Revelation is a fundamental concept in practically every religion. This important new book, by the leading theologian Professor Keith Ward, provides the only complete analysis of the idea of revelation as found across all five of the great scriptural religions of the world: Judaism, Christianity, Hinduism, Buddhism, and Islam. The author examines the nature, sources, and limits of revelation, and its relevance in the modern world today.

Several years ago in Rajasthan, an eighteen-year-old woman was burned on her husband's funeral pyre and thus became sati. Before ascending the pyre, she was expected to deliver both blessings and curses: blessings to guard her family and clan for many generations, and curses to prevent anyone from thwarting her desire to die. Sati also means blessing and curse in a broader sense. To those who revere it, sati symbolizes ultimate loyalty and self-sacrifice. It often figures near the core of a Hindu identity that feels embattled in a modern world. Yet to those who deplore it, sati is a curse, a violation of every woman's womanhood. It is murder mystified, and as such, the symbol of precisely what Hinduism should not be.
In this volume a group of leading scholars consider the many meanings of sati in India and the West; in literature, art, and opera; in religion, psychology, economics, and politics. With contributors who are both Indian and American, this is a genuinely binational, postcolonial discussion. Contributors include Karen Brown, Paul Courtright, Vidya Dehejia, Ainslie Embree, Dorothy Figueira, Lindsey Harlan, John Hawley, Robin Lewis, Ashis Nandy, and Veena Talwar Oldenburg.

The first book to analyze why India's caste system has authoritatively endured for so long, this path-breaking text provides, for the first time anywhere, an exhaustive analysis of the historical predecessor to caste: the ancient Indian varna system as it was laid out in the Vedic literature. Presenting a revisionist overview of the way the religion of the Veda is to be understood, Classifying the Universe demonstrates that social classes were systematically reduplicated in taxonomies that organized the universe as a whole. The classification of society, in which some groups were accorded rights and privileges withheld from others, could thus be represented as part of a primordial and universally applicable order of things. Social hierarchy, argues the author, was in this way subtly but powerfully justified by recourse to other realms of the cosmos that were similarly ordered, and this essentially religious understanding of varna is the key to comprehending the Vedic world-view in all its complexity, and the persistence of its power in the social realm.

Recent scholarship has shown that modern postural yoga is the outcome of a complex process of transcultural exchange and syncretism. This book doubles down on those claims and digs even deeper, looking to uncover the disparate but entangled roots of modern yoga practice. Anya Foxen shows that some of what we call yoga, especially in North America and Europe, is genealogically only slightly related to pre-modern Indian yoga traditions. Rather, it is equally, if not more so, grounded in Hellenistic theories of the subtle body, Western esotericism and magic, pre-modern European medicine, and late-nineteenth-century women's wellness programs. The book begins by examining concepts arising out of Greek philosophy and religion, including Pythagoreanism, Stoicism, Neo-Platonism, Galenic medicine, theurgy, and other cultural currents that have traditionally been categorized as "Western esotericism," as well as the more recent examples which scholars of American traditions have labeled "metaphysical religion." Marshaling these under the umbrella category of "harmonialism," Foxen argues that they represent a history of practices that were gradually subsumed into the language of yoga. Orientalism and gender become important categories of analysis as this narrative moves into the nineteenth century. Women considerably outnumber men in all studies of yoga except those conducted in India, and modern anglophone yoga exhibits important continuities with women's physical culture, feminist reform, and white women's engagement with Orientalism. Foxen's study allows us to recontextualize the peculiarities of American yoga-its focus on aesthetic representation, its privileging of bodily posture and unsystematic incorporation of breathwork, and above all its overwhelmingly white female demographic. In this context it addresses the ongoing conversation about cultural appropriation within the yoga community.

Loving Stones is a study of devotees' conceptions of and worshipful interactions with Mount Govardhan, a sacred mountain located in the Braj region of north-central India that has for centuries been considered an embodied form of Krishna. It is often said that worship of Mount Govardhan "makes the impossible possible." In this book, David L. Haberman examines the perplexing paradox of an infinite god embodied in finite form, wherein each particular form is non-different from the unlimited. He takes on the task of interpreting the worship of a mountain and its stones for a culture in which this practice is quite alien. This challenge involves exploring the interpretive strategies that may explain what seems un-understandable, and calls for theoretical considerations of incongruity, inconceivability, and other realms of the impossible. This aspect of the book includes critical consideration of the place and history of the pejorative concept of idolatry (and its twin, anthropomorphism) in the comparative study of religions. Loving Stones uses the worship of Mount Govardhan as a site to explore ways in which scholars engaged in the difficult work of representing other cultures struggle to make "the impossible possible."

"A Manual of Hindu Law" was designed for the use of students and practitioners. At the time of its original publication, it was the definitive English-language work on the subject. This facsimile reprints the complete text of the 1871 edition, which provides invaluable insights into the customs, laws, and practices of the period.

The first readable and accurate translation of twenty of the most authoritative Hindu documents pertaining to ascetic ideals and the ascetic way of life, this text opens to students a major source for the study of the Hindu ascetical institutions and of the historical changes they underwent during a period of a thousand years or more. Beginning with an analysis of the historical context that gave rise to Indian ascetical institutions and ideologies, Patrick Olivelle moves on to elucidate the meaning of renunciation-the central institution of holiness in most Hindu traditions-and the function and significance of the various elements that constitute the rite of renunciation. The Samnyasa Upanisads will be an unparalleled source of information and insight for students of Hinduism and Indian asceticism, mysticism, and holiness.

