Contesting one’s place remains central to confronting the lingering impact of colonisation and apartheid, emerging as it does out of the intermingling of our environments, histories, languages and experiences. In this volume, architects, anthropologists, artists, urban planners, activists and historians examine the ways in which people are rethinking, repurposing and reusing colonial and apartheid architecture and infrastructure. They seek to engage with ways in which history, art and architecture practices contest and subvert these protracted conditions in terms of social justice, development, conservation, heritage, land reclamation and urban renewal.

The focus is on colonial environments in different parts of South Africa and Africa to understand the history of disputed places and responses of remembrance, communal consideration, revival and conflict. In recent years, public awareness of the physical and environmental reminders of this past has been sharpened by sporadic campaigns and ongoing disputes around land, gentrification, repatriation and heritage. Globally, there has been a wave of public outcry and contestation about the place of racist names and statues in public spaces, litigation over abandoned and toxic sites, with calls for removal and restitution as an integral part of decolonisation. And there has been recognition of the lived experiences, knowledge and activities through which people and communities build their heritage.

In this context, questions about the place of colonial and apartheid planning and architecture and their past acquire salience and urgency in the present.

The notorious city as you've never seen it before. This non-fiction title featuring original interviews gets to the heart and soul of this desert metropolis - as well as its seedy underbelly.

What happens in Vegas stays in Vegas - until now.

Whether you're a Vegas regular or have only heard the city's tales through whispers, this book will surprise and astound you . . . It's not just the five-star dining, or the casinos, or the clubs, or the crowds. It's the electrifying chemistry of America's most round-the-clock city.

In this dazzling 24-hour journey, James Patterson lifts the lid on America's notorious hub of gambling and excess. Fuelled by original interviews and in-depth reporting, What Really Happens in Vegas uncovers the vice, crime and entertainment that made Sin City an infamous desert mecca.

This is Vegas as you've never seen it before, filled with unbelievable stories from the people who make the city tick, simmer - and even explode.

Glossy is a story of more than a magazine. It is a story of passion and power, dizzying fortune and out-of-this-world fashion, of ingenuity and opportunism, frivolity and malice. This is the definitive story of Vogue.

Vogue magazine started, like so many great things do, in the spare room of someone's house. But unlike other such makeshift projects that flare up then fizzle away, Vogue burnt itself onto our cultural consciousness.

Today, 128 years later, Vogue spans 22 countries, has an international print readership upwards of 12 million and nets over 67 million monthly online users. Uncontested market leader for a century, it is one of the most recognisable brands in the world and a multi-million dollar money-making machine. It is not just a fashion magazine, it is the establishment. But what - and more importantly who - made Vogue such an enduring success?

Glossy will answer this question and more by tracing the previously untold history of the magazine, from its inception as a New York gossip rag, to the sleek, corporate behemoth we know now. This will be a biography of Vogue in every sense of the word, taking the reader through three centuries, two world wars, plunging failures and blinding successes, as it charts the story of the magazine and those who ran it.

Poetic Inquiry for the Social and Human Sciences: Voices from the South and North enriches human and social science research by introducing new voices, insights, and epistemologies.

Poetic inquiry, or poetry as research, is a literary and performance arts-based approach. It combines the arts and humanities with scientific inquiry to enhance social research. By challenging conventional epistemological traditions that assert a detached stance of the known from the knower, poetic inquiry proposes a method of decolonising knowledge production. This book expands on ground-breaking work done in the Global North on transdisciplinary poetic inquiry scholarship by bringing it into conversation with knowledge from the Global South. It allows for South-North leadership and places unique scholarly contributions from the South at the centre of transnational discussions.

In exploring and advancing poetic inquiry in the Global South, part of the book’s decolonising agenda is to challenge and expand the definition of poetic inquiry and recognise the contributions from diverse traditions and social practices. The peer-reviewed chapters are written by new and established scholars in various knowledge fields worldwide. The chapters’ scholarly contributions are complemented by an original poetry sequence interwoven through the book. Critically, Voices and Silences shows how poetry can engender innovative research that addresses pressing social justice issues, such as inclusion and decolonisation.

