The eighteenth century has often been viewed as a period of relative decline in the field of microscopy, as interest in microscopes seemed to wane after an intense period of discovery in the seventeenth century. As such, developments in the field during the Enlightenment have been largely overlooked. This book therefore fills a considerable gap in the study of this life science, providing a thorough analysis of what the main concerns of the field were and how microscopists learned to communicate with each other in relevant ways in order to compare results and build a new discipline. Employing a substantial body of contemporary literature from across Europe, Marc J. Ratcliff is able to present us with a definitive account of the state of research into microscopy of the period. He brings to light the little known work of Louis Joblot, re-evaluates the achievements of Abraham Trembley and gives new weight to Otto-Friedrich MA1/4ller's important contributions. The book also connects changes in instrument design to an innovative account of microscopical research during the eighteenth century and the rich social networks of communication that grew during this period. Investigating the history of microscopical research from 1680 up to 1800 also shows how scholars progressively established a modern rule on which to shape their new discipline: balancing microscopical magnification with shared vision. This rule developed in response to the diminishing size of the microscopical object during the course of the eighteenth century, from dry minute organisms such as insects, to aquatic minute bodies such as polyps, and finally to aquatic invisible organisms, thus completing the scholar's quest to study the invisible. This book will be essential reading for historians of microscopy, epistemologists, and for historians of the life sciences in the modern period.

Historical Imagination examines the threshold between what historians consider to be proper, imagination-free history and the malpractice of excessive imagination, asking where the boundary between the two sits and the limits of permitted imagination for the historian. We use "imagination" to refer to a mental skill that encompasses two different tasks: the reconstruction of previously experienced parts of the world and the creation of new objects and experiences with no direct connection to the actual world. In history, imagination means using the mind's eye to picture both the actual and inactual at the same time. All historical works employ at least some creative imagination, but an excess is considered "too much". Under what circumstances are historians permitted to cross this boundary into creative imagination and how far can they go? Supporting theory with relatable examples, Staley shows how historical works are a complex combination of mimetic and creative imagination and offers a heuristic for assessing this ratio in any work of history. Setting out complex theoretical concepts in an accessible and understandable manner and encouraging the reader to consider both the nature and limits of historical imagination, this is an ideal volume for students and scholars of the philosophy of history.

This is a study of ekphrasis, the art of making listeners and readers 'see' in their imagination through words alone, as taught in ancient rhetorical schools and as used by Greek writers of the Imperial period (2nd-6th centuries CE). The author places the practice of ekphrasis within its cultural context, emphasizing the importance of the visual imagination in ancient responses to rhetoric, poetry and historiography. By linking the theoretical writings on ekphrasis with ancient theories of imagination, emotion and language, she brings out the persuasive and emotive function of vivid language in the literature of the period. This study also addresses the contrast between the ancient and the modern definitions of the term ekphrasis, underlining the different concepts of language, literature and reader response that distinguish the ancient from the modern approach. In order to explain the ancient understanding of ekphrasis and its place within the larger system of rhetorical training, the study includes a full analysis of the ancient technical sources (rhetorical handbooks, commentaries) which aims to make these accessible to non-specialists. The concluding chapter moves away from rhetorical theory to consider the problems and challenges involved in 'turning listeners into spectators' with a particular focus on the role of ekphrasis within ancient fiction. Attention is also paid to texts that lie at the intersection of the modern and ancient definitions of ekphrasis, such as Philostratos' Imagines and the many ekphraseis of buildings and monuments to be found in Late Antique literature.

First published in 1999, the primary operative thesis of the book is that the Protestant Reformation cemented into Western consciousness a conception of humanity as fundamentally depraved and thus ushered in a conception of human reason far more restricted in scope than that known to pre-reformation philosophy. Though this study is essentially a work in the history of philosophy, it lays the groundwork for an original philosophy of language as well as offering a suggestion for a re-evaluation of Hegel in the light of this approach to language. The book concludes that what was in fact lost in the secular appropriation of the total depravity of man was a conception of reason intimately linked to the assumption that language and the general principles that govern it stand in some way as the guarantors of the correspondence of human thought and institutions and the world at large. At the bottom of this is the loss of the classical understanding of the faculty of practical reason.

