Metis and the Medicine Line is a sprawling, ambitious look at how national borders and notions of race were created and manipulated to unlock access to indigenous lands. It is also an intimate story of individuals and families, brought vividly to life by history writing at its best. It begins with the emergence of the Plains Metis and ends with the fracturing of their communities as the Canada-U.S. border was enforced. It also explores the borderland world of the Northern Plains, where an astonishing diversity of people met and mingled: Blackfoot, Cree, Gros Ventre, Lakota, Dakota, Nez Perce, Assiniboine, Anishinaabes, Metis, Europeans, Canadians, Americans, soldiers, police, settlers, farmers, hunters, traders, bureaucrats. In examining the battles that emerged over who belonged on what side of the border, Hogue disputes Canada's peaceful settlement story of the Prairie West and challenges familiar bromides about the "world's longest undefended border."

Animal Fables of the Courtly Mediterranean is a treasure trove of stories and lessons on how to conduct oneself and succeed in life, sometimes through cleverness rather than virtue. They feature human and many animal protagonists, including the two jackals Stephanites and Ichnelates, after whom the book is named, as well as several lion kings. At the heart of this work are tales from the Sanskrit Panchatantra and Mahabharata, to which more were added, both in the original Middle Persian collection and its eighth-century Arabic translation, the widely known Kalila wa-Dimna. In the eleventh century, readers in Constantinople were introduced to these stories through an abbreviated Greek version, translated by Symeon Seth from the Arabic. The new Byzantine Greek text and English translation presented here is a more complete version, originating in twelfth-century Sicily and connected with Admiral Eugenius of Palermo. It contains unique prefaces and reinstates the prologues and stories omitted by Seth.

'Exquisitely written and lavishly illustrated, this delightful book brings five centuries of Ottoman culture to life. Diana Darke constantly amazes the reader with fascinating facts and points of relevance between the Ottoman past and the present day' - Eugene Rogan, author of The Fall of the Ottomans A richly illustrated guide to the Ottoman Empire, 100 years since its dissolution, unravelling its complex cultural legacy and profound impact on Europe, North Africa and the Middle East. At its height, the Ottoman Empire spread from Yemen to the gates of Vienna. Western perceptions of the Ottomans have often been distorted by Orientalism, characterizing their rule as oppressive and destructive, while seeing their culture as exotic and incomprehensible. Based on a lifetime's experience of living and working across its former provinces, Diana Darke offers a unique overview of the Ottoman Empire's cultural legacy one century after its dissolution. She uncovers a vibrant, sophisticated civilization that embraced both arts and sciences, whilst welcoming refugees from all ethnicities and religions, notably Christians and Jews. Darke celebrates the culture of the Ottoman Empire, from its aesthetics and architecture to its scientific and medical innovations, including the first vaccinations. She investigates the crucial role that commerce and trade played in supporting the empire and increasing its cultural reach, highlighting the significant role of women, as well as the diverse religious values, literary and musical traditions that proliferated through the empire. Beautifully illustrated with manuscripts, miniatures, paintings and photographs, The Ottomans: A Cultural Legacy presents the magnificent achievements of an empire that lasted over 600 years and encompassed Asian, European and African cultures, shedding new light on its complex legacy.

A comprehensive study of the island that was once Britain's foremost colonial possession in the Western Hemisphere.

The rural roads that led to our planet-changing global economy ran through the American South. That region's impact on the interconnected histories of business and ecological change is narrated here by acclaimed scholar Bart Elmore, who uses the histories of five southern firms-Coca-Cola, Delta Airlines, Walmart, FedEx, and Bank of America-to investigate the environmental impact of our have-it-now, fly-by-night, buy-on-credit economy. Drawing on exclusive interviews with company executives, corporate archives, and other records, Elmore explores the historical, economic, and ecological conditions that gave rise to these five trailblazing corporations. He then considers what each has become: an essential presence in the daily workings of the global economy and an unmistakable contributor to the reshaping of the world's ecosystems. Even as businesses invest in sustainability initiatives and respond to new calls for corporate responsibility, Elmore shows the limits of their efforts to "green" their operations and offers insights on how governments and activists can push corporations to do better. At the root, Elmore reveals a fundamental challenge: Our lives are built around businesses that connect far-flung rural places to urban centers and global destinations. This "country capitalism" that proved successful in the US South has made it possible to satisfy our demands at the click of a button, but each click comes with hidden environmental costs. This book is a must-read for anyone who hopes to create an ecologically sustainable future economy.

