What's exciting about a piece of bread 4,000 years old? Or some pots of paint abandoned in the eruption at Pompeii? Why should we be bothered with the distant past anyway? What's the point?

The life, art and literature of ancient Greece and Rome have something to offer everyone. They are not the property of wealthy white men only. They make us wonder how to make sense of people who lived long ago (from angry landlords to giggling senators) - and to think harder about our own world, to look at it differently.

In Talking Classics, Mary Beard points to the surprising connections between antiquity and the present. From revolutionaries to dictators, Bob Dylan to Beyoncé, she joins forces with the varied modern characters who have been transfixed by the ancient world. It's not compulsory, she argues, to be excited by antiquity, but it's a shame not to be.

After half a century teaching and studying classics, she fills the book with lively stories, curious facts and some good gossip. Talking Classics explains why the deep past does really affect us all.

George Stephanopoulos, the legendary political news host and former advisor to President Clinton, recounts the history-making crises from the place where twelve presidents made their highest-pressure decisions: the White House Situation Room.

No room better defines American power and its role in the world than the White House Situation Room. And yet, none is more shrouded in secrecy and mystery. Created under President Kennedy, the Sit Room has been the epicenter of crisis management for presidents for more than six decades. Time and again, the decisions made within the Sit Room complex affect the lives of every person on this planet.

Detailing close calls made and disasters narrowly averted, THE SITUATION ROOM will take readers through dramatic turning points in a dozen presidential administrations, including:

• Incredible minute-by-minute transcripts from the Sit Room after both Presidents Kennedy and Reagan were shot
• The shocking moment when Henry Kissinger raised the military alert level to DEFCON III while President Nixon was drunk in the White House residence
• The extraordinary scene when President Carter asked for help from secret government psychics to rescue American hostages in Iran
• A vivid retelling of the harrowing hours during the 9/11 attack
• New details from Obama administration officials leading up to the raid on Osama Bin Laden
• And a first-ever account of January 6th from the staff inside the Sit Room

THE SITUATION ROOM is the definitive, past-the-security-clearance look at the room where it happened, and the people—the famous and those you've never heard of—who have made history within its walls.

As grootoog seun in die ou Oos-Transvaal het Louis Jansen van Vuuren nooit kon dink dat hy eendag die Franse kunswerke in ’n ensiklopie in sy pa se studeerkamer in lewende lywe sou sien nie, wat nog te sê dat hy ’n château in die Franse platteland sou besit.

Louis se liefde vir alles wat Frans is, is so aansteeklik dat ’n rits ander Suid-Afrikaners die afgelope paar jaar ook blyplekke in die Boussac-omgewing gekoop het. In Biltong en Dior deel hy kostelike vertellings oor hoe inkommers in ’n vreemde land met ’n haas onleerbare taal en eiesoortige gewoontes moet oorleef.

Hulle tel baie op oor Franse styl en kultuur, maar die Franse leer ook iets oor Suid-Afrikaners se onblusbare ondernemingsgees en gasvryheid. Sy stories word verryk met boeiende brokkies oor die Franse geskiedenis, taal en kultuur.

Uiteindelik gee hierdie Afrikaanse Fransman se lewe in die vreemde gee hom ook ’n nuwe waardering vir dit wat hom uniek en trots Suid-Afrikaans maak.

Mark Sanders examines how South Africa’s apartheid-era computerization entrenched racial labour hierarchies and how writers and artists responded to and reimagined the ethics and politics of automation.

In A Will for the Machine, Sanders outlines South Africa’s entry into the computer age in the 1960s and 1970s and explains how it coincided with apartheid’s zenith. The government viewed automation and computerisation as one way of barring black Africans from skilled work and reserving it for whites. Sanders unpacks this peculiar history, relates it to early twentieth-century struggles around mechanisation in local mining and telephony, and analyses responses by the writers Miriam Tlali and J.M. Coetzee, as well as artists William Kentridge and the Handspring Puppet Company.

