In Plantation Church, Noel Leo Erskine investigates the history of the Black Church as it developed both in the United States and the Caribbean after the arrival of enslaved Africans. Typically, when people talk about the "Black Church" they are referring to African-American churches in the U.S., but in fact, the majority of African slaves were brought to the Caribbean. It was there, Erskine argues, that the Black religious experience was born. The massive Afro-Caribbean population was able to establish a form of Christianity that preserved African Gods and practices, but fused them with Christian teachings, resulting in religions such as Cuba's Santeria. Despite their common ancestry, the Black religious experience in the U.S. was markedly different because African Americans were a political and cultural minority. The Plantation Church became a place of solace and resistance that provided its members with a sense of kinship, not only to each other but also to their ancestral past. Despite their common origins, the Caribbean and African American Church are almost never studied together. This book investigates the parallel histories of these two strands of the Black Church, showing where their historical ties remain strong and where different circumstances have led them down unexpectedly divergent paths. The result will be a work that illuminates the histories, theologies, politics, and practices of both branches of the Black Church. This project presses beyond the nation state framework and raises intercultural and interregional questions with implications for gender, race and class. Noel Leo Erskine employs a comparative method that opens up the possibility of rethinking the language and grammar of how Black churches have been understood in the Americas and extends the notion of church beyond the United States. The forging of a Black Christianity from sources African and European, allows for an examination of the meaning of church when people of African descent are culturally and politically in the majority. Erskine also asks the pertinent question of what meaning the church holds when the converse is true: when African Americans are a cultural and political minority.

Chapters 22 and 23 of 2 Kings tell the story of the religious reforms of the Judean King Josiah, who systematically destroyed the cult places and installations where his own people worshipped in order to purify Israelite religion and consolidate religious authority in the hands of the Jerusalem temple priests. This violent assertion of Israelite identity is portrayed as a pivotal moment in the development of monotheistic Judaism. Monroe argues that the use of cultic and ritual language in the account of the reform is key to understanding the history of the text's composition, and illuminates the essential, interrelated processes of textual growth and identity construction in ancient Israel. Until now, however, none of the scholarship on 2 Kings 22-23 has explicitly addressed the ritual dimensions of the text. By attending to the specific acts of defilement attributed to Josiah as they resonate within the larger framework of Israelite ritual, Monroe's work illuminates aspects of the text's language and fundamental interests that have their closest parallels in the priestly legal corpus known as the Holiness Code (Leviticus 17-26), as well as in other priestly texts that describe methods of eliminating contamination. She argues that these priestly-holiness elements reflect an early literary substratum that was generated close in time to the reign of Josiah, from within the same priestly circles that produced the Holiness Code. The priestly composition was reshaped in the hands of a post-Josianic, exilic or post-exilic Deuteronomistic historian who transformed his source material to suit his own ideological interests. The account of Josiah's reform is thus imprinted with the cultural and religious attitudes of two different sets of authors. Teasing these apart reveals a dialogue on sacred space, sanctified violence and the nature of Israelite religion that was formative in the development not only of 2 Kings 23, but of the historical books of the Bible more broadly.

As Christopher Columbus surveyed lush New World landscapes, he eventually concluded that he had rediscovered the biblical garden from which God expelled Adam and Eve. Reading the paradisiacal rhetoric of Columbus, John Smith, and other explorers, English immigrants sailed for North America full of hope. However, the rocky soil and cold winters of New England quickly persuaded Puritan and Quaker colonists to convert their search for a physical paradise into a quest for Eden's less tangible perfections: temperate physiologies, intellectual enlightenment, linguistic purity, and harmonious social relations. Scholars have long acknowledged explorers' willingness to characterize the North American terrain in edenic terms, but Inventing Eden pushes beyond this geographical optimism to uncover the influence of Genesis on the iconic artifacts, traditions, and social movements that shaped seventeenth- and eighteenth-century American culture. Harvard Yard, the Bay Psalm Book, and the Quaker use of antiquated pronouns like thee and thou: these are products of a seventeenth-century desire for Eden. So, too, are the evangelical emphasis of the Great Awakening, the doctrine of natural law popularized by the Declaration of Independence, and the first United States judicial decision abolishing slavery. From public nudity to Freemasonry, a belief in Eden affected every sphere of public life in colonial New England and, eventually, the new nation. Spanning two centuries and surveying the work of English and colonial thinkers from William Shakespeare and John Milton to Anne Hutchinson and Benjamin Franklin, Inventing Eden is the history of an idea that shaped American literature, identity, and culture.

"Marriage in the Western Church" examines how marriage acquired a specifically Christian identity in the Western Church from the patristic through Carolingian periods. It shows how theologians came to regard marriage as an ecclesiastical institution and how they developed a Christian theology of marriage. The first part of the book deals with marriage and divorce in Roman and Germanic law. Other parts deal with marriage and divorce in ecclesiastical law, with the Latin Fathers' distinction between the divine and human laws of marriage, and with the customary stages by which persons became married. Several chapters are devoted to Augustine's views on marriage and sexuality. The author shows how the doctrine of indissolubility became the West's chief means of christianizing marriage, and how theologians found here their preferred arguments for affirming the holiness and the 'sacramentality' of marriage. The author argues that the Western regime of indissolubility was the product of a fourth century reform movement. This publication has also been published in paperback, please click here for details.

