Born in Gorakhpur, Uttar Pradesh, on January the 5th, 1893, Sri Sri Paramahansa Yogananda devoted his life to helping people of all races and creeds to realize and express more fully in their lives the beauty, nobility and true divinity of the human spirit. After graduating from Calcutta University in 1915, Sri Yogananda was initiated into "sannyas" by his guru Sri Sri Swami Sri Yukteswar Giri. Sri Yukteswar had foretold that his life's mission was to spread throughout the world India's ancient meditation technique of "Kriya Yoga". Sri Yogananda accepted an invitation in 1920 to serve as India's delegate to an International Congress of Religious Liberals in Boston, USA. Paramahansa Yoganda founded Yogoda Satsanga Society of India/Self-Realization Fellowship as the channel for the dissemination of his teachings. Through his writings and extensive lecture tours in India, America and Europe he introduced thousands of truth-seekers to the ancient science and philosophy of yoga and its universally applicable methods of meditation. Paramahansaji entered "mahasamadhi" on March the 7th, 1952 in Los Angeles. This autobiography offers a look at the ultimate mysteries of human existence and a portrait of one of the great spiritual figures of the 20th century.

In 1839 a group of Hindu elite gathered in Calcutta to share and propagate their faith in a non-idolatrous form of worship. The group, known as the Tattvabodhinl Sabha, met weekly to worship and hear discourses from members on ways to promote a rational and morally responsible mode of worship. They called upon ancient sources of Hindu spirituality to guide them in developing a modern form of theism they referred to as "Vedanta." In this book, Brian Hatcher situates the theology and moral vision set forth in these hitherto unknown discourses against the backdrop of religious and social change in early colonial Calcutta. In doing so, he demonstrates how the theology of the Tattvabodhinl Sabha legitimated the worldly interests of Calcutta's emergent bourgeoisie. This 'bourgeois Vedanta' sanctioned material prosperity while providing members with a means of spiritual fulfillment.
Hatcher's important study includes the first ever complete, annotated translation of Sabhyadiger vaktrta, the earliest extant record of the Tattvabodhinl Sabha. The translation is supplemented with a detailed analysis of the text demonstrating that its twenty-one unsigned discourses were composed by such major figures in nineteenth-century Bengal as Debendranath Tagore, Isvaracandra Vidyasagara, Isvaracandra Gupta, and Aksayakumara Datta. In many cases, these are the earliest known writings we have for such individuals.
This rare set of discourses provides Hatcher with an opportunity to explore a decisive moment in the construction of modern Vedanta, and to comment on the concerns this Vedantic movement raised for contemporary Christian observers. Hatcher is able to demonstrate the decisive role played bythe Tattvabodhinl Sabha in both reviving and reformulating the teachings of Rammohan Roy, the founder of Vedantic reform in colonial India. At the same time, Hatcher suggests that the earliest members of the Sabha are best viewed as 'Brhamos without Rammohan.' Only later would they look to Rammohan as their founding father.
Apart from bringing to light the guiding ideals of an association that was to have a profound influence on religious and intellectual life in nineteenth-century Bengal, Hatcher's analysis will promote reflection on a variety of topics central to understanding the development of modern forms of Hindu belief and practice.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Relax your spirit and reconnect to your authentic voice. Discover the simple magic and mystery that awaits you when you express yourself within the safe space of a circle. In Creating Personal Mandalas, you'll see how this most basic of shapes can open your heart and always leads you back to your center. In each of the 10 chapters, you'll explore two soul-expressing mandala exercises, facts and history on featured symbols, insights for using the confines of the circle for personal and visual storytelling, as well as inspiring art and reflections from contributing guest artists. * 20 exploratory step-by-step mandala exercises--each an opportunity for new self-exploration, beginning with tips on establishing the right mindset * Interesting facts about symbols and sacred geometry, including suggestions for using them in your mandala projects * Practical art-making direction on the elements of design, watercolor tips, composition prompts, seeing color as a storytelling element and more Use Creating Personal Mandalas to start expressing your life stories with the infinite possibilities of the circle.

Most books about Hinduism begin by noting the immense size and complexity of the subject. Hinduism is vast and diverse, they say. Or it doesn't exist at all - Hinduism is merely a convenient (and foreign) term that masks a plurality of traditions. In either case, readers are discouraged by the sense that they are getting only a tiny sample or a shallow overview of something huge and impossible to understand. This book is designed to be accessible and comprehensive in a way that other introductions are not, maintaining an appealing narrative and holding the reader's interest in the unfolding sequence of ideas through time and place. Each of the 13 chapters combines historical material with key religious and philosophical ideas, supported by substantial quotations from scriptures and other texts. The overarching organizational principle is a historical narrative largely grounded in archaeological information. Historic places and persons are fleshed out as actors in a narrative about the relation of the sacred to ordinary existence as it is mediated through arts, sciences, rituals, and philosophical ideas. Although many books purport to introduce the Hindu tradition, this is the only one with a broad historical focus that emphasizes archaeological as well as textual evidence. It will nicely complement Vasuda Narayanan's forthcoming introduction, which takes the opposite approach of focusing on the lived experience of Hindu believers.

An ancient conversation for a modern audience - anyone who has ever asked 'what is the purpose of life? or 'who am I?' will find something in this book. The Bhagavad Gita has been around a long time, but remains little known outside India. This edition sets out to change that. The ancient Gita is a world text dealing with the mysteries of life. At its heart is a conversation between the soul and God. Ranchor Prime's version adopts a non-sectarian approach, making the Gita relevant to those of all religions or none, and emphasising the link between religion and self-development. It is distinguished by its easy accessibility. His section-by-section commentary opens the text to the spiritual seeker. He never loses sight of the audience for his book, and that he wants his readers to understand the Gita in a personal way.

This book provides a detailed history of Hindu goddess traditions with a special focus on the local goddesses of Andhra Pradesh, past and present. The antiquity and the evolution of these goddess traditions are illustrated and documented with the help of archaeological reports, literary sources, inscriptions and art. Tracing the symbols and images of goddess into the brahmanical (Saiva and Vaisnava), Buddhist, and Jaina religious traditions, the book argues effectively how and with what motivations goddesses and their symbolizations were appropriated and transformed. The book also examines the evolution of popular Hindu goddesses such as Durga and Kali, discussing their tribal and agricultural backgrounds. It also deals extensively with how and in what circumstances women are deified and shows how these deified women cults share characteristics with the village goddesses.