Poetic Inquiry will interest researchers and academics who seek to advance social research by adopting new epistemologies and approaches that integrate the value of the Global South’s contributions and foster expanded South-North collaborations.

The animals in this landmark book – elephants, hippos, okapi, lions, jackals, cows, sheep, horses, white ants, quagga, Nazi cattle, police dogs and baboons – are chosen strategically to highlight different facets of our shared past. With this animal-centric lens, decades of research are brought together in an astonishing book, one that takes animals seriously.

The possibility of our shared future pivots on a reckoning with our shared pasts. This pioneering work shows what human-animal history can do, not only to help us better understand our place in the world, but to make our world – however slightly – a better place.

The book selects some past events and experiences, national and international, and wonders what lessons were missed, learnt, or are yet to be learnt from them.

Tragedies happen again and again because we fail to learn from the past. The past is rich with valuable lessons – rich pickings. The reader is taken back into the past in search of some of those lessons, many of which, regrettably, we failed – and continue failing – to learn. As we dig into the past for those rich pickings, there will be moments to laugh, cry or even weep; but that is exactly how lessons are learnt in life.

Other similar incidents learnt from, both abroad and at home, relate to the author’s own experiences in South Africa, including as a Judge who heard amnesty applications as a member of the Amnesty Committee of the Truth and Reconciliation Commission. The book hopes to show that capacity for evil is not peculiar to any nation or race; it also discusses the dangers of tribalism.

The chapter ‘Beyond the Frontiers’ takes the reader into the rest of Africa. A lot is revealed, including divisions the author witnessed – while serving as an AU judge based in Tanzania – within the AU along the languages of, ironically, colonial masters; also referenced is the sorry state of human rights in Africa. Have we seized the opportunity to learn all the valuable lessons which that great teacher, ‘The Past’, offered?

The author leaves it to readers to make their own final judgement after reading the book as to whether, at the individual and collective levels, we have learnt those lessons and taken them to heart for the good of our individual and collective destiny.

This close media study considers how, squeezed in the moral vice of past and present, Afrikaners look in a mirror that reflects only a beautiful people.

It is an image of upstanding, hard-working citizens. To hold on to that image requires blinkers, sleights of hand and contortion. Above all, it requires an inversion of the liberation narrative in which the wretched of South Africa are the historical oppressors, besieged in their language, their homes, their jobs.

They are the new `grievables', an identity that requires intricate moral manoeuvres, and elision as much of the past as of transformation.

What is it like to be born dirt-poor in South Africa? Clinton Chauke knows, having been raised alongside his two sisters in a remote village bordering the Kruger National Park and a squatter camp outside Pretoria. Clinton is a young village boy when awareness dawns of how poor his family really is: there’s no theft in the village because there’s absolutely nothing to steal. But fire destroys the family hut, and they decide to move back to the city. There he is forced to confront the rough-and-tumble of urban life as a ‘bumpkin’.

He is Venda, whereas most of his classmates speak Zulu or Tswana and he has to face their ridicule while trying to pick up two or more languages as fast as possible. With great self-awareness, Clinton negotiates the pitfalls and lifelines of a young life: crime and drugs, football, religion, friendship, school, circumcision and, ultimately, becoming a man. Throughout it all, he displays determination as well as a self-deprecating humour that will keep you turning the pages till the end.

Clinton’s story is one that will give you hope that even in a sea of poverty there are those that refuse to give up and, ultimately, succeed.

Sol Plaatje’s Mhudi is one of South Africa’s most famous novels.

First published in 1930, it is the first full-length novel by a black South African writer, and is widely read and studied in South African schools, colleges and universities. It has been translated into a number of different languages. Written over 30 years before Chinua Achebe’s famous Things Fall Apart, Mhudi is a pioneering African novel too, anticipating many of the themes with which Achebe and other writers from the African continent were concerned.

Mhudi has had a complicated history. Critics have been divided in their views, and there was a delay of ten years between the time Plaatje wrote the book and when it was published. A century on from when it was written, the time is now right to both celebrate its composition and to assess its meanings and legacy.

