In The South Strikes Back, Hodding Carter III describes the birth of the white Citizens' Council in the Mississippi Delta and its spread throughout the South. Carter begins with a brief historical overview and traces the formation of the Council, its treatment of African Americans, and its impact on white communities, concluding with an analysis of the Council's future in Mississippi. Through economic boycott, social pressure, and political influence, the Citizens' Council was able to subdue its opponents and dominate the communities in which it operated. Carter considers trends working against the Council-the federal government's efforts to improve voting rights for African Americans, economic growth within African American communities, and especially the fact that the Citizens' Council was founded on the defense of segregation's status quo and dedicated to its preservation. As Carter writes in the final chapter, "Defense of the status quo, as history has shown often enough, is an arduous task at best. When, in a democracy such as ours, it involves the repression of a minority, it becomes an impossibility.

Everybody in the bar had to drop a quarter in the jukebox or be shamed by ""Momo"" Villarreal. It wasn't about the money, Mary Ann Villarreal's grandmother insisted. It was about the music - more songs for all the patrons of the Pecan Lounge in Tivoli, Texas. But for Mary Ann, whose schoolbooks those quarters bought, the money didn't hurt. When as an adult Villarreal began to wonder how the few recordings of women singers made their way into that jukebox, questions about the money seemed inseparable from those about the music. In Listening to Rosita, Villarreal seeks answers by pursuing the story of a small group of Tejana singers and entrepreneurs in Corpus Christi, Houston, and San Antonio - the ""Texas Triangle"" - during the mid-twentieth century. Ultimately she recovers a social world and cultural landscape in central south Texas where Mexican American women negotiated the shifting boundaries of race and economics to assert a public presence. Drawing on oral history, interviews, and insights from ethnic and gender studies, Listening to Rosita provides a counternarrative to previous research on la musica tejana, which has focused almost solely on musicians or musical genres. Villarreal instead chronicles women's roles and contributions to the music industry. In spotlighting the sixty-year singing career of San Antonian Rosita Fernandez, the author pulls the curtain back on all the women whose names and stories have been glaringly absent from the ethnic and economic history of Tejana music and culture. In this oral history of the Tejana cantantes who performed and owned businesses in the Texas Triangle, Listening to Rosita shows how ethnic Mexican entrepreneurs developed a unique identity in striving for success in a society that demeaned and segregated them. In telling their story, this book supplies a critical chapter long missing from the history of the West.

Everyone knows the name Calamity Jane. Scores of dime novels and movie and TV Westerns have portrayed this original Wild West woman as an adventuresome, gun-toting hellion. Although Calamity Jane has probably been written about more than any other woman of the nineteenth-century American West, fiction and legend have largely obscured the facts of her life. This lively, concise, and exhaustively researched biography traces the real person from the Missouri farm where she was born in 1856 through the development of her notorious persona as a Wild West heroine.
Before Calamity Jane became a legend, she was Martha Canary, orphaned when she was only eleven years old. From a young age she traveled fearlessly, worked with men, smoked, chewed tobacco, and drank. By the time she arrived in the boomtown of Deadwood, South Dakota, in 1876, she had become Calamity Jane, and the real Martha Canary had disappeared under a landslide of purple prose.
Calamity became a hostess and dancer in Deadwood's saloons and theaters. She imbibed heavily, and she might have been a prostitute, but she had other qualities, as well, including those of an angel of mercy who ministered to the sick and the down-and-out. Journalists and dime novelists couldn't get enough of either version, nor, in the following century, could filmmakers.
Sorting through the stories, veteran western historian Richard W. Etulain's account begins with a biography that offers new information on Calamity's several "husbands" (including one she legally married), her two children, and a woman who claimed to be the daughter of Wild Bill Hickok and Calamity, a story Etulain discredits. In the second half of the book, Etulain traces the stories that have shaped Calamity Jane's reputation. Some Calamity portraits, he says, suggest that she aspired to a quiet life with a husband and family. As the 2004-2006 HBO series "Deadwood" makes clear, well more than a century after her first appearance as a heroine in the Deadwood Dick dime novels, Calamity Jane lives on--raunchy, unabashed, contradictory, and ambiguous as ever.""