This book maps out the state of China Studies in seven Southeast Asian countries from different perspectives. It looks at the history, current status, and characteristics of the study of China in Indonesia, the Philippines, Thailand, Vietnam, Malaysia, Singapore, and Myanmar, and what factors shaped the development and prospects of Sinology and Chinese Studies in these countries. For the first time, China experts from within and outside of this region, using a wide range of biographical, historical, bibliographical and comparative methodologies, tell the stories of how intellectuals and scholars in selected Southeast Asian countries understand, study, and research China. Their studies are providing different perspectives and discourses on China. Chapters discover and explore common factors such as the presence of sizeable ethnic Chinese communities, historical and current interactions between China and Southeast Asia, and the diverse intellectual influences in the region. A novel insight into the study of China in Southeast Asia, this book will be of interest to academics in the fields of China-Southeast Asia relations, the intellectual history of Southeast Asia, the intellectual history of Chinese Studies in the world and the politics of Knowledge production.

Alan S. Milward was a renowned historian of contemporary Europe. In addition to his books, as well as articles and chapters in edited books, he also wrote nearly 250 book reviews and review articles, some in French and German, which were published in journals world-wide. Taken together they reveal a remarkable degree of theoretical consistency in his approach to understanding the history of Europe since the French Revolution. This book brings together these previously unexamined pieces of historical analysis in order to trace and shed light on key intellectual debates taking place in the second half of the 20th century. Many of these discussions continue to influence us today, such as the role of Germany in Europe, the economic, social and political foundations of European integration, the European rescue of the nation-state, the reasons for launching the single currency, the conditions for retaining the allegiance of European citizens to the notions of nation and supra-nation, and ultimately the issue of democratic governance in a global environment. In bringing together these reviews and review articles, the book provides an introduction to the main scholarly achievements of Milward, in his own words. Fernando Guirao and Frances M.B. Lynch provide an introduction to the volume, which both guides the reader through many of the academic debates embedded within the text while underlining their contemporary relevance. By introducing and bringing together this hitherto overlooked treasure trove of historical analysis, this book maps a close itinerary of some of the most salient intellectual debates of the second half of the 20th century and beyond. This unique volume will be of great interest to scholars of economic history, European history and historiography.

In recent years, Baghdad has been viewed as a battleground for political conflicts; this interpretation has heavily influenced writings on the city. This book moves away from these perspectives to present an interdisciplinary exploration into the urban history of Baghdad through the lens of literature. It argues that urban literature is an effective complementary source to conventional historiography, using in-depth analysis of texts, poems and historical narratives of non-monumental urban spaces to reveal an underexamined facet of the city's development. The book focuses on three key themes, spatial, nostalgic and reflective, to offer a new approach to the study of Baghdad's history, with a view to establishing and informing further strategies for future urban developments. Beginning with the first planned city in the eighth century, it looks at the urban transformations that influenced building trends and architectural styles until the nineteenth century. It will appeal to academics and researchers in interdisciplinary fields such as architecture, urban history, Islamic studies and Arabic literature.

In The Modern Historiography Reader, Adam Budd guides readers through European and North American developments in history-writing since the eighteenth century. Starting with Enlightenment history and moving through subjects such as moral history, national history, the emergence of history as a profession, and the impact of scientific principles on history, he then looks at some of the most important developments in twentieth-century historiography such as social history, traumatic memory, postcolonialism, gender history, postmodernism, and the history of material objects. This is the only book that brings together historiographical writing from anthropology, literary theory, philosophy, psychology, and sociology - as well as history. Each of the thirteen thematic sections begins with a clear introduction that familiarizes readers with the topics and articles, setting them in their wider contexts. They explain what historiography is, how historians' perspectives and sources determine the kinds of questions they ask, and discuss how social and ideological developments have shaped historical writing over the past three centuries. With a glossary of critical terms and reading lists for each section, The Modern Historiography Reader: Western Sources is the perfect introduction to modern historiography.

