. McKean traces the ideological and organizational
antecedents to the Hindu nationalist movement. The Indian state's
increasing patronage of Hindu institutions makes competition
increases its support. Using materials from guru's publications,
the press and extensive field research, McKean examines how
participation by upper-caste ruling class groups in the Divine Life
Society and other Hindu organizations further legitimates their own
authority. With a selection of photographs and advertisements
showing icons of spirituality used to sell commodities from
textiles to cement to comic books, the work illustrates the
pervasive presence of Hindu imagery in India's burgeoning market
economy. It shows how gurus popularize Hindu nationalism through
imagery such as the goddess, Mother India, and her martyred sons
and daughters.
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