Alongside Memphis, Detroit, New Orleans, Macon, and Muscle Shoals, Florida has a rich soul music history - an important cultural legacy that has often gone unrecognized. Florida Soul celebrates great artists of the Sunshine State who have produced some of the most electric, emotive soul music America has ever heard. This book tells the story of Ray Charles's musical upbringing in Florida, where he wrote his first songs and made his first recordings. It highlights the careers of Pensacola singers James and Bobby Purify and their producer, Papa Don Schroeder. It profiles Hank Ballard, who wrote the international hit song "The Twist" after seeing the dance in Tampa, and Gainesville singer Linda Lyndell. It describes the soul scene of Miami's Overtown and Liberty City neighborhoods, home to Sam Moore of the legendary duo Sam and Dave, Willie Clarke and Johnny Pearsall of Deep City Records, and singer Helene Smith. Miami was also the longtime headquarters of Henry Stone, whose influential company T.K. Productions put out hits by Timmy Thomas, Latimore, Betty Wright, and KC and the Sunshine Band. Stone's distribution deals influenced charts and radio airplay across the world. Born in the era of segregation with origins in gospel, rhythm and blues, and jazz, and reaching maturity during the civil rights movement, soul was one of the first music styles rooted in African American culture to cross over and gain a significant white audience. John Capouya draws on extensive interviews with surviving musicians to re-create the exciting atmosphere of the golden age of soul, establishing Florida as one of the great soul music capitals of the United States.

Except for a short period after the end of the First World War and the ensuing armistice, Turkey has consistently denied that it ever employed a policy of intentional destruction of Armenians. Th e 1913-1914 census put the number of Armenians living in Turkey at close to two million. Today only a few thousand Armenians remain in the city Istanbul and none elsewhere in Turkey. Armenian sites in Turkey, including churches, have been neglected, desecrated, looted, destroyed, or requisitioned for other uses, while Armenian place names have been erased or changed.

As with the Jewish Holocaust, Armenian properties that were seized or stolen have not been restored. Sixty and ninety years after these terrible events, Jewish and Armenian victims and their heirs continue to struggle to get their properties back. Th ere has been only partial restitution in the Jewish case and virtually no restitution at all in the Armenian case.

No adequate reparation for the deeds committed against the Armenians can ever be made. But resolving claims with respect to stolen property is a symbolic gesture toward victims and their heirs. Th is is unfinished business for Jewish heirs and survivor of the Holocaust, as it is for Armenians. A Perfect Injustice is an essential contribution to understanding why the issue of stolen Armenian wealth remains unresolved after all these years--a topic addressed for the fi rst time in this volume.

The Texas state constitution of 1876 set aside three million acres of public land in the Texas Panhandle in exchange for construction of the state's monumental red-granite capitol in Austin. That land became the XIT Ranch, briefly one of the most productive cattle operations in the West. The story behind the legendary XIT Ranch, told in full in this book, is a tale of Gilded Age business and politics at the very foundation of the American cattle industry. The capitol construction project, along with the acres that would become XIT, went to an Illinois syndicate led by men influential in politics and business. Unable to sell the land, the Illinois group, backed by British capital, turned to cattle ranching to satisfy investors. In tracing their efforts, which expanded to include a satellite ranch in Montana, historian Michael M. Miller demythologizes the cattle business that flourished in the late-nineteenth-century American West, paralleling the United States' first industrial revolution. The XIT Ranch came into being and succeeded, Miller shows, only because of the work of accountants, lawyers, and managers, overseen by officers and a board of seasoned international capitalists. In turn, the ranch created wealth for some and promoted the expansion of railroads, new towns, farms, and jobs. Though it existed only from 1885 to 1912, from Texas to Montana the operation left a deep imprint on community culture and historical memory. Describing the Texas capitol project in its full scope and gritty detail, XIT cuts through the popular portrayal of great western ranches to reveal a more nuanced and far-reaching reality in the business and politics of the beef industry at the close of America's Gilded Age.

Urban Villages and Local Identities examines immigration to the Great Plains by surveying the experiences of three divergent ethnic groups-Volga Germans, Omaha Indians, and Vietnamese-that settled in enclaves in Lincoln, Nebraska, beginning in 1876, 1941, and 1975, respectively. These urban villages served as safe havens that protected new arrivals from a mainstream that often eschewed unfamiliar cultural practices. Lincoln's large Volga German population was last fully discussed in 1918; Omahas are rarely studied as urban people although sixy-five percent of their population lives in cities; and the growing body of work on Vietnamese tends to be conducted by social scientists rather than historians, few of whom contrast Southeast Asian experiences with those of earlier waves of immigration. As a comparative study, Urban Villages and Local Identities is inspired, in part, by Reinventing Free Labor, by Gunther Peck. By focusing on the experiences of three populations over the course of 130 years, Urban Villages connects two distinct eras of international border crossing and broadens the field of immigration to include Native Americans. Ultimately, the work yields insights into the complexity, flexibility, and durability of cultural identities among ethnic groups and the urban mainstream in one capital city.