In this book, a distinguished cast of contributors explore the circumstances in which Mhudi was both written and published, what the critics have made of it, why it remains so relevant today. Chapters look at the eponymous feminist heroine of the novel and what she symbolizes, the role of history and oral tradition, the contentious question of language, the linguistic and stylistic choices that Plaatje made. In keeping with Mhudi’s capacity to inspire, this book also includes a poem and short story, specially written in order to pay tribute to both the book and its author.

Too much of South Africa’s history has been lost and suppressed, leaving a void for many South Africans. Sylvia Vollenhoven brings together her life and that of a long-ago ancestor, Kabbo, a respected Khoisan storyteller.

She writes of her experience as being “too black” for her coloured schoolmates, working as one of the early female journalists in the misogynistic environment of the 70s, and of the constant impact on her life of her background – including her ancestors.

Bush Brothers is not about special forces or heroic, secret missions. Instead, it is an intimate look at the daily life of ordinary soldiers – and the unbreakable bonds they formed under fire.

This is the story of thousands of infantry men who were deployed in the SADF, on or across the Border.

Colourful characters and wild partying are interspersed with the life-and-death choices troops were forced to make as they sacrificed life and limb, not so much for their country, but for each other.

Provides a comparative study of the complex governance challenges confronting city-regions in each of the BRICS countries. It traces how governance approaches emerge from the disparate intentions, actions and practices of multiple collaborating and competing actors, working in diverse contexts of political settlement and culture.

The scale and pace of urban change in the recent past has been disorienting. As individual cities evolve into complex urban agglomerations, scholars battle to find adequate vocabularies for contemporary urban processes while practitioners search for meaningful governance responses. Governing Complex City-Regions in the Twenty-first Century explores the ongoing evolution of metropolitan governance as diverse urban agents grapple with the dilemmas of collective action across multi-layered and fragmented institutions, in contexts where there are also manifold centres of influence and decision-making.

Whereas much of the existing literature is founded on the settled urban contexts of Western Europe and North America this book draws on the experiences of the BRICS countries (Brazil, Russia, India, China and South Africa). The author shows that governance approaches are rarely designed but emerge, rather, from the disparate intentions, actions and practices of multiple collaborating and competing actors working within diverse contexts of political settlement and political culture. Intended for students, academics and professionals, the book does not offer packaged solutions or easy answers to the challenges of urban governance, but it does show the value of comparative study in inspiring new thought and perspectives, which could lead to improved governance practice within South African contexts.

Our Poisoned Land is Jacques Pauwʼs sequel to the bestselling The Presidentʼs Keepers. A publishing phenomenon and South Africaʼs fastest-selling book ever, The Presidentʼs Keepers fearlessly exposed former president Jacob Zumaʼs darkest secrets. Our Poisoned Land is as riveting and explosive as its predecessor.

When he took office in 2018, President Cyril Ramaphosa appointed new heads for law-enforcement agencies and formed the Investigating Directorate within the National Prosecuting Authority to bring fraudsters and looters to book. Yet, five years on, crime has spiked, most of the looters still walk free and the law-enforcement agencies are in shambles. What went wrong?

Once again, Jacques Pauw delves deep to find answers. Among his shocking findings are top police officers that had a hand in state capture still ensconced in the Hawks and police Crime Intelligence; a cabal of state-capture prosecutors within the NPA; a police minister cavorting with a convicted drug smuggler; and South Africa’s “own Guptas” living in the lap of luxury after the case against them “disappeared”.

In his compelling narrative style, Pauw picks up where he left off in The Presidentʼs Keepers to expose the shadows, deceit and debauchery of Zumaʼs cronies.

WRITTEN WITH UNPRECEDENTED ACCESS, THIS IS THE FIRST INSIDE, INTIMATE ACCOUNT OF THE RUSSIAN INVASION OF UKRAINE FROM THE PERSPECTIVE OF PRESIDENT ZELENSKY AND HIS TEAM.

Based on four years of reporting; extensive travels with President Zelensky to the front; and dozens of interviews with him, his wife, his friends and enemies, his advisers, ministers and military commanders, The Showman tells an intimate and eye-opening story of the President’s evolution from a slapstick actor to a symbol of resilience, revealing how he managed to rally the world’s democracies behind his cause.