'Beautifully written, sumptuously illustrated, constantly fascinating' The Times On 26 November 1922 Howard Carter first peered into the newly opened tomb of an ancient Egyptian boy-king. When asked if he could see anything, he replied: 'Yes, yes, wonderful things.' In Tutankhamun's Trumpet, acclaimed Egyptologist Toby Wilkinson takes a unique approach to that tomb and its contents. Instead of concentrating on the oft-told story of the discovery, or speculating on the brief life and politically fractious reign of the boy king, Wilkinson takes the objects buried with him as the source material for a wide-ranging, detailed portrait of ancient Egypt - its geography, history, culture and legacy. One hundred artefacts from the tomb, arranged in ten thematic groups, are allowed to speak again - not only for themselves, but as witnesses of the civilization that created them. Never before have the treasures of Tutankhamun been analysed and presented for what they can tell us about ancient Egyptian culture, its development, its remarkable flourishing, and its lasting impact. Filled with surprising insights, unusual details, vivid descriptions and, above all, remarkable objects, Tutankhamun's Trumpet will appeal to all lovers of history, archaeology, art and culture, as well as all those fascinated by the Egypt of the pharaohs. 'I've read many books on ancient Egypt, but I've never felt closer to its people' The Sunday Times

This Atlantic world history centers on the life of Juan Nepomuceno Prieto (c. 1773-c. 1835), a member of the West African Yoruba people enslaved and taken to Havana during the era of the Atlantic slave trade. Richly situating Prieto's story within the context of colonial Cuba, Henry B. Lovejoy illuminates the vast process by which thousands of Yoruba speakers were forced into life-and-death struggles in a strange land. In Havana, Prieto, and most of the people of the Yoruba diaspora, were identified by the colonial authorities as Lucumi. Prieto's evolving identity becomes the fascinating fulcrum of the book. Drafted as an enslaved soldier for Spain, Prieto achieved self-manumission while still in the military. Rising steadily in his dangerous new world, he became the religious leader of Havana's most famous Lucumi cabildo, where he contributed to the development of the Afro-Cuban religion of Santeria. Then, he was arrested on suspicion of fomenting slave rebellion. Trial testimony shows that he fell ill, but his ultimate fate is unknown. Despite the silences and contradictions that will never be fully resolved, Prieto's life opens a window onto how Africans creatively developed multiple forms of identity and resistance in Cuba and in the Atlantic world more broadly.

In late-nineteenth-century Boston, battles over black party loyalty were fights over the place of African Americans in the post-Civil War nation. In his fresh in-depth study of black partisanship and politics, Millington Bergeson-Lockwood demonstrates that party politics became the terrain upon which black Bostonians tested the promise of equality in America's democracy. Most African Americans remained loyal Republicans, but Race over Party highlights the actions and aspirations of a cadre of those who argued that the GOP took black votes for granted and offered little meaningful reward for black support. These activists branded themselves ""independents,"" forging new alliances and advocating support of whichever candidate would support black freedom regardless of party. By the end of the century, however, it became clear that partisan politics offered little hope for the protection of black rights and lives in the face of white supremacy and racial violence. Even so, Bergeson-Lockwood shows how black Bostonians' faith in self-reliance, political autonomy, and dedicated organizing inspired future generations of activists who would carry these legacies into the foundation of the twentieth-century civil rights movement.

History at the intersection of healthcare, labor, and civil rights. The union of hospital workers usually referred to as the 1199 sits at the intersection of three of the most important topics in US history: organized labor, health care, and civil rights. John Hennen's book explores the union's history in Appalachia, a region that is generally associated with extractive industries but has seen health care grow as a share of the overall economy. With a multiracial, largely female, and notably militant membership, 1199 was at labor's vanguard in the 1970s, and Hennen traces its efforts in hospitals, nursing homes, and healthcare centers in West Virginia, eastern Kentucky, and Appalachian Ohio. He places these stories of mainly low-wage women workers within the framework of shake-ups in the late industrial and early postindustrial United States, relying in part on the words of Local 1199 workers and organizers themselves. Both a sophisticated account of an overlooked aspect of Appalachia's labor history and a key piece of context for Americans' current concern with the status of "essential workers," Hennen's book is a timely contribution to the fields of history and Appalachian studies and to the study of social movements.

