The gripping, true story of how leading Israeli journalist Amir Tibon, along with his wife and their two young children, were rescued on 7 October 2023 by Tibon’s father ― an incredible tale of survival that also reveals the tensions and failures that led to Hamas’s attacks that day.

On that fateful day, Tibon and his wife were awakened by mortar rounds exploding near their home in Kibbutz Nahal Oz, a progressive Israeli settlement along the Gaza border. Soon, they were holding their two young daughters in the family’s reinforced safe room, urging them not to cry while they all listened to the gunfire from Hamas attackers outside their windows. With his mobile phone battery running low, Amir texted his father: ‘They’re here.’

Some 45 miles to the north, on the shores of Tel Aviv, Amir’s parents saw the news at the same time as they received Amir’s note. Immediately, they jumped in their car and raced toward Nahal Oz, armed only with a pistol ― but intent on saving their family at all costs.

In The Gates of Gaza, Tibon tells his family’s harrowing story, describing their terrifying ordeal ― and the bravery that led to their rescue ― alongside the histories of the place they call home and the systems of power that have kept them and their neighbours in Gaza in harm’s way for decades. With sensitivity, and drawing on Israeli and Palestinian sources, Tibon offers an unsparing but ultimately hopeful view of this seemingly intractable conflict and its global reverberations.

***A Best Book of 2022, The Times*** ***Book of the Year, Spectator*** A myth-busting biography of Henrietta Maria, wife of Charles I, which retells the dramatic story of the civil war from her perspective Henrietta Maria, Charles I's queen, is the most reviled consort to have worn the crown of Britain's three kingdoms. Condemned as that 'Popish brat of France', a 'notorious whore' and traitor, she remains in popular memory the wife who wore the breeches and turned her husband Catholic - so causing a civil war - and a cruel and bigoted mother. Leanda de Lisle's White King was hailed as 'the definitive modern biography about Charles I' (Observer). Here she considers Henrietta Maria's point of view, unpicking the myths to reveal a very different queen. We meet a new bride who enjoyed annoying her uptight husband, a leader of fashion in clothes and cultural matters, an innovative builder and gardener and an advocate of the female voice in public affairs. No bigot, her closest friends included 'Puritans' as well as Catholics, and she led the anti-Spanish faction at court linked to the Protestant cause in the Thirty Years' War. When civil war came, the strategic planning and fundraising of his 'She Generalissimo' proved crucial to Charles's campaign. The story takes us to courts across Europe, and looks at the fate of Henrietta Maria's mother and sisters, who also faced civil wars. Her estrangement from her son Henry is explained, and the image of the Restoration queen as an irrelevant crone is replaced with Henrietta Maria as an influential 'phoenix queen', presiding over a court with 'more mirth' even than that of the Merry Monarch, Charles II. It is time to look again at this despised queen and judge if she is not in fact one of our most remarkable. 'this is revisionist history at its absolute best' ANDREW ROBERTS 'beautifully written and endlessly fascinating' ALEXANDER LARMAN 'popular history of the finest kind' RONALD HUTTON

As uitgesproke kommenatator wat voor en na 1994 met die regering gebots het, een van die Dakar-gangers wat al in die 1980s die ANC gaan ontmoet het en wereldkenner van die Afrikaners, is Giliomee ten nouste betrokke by ons land se geskiedenis – en hoe ons dit verstaan. Hier verweef hy sy eie lewensverhaal met die van die land en die mense wat hom fassineer in leesbare, narratiewe vorm, vol staaltjies en onvertelde verhale.

THE EXTRAORDINARY LIFE STORY OF
AN ORDINARY MAN WHO BECAME THE
CENTURY'S MOST IMPORTANT EXPLORER

Adventurers the world over have been inspired by the achievements of Sir Edmund Hillary, the first man ever to set foot on the summit of Mount Everest. In this candid, wry, and vastly entertaining autobiography, Hillary looks back on that 1953 landmark expedition, as well as his remarkable explorations in other exotic locales, from the South Pole to the Ganges. View From The Summit is the compelling life story of a New Zealand country boy who daydreamed of wild adventures; the pioneering climber who was knighted by Queen Elizabeth after scaling the world's tallest peak; and the elder statesman and unlikely diplomat whose groundbreaking program of aid to Nepal continues to this day, paying his debt of worldwide fame to the Himalayan region.

More than four decades after Hillary looked down from Everest's 29,000 feet, his impact is still felt -- in our fascination with the perils and triumphs of mountain climbing, and in today's phenomenon of extreme sports. The call to adventure is alive and real on every page of this gripping memoir.

World War II Memoirs - Ray Paines personal and dramatic account of his war experiences in a mortar platoon in the British 3rd Division in World War II. A private in the 2nd Lincolns Regiment, Ray describes his assault training in Scotland, the D-Day landing on Sword Beach and his role in the campaign across northern Europe to the Battle of Bremen.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Oliver Tambo Remembered is a salute to one of South Africa's most remarkable individuals. Originally published in 2007, this compilation of memories is a celebration of what would have been Oliver Reginald Tambo's 90th birthday.

It sees friends and associates remembering OR the leader, the comrade and the man. The contributions are written by people who encountered OR during his travels in Europe and the US, and who knew him whilst he was living in South Africa and in exile in Africa and the UK.

This edition of Oliver Tambo Remembered is published in commemoration of his centenary on 27 October 2017. The pieces in this book celebrate not only the impact that OR had on South Africa's future, but also the character of a selfless, compassionate leader, who raised the international profile of the ANC through his wise and intelligent guidance, his humility and integrity, and his unyielding commitment to the struggle.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.