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Books > History > History of specific subjects > History of specific groups
In The Truth About Cape Slavery, Patric Tariq Mellet argues that modern South Africa – its economy and politics – is shaped and established on the foundation of chattel slavery just like the United States of America. Cape slavery, rather than minor, was a crucial feature of maritime capitalism. This then moved to become the cornerstone of the Cape’s agricultural economy.
Coloured as an ethnicity and racial demographic is intertwined in the creation of the South Africa we have today. Yet often, Coloured communities are disdained as people with no clear heritage or culture — ‘not being black enough or white enough.’ Coloured challenges this notion and presents a different angle to that narrative. It delves into the history of Coloured people as descendants of indigenous Africans and a people whose identity was shaped by colonisation, slavery, and the racial political hierarchy it created. Although rooted in a difficult history, this book is also about the culture that Coloured communities have created for themselves through food, music, and shared lived experiences in communities such as Eldorado Park, Eersterus, and Wentworth. Coloured culture is an act of defiance and resilience. Coloured is a reflection on, and celebration of Coloured identities as lived experiences. It is a call to Coloured communities to reclaim their identity and an invitation to understand the history and place of Coloured people in the making of South Africa’s future
This book demonstrates the continuities of five centuries of European-led slavery and colonialism in Africa, the Caribbean, and the Americas, examining calls for reparations in all three regions for what many now regard to have constituted crimes against humanity. The Atlantic world economy emerged from the interactions of this triangular slave trade involving human chattel, textiles, arms, wine, sugar, coffee, tobacco, and other goods. This is thus the story of the birth of the modern capitalist system and a Black Atlantic that has shaped global trade, finance, consumer tastes, lifestyles, and fashion for over five centuries. The volume is authored by a multi-disciplinary, pan-continental group encompassing diverse subjects. This collection is concise and comprehensive, enabling cross-regional comparisons to be drawn, and ensuring that some of the most important global events of the past five centuries are read from diverse perspectives.
Die slawe aan die Kaap het as draers en skeppers van kultuur, ten spyte van onderdrukking, ’n groot invloed uitgeoefen op die ontwikkeling van die samelewing aan die suidpunt van Afrika en veral van ’n inheemse, kreoolse kultuur. In hierdie boek word die slawe se rol in die ontstaan van dié eiesoortige kultuur vir die eerste keer verken.
"That summer afternoon, I had no way of knowing the book would radically alter my existence. Yet that proved to be the case." So writes folklorist José Manuel de Prada-Samper about a chance discovery more than thirty years ago of an obscure book called Specimens of Bushman Folklore in a second-hand bookshop in England. Part historical detective story, part memoir, Fading Footprints traces the author’s journey into the magical folklore of the /xam hunter-gatherers of the Upper Karoo. Through archival research and on field trips in South Africa, De Prada-Samper is able to humanise the /xam as he delves into the work and lives of researchers William Bleek and Lucy Lloyd, who recorded the stories of San prisoners in Cape Town in the late 1800. The author learns that many are still told to this day by farm workers in forgotten corners of the Northern Cape and that, contrary to common belief, the culture and traditions of South Africa’s first people are still alive.
Step into Stephen Fry’s richly colourful world of magic, mayhem, monsters and maniacal gods in MYTHOS: THE ILLUSTRATED STORY . . . No one loves and quarrels, desires and deceives as boldly or brilliantly as Greek gods and goddesses. In Stephen Fry's vivid retelling, we gaze in wonder as wise Athena is born from the cracking open of the great head of Zeus and follow doomed Persephone into the dark and lonely realm of the Underworld. We shiver in fear when Pandora opens her jar of evil torments and watch with joy as the legendary love affair between Eros and Psyche unfolds. Mythos: The Illustrated Story captures these extraordinary myths for our modern age in striking colour - in all their dazzling and deeply human relevance.