Since 2004, the Baby Doll Mardi Gras tradition in New Orleans has gone from an obscure, almost forgotten practice to a flourishing cultural force. The original Baby Dolls were groups of black women, and some men, in the early Jim Crow era who adopted New Orleans street masking tradition as a unique form of fun and self-expression against a backdrop of racial discrimination. Wearing short dresses, bloomers, bonnets, and garters with money tucked tight, they strutted, sang ribald songs, chanted, and danced on Mardi Gras Day and on St. Joseph feast night. Today's Baby Dolls continue the tradition of one of the first street women's masking and marching groups in the United States. They joyfully and unabashedly defy gender roles, claiming public space and proclaiming through their performance their right to social citizenship. Essayists draw on interviews, theoretical perspectives, archival material, and historical assessments to describe women's cultural performances that take place on the streets of New Orleans. They recount the history and contemporary resurgence of the Baby Dolls while delving into the larger cultural meaning of the phenomenon. Over 140 color photographs and personal narratives of immersive experiences provide passionate testimony of the impact of the Baby Dolls on their audiences. Fifteen artists offer statements regarding their work documenting and inspired by the tradition as it stimulates their imagination to present a practice that revitalizes the spirit.

From Catherine Hayes, the "Irish prima donna," and Maude Adams, "the most popular actress in America," to the legendary Sarah Bernhardt, Gilded Girls profiles fourteen of the liveliest, wildest, and most talented female entertainers ever to light up the boards of the western frontier. You'll meet "the Jersey Lily," who was wildly admired by men as various Oscar Wilde, Mark Twain, Diamond Jim Brady, and Judge Roy Bean; Mrs. Leslie Carter, a scandal-plagued society women who became a famous actress as an act of revenge against her patrician ex-husband; a French-Creole beauty known as the "Frenzy of Frisco" who took up the Zionist and feminist causes in between her daring acting roles; and "Klondike Kate," a flame-haired entertainer who took Alaska's gold rush country by storm but suffered a very public heartbreak.
Some of the fascinating women are renowned even to this day, others are remembered only in the pages of history, but all personified the daring, colorful, and independent spirit of the Old West.

During the Great Depression, the Los Angeles area was rife with radical movements. Although many observers thought their ideas unworkable, even dangerous, Southern Californians voted for them by the tens of thousands. This book asks why. To find answers, author Errol Wayne Stevens takes readers through the history of such movements as the Utopian Society, Dr. Francis Townsend's old-age revolving pension plan, Upton Sinclair's End Poverty in California gubernatorial campaign, and Retirement Life Payments, known as Ham and Eggs. The book also examines the Los Angeles Communists and the free-market capitalists, both quasi-religious movements with large followings, as well as the self-help cooperatives, a spontaneous upsurge of neighbors who came together to help one another in a time of desperate need. As to these movements' extraordinary popularity, Stevens finds the standard explanations unpersuasive. He debunks the idea that naIve, unsophisticated Southern Californians, living aimless, empty lives, suffering from ennui, and longing for community, readily supported charismatic leaders who promised a way out of the Great Depression. In Stevens's telling, Southern Californians supported these movements because they spoke to their needs. Fearful or desperate, some elderly and hopeless, Angelenos cared less about the programs' feasibility than about their promise of relief. As one Ham and Eggs supporter succinctly explained: "It may be a racket and maybe it won't work more than a couple of weeks, but that will be $60 more than I ever got before for one vote." Finding parallels between past and present, readers might wonder why people remain loyal to programs that prove unrealistic, or why voters continue to support leaders who reveal, time and again, their ignorance or dishonesty. In its illumination of a troubled time in American history not so long ago, this book offers insight into our own.