The study of emotions and emotional displays has achieved a deserved prominence in recent classical scholarship. The emotions of the classical world can be plumbed to provide a valuable heuristic tool. Emotions can help us understand key issues of ancient ethics, ideological assumptions, and normative behaviors, but, more frequently than not, classical scholars have turned their attention to "social emotions" requiring practical decisions and ethical judgments in public and private gatherings. The emotion of disgust has been unwarrantedly neglected, even though it figures saliently in many literary genres, such as iambic poetry and comedy, historiography, and even tragedy and philosophy. This collection of seventeen essays by fifteen authors features the emotion of disgust as one cutting edge of the study of Greek and Roman antiquity. Individual contributions explore a wide range of topics. These include the semantics of the emotion both in Greek and Latin literature, its social uses as a means of marginalizing individuals or groups of individuals, such as politicians judged deviant or witches, its role in determining aesthetic judgments, and its potentialities as an elicitor of aesthetic pleasure. The papers also discuss the vocabulary and uses of disgust in life (Galli, actors, witches, homosexuals) and in many literary genres: ancient theater, oratory, satire, poetry, medicine, historiography, Hellenistic didactic and fable, and the Roman novel. The Introduction addresses key methodological issues concerning the nature of the emotion, its cognitive structure, and modern approaches to it. It also outlines the differences between ancient and modern disgust and emphasizes the appropriateness of "projective or second-level disgust" (vilification) as a means of marginalizing unwanted types of behavior and stigmatizing morally condemnable categories of individuals. The volume is addressed first to scholars who work in the field of classics, but, since texts involving disgust also exhibit significant cultural variation, the essays will attract the attention of scholars who work in a wide spectrum of disciplines, including history, social psychology, philosophy, anthropology, comparative literature, and cross-cultural studies.

In 1654 Zen Master Yinyuan traveled from China to Japan. Seven years later his monastery, Manpukuji, was built and he had founded his own tradition called Obaku. The sequel to Jiang Wu's 2008 book Enlightenment in Dispute: The Reinvention of Chan Buddhism in Seventeenth-Century China, Leaving for the Rising Sun tells the story of the tremendous obstacles Yinyuan faced, drawing parallels between his experiences and the broader political and cultural context in which he lived. Yinyuan claimed to have inherited the "Authentic Transmission of the Linji Sect" and, after arriving in Japan, was able to persuade the Shogun to build a new Ming-style monastery for the establishment of his Obaku school. His arrival in Japan coincided with a series of historical developments including the Ming-Qing transition, the consolidation of early Tokugawa power, the growth of Nagasaki trade, and rising Japanese interest in Chinese learning and artistic pursuits. While Yinyuan's travel has been noted, the significance of his journey within East Asian history has not yet been fully explored. Jiang Wu's thorough study of Yinyuan provides a unique opportunity to reexamine the crisis in the continent and responses from other parts of East Asia. Using Yinyuan's story to bridge China and Japan, Wu demonstrates that the monk's significance is far greater than the temporary success of a religious sect. Rather, Yinyuan imported to Japan a new discourse of authenticity that gave rise to indigenous movements that challenged a China-centered world order. Such indigenous movements, however, although appearing independent from Chinese influence, in fact largely relied on redefining the traditional Chinese discourse of authenticity. Chinese monks such as Yinyuan, though situated at the edge of the political and social arenas, actively participated in the formation of a new discourse on authenticity, which eventually led to the breakup of a China-centered world order.

Singing the Right Way enters the world of Orthodox Christianity in Estonia to explore the significance of musical style in worship, cultural identity, and social imagination. Through a series of ethnographic and historical chapters, author Jeffers Engelhardt focuses on how Orthodox Estonians give voice to the religious absolute in secular society to live Christ-like lives. Approaching Orthodoxy through local understandings of correct practice and correct belief, Engelhardt shows how religious knowledge, national identity, and social transformation illuminate in the work of singing: how to "sing the right way" and thereby realize the fullness of their faith. In some parishes, this meant preserving a local, Protestant-influenced tradition of congregational singing from the 1920s and 30s. In others, it meant adapting Byzantine melodies and vocal styles encountered abroad. In still others, it meant continuing a bilingual, multi-ethnic Estonian-Russian oral tradition despite ecclesiastical and political struggle. Based on a decade of fieldwork and singing in choirs, Singing the Right Way traces the sounds of Orthodoxy in Estonia through the Russian Empire, interwar national independence, the Soviet-era, and post-Soviet integration into the European Union to describe the dynamics of religion and secularity in singing style and repertoire - what Engelhardt calls secular enchantment. Ultimately, Singing the Right Way is an innovative model of how the musical poetics of contemporary religious forms are rooted in both sacred tradition and the contingent ways individuals inhabit the secular. This landmark study is sure to be an essential text for scholars studying the ethnomusicology of religion.