Showing how the arts realise ideas about the ethics and politics of automation, Sanders contributes to debates about locally divergent understandings of computer technology and human–computer interaction.

There are two major types of battlefield terrain in South Africa: first the open plains and savannah lands of the Highveld, a land where cavalry rules supreme. The second type is the thornbush of the Eastern Cape, a setting more suited to skirmishing rather than set-piece battles. Then, in KwaZulu-Natal, the two terrains merge to create the country s most dramatic battlefield landscape and one of the largest military graveyards in the world where the fates of colonies, republics and kingdoms were decided.For more than two centuries, from the late 1700s to the early 1900s, conflict, in one form or another, swept across this countryside; its combatants as diverse, hardy and tenacious as the land and its resources that almost always was at the root of hostilities.In this groundbreaking book, author and specialist battlefields guide, Nicki von der Heyde, presents over 70 battles and skirmishes covering five wars that shaped the course of South African history from the Frontier Wars that started in 1779 to the Second-Anglo Boer War of 1899 1902, a bitter and costly confrontation triggered by the discovery of the world s richest gold fields on the Witwatersrand.Detailed accounts of the engagements, based on extensive research, are provided, with special attention given to the terrain, key phases and outcomes, and the combatants involved. Battle timelines succinctly set out the passage of each campaign, while international timelines catalogue concurrent events around the world.More than 400 original documentary and contemporary photographs and over 60 short features have been assembled to provide a rich, enthralling and haunting account of these momentous events. Detailed historical maps that include annotations have been created for 16 high-profile engagements, while 10 regional maps indicate the locations of the battle sites. Arranged in regional order, with concise directions to each battle site and GPS coordinates for main locations, the "Field Guide to South Africa s Battlefields" is not only indispensable for professional and amateur military historians, but is of great interest to general readers, too if only as a reminder of the devastating human cost of war and the value of exploring the past to make sense of the present.It is beautifully illustrated with historical and contemporary photographs and detailed battle and regional maps."

‘Miskien issit omdat poverty my define en nie die racial politics vannie land ie.’

Wit issie ’n colour nie is ’n versameling verhale oor grootword en die lewe in die buitewyke van die Kaapse Vlakte. Dit dek identiteit, rassepolitiek, sosio- ekonomiese kwessies en bruin kultuur, en bevraagteken die Suid-Afrika waarin ons ons bevind. Dit is gevul met galgehumor, rou eerlikheid en hartverskeurende vertellings van pogings om die lewe op die Vlakte te navigeer. Hierdie versameling is diep persoonlik en ’n ontstellend waar weergawe van die lewe aan die ander kant van die spoor, geskryf in Kaapse Afrikaans.

Anger, hurt, loss, rejection … these feelings are familiar to the families who, in the early 1970s, were forced from their homes in Harfield Village in Cape Town’s southern suburbs. Siona O’Connell brings their stories to light. She examines the lost ways of life, the sense of home and belonging.

David Brown’s images show what life was like in Harfield before the removals, and his images are echoed by recent photos of the same former residents.

Are the courts against the people of South Africa?

Since populist factions claim to be the people, judges confronting them do not just decide against the people; they are against the people.

The judiciary faces a barrage of attacks not just from the ruling ANC but from other political parties clamouring for power. There comes a predictable phase in the cycle of politics where this is most likely to occur. Why does it benefit political parties to deflect from their failure to deliver with calls for parliamentary sovereignty? Why do so many myths circulate about the nature of our courts and constitution?

Dan Mafora answers these questions and more in an inspired analysis. He takes us through the historical ideological clashes within the ANC that make judicial independence up for debate, how administrations since '94 have responded to judicial decisions and why this phenomenon is important to watch globally. He also examines how disinformation campaigns play a big role.

A chilling exploration into the psyche of one of Britain's most reviled criminals.

This book meticulously dissects the motivations and twisted thought processes that fuelled Myra Hindley's horrific involvement in the Moors Murders, also examining the persistent question of whether she was, in some capacity, a victim of Ian Brady's manipulation.