As the long boom of post-World War II economic expansion spread across the globe, dreams of white picket fences, democratic ideals, and endless opportunities flourished within the United States. Middle America experienced a period of affluent stability built upon a modern age of industrialization. Yet for the people of Appalachia, this new era brought economic, social, and environmental devastation, preventing many from realizing the American Dream. Some families suffered in silence; some joined a mass exodus from the mountains; while others, trapped by unemployment, poverty, illness, and injury became dependent upon welfare. As the one state most completely Appalachian, West Virginia symbolized the region's dilemma, even as it provided much of the labor and natural resources that fueled the nation's prosperity. An Appalachian Reawakening: West Virginia and the Perils of the New Machine Age, 1945-1972 recounts the difficulties the state of West Virginia faced during the post-World War II period. While documenting this turmoil, this valuable analysis also traces the efforts of the New Frontier and Great Society programs, which stimulated maximum feasible participation and lead to the ultimate rise of grass roots activities and organizations that improved life and labor in the region and undermined the notion of Appalachian fatalism.

The lower Mississippi River winds past the City of New Orleans between enormous levees and a rim of sand, mud, and trees called "the batture." On this remote and ignored piece of land thrives a humanity unique to the region-ramblers, artists, drinkers, fishers, rabbit hunters, dog walkers, sunset watchers, and refugees from Immigration, alimony, and other aspects of modern life.

Author Oliver A. Houck has frequented this place for the past twenty-five years. "Down on the Batture" describes a life, pastoral, at times marginal, but remarkably fecund and surprising. From this place he meditates on Louisiana, the state of the waterway, and its larger environs. He describes all the actors that have played lead roles on the edge of the mightiest river of the continent, and includes in his narrative plantations, pollution, murder, land grabs, keelboat brawlers, slave rebellions, the Corps of Engineers, and the oil industry.

Houck draws from his experience in New Orleans since the early 1970s in the practice and teaching of law. He has been a player in many of the issues he describes, although he does not undertake to argue them here. Instead, story by story, he uses the batture to explore the forces that have shaped and spell out the future of the region. The picture emerges of a place that---for all its tangle of undergrowth, drifting humanity, shifting dimensions in the rise and fall of floodwater---provides respite and sanctuary for values that are original to America and ever at risk from the homogenizing forces of civilization.

After the United States purchased Louisiana, many inhabitants of the new American territory believed that Louisiana would quickly be incorporated into the Union and that they would soon enjoy rights as citizens. In March of 1804, however, Congress passed the Act for the Organization of Orleans Territory, which divided Louisiana into two sections: Orleans Territory, which lay southwest of the Mississippi Territory; and the Louisiana District. Under this act, President Jefferson possessed the power to appoint the government of Orleans Territory and its thirteen-man legislative council. The act also prohibited importation of most slaves. Anxieties about their livelihoods and an unrepresentative government drove some Louisiana merchants and planters to organize protests. At first this group used petitions and newspaper editorials to demand revisions; later they pressed for reforms as a political faction within the territorial government. Outside of Louisiana, the conflict became a harbinger for the obstacles to westward expansion and clashes ahead. American politicians became alarmed about the future of American governance, territorial expansion, and the growth of slavery, all issues raised by the Orleans protesters. John Quincy Adams, for example, worried that the government established for Louisianans violated the principles of the American Revolution. Federalist Fisher Ames believed that Jefferson's power over Louisiana would allow him to establish a western Republican empire ensuring the national demise of the Federalist Party. Slaveholders and supporters of slavery in the Congress attacked the restrictions on importation of slaves, using arguments in debates with opponents of slavery that were repeated until the outbreak of the Civil War. Because they caused politicians in the Congress to reconsider how people in areas acquired by the United States should be governed and because they reinvigorated the national discussion about the future of slavery in the United States, the Orleans protesters played a significant role in influencing the shape of American territorial expansion.

As the year 1890 wound to a close, a band of more than three hundred Lakota Sioux Indians led by Chief Big Foot made their way toward South Dakota's Pine Ridge Reservation to join other Lakotas seeking peace. Fearing that Big Foot's band was headed instead to join "hostile" Lakotas, U.S. troops surrounded the group on Wounded Knee Creek. Tensions mounted, and on the morning of December 29, as the Lakotas prepared to give up their arms, disaster struck. Accounts vary on what triggered the violence as Indians and soldiers unleashed thunderous gunfire at each other, but the consequences were horrific: some 200 innocent Lakota men, women, and children were slaughtered. "American Carnage--"the first comprehensive account of Wounded Knee to appear in more than fifty years--explores the complex events preceding the tragedy, the killings, and their troubled legacy.