With 16.3 million members and 44,000 churches, the Southern Baptist Convention is the largest Baptist group in the world, and the largest Protestant denomination in the United States. Unlike the so-called mainstream Protestant denominations, Southern Baptists have remained stubbornly conservative, refusing to adapt their beliefs and practices to modernity's individualist and populist values. Instead, they have held fast to traditional orthodoxy in such fundamental areas as biblical inspiration, creation, conversion, and miracles. Gregory Wills argues that Southern Baptist Theological Seminary has played a fundamental role in the persistence of conservatism, not entirely intentionally. Tracing the history of the seminary from the beginning to the present, Wills shows how its foundational commitment to preserving orthodoxy was implanted in denominational memory in ways that strengthened the denomination's conservatism and limited the seminary's ability to stray from it. In a set of circumstances in which the seminary played a central part, Southern Baptists' populist values bolstered traditional orthodoxy rather than diminishing it. In the end, says Wills, their populism privileged orthodoxy over individualism. The story of Southern Seminary is fundamental to understanding Southern Baptist controversy and identity. Wills's study sheds important new light on the denomination that has played - and continues to play - such a central role in our national history.

The Sacred is the Profane collects nine essays written over several years by William Arnal and Russell McCutcheon, specialists in two very different areas of the field (one, a scholar of Christian origins and the other working on the history of the modern study of religion). They share a convergent perspective: not simply that both the category and concept "religion" is a construct, something that we cannot assume to be "natural" or universal, but also that the ability to think and act "religiously" is, quite specifically, a modern, political category in its origins and effects, the mere by-product of modern secularism. These collected essays, substantially rewritten for this volume, advance current scholarly debates on secularism-debates which, the authors argue, insufficiently theorize the sacred/secular, church/state, and private/public binaries by presupposing religion (often under the guise of such terms as "religiosity," "faith," or "spirituality") to historically precede the nation-state. The essays return, again and again, to the question of what "religion"-word and concept-accomplishes, now, for those who employ it, whether at the popular, political, or scholarly level. The focus here for two writers from seemingly different fields is on the efficacy, costs, and the tactical work carried out by dividing the world between religious and political, church and state, sacred and profane. As the essays make clear, this is no simple matter. Part of the reason for the incoherence and at the same time the stubborn persistence of both the word and idea of "religion" is precisely its multi-faceted nature, its plurality, its amenability to multiple and often self-contradictory uses. Offering an argument that builds as they are read, these papers explore these uses, including the work done by positing a human orientation to "religion," the political investment in both the idea of religion and the academic study of religion, and the ways in which the field of religious studies works to shape, and stumbles against, its animating conception.

Based on extensive ethnographic fieldwork conducted in the Central Himalayan region of Kumaon, Tales of Justice and Rituals of Divine Embodiment from the Central Himalayas explores ideas of justice by drawing on oral and written narratives, stories, testimonies, and rituals told and performed in relation to the 'God of Justice', Goludev, and other regional deities. The book seeks to answer several questions: How is the concept of justice defined in South Asia? Why do devotees seek out Goludev for the resolution of matters of justice instead of using the secular courts? What are the sociological and political consequences of situating divine justice within a secular, democratic, modern context? Moreover, how do human beings locate themselves within the indeterminateness and struggles of their everyday existence? What is the place of language and ritual in creating intimacy and self? How is justice linked to intimacy, truth, and being human? The stories and narratives in this book revolve around Goludev's own story and deeds, as well as hundreds of petitions (manauti) written on paper that devotees hang on his temple walls, and rituals (jagar) that involve spirit possession and the embodiment of the deity through designated mediums. The jagars are powerful, extraordinary experiences, mesmerizing because of their intensity but also because of what they imply in terms of how we conceptualize being being human with the seemingly limitless potential to shift, alter, and transform ourselves through language and ritual practice. The petitions, though silent and absent of the singing, drumming, and choreography that accompany jagars, are equally powerful because of their candid and intimate testimony to the aspirations, breakdowns, struggles, and breakthroughs that circumscribe human existence.

This book takes a fresh look at the earliest Buddhism texts and offers various suggestions how the teachings in them had developed. Two themes predominate. Firstly, it argues that we cannot understand the Buddha unless we understand that he was debating with other religious teachers, notably brahmins. For example, he denied the existence of a 'soul'; but what exactly was he denying? Another chapter suggests that the canonical story of the Buddha's encounter with a brigand who wore a garland of his victims' fingers probably reflects an encounter with a form of ecstatic religion.;The other main theme concerns metaphor, allegory and literalism. By taking the words of the texts literally - despite the Buddha's warning not to - successive generations of his disciples created distinctions and developed doctrines far beyond his original intention. One chapter shows how this led to a scholastic categorisation of meditation. Failure to understand a basic metaphor also gave rise to the later argument between the Mahayana and the older tradition.;Perhaps most important of all, a combination of literalism with ignorance of the Buddha's allusions to brahminism led buddhists to forget that the B