True crime writers Tanya Farber and Jeremy Daniel unpick the complex interplay of sadism and calculated control that defined their partnership, revealing why Hindley remains a figure of enduring fascination and revulsion in true crime history.

On April 1, 1976, two scruffy twentysomethings, both named Steve, founded a startup. Their goal: To bring the revolutionary power of computers to everyone.

Over the next five decades, Apple reshaped the technology and cultural landscapes, introducing the public to breakthroughs like the mouse, laser printing, CD-ROM, WiFi, digital video, home networking, touchscreen phones, and tablets. Jobs’s obsessive eye for detail set the stage for products―Mac, iMac, iPod, iTunes, iPhone, iPad, AirPods, Apple Watch―that married advanced technology with beauty, simplicity, and fine design.

Deeply researched and lavishly illustrated, Apple: The First 50 Years includes new interviews with 150 key people who made the journey, including Steve Wozniak, John Sculley, Jony Ive, and many current designers, engineers, and executives. The book busts long-held myths; goes backstage for both the titanic successes (450 million iPods, 700 million iPads, 2.2 billion iPhones) and the instructive failures (Lisa, Apple III, MobileMe); and assesses the forces that challenge Apple’s dominance as it enters its second half century.

Bursting with tales of frenetic all-nighters, engineering genius, and creative rebellion, this book is a true testament to Apple’s unique and innovative vision, and a must read for anyone whose life Apple has touched.

Die Slag van Cuito Cuanavale is al dekades lank 'n bron van hewige konflik en emosie, maar tot nou toe was min bekend oor die Recces se teenwoordigheid en impak tydens dié omstrede gevegte.

In hierdie laaste boek van die spanningsvolle trilogie oor 1 Recce onthul Alexander Strachan, bekroonde skrywer en self 'n oud-Recce, meer oor die Recces se betrokkenheid daar.

Propvol spanning, adrenalien, hoogdrama en onvergeetlike vertellings deur oud-Recces wat dié ervarings eerstehands beleef het.

Franschhoek Literary Festival co-founder Jenny Hobbs' new memoir Through A Dragonfly Eye is a moving account of growing up and coming of age in mid-twentieth century South Africa, full of insight, humour, and tenderness for family and country.

Drawing from several hundred first-person accounts, most of which are unpublished, Spear reshapes our understanding of Mandela by focusing on this intense but relatively neglected period of escalation in the movement against apartheid.

Landau’s book is not a biography, nor is it a history of a militia or an army; rather, it is a riveting story about ordinary civilians debating and acting together in extremis.

Contextualizing Mandela and MK’s activities amid anti-colonial change and Black Marxism in the early 1960s, Spear also speaks to today’s transnational anti-racism protests and worldwide struggles against oppression.

Stellenbosch is world renowned for its wine, gorgeous scenery, and beautiful people. It’s the home of students working towards their future, successful businessmen and respected professors. But don’t let the luxury and blue mountains fool you. The sleepy town hides numerous crimes that rocked this community, the country and the world.

Over the past two decades the front pages of newspapers splashed the details of the murders of Inge Lotz, Hannah Cornelius, Susan Rohde, the Van Breda family... But this book also contains the less known victims such as Felicity Cilliers, the farm worker who’s murder was forgotten by all but her family. The victims and the murderers in this book come from all walks of life and confirms that not even Stellenbosch can escape the harsh reality of crime in South Africa.

The acclaimed author and journalist Julian Jansen third book reads like a crime novel and contains never before published information on each of the crimes.

This detailed Handbook to the Iron Age covers the last 2,000 years in Southern Africa.

The first part of the book outlines essential topics such as settlement organization, stonewalled patterns, ritual residues, long-distance trade, and ancient mining. Part two presents a comprehensive culture-history sequence through ceramic analyses, showing distributions, stylistic types, and characteristic pieces. The final section reviews and updates the main debates about black prehistory, including migration vs. diffusion, the role of cattle, the origins of Mapungubwe, the rise and fall of Great Zimbabwe, as well as the archaeology of the Venda, the Sotho-Tswana, and the Nguni speakers.