Clear-eyed about the President’s early failures as a peacemaker and his willingness to silence political dissent, the book offers a complex picture of a man struggling to break what he sees as a historical cycle of oppression that began generations before he was born. Even as the war drags on, Zelensky lays out his vision for its future course and, through his actions, demonstrates his strategy for countering the Russians and keeping the West on his side. The result is a riveting, up-close picture of the invasion as experienced by its number one target and improbable hero.

The Showman, as a work of eyewitness journalism, provides an essential perspective on the war defining our age. As a study in leadership and human resolve, its appeal is timeless and universal.

Gordon Oliver, born in 1939, lives in Cape Town, South Africa. He holds a master’s degree in Religious Studies from the University of Cape Town. He was ordained in the ministry of the Unitarian Church in Cape Town in 2002 and was elected President of International Council of Unitarians and Universalists from 2003 to 2007. Most of his professional life was in Human Resources Management and during this time, he was an elected councillor on the Cape Town City Council, serving for fifteen years. He was Mayor of Cape Town from 1989 to 1991 and had the privilege of welcoming Nelson Mandela to the Cape Town City Hall on the day he was released from prison.

The author tells his story of being born under the Gemini star sign, living a life defined by an unremitting struggle between the conflicting twins of “Yes, I can” and “No, you can’t!” It describes a struggle of early childhood uncertainty, being hidden as a child, of unanswered questions and preferring to be in the background during his childhood through to his middle years.

Generally surrendering to the opinions of others, while holding back on his own views, was the hallmark of his being. Hesitating to take on challenges was a familiar pattern, as was the likelihood of yielding to mediocracy, the easy way out. Tilting the balance away from “No you can’t” to “Yes, I can … and I will” was the major factor in the author’s life towards holding leadership positions in every sphere of his adult public life, from committee secretary early in his professional career to becoming Cape Town’s first citizen.

From the mayoralty to ministry, standing up for justice and the dignity of life and being able to make a difference was the path he chose; mediocracy simply was not good enough.

Harry Oppenheimer, the international gold-and-diamond magnate, presided over the corporate dynasty of Anglo American and De Beers for more than 25 years. Yet, two decades after his death, the Oppenheimer empire is no more. As the political opposition’s key financial backer, the founder (along with Anton Rupert) of the Urban Foundation after the Soweto uprising in 1976, and a ubiquitous philanthropist, Oppenheimer helped propel the process of reform.

Nevertheless, in some quarters he is demonised as the archetype of ‘white monopoly capital’ and scapegoated, along with Nelson Mandela, for the country’s disappointing democratic dividends. In the first, full-scale biography of Oppenheimer, based on unrestricted access to his subject’s private papers and extensive interviews with family members and close associates, Michael Cardo eschews both the corporate hype and the political propaganda to produce a vivid, fully-rounded portrait.

He brings to life the places, people, events and relationships that shaped Harry Oppenheimer’s long and rich career at the intersection of business and politics. Cardo also tackles thorny questions of legacy and Oppenheimer’s complicity with the oppressive racial order of the past.

Walkley Award-winning journalist, Sharri Markson is the Investigations Editor at The Australian and host of prime-time show Sharri on Sky News Australia.

The origins of Covid-19 are shrouded in mystery. Scientists and government officials insisted, for a year and a half, that the virus had a natural origin, ridiculing anyone who dared contradict this view. Tech giants swept the internet, censoring and silencing debate in the most extreme fashion. Yet it is undeniable that a secretive facility in Wuhan was immersed in genetically manipulating bat-coronaviruses in perilous experiments. And as soon as the news of an outbreak in Wuhan leaked, the Chinese military took control and gagged all laboratory insiders.

Part-thriller, part-expose, What Really Happened in Wuhan is a ground-breaking investigation from leading journalist Sharri Markson into the origins of Covid-19, the cover-ups, the conspiracies and the classified research. It features never-before-seen primary documents exposing China's concealment of the virus, fresh interviews with whistleblower doctors in Wuhan and crucial eyewitness accounts that dismantle what we thought we knew about when the outbreak hit.

With unprecedented access to Washington insiders, Markson takes you inside the White House, with senior Trump lieutenants revealing first-hand accounts of fiery Oval Office clashes and new stories of compromised government advisors and censored scientists.