Although Kierkegaard's reception was initially more or less limited to Scandinavia, it has for a long time now been a highly international affair. As his writings were translated into different languages his reputation spread, and he became read more and more by people increasingly distant from his native Denmark. While in Scandinavia, the attack on the Church in the last years of his life became something of a cause celebre, later, many different aspects of his work became the object of serious scholarly investigation well beyond the original northern borders. As his reputation grew, he was co-opted by a number of different philosophical and religious movements in different contexts throughout the world. The three tomes of this volume attempt to record the history of this reception according to national and linguistic categories. Tome III is the most geographically diverse, covering the Near East, Asia, Australia and the Americas. The section on the Near East features pioneering articles on the Kierkegaard reception in Israel, Turkey, Iran and the Arab world. The next section dubbed 'Asia and Australia' features articles on the long and rich traditions of Kierkegaard research in Japan and Korea along with the more recent ones in China and Australia. A final section is dedicated to Americas with articles on Canada, the United States, hispanophone South America, Mexico and Brazil.

Sandscapes: Writing the British Seaside reflects on the unique topography of sand, sandscapes, and the seaside in British culture and beyond. This book brings together creative and critical writings that explore the ways sand speaks to us of holidays and respite, but also of time and mortality, of plenitude and eternity. Drawing together writers from a range of backgrounds, the volume explores the environmental, social, personal, cultural, and political significance of sand and the seaside towns that have built up around it. The contributions take a variety of forms including fiction and nonfiction and cover topics ranging from sand dunes to sand mining, from seaside stories to shoreline architecture, from sand grains to global sand movements, from narratives of the setting up of bed and breakfasts to stories of seaside decline. Often a symbol of aridity, sand is revealed in this book to be an astonishingly fertile site for cultural meaning.

Tacitus, writing early in the second century AD, is acknowledged to be ancient Rome's greatest historian; his Annals, describing the emperors from Tiberius to Nero (AD 14 - 68), is his greatest work. This book gathers together Professor Woodman's writings on Tacitus over the past twenty-five years, focusing almost exclusively on the AnnalsR. He starts from, and argues for, the basic premiss that, as a historian, Tacitus must be seen in ancient rather than in modern terms. The Annals is a literary text of immense subtlety and acknowledged difficulty and complexity; it is also a very familiar text, read and reread by generations of scholars who want to find out about the Roman empire. One of Professor Woodman's principal contentions is that, through familiarity, these readers have misread significant passages of the text, thereby gaining and perpetuating a distorted view of what Tacitus has to say, especially about Tiberius. This distorted view is revealed, and the true meaning disclosed, by minute and detailed literary analysis. The author offers radically new or different interpretations of some of the most famous passages: the murder of Agrippa Postumus, the notorious accession debate of Tiberius, Tacitus' statement of the so-called `highest function of history', Tiberius' obituary, Nero's debauched water-borne party, and the Pisonian conspiracy against Nero in AD 65. There is also discussion of major narrative sections of Books 1 and 4, concentrating on such matters as structure, vivid representation, imitation and allusion, and dramatic and generic manipulation of the narrative. The new interpretations have profound implications for those who wish to use Tacitus' Annals as a source for what happened in the first century AD.

For the English speaking reader of today, Ranke is surprisingly inaccessible; indeed, he has become something of a patron saint, more praised than read.

Now all his major works have been translated, while almost none of his letters, notes, or essays, so important in getting an informal appraisal of his craft of history, is in English. Many of his of books, whether in German or in English, are no longer in print, and the modern reader is less likely to bear up with the four or six volume works which are.

Thus the purpose of this anthology is to bring attention to some of the riches which a reader might find in a more extended study of Ranke's histories. Its emphasis is on Ranke as an historian, with translations of essays and addresses which lay down his program for research, politics, and the relationship between and historian's values and his work. It also attempts to give some sense of Ranke's literary skill, by including examples of his historical portraiture from his History of the Popes, History of France, and History of the Reformation.

Finally, a selection of letters and brief reflections culled from his works and notes tries to recapture the man, whose own inner development joined with the tendencies of his age to make him a world-historical figure in Ranke's own sense of the word.

Historians are increasingly looking beyond the traditional, and turning to visual, oral, aural, and virtual sources to inform their work. The challenges these sources pose require new skills of interpretation and require historians to consider alternative theoretical and practical approaches. In order to help historians successfully move beyond traditional text, Sarah Barber and Corinna Peniston-Bird bring together chapters from historical specialists in the fields of fine art, photography, film, oral history, architecture, virtual sources, music, cartoons, landscape and material culture to explain why, when and how these less traditional sources can be used. Each chapter introduces the reader to the source, suggests the methodological and theoretical questions historians should keep in mind when using it, and provides case studies to illustrate best practice in analysis and interpretation. Pulling these disparate sources together, the introduction discusses the nature of historical sources and those factors which are unique to, and shared by, the sources covered throughout the book. Taking examples from around the globe, this collection of essays aims to inspire practitioners of history to expand their horizons, and incorporate a wide variety of primary sources in their work.