Handbook to the Iron Age is an abundantly illustrated study that is accessible to a wide range of people interested in African prehistory.

Jan Smuts grabbed the opportunity to realise his ambition of a Greater South Africa when the First World War ushered in a final scramble for Africa. He set his sights firmly northward upon the German colonies of South West Africa and East Africa.

Smuts’s abilities as a general have been much denigrated by his contemporaries and later historians, but he was no armchair soldier. He first learned his soldier’s craft under General Koos de la Rey and General Louis Botha during the South African War (1899−1902). He emerged from that conflict immersed in Boer manoeuvre doctrine.

After forming the Union Defence Force in 1912, Smuts played an integral part in the German South West African campaign in 1915. Placed in command of the Allied forces in East Africa in 1916, he led a mixed bag of South Africans and imperial troops against the legendary Paul von Lettow-Vorbeck and his Schutztruppen. His penchant for manoeuvre warfare and mounted infantry freed most of the vast German territory from Lettow-Vorbeck’s grip.

General Jan Smuts and his First World War in Africa provides a long-overdue reassessment of Smuts’s generalship and his role in furthering the strategic aims of South Africa and the British Empire during this era.

Poetic Inquiry for the Social and Human Sciences: Voices from the South and North enriches human and social science research by introducing new voices, insights, and epistemologies.

Poetic inquiry, or poetry as research, is a literary and performance arts-based approach. It combines the arts and humanities with scientific inquiry to enhance social research. By challenging conventional epistemological traditions that assert a detached stance of the known from the knower, poetic inquiry proposes a method of decolonising knowledge production. This book expands on ground-breaking work done in the Global North on transdisciplinary poetic inquiry scholarship by bringing it into conversation with knowledge from the Global South. It allows for South-North leadership and places unique scholarly contributions from the South at the centre of transnational discussions.

In exploring and advancing poetic inquiry in the Global South, part of the book’s decolonising agenda is to challenge and expand the definition of poetic inquiry and recognise the contributions from diverse traditions and social practices. The peer-reviewed chapters are written by new and established scholars in various knowledge fields worldwide. The chapters’ scholarly contributions are complemented by an original poetry sequence interwoven through the book. Critically, Voices and Silences shows how poetry can engender innovative research that addresses pressing social justice issues, such as inclusion and decolonisation.

Poetic Inquiry will interest researchers and academics who seek to advance social research by adopting new epistemologies and approaches that integrate the value of the Global South’s contributions and foster expanded South-North collaborations.

An unprecedented study of how Christianity reshaped Black South Africans’ ideas about gender, sexuality, marriage, and family during the first half of the twentieth century.

This book demonstrates that the primary affective force in the construction of modern Black intimate life in early twentieth-century South Africa was not the commonly cited influx of migrant workers but rather the spread of Christianity. During the late nineteenth and early twentieth centuries, African converts developed a new conception of intimate life, one that shaped ideas about sexuality, gender roles, and morality.

Although the reshaping of Black intimacy occurred first among educated Africans who aspired to middle-class status, by the 1950s it included all Black Christians—60 percent of the Black South African population. In turn, certain Black traditions and customs were central to the acceptance of sexual modernity, which gained traction because it included practices such as lobola, in which a bridegroom demonstrates his gratitude by transferring property to his bride’s family. While the ways of understanding intimacy that Christianity informed enjoyed broad appeal because they partially aligned with traditional ways, other individuals were drawn to how the new ideas broke with tradition. In either case, Natasha Erlank argues that what Black South Africans regard today as tradition has been unequivocally altered by Christianity.