Bravely reported and chillingly laid out, Markson brings to light the stories of the pandemic from the people on the ground: the scientists and national security officials who raised uncomfortable truths and were labelled conspiracy theorists, until government agencies began to suspect they might have been right all along. These brave individuals persisted through bruising battles and played a crucial role in investigating the origins of Covid-19 to finally, in this book, bring us closer to the truth of what really happened in Wuhan.

Winner of the European Book Prize.

On 10 July 1941 a horrifying crime was committed in the small Polish town of Jedwadbne. Early in the afternoon, the town's Jewish population - hundreds of men, women and children - were ordered out of their homes, and marched into the town square. By the end of the day most would be dead. It was a massacre on a shocking scale, and one that was widely condemned. But only a few people were brought to justice for their part in the atrocity. The truth of what actually happened on that day was to be suppressed for more than sixty years.

Part history, part memoir, part investigation, The Crime And The Silence is an award-winning journalist's account of the events of that day: both the story of a massacre told through oral histories of survivors and witnesses, and a portrait of a Polish town coming to terms with its dark past.

A NEW YORK TIMES, NEW STATESMAN, HISTORY TODAY AND BBC HISTORY MAGAZINE BOOK OF THE YEAR.

A searing, landmark study of the British Empire that lays bare its pervasive use of violence throughout the twentieth century.

Drawing on more than a decade of research on four continents, Caroline Elkins reveals the dark heart of Britain's Empire: a racialised, systemised doctrine of unrelenting violence, which it used to secure and maintain its interests across the globe.

When Britain could no longer maintain control over that violence, it simply retreated - and sought to destroy the evidence. Legacy of Violence is a monumental achievement that explodes long-held myths and deserves the attention of anyone who seeks to understand empire's role in shaping the world today.

This is fundamentally a text about race and antiblack racism and their subsequent production of the problem of alienation (separation) of human beings from one another, from their bodies, and from themselves, globally, but with distinct and conscious focus on the historical context of apartheid and “post”-apartheid South Africa through the psychological lens of one of the country’s first and distinguished clinical psychologists, Noel Chabani Manganyi.

The book is a philosophically critical engagement with his work, and it constitutes, as it were, part of the author’s overarching project of attempting to reclaim and retrieve hitherto overlooked, ignored and invisibilised Black thinkers of the past and present. Although Manganyi has written over 10 books, the most important and popular being Being-Black-in-the-World (1973) and Alienation and the Body in Racist Society (1977), his ideas and work have, for one reason or another, been disregarded by mainstream South African psychology, let alone philosophy. The author foregrounds philosophy as also a culprit because Manganyi himself describes his work as that of “a psychologist who thinks and conceptualises psychological reality in a phenomenological way”.

Manganyi has the distinction of being the first Black clinical psychologist trained in South Africa as the title of his latest book, Apartheid and the Making of a Black Psychologist (2016) indicates. His body of published work reveals that from the beginning he has been involved in an attempt to contextualise his discipline, psychology, to the lived realities of his country, that is, apartheid racism and the alienation it produced on Black people. In other words, his main concern has been to utilise psychological discourse to address issues relevant to what can broadly be called “the Black lived-experience” in an antiblack racist society and their experience of the condition of alienation. As such he stood as a solitary figure whose voice was pushed to the margins of the psychological establishment, which was either silent about or complicit in the oppression of Blacks by the apartheid regime.

By exploring Manganyi’s serious concerns about apartheid racism and its attendant devastating production of alienation among Black people, the author argues that the problem of alienation produced by continuing rampant antiblack racism (even from the hands of a Black government) constitutes itself as a lingering problem of “post”-apartheid South Africa.

The author demonstrates that apartheid and alienation are not only conceptually synonymous but experientially related because what connects antiblack racism (apartheid) and alienation is the fact of our embodied existence in the world and that Black alienation manifests itself through the body. After all, antiblack racism is predicated on bodily appearance and body differences among human beings. Manganyi himself places a high premium on the body precisely because, in his view, the Black subjects have inherited a negative sociological schema of their black bodies as a result of which most of them experience themselves as somethings or objects outside of themselves, that is.