The radio in Africa has shaped culture by allowing listeners to negotiate modern identities and sometimes fast-changing lifestyles. Through the medium of voice and mediated sound, listeners on the station – known as Radio Bantu, then Radio Zulu, and finally Ukhozi FM – shaped new understandings of the self, family and social roles. Through particular genres such as radio drama, fuelled by the skills of radio actors and listeners, an array of debates, choices and mistakes were unpacked daily for decades. This was the unseen literature of the auditory, the drama of the airwaves, which at its height shaped the lives of millions of listeners in urban and rural places in South Africa. Radio became a conduit for many talents squeezed aside by apartheid repression. Besides Winnie Mahlangu and K.E. Masinga and a host of other talents opened by radio, the exiles Lewis Nkosi and Bloke Modisane made a niche and a network of identities and conversations which stretched from the heart of Harlem to the American South. Nkosi and Modisane were working respectively in BBC Radio drama and a short-lived radio transcription centre based in London which drew together the threads of activism and creativity from both Black America and the African continent at a critical moment of the late empire. Radio Soundings is a fascinating study that shows how, throughout its history, Zulu radio has made a major impact on community, everyday life and South African popular culture, voicing a range of subjectivities which gave its listeners a place in the modern world.
As a boy in Rwanda, Pie-Pacifique Kabalira-Uwase survived war atrocities, but he had to leave home if he wanted to stay safe. Pie-Pacifique now recounts his childhood and his experiences of the genocide. He prepares to flee and ends up in South Africa. He works as a car guard in Durban, dreaming of university. Despite obstacles, he enrols at university and receives the Mandela-Rhodes Scholarship. In this rewarding journey of self-discovery, we witness Pie-Pacifique reach for his dreams.
New York City, 1929. A sanatorium, a deadly disease, and a dire nurse shortage. So begins the remarkable true story of the Black nurses who helped cure tuberculosis, one of the world's deadliest plagues, told alongside the often strange chronicle of the cure's discovery. During those dark pre-antibiotic days, when tuberculosis killed 1 in 7 people, white nurses at Sea View, New York's largest municipal hospital, began quitting. Desperate to avert a public health crisis, city officials summoned Black southern nurses, luring them with promises of good pay, a career, and an escape from the strictures of Jim Crow. But after arriving, they found themselves on an isolated hilltop in the remote borough of Staten Island, yet again confronting racism and consigned to a woefully understaffed facility, dubbed 'the pest house' where 'no one left alive'. Spanning the Great Depression and moving through World War II and beyond, this story follows the intrepid young women, the 'Black Angels', who, for twenty years, risked their lives working under dreadful conditions while caring for the city's poorest - 1,800 souls languishing in wards, waiting to die or become 'guinea pigs' for experimental (often deadly) drugs. Yet despite their major role in desegregating the NYC hospital system - and vital work in the race for the cure for tuberculosis and subsequently helping to find it at Sea View - these nurses were completely erased from history. The Black Angels recovers the voices of these extraordinary women and puts them at the centre of this riveting story celebrating their legacy and spirit of survival.
Newly revised and updated to include new maps, this is the seventh
edition of Martin Gilbert's atlas tracing the world-wide migrations
of the Jews from ancient Mesopotamia to modern Israel.
Mediation is the term James Ruppert uses to describe his important new theory of reading Native American fiction. Focusing on novels of six major contemporary American writers -- N. Scott Momaday, James Welch, Leslie Silko, Gerald Vizenor, D'Arcy McNickle, and Louise Erdrich -- Ruppert analyzes the ways in which these writers draw upon their bicultural heritage, guiding Native and non-Native readers alike to a different and expanded understanding of each other's worlds. Their fiction, which emphasizes healing, survival, and continuance, aims to produce cross-cultural understanding rather than divisiveness.
In this moving and original work, William S. McFeely, one of this country's most distinguished historians, retells the history and enters into the current-day lives of the people who inhabit Sapelo's Island off the coast of Georgia, descendants of slaves who once worked its huge cotton plantations. It is at once a richly detailed work of historical reconstruction, a sensitive portrait of the lives of black Americans in this particular place and in our own time, and a moving meditation on race by a writer who has made its painful dilemmas his life's work as a historian."