In asserting the paramount influence of Christianity on unfolding ideas about family, gender, and marriage in Black South Africa, Erlank challenges social historians who have attributed the key factor to be the migrant labor system. Erlank draws from a wide range of sources, including popular Black literature and the Black press, African church and mission archives, and records of the South African law courts, which she argues have been underutilized in histories of South Africa. The book is sure to attract historians and other scholars interested in the history of African Christianity, African families, sexuality, and the social history of law, especially colonial law.

The next chapter of human history should not be written by algorithms, it should be written by us. It is only by fully understanding how data has shaped our past that we can decide what role it plays in our future.

We live in an era when trading our information for access can feel harmless or inevitable - yet from targeted advertising to mass surveillance, data shapes the course of our lives. How did it gain the power it now holds over us?

Long before writing existed, at the dawn of civilisation in Mesopotamia, rulers pressed marks into clay to keep track of land, people and grain. To rule, they had to keep count. It is no accident, then, that the first written name in human history was neither a god nor a king, but an accountant. As ships and navigation expanded our horizons, a new age of European empires took control of more than 80 per cent of the world's surface, using colonial censuses, maps and ledgers to decide who belonged, who owed, and who could be sacrificed. Today, a handful of private brokers increasingly define what we see and what is real.

Taking readers from ancient cave markings and knotted strings to the algorithmic state, Dartmouth professor Roopika Risam reveals how data has always been the seed of power: a technology of control that has shaped civilizations and upheld empires. Provocative, humane and sweeping in scope, Data Empire challenges us to decide whether we will allow a new set of data empires to hardwire inequality into the next century, or fight for systems that work for the benefit of all.

This groundbreaking 11,000 year history argues that empire was never just about weapons or ships - it was built on collecting information on us, to rule us.

The story of two iconic dynasties-the Kennedys and the Windsors-whose glamour and ambition defined an era. Reveals never-before examined stories about Queen Elizabeth, King Charles, Andrew Mountbatten-Windsor, Princess Diana, Prince Harry, JFK, Jackie Kennedy Onassis, Carolyn Bessette-Kennedy, Robert Kennedy Jr., and many others.

For nearly a century, two families have captured the worlds collective imagination: the Windsors and the Kennedys. Much has been written about their individual trysts, tragedies, and triumphs over the years, but no one has examined their intertwined legacies. Until now.

The Kennedys and the Windsors unearths the shared story of these two families, drawing out some startling parallels between them: the style icons Princess Diana and Carolyn Bessette-Kennedy, who both tragically died young, the frustrated second sisters Princess Margaret and Lee Radziwill, the scandal-plagued next generation of Robert F. Kennedy Jr. and the man formerly known as Prince Andrew, and the current generations struggles to figure out what a monarchy - actual or imagined - means in the twenty-first century.

From Queen Elizabeths coronation to President Kennedys historic London visit, JFK Jr.s shocking death to Prince Harrys decisive break with his family, Caroline Hallemann traces the key moments in the lives of these dynasties through a fresh and fascinating lens, showing how they have intersected over the generations in ways that not only shaped their images, but history itself.

Dogtag Memories is a raw, darkly humorous memoir that follows Jon Goetzsche’s chaotic journey through South Africa’s military machine.

Drafted into the Defence Force in 1977as a carefree seventeen-year-old, Jon’s tranquil schooldays are abruptly replaced by the brutal regimentation of army life. What begins as naive indifference soon spirals into a struggle against authority, misfortune and the absurdities of war.

After surviving the gruelling training to become a Parabat, Jon is court-martialled for assaulting a fellow soldier and sent to Detention Barracks. Reassigned to an ordinary infantry battalion, he completes five months of training and is sent to the border for the rest of his two years’ national service, followed by several camps. Through the laughable rules, harsh punishment, grinding boredom, fatal mishaps and clashes with enemy guerrillas, he endures with wit, irony and a stubborn refusal to surrender his humanity.

Told with unflinching honesty and biting humour, Dogtag Memories transcends the typical border war narrative. Decades later, Jon reflects on how those formative years shaped him, offering a poignant, irreverent and deeply human account of camaraderie, hardship and resilience.