Inside the experiences of immigrants from Latin America and the Caribbean Latino Orlando portrays the experiences of first- and second-generation immigrants who have come to the Orlando metropolitan area from Puerto Rico, Cuba, Mexico, Venezuela, Colombia, and other Latin American countries. While much research on immigration focuses on urban destinations, Simone Delerme delves into a middle- and upper-class suburban context, highlighting the profound demographic and cultural transformation of an overlooked immigrant hub. Drawing on interviews, observations, fieldwork, census data, and traditional and new media, Delerme reveals the important role of real estate developers in attracting Puerto Ricans-some of the first Spanish-speaking immigrants in the region-to Central Florida in the 1970s. She traces how language became a way of racializing and segregating Latino communities, leading to the growth of suburban ethnic enclaves. She documents not only the tensions between Latinos and non-Latinos, but also the class-based distinctions that cause dissent within the Latino population. Arguing that Latino migrants are complicating racial categorizations and challenging the deep-rooted Black-white binary that has long prevailed in the American South, Latino Orlando breaks down stereotypes of neighborhood decline and urban poverty and illustrates the diversity of Latinos in the region. A volume in the series Southern Dissent, edited by Stanley Harrold and Randall M. Miller

'Beautifully written, sumptuously illustrated, constantly fascinating' The Times On 26 November 1922 Howard Carter first peered into the newly opened tomb of an ancient Egyptian boy-king. When asked if he could see anything, he replied: 'Yes, yes, wonderful things.' In Tutankhamun's Trumpet, acclaimed Egyptologist Toby Wilkinson takes a unique approach to that tomb and its contents. Instead of concentrating on the oft-told story of the discovery, or speculating on the brief life and politically fractious reign of the boy king, Wilkinson takes the objects buried with him as the source material for a wide-ranging, detailed portrait of ancient Egypt - its geography, history, culture and legacy. One hundred artefacts from the tomb, arranged in ten thematic groups, are allowed to speak again - not only for themselves, but as witnesses of the civilization that created them. Never before have the treasures of Tutankhamun been analysed and presented for what they can tell us about ancient Egyptian culture, its development, its remarkable flourishing, and its lasting impact. Filled with surprising insights, unusual details, vivid descriptions and, above all, remarkable objects, Tutankhamun's Trumpet will appeal to all lovers of history, archaeology, art and culture, as well as all those fascinated by the Egypt of the pharaohs. 'I've read many books on ancient Egypt, but I've never felt closer to its people' The Sunday Times

The Scottish Highlands form the highest mountains in the British Isles, a broad arc of rocky peaks and deep glens stretching from the outskirts of Glasgow, Perth and Aberdeen to the remote and storm-lashed Cape Wrath in Scotland's far northwest. The Romans never conquered the region - according to the historian Tacitus, the Highland warrior chieftain Calgacus dubbed his people 'the last of the free' - and in the Dark Ages the island of Iona became home to a Celtic Church that was able to pose a serious challenge to the Church of Rome. Few travellers ever ventured there, however, disturbed by the tales of wild beasts, harsh geography and the bloody conflicts of warring families known as the clans. But after the defeat of Bonnie Prince Charlie at the Battle of Culloden the influence of the clans was curbed and the Scottish Highlands became celebrated by poets, writers and artists for their beauty rather than their savagery. In the nineteenth century, inspired by the travel reportage of Samuel Johnson, the novels of Walter Scott, the poems of William Wordsworth and the very public love of the Highlands espoused by Queen Victoria, tourists began flocking to the mountains - even as Highlanders were being removed from their land by the brutal agricultural reforms known as the Clearances. With the popularity of hiking and the construction of railways, including the famed West Highland line across Rannoch Moor, the fate of the Highlands as one of the great tourist playgrounds of the world was sealed. Andrew Beattie explores the turbulent past and vibrant present of this landscape, where the legacy of events from the first Celtic settlements to the Second World War and from the construction of military roads to mining for lead, slate and gold have all left their mark.

A classic account of courage, integrity and most of all, belonging. In 1977, after serving as a leading activist for the democratic dissident movement in the Soviet Union and the movement for free Jewish emigration from there, Natan Sharansky was arrested. He spent nine years as a political prisoner, convicted of treason against the state. In fact, Sharansky was fighting for individual freedom in the face of overt tyranny, a struggle that would come to define the rest of his life. In Never Alone, Natan Sharansky and historian Gil Troy show how Sharansky's years in prison, many spent in harsh solitary confinement, prepared him for a very public life after his release. As an Israeli politician and the head of the Jewish Agency, Sharansky brought extraordinary moral clarity and uncompromising, often uncomfortable, honesty. Never a follower of tradition for tradition's sake, or someone who placed expediency or convenience ahead of consistent values, Sharansky was an often awkward political colleague but always visionary in his appreciation of where the real threats to freedom lay. Never Alone is suffused with reflections from his time as a political prisoner, from his seat at the table as history unfolded in Israel and the Middle East, along with his passionate efforts to unite the Jewish people. Written with frankness, affection, and humor, the book offers us profound insights from a man who embraced the essential human struggle: to find his own voice when it was denied him, his own faith and the people to whom he could belong.