At the outbreak of World War II, more than 115,000 Japanese American civilians living on the West Coast of the United States were rounded up and sent to desolate "relocation" camps, where most spent the duration of the war. In this poignant and bitter yet inspiring oral history, John Tateishi allows thirty Japanese Americans, victims of this trauma, to speak for themselves. "And Justice for All" captures the personal feelings and experiences of the only group of American citizens ever to be confined in concentration camps in the United States. In this new edition of the book, which was originally published in 1984, an Afterword by the author brings up to date the lives of those he interviewed. "At last the silent speak: the Nisei who were concentratedly camped during World War II. In the overflowing of grievance, so long muted, the victims themselves tell us what it was really like. This is the Book of Humiliations as well as Revelations. We have the long needed reminder, in chapter and verse, of our nation's most shameful episode."--Studs Terkel "These moving personal recollections capture the plight of those who were victims of the most disgraceful episode in American history--the internment in concentration camps of Americans of Japanese descent during World War II."--Senator Sam J. Ervin, Jr. "Eloquent and poignant, "And Justice for All" brings to life the tragedy of the Japanese American internment for generations to come."--Senator Daniel K. Inouye
In 1954, the Hai||om people were evicted from Etosha by the South African-controlled South West African Administration. In 2015, the Hai||om filed the case of Tsumib v Government of the Republic of Namibia in the High Court of Namibia. “We are beggars on our own land” unravels the historical and contemporary socio-legal complexities that led to the Tsumib case. At the core of the case lies the legal question, how can the Hai||om people approach the Namibian Courts in order to claim compensation for the loss of their ancestral lands? Odendaal goes into detail how the Tsumib case materialised under the post-independence Namibian constitutional discourse. He assesses the Namibian land reform programme and its oversight in dealing with historical land dispossessions. He inspects Hai||om “identity” and how it was used to strengthen their case. He concludes with an examination of Namibia’s outdated and restrictive legal framework, which ultimately denied the Hai||om people their constitutional right to be heard in the Namibian Court. While the future of ancestral land claims in Namibia depends on the political will of the Namibian government, Odendaal argues that the Namibian courts have a duty to comply with the rights giving nature of the Namibian Constitution that lays the foundation for the Hai||om people’s ancestral claims.
This story has entranced readers of all ages since it was first published twenty-five years ago. The tale tells the story of a boy orphaned very young, who is adopted by his Cherokee grandmother and half-Cherokee grandfather in the Appalachian mountains of Tennessee during the Great Depression. 'Little Tree' as his grandparents call him is shown how to hunt and survive in the mountains, to respect nature in the Cherokee Way, taking only what is needed, leaving the rest for nature to run its course. Little Tree also learns the often callous ways of the white businessmen and tax collectors, and how Grandpa, in hilarious vignettes, scares them away from his illegal attempts to enter the cash economy. Grandma teaches Little Tree the joys of reading and education. But when Little Tree is taken away for schooling by whites, we learn of the cruelty meted out to Indian children in an attempt to assimilate them and of Little Tree's perception of the Anglo world and how it differs from the Cherokee Way.
This book unravels the ethnic history of California since the late
nineteenth-century Anglo-American conquest and institutionalization
of "white supremacy" in the state. Almaguer comparatively assesses
the struggles for control of resources, status, and political
legitimacy between the European American and the Native American,
Mexican, African-American, Chinese, and Japanese populations.
Drawing from an array of primary and secondary sources, he weaves a
detailed, disturbing portrait of ethnic, racial, and class
relationships during this tumultuous time.
The acceptance of Christianity in the tenth century is the most
significant cultural event in the history of modern Russia,
Ukraine, and Belarus. A vast reservoir of cultural concepts,
expressions, and iconographic images has developed within the
Eastern Orthodox tradition, and now Slavic specialists,
theologians, historians, and literary scholars can turn to a
collection which examines the majestic sweep of a thousand years of
Slavic Christianity.
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