This acclaimed book by Steven Pinker argues that, contrary to popular belief, humankind has become progressively less violent over millenia and decades. Can violence really have declined?

The images of conflict we see daily on our screens from around the world suggest this is an almost obscene claim to be making. Extraordinarily, however, Steven Pinker shows violence within and between societies - both murder and warfare - really has declined from prehistory to today. We are much less likely to die at someone else's hands than ever before. Even the horrific carnage of the last century, when compared to the dangers of pre-state societies, is part of this trend.

Debunking both the idea of the 'noble savage' and an over-simplistic Hobbesian notion of a 'nasty, brutish and short' life, Steven Pinker argues that modernity and its cultural institutions are actually making us better people.

This insightful portrait of Winston Churchill delves beyond well-known political moments, incorporating perspectives from various individuals who encountered him throughout his life.

From Bletchley Park codebreakers and Hollywood stars such as Charlie Chaplin, through writers as varied as H. G. Wells and P. G. Wodehouse, to the likes of Harold Wilson, Mahatma Gandhi and Queen Elizabeth II, these lesser-known interactions reveal glimpses of the man behind the legend.

We meet Churchill the exuberant schoolboy thug with an early mania for bull-dogs, and Churchill the elder statesman shedding a tear in the House of Commons smoking room. Other incidents include a young journalist rudely dismissing a call from Churchill as a prank, and a visiting Dwight D. Eisenhower dreaming of being strangled, only to awake entangled in Churchill’s borrowed nightshirt.

The book showcases the profound transformations during Churchill’s lifetime, which ran from Benjamin Disraeli’s premiership to the release of the Rolling Stones’ ‘Route 66’, and the shift from steam to atomic power. Examining controversial aspects of his legacy, this multifaceted portrait challenges preconceived notions, inviting readers to reconsider the complexities of Churchill.

Capturing the Spoor describes and discusses the virtually unknown rock art of the northernmost reaches of South Africa, in the area of the Central Limpopo Basin. The title of the book comes from the belief held by some traditional Bantu-speakers that the San can ‘capture’ animal spoor and bewitch it in order to ensure hunting success. The authors use this as an analogy for understanding the behavior of people in the past through the traces they leave behind.

This book describes the work of four distinct cultural groups: the San; Khoekhoen (Khoikhoin or ‘Hottentots’), Venda and Northern Sotho, and, most recently, people of European descent. Further, it discusses the interaction and connection between the four groups. It is the first substantial body of work from South Africa to focus on an area outside the Drakensberg, which has become synonymous with ‘southern African rock art’. Although the book focuses on a specific region, it introduces anthropological information from the Cape to the greater Kalahari region. The text is interspersed with first-hand accounts of Kalahari and Okavango San beliefs and rites and discussions with traditional Bantu-speaking peoples. A distillation of 14 years of field surveying and research in the Central Limpopo Basin, it targets the general reader who would like to know more about southern Africa’s rock art traditions, but at the same time addresses many academic concerns.

A simple narrative line and copious endnotes, respectively, ensure that both ‘lay’ and academic readers will find the subject interesting. The text is abundantly illustrated with line drawings and expressed through photographs. A list of rock art sites in Limpopo that are open to the public will be included.

This is a rare publication where information that is collected is analyzed with the help of knowledge and experience accumulated by the local indigenous communities, whose have been seldom heard in this context before.

Journalist Lesley Mofokeng investigates the life of his remarkable grandfather, Mongangane Wilfred Mofokeng, a prominent Dutch Reformed Church evangelist, who built a thriving community out of the dust of the far Northwest.

The journey takes him from Joburg’s Marabi-soaked townships of the 1930s to his childhood home of Gelukspan near Lichtenburg and then to the rural Free State and the remote mountain kingdom of Lesotho. In what becomes a spiritual quest, he traces the inspirational footsteps of his ancestors and the legendary King Moshoeshoe.

In the process, Mofokeng proudly claims his heritage and also uncovers a long-lost chapter of South African history and the church of the apartheid regime.