In this gripping tale, Jerome A. Greene--renowned specialist on the Indian wars--explores why the bloody engagement happened and demonstrates how it became a brutal massacre. Drawing on a wealth of sources, including previously unknown testimonies, Greene examines the events from both Native and non-Native perspectives, explaining the significance of treaties, white settlement, political disputes, and the Ghost Dance as influential factors in what eventually took place. He addresses controversial questions: Was the action premeditated? Was the Seventh Cavalry motivated by revenge after its humiliating defeat at the Battle of the Little Bighorn? Should soldiers have received Medals of Honor? He also recounts the futile efforts of Lakota survivors and their descendants to gain recognition for their terrible losses.

Epic in scope and poignant in its recounting of human suffering, "American Carnage" presents the reality--and denial--of our nation's last frontier massacre. It will leave an indelible mark on our understanding of American history.

Essays by the foremost labor historian of the Black experience in the Appalachian coalfields.This collection brings together nearly three decades of research on the African American experience, class, and race relations in the Appalachian coal industry. It shows how, with deep roots in the antebellum era of chattel slavery, West Virginia's Black working class gradually picked up steam during the emancipation years following the Civil War and dramatically expanded during the late nineteenth and early twentieth centuries. From there, African American Workers and the Appalachian Coal Industry highlights the decline of the region's Black industrial proletariat under the impact of rapid technological, social, and political changes following World War II. It underscores how all miners suffered unemployment and outmigration from the region as global transformations took their toll on the coal industry, but emphasizes the disproportionately painful impact of declining bituminous coal production on African American workers, their families, and their communities. Joe Trotter not only reiterates the contributions of proletarianization to our knowledge of US labor and working-class history but also draws attention to the gender limits of studies of Black life that focus on class formation, while calling for new transnational perspectives on the subject. Equally important, this volume illuminates the intellectual journey of a noted labor historian with deep family roots in the southern Appalachian coalfields.

Throughout the history of slavery, enslaved people organized resistance, escape, and rebellion. Sustaining them in this struggle was their music, some examples of which are sung to this day. While the existence of slave songs, especially spirituals, is well known, their character is often misunderstood. Slave songs were not only lamentations of suffering or distractions from a life of misery. Some songs openly called for liberty and revolution, celebrating such heroes as Gabriel Prosser and Nat Turner, and, especially, celebrating the Haitian Revolution. The fight for freedom also included fugitive slaves, free Black people, and their white allies who brought forth a set of songs that were once widely disseminated but are now largely forgotten, the songs of the abolitionists. Often composed by fugitive slaves and free Black people, and first appearing in the eighteenth century, these songs continued to be written and sung until the Civil War. As the movement expanded, abolitionists even published song books used at public meetings. Mat Callahan presents recently discovered songs composed by enslaved people explicitly calling for resistance to slavery, some originating as early as 1784 and others as late as the Civil War. He also presents long-lost songs of the abolitionist movement, some written by fugitive slaves and free Black people, challenging common misconceptions of abolitionism. Songs of Slavery and Emancipation features the lyrics of fifteen slave songs and fifteen abolitionist songs, placing them in proper historical context and making them available again to the general public. These songs not only express outrage at slavery but call for militant resistance and destruction of the slave system. There can be no doubt as to their purpose: the abolition of slavery, the emancipation of African American people, and a clear and undeniable demand for equality and justice for all humanity.