Ramakrishna was a nineteenth-century Bengali devotee of Kali, the Hindu goddess of death and destruction. He assumed the demeanor and dress of a woman, acted like a monkey, a child, a madman, and a comedian at various times during his career. Using the concept of play (lila), as both spontaneous activity and dramatic performance on behalf of Kali, Carl Olson provides a interpretive key for unlocking Ramakrishna's life and his often contradictory forms of behavior. Olson places Ramakrishna in his social and historical context, examines his relationship to women, and investigates his status as a mystery or stranger to his contemporaries.

A 'Sadhana' is an instrument that leads to a particular goal. In Tantra, it is a technical term denoting worship or spiritual practice. Tantra Sadhana is a collection of related instructional papers designed to aid the aspirant through a foundation Sadhana. Some say effective Sadhana requires an initiation (dekshe) from a qualified guru. This book is designed to act as a taster and to provide a short body of work suitable for the period of about one lunar month. In addition, the author had added several useful appendices - including the previously unpublished Tantrik Knuckle Bone Oracle.

Through in-depth analysis of musical theatre choreography and choreographers, Making Broadway Dance challenges long-held perceptions of Broadway dance as kitsch, disposable, a dance form created without artistic process. Setting out to demonstrate that musical theatre dance is not a monolith but rather multi-varied in terms of dance styles, aesthetics and methodologies, author Liza Gennaro provides insights into how Broadway dance is made. By examining choreography for musical theatre through the lens of dance studies, script analysis, movement research and dramaturgical inquiry, she treads in uncharted territory by offering a close examination of a dance form that has heretofore received only the most superficial interrogation. She also explores how musical theatre choreographers create within the parameters of librettos, enhance character development and build dance languages that inform and propel narrative. By considering influences from ballet, modern, postmodern, Jazz, social and global dance, she reveals a rich understanding of musical theatre dance. This book exposes the choreographic systems of some of Broadway's most influential dance-makers including George Balanchine, Agnes de Mille, Jerome Robbins, Katherine Dunham, Bob Fosse, Savion Glover, Sergio Trujillo, Steven Hoggett and Camille Brown, and is essential reading for theatre and dance scholars, students, practitioners, and Broadway fans.

Forming the final part of the Sanskrit Mahabharata, the Harivamsha's main business is to supply narrative details about the great god Vishnu's avatar Krishna Vasudeva, who has been a comparatively minor character in the previous parts of the Mahabharata, despite having taken centre stage in the Bhagavad Gita. Krishna is born in Mathura (some 85 miles south of present-day Delhi). As an infant he is smuggled out of Mathura for his own safety. He and his brother Baladeva grow up among cowherds in the forest, where between them they perform many miraculous deeds and kill many dangerous demons, before returning to Mathura where they kill the evil King Kamsa and his cronies. Thereafter, Krishna is the hero and unofficial leader of his people the Yadava-Vrishnis. When Mathura is besieged by enemies, Krishna leads his people to abandon the town and migrate west, founding the dazzling new city of Dvaraka by the sea. Krishna then repeatedly travels away from that base repeatedly to perform heroic deeds benefitting those in need - including his own people, his more immediate family, and the gods. After narrating the stories of Krishna, the Harivamsha ends by finishing the story of Janamejaya with which the Mahabharata began. The Harivamsha is a powerhouse of Hindu mythology and a classic of world literature. It begins by contextualising Vishnu's appearance as Krishna in several ways, in the process presenting a variety of cosmogonical, cosmological, genealogical, mythological, theological, and karmalogical materials. It then narrates Krishna's birth and adventures in detail. Presenting a wide variety of exciting stories in a poetic register that makes extensive use of natural imagery, the Harivamsha is a neglected literary gem and an ideal starting-point for readers new to Indian literature.

Few books or writings are available on Mother Kali, the primordial Goddess and the Divine Mother of the Universe. Twenty-four powerful representations which attend Her remarkable personage and which are eternal portions of Her august form are discussed. Describing many of Her divine aspects and rendering them clear to the contemporary reader, demystifying perplexing issues and removing age-old fallacies while still maintaining the rich meaning and symbology of Her astounding Presence.

"A marvellous introductory text, well-organized and clearly written. The renditions of stories are readable and engaging." --Edward T. Gilday, Bowdoin College

Mr. Heimsath presents here an intellectual history of the social reform movement among Hindus in India in the century between Ram Mohun Roy and Gandhi. Treating separately each major province in which reform movements flourished, he shows the many ways in which social reform was effected. Originally published in 1964. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The present book Sarada-Tilaka of Laksmana Desikendra is one of the important texts on Tantric subjects. It is divided into 25 Chapters. Chapter 1 is Prakrti and deals with the origin of creation: the 23 chapters which follow demonstrate Prakrti-Vikrti; the last chapter 25 is beyond Prakrti and Vikrti. But Sarada-Tilaka is a tantric treatise which deals primarily with the Tantric worship of gods and goddesses.

In the last few decades, yoga has helped millions of people to improve their concepts of themselves. Yoga realises that man is not only the mind, he is body as well. Yoga has been designed in a such a way that it can complete the process of evolution of the personality in every possible direction. Kundalini yoga is a part of the tantric tradition. Even though you may have already been introduced to yoga, it is necessary to know something about tantra also. Since the dawn of creation, the tantrics and yogis have realised that in this physical body there is a potential force. It is not psychological or transcendental; it is a dynamic potential force in the material body, and it is called Kundalini. This Kundalini is the greatest discovery of tantra and yoga. Scientists have begun to look into this, and a summary of the latest scientific experiments is included in this book.