The Presidency of George W. Bush is the first balanced academic study to analyze the entirety of his presidency-domestic, social, economic, and national security policies-as well as the administration's response to 9/11 and the subsequent "War on Terror." In so doing, John Robert Greene argues persuasively that the judgment of most scholars-that the Bush administration was a complete failure-has been made in haste and without the benefit of primary sources. This book is the first scholarly work to make wide use of the documents at the George W. Bush Presidential Library, many of which have only recently been made available to researchers through the Freedom of Information Act. John Robert Greene offers balanced assessment and nuanced conclusions supported by documentary evidence. Yet in doing so he does not absolve the Bush administration of its shortcomings. The Presidency of George W. Bush shows that the administration could be vindictive, as demonstrated by the Wilson-Plame affair and the firing of the US attorneys. It all too often moved too slowly, as shown by the National Security Council's lethargic handling of terrorism pre-9/11, the failed attempt to revise Social Security, and the sluggish reaction to Hurricane Katrina. It was an administration that accepted, and acted on, the highly suspect theory of the unitary presidency as advocated by Dick Cheney and accepted by the president. On the other side of the balance sheet, however, the evidence also makes it eminently clear that the Bush administration was responsible for many positive achievements: No Child Left Behind set the nation on the road toward affecting serious educational reform. In healthcare reform, the Bush administration both strengthened the Medicare system and extended its benefits for millions of Americans. And Bush did more to combat the worldwide scourge of AIDS as well as for Africa than any other president. In sum, the actions of this presidency continue to affect the presidencies of each of his successors as well as the trajectory of world history to the present day.

Elizabeth B. Schwall aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Schwall analyzes how and why dance artists interacted with republican and, later, revolutionary politics. Drawing on written and visual archives, including intriguing exchanges between dancers and bureaucrats, Schwall argues that Cubans dancers used their bodies and ephemeral, nonverbal choreography to support and critique political regimes and cultural biases. As esteemed artists, Cuban dancers exercised considerable power and influence. They often used their art to posit more radical notions of social justice than political leaders were able or willing to implement. After 1959, while generally promoting revolutionary projects like mass education and internationalist solidarity, they also took risks by challenging racial prejudice, gender norms, and censorship, all of which could affect dancers personally. On a broader level, Schwall shows that dance, too often overlooked in histories of Latin America and the Caribbean, provides fresh perspectives on what it means for people, and nations, to move through the world.

In this revised and expanded edition of Anna Kingsley's remarkable life story, Daniel Schafer draws on new discoveries to prove true the longstanding rumors that Anna Madgigine Jai was originally a princess from the royal family of Jolof in Senegal. Captured from her homeland in 1806, she became first an American slave, later a slaveowner, and eventually a central figure in a free black community. Anna Kingsley's story adds a dramatic chapter to the history of the South, the state of Florida, and the African diaspora.

Originally published in 1949, William Faulkner's Knight's Gambit is a collection of six stories written in the 1930s and 1940s that focus on the criminal investigations of Yoknapatawpha's long-time county attorney, Gavin Stevens?a man more interested in justice than the law. All previous and current editions of Knight's Gambit have been based on the first edition, which is fraught with a number of problems. Since tear sheets of the five previously published stories were used in setting the first edition, the original Knight's Gambit is a hodgepodge of various magazines? house styles with no consistency in punctuation and spelling conventions from story to story. Far greater issues arise, however, from the substantive (and sometimes substantial) changes magazine editors made to Faulkner's prose. These changes were made variously for concision, propriety, or magazine design. Sometimes northern editors removed the southernness of Faulkner's stories, either out of ignorance of the South or in order to appeal to a mass audience. Using four previously unknown Faulkner typescripts, along with other manuscript and typescript evidence, John N. Duvall presents an edition of Knight's Gambit that restores over four thousand words that editors cut from the stories. Also included is an introduction by Duvall discussing the role of detective fiction and popular magazines in creating a different kind of postwar readership for Faulkner that paves the way for the eventual republication of Faulkner's modernist masterpieces. The new edition enables readers to reevaluate the stories of Knight's Gambit and their place in Faulkner's career as a short story writer.