A one-volume presentation for the general reader of the history and legacy of Zionism, examining and explaining how it has shaped the lives of millions of people throughout the last century, and arguably replaced one group of oppressed and homeless people with another.

• A coherent and readable brief consideration of Zionism.
• Unravels this most complex and inflammatory of political/social movements.
• Shows in unbiased fashion where Zionism came from, how it set out to accomplish its goals and why it affected so many people - allowing the reader to make up their own mind.

Previous works on the Cuban Missile Crisis (1962) have approached the topic from the point of view of the U.S. and its allies, while Cuban experiences have still not been sufficiently discussed. This book presents new aspects which have seldom - or never - been offered before, giving a detailed account of the crisis from a Cuban perspective. It also investigates the archaeological and anthropological aspects of the crisis, by exploring the tangible and intangible remains that still can be found on the former Soviet missile bases in the Cuban countryside, and through interviews which add a local, human dimension to the subject.

Adam Smith's contribution to economics is well recognised, but scholars have recently been exploring anew the multidisciplinary nature of his works. The Adam Smith Review is a rigorously refereed annual review that provides a unique forum for interdisciplinary debate on all aspects of Adam Smith's works, his place in history, and the significance of his writings to the modern world. It is aimed at facilitating debate between scholars working across the humanities and social sciences, thus emulating the reach of the Enlightenment world which Smith helped to shape. This eleventh volume brings together leading scholars from across several disciplines, and offers a particular focus on Smith and Rousseau. There is also an emphasis throughout the volume on the relationship between Smith's work and that of other key thinkers such as Malthus, Newton, Freud and Sen.

Imaginary Friendship is the first in-depth study of the onset of the American Revolution through the prism of friendship, focusing on future US president John Adams and leading Loyalist Jonathan Sewall. The book is part biography, revealing how they shaped each other's progress, and part political history, exploring their intriguing dangerous quest to clean up colonial politics. Literary history examines the personal dimension of discourse, resolving how Adams's presumption of Sewall's authorship of the Loyalist tracts Massachusettensis influenced his own magnum opus, Novanglus. The mystery is not why Adams presumed Sewall was his adversary in 1775 but why he was impelled to answer him.

Working from a cultural studies perspective, author D. K. Smith here examines a broad range of medieval and Renaissance maps and literary texts to explore the effects of geography on Tudor-Stuart cultural perceptions. He argues that the literary representation of cartographically-related material from the late fifteenth to the early seventeenth century demonstrates a new strain, not just of geographical understanding, but of cartographic manipulation, which he terms, "the cartographic imagination." Rather than considering the effects of maps themselves on early modern epistemologies, Smith considers the effects of the activity of mapping-the new techniques, the new expectations of accuracy and precision which developed in the sixteenth century-on the ways people thought and wrote. Looking at works by Spenser, Marlowe, Raleigh, and Marvell among other authors, he analyzes how the growing ability to represent physical space accurately brought with it not just a wealth of new maps, but a new array of rhetorical techniques, metaphors, and associations which allowed the manipulation of texts and ideas in ways never before possible.

Collecting sixteen thought-provoking new essays by leading medievalists, this volume celebrates the work of the late Rees Davies. Reflecting Davies' interest in identities, political culture and the workings of power in medieval Britain, the essays range across ten centuries, looking at a variety of key topics. Issues explored range from the historical representations of peoples and the changing patterns of power and authority, to the notions of 'core' and 'periphery' and the relationship between local conditions and international movements. The political impact of words and ideas, and the parallels between developments in Wales and those elsewhere in Britain, Ireland and Europe are also discussed. Appreciations of Rees Davies, a bibliography of his works, and Davies' own farewell speech to the History Faculty at the University of Oxford complete this outstanding tribute to a much-missed scholar.