Did humans live in Florida during the Ice Age? In 1916, to the shock of the science world, a Florida geologist discovered human remains mixed with the bones of prehistoric animals in a Vero Beach canal and proclaimed that humans had lived in North America since the Ice Age. Elias Sellards's findings flew in the face of prevailing wisdom, which held that humans first came to the continent only 6,000 years ago. His claim was snubbed by the top scientists of his day; he was laughed out of the state; and the skull he found-famously known as "Vero Man"-was lost. An Ice Age Mystery tells the story of Sellards's exciting find and the controversy it sparked. In the years that followed, other archaeological discoveries and the rise of radiocarbon dating established that humans did arrive in North America earlier than previously thought, and many people began to wonder: what exactly had Sellards found at Vero? And what else might be buried there? One hundred years after the first Vero discovery, construction plans threatened to cover up the legendary dig site and a band of citizens and archaeologists protested. Excavations were reopened. Archaeologists uncovered 14,000-year-old burnt mammal bones and charcoal, signs of a human presence, and further found evidence to indicate a continuous human occupation of the site for over several thousand years. Sellards had been right all along. As the dig continues today, questions remain. Who were these people? Where did they come from? And how did they get here? This book draws readers into the past, present, and future of one of the most historic discoveries in American archaeology.

In 1926/27 the Soviet Central Statistical Administration initiated several yearlong expeditions to gather primary data on the whereabouts, economy and living conditions of all rural peoples living in the Arctic and sub-Arctic at the end of the Russian civil war. Due partly to the enthusiasm of local geographers and ethnographers, the Polar Census grew into a massive ethnological exercise, gathering not only basic demographic and economic data on every household but also a rich archive of photographs, maps, kinship charts, narrative transcripts and museum artifacts. To this day, it remains one of the most comprehensive surveys of a rural population anywhere. The contributors to this volume OCo all noted scholars in their region OCo have conducted long-term fieldwork with the descendants of the people surveyed in 1926/27. This volume is the culmination of eight yearsOCO work with the primary record cards and was supported by a number of national scholarly funding agencies in the UK, Canada and Norway. It is a unique historical, ethnographical analysis and of immense value to scholars familiar with these communitiesOCO contemporary cultural dynamics and legacy."

'Engrossing ... grips you and doesn't let go.' The Spectator 'Waterdrinker's gift for savage comedy and his war correspondent's eye have few contemporary equivalents.' The Times A thrilling escapade through the Soviet Union of the '90s and early 2000s by a tour guide turned smuggler turned novelist, that tells the unputdownable story of modern Russia. One day, in 1988, a priest knocks on Pieter Waterdrinker's door with an unusual request: will he smuggle seven thousand bibles into the Soviet Union? Pieter agrees, and soon finds himself living in the midst of one of the biggest social and cultural revolutions of our time, working as a tour operator ... with a sideline in contraband. During the next thirty years, he witnesses, and is sometimes part of, the seismic changes that transform Russia into the modern state we know it as today. This riveting blend of memoir and history provides startling insight into the emergence of one of the world's most powerful and dangerous countries, as well as telling a nail-biting, laugh-out-loud adventure story that will leave you on the edge of your seat.

This volume includes original scholarship on a wide array of current archaeological research across the South. One essay explores the effects of climate on early cultures in Mississippi. Contributors reveal the production and distribution of stone effigy beads, which were centered in southwest Mississippi some 5,000 years ago, and trace contact between different parts of the prehistoric Southeast as seen in the distribution of clay cooking balls. Researchers explore small, enigmatic sites in the hill country of northern Mississippi now marked by scatters of broken pottery and a large, seemingly isolated ""platform"" mound in Calhoun County. Pieces describe a mound group in Chickasaw County built by early agriculturalists who subsequently abandoned the area and a similar prehistoric abandonment event in Winston and Choctaw Counties. A large pottery collection from the famous Anna Mounds site in Adams County, excavations at a Chickasaw Indian site in Lee County, camps and works of the Civilian Conservation Corps in the pine hill country of southern Mississippi, and the history of logging in the Mississippi Delta all yield abundant, new understandings of the past. Overview papers include a retrospective on archaeology in the National Forests of north Mississippi, a new look at a number of mound sites in the lower Mississippi Delta, and a study of how communities of learning in field archaeology are built, with prominent archaeologist Samuel O. Brookes's achievements as a focal point. History buffs, artifact enthusiasts, students, and professionals all will find something of interest in this book, which opens new doors on the prehistory and history of Mississippi.