A member of the art history generation from the golden age of the 1920s and 1930s, Millard Meiss (1904-1975) developed a new and multi-faceted methodological approach. This book lays the foundation for a reassessment of this key figure in post-war American and international art history. The book analyses his work alongside that of contemporary art historians, considering both those who influenced him and those who were receptive to his research. Jennifer Cooke uses extensive archival material to give Meiss the critical consideration that his extensive and important art historical, restoration and conservation work deserves. This book will be of interest to scholars in art history, historiography and heritage management and conservation.

Social medicine was one of the key health paradigms of the early twentieth century. It perceived public health as a function of social conditions and aimed at improving it through comprehensive, horizontal strategies. Yet, it was no homogeneous or static phenomenon. Depending on time, place and circumstances, it took different, sometimes ideologically contradictory forms. This volume portrays leading medical experts from seven European countries. Their juxtaposition reveals a network of international interaction and shows how different people coped with the crises of the time in different ways, sometimes as part of the scientific mainstream, sometimes as opposition under attack, sometimes in exile. Their biographies reflect an ambivalent interplay of biomedicine, politics and social theory.

During the late Hellenistic and early Imperial periods (B.C. 50 - A.D. 300), important developments may be traced in the philosophy of language and its relationship to mind. This book examines theories of language in the work of theologians and philosophers linked to Ancient Alexandria. The growth of Judaism and Christianity in cultural centers of the Roman Empire, above all Alexandria, provides valuable testimony to the philosophical vitality of this period. The study of Later Greek philosophy should be more closely integrated with the Church Fathers, particularly in the theologically sensitive issue of the nature of language. Robertson traces some related attempts to reconcile immaterial, intelligible reality and the intelligibility of language, explain the structure of language, and clarify the nature of meaning. These shared problems are handled with greater philosophical sophistication by Plotinus, although the comparison with Philo, Clement, and Origen illustrates significant similarities as well as differences between Neoplatonism and early Jewish and Christian philosophy.

Learn to craft the perfect historical research paper with this approachable and practical guide Essaying the Past: How to Read, Write, and Think about History, 4th Edition continues the tradition of excellence established by the previous editions. Equal parts research manual, study guide, and introduction to the study of history, this book teaches readers how to write excellent historical prose with approachable strategies and actionable tips. Noted teacher and writer Jim Cullen has created an invaluable resource for novices and experts in the field of historical study, offering practical insights into determining how questions should be framed, developing strong introduction and topic sentences, choosing evidence, and properly revising your work. Essaying the Past includes six appendices covering the major issues facing students today, including the pitfalls and temptations of plagiarism and the role of the internet. It also contains an annotated case study outlining one student's process of writing an essay and demonstrating the application of the concepts contained within the book. Essaying the Past covers topics including: How to think and read about history and ask the right questions about what you're reading The three components of crafting a compelling argument How to deal with counterarguments and counterevidence How to properly construct a bibliography and insert footnotes How to assess the credibility of online resources Perfect for students taking surveys or courses in methods or historiography, Essaying the Past also belongs on the bookshelf of anyone with even a passing interest in studying, researching, consuming, or writing about history.

This book takes the urban space as a starting point for thinking about practices, actors, narratives, and imaginations within articulations of memory. The social protests and mobilizations against colonial statues are examples of how past injustice and violence keep on shaping debates in the present. Following an interdisciplinary approach, the contributions to this book focus on the in/visibility and affective power of monuments and traces through political, activist, and artistic contestations in different geographical settings. They show that memories are shaped in contact zones, most often in conflict and within hierarchical social relations. The notion of decentered memory shifts the perspective to relationships between imperial centers and margins, remembrance and erasure, nationalistic tendencies and migration. This plurality of connections emerges around unfinished histories of violence and resistance that are reflected in monuments and traces.

Why are so many contemporary comics and graphic narratives written as memoirs or documentaries of traumatic events? Is there a specific relationship between the comics form and the documentation and reportage of trauma? How do the interpretive demands made on comics readers shape their relationships with traumatic events? And how does comics' documentation of traumatic pasts operate across national borders and in different cultural, political, and politicised contexts? The sixteen chapters and three comics included in Documenting Trauma in Comics set out to answer exactly these questions. Drawing on a range of historically and geographically expansive examples, the contributors bring their different perspectives to bear on the tangled and often fraught intersections between trauma studies, comics studies, and theories of documentary practices and processes. The result is a collection that shows how comics is not simply related to trauma, but a generative force that has become central to its remembrance, documentation, and study.