The value of revisiting Manganyi’s contribution can be underlined by reference to imperatives posed in recent incidents of antiblack racism and contemporary approaches to race and embodiment in disciplines such as philosophy (Black existentialism), psychology, sociology, cultural studies and identity politics.

This book's focus spans a wide variety of disciplines, including psychology, philosophy, political philosophy, critical race studies and post-colonialism, and therefore will be of interest to a broad cross-section of undergraduate and graduate students, scholars and activists.

In this unprecedented deep dive into inner-city gang life, Mark Bowden takes readers inside a Baltimore gang, offers an in-depth portrait of its notorious leader, and chronicles the 2016 FBI investigation that landed eight gang members in prison.

Sandtown is one of the deadliest neighborhoods in the world; it earned Baltimore its nickname Bodymore, Murderland, and was made notorious by David Simon’s classic HBO series “The Wire.” Drug deals dominate street corners, and ruthless, casual violence abounds.

Montana Barronette grew up in the center of it all. He was the leader of the gang “Trained to Go,” or TTG, and when he was finally arrested and sentenced to life in prison, he had been nicknamed “Baltimore’s Number One Trigger Puller.” Under Tana’s reign, TTG dominated Sandtown. After a string of murders are linked to TTG, each with dozens of witnesses too intimidated to testify, three detectives set out to put Tana in prison for life. For them, this was never about drugs: It was about serial murder.

Now an acclaimed journalist who spent his youth in the white suburbs of Baltimore, Mark Bowden returns to the city with exclusive access to the FBI files and unprecedented insight into one of the city’s deadliest gangs and its notorious leader. As he traces the rise and fall of TTG, Bowden uses wiretapped drug buys, police interviews, undercover videos, text messages, social media posts, trial transcripts, and his own ongoing conversations with Tana’s family and community to create the most in-depth account of an inner-city gang ever written.

With his signature precision and propulsive narrative, Mark Bowden positions Tana – as a boy, a gang leader, a killer, and now a prisoner – in the context of Baltimore and America, illuminating his path for what it really was: a life sentence.

This is the English translation of the updated edition of a work first published by SANParks in 1990. It is an in-depth look at the prehistory and history of the Lowveld, as well as at the events that led to the proclamation of the Sabie Reserve in 1898 – one of the first conservation areas in the old Zuid-Afrikaansche Republiek.

After the Anglo-Boer War, James Stevenson-Hamilton was tasked with running both the Sabie Reserve and the Shingwedzi Reserve (proclaimed in 1904). Stevenson-Hamilton, along with his small yet dedicated corps of rangers, protected and developed the reserve, and eventually, in 1926, the Kruger National Park was proclaimed – the biggest national park in South Africa. A Cameo from the Past covers the park’s history up until 1946, when Stevenson-Hamilton retired. The work also pays tribute to all of the park’s founders.

A Cameo from the Past describes the long and sometimes difficult developmental history of SANParks in detail. Despite the good and the bad from the past, the organisation has developed into the leading conservation authority in Africa, responsible for 3 751 113 hectares of protected land in 20 national parks.

A modern gangster cashes in on the London Olympics; while business, politics and police corruption undermine the operation to stop him.

When billions poured into the neglected east London borough hosting the 2012 Olympics, a turf war broke out between crime families for control of a now valuable strip of land. Using violence, guile and corruption, one gangster, the Long Fella, emerged as a true untouchable. A team of local detectives made it their business to take him on until Scotland Yard threw them under the bus and the business of putting on "the greatest show on earth" won the day.

Award-winning journalist Michael Gillard took up where they left off to expose the tangled web of chief executives, big banks, politicians and dirty money where innocent lives are destroyed and the guilty flourish. Gillard's efforts culminated in a landmark court case, which finally put the Long Fella and his friends on trial exposing London's real Olympic legacy.

The Springbok rugby captain, over more than a century, has represented many things to many South Africans. He has united, and he has divided. He has thrilled, he has disappointed. He has inspired, he has disheartened. He has triumphed, he has failed. But he has always had an impact.

In this revealing narrative, Edward Griffiths and Stephen Nell depict the men who have been able to call themselves ‘Springbok Captain’ through their backgrounds, triumphs and disappointments. Relive the heyday of rugby legends Bennie Osler, Danie Craven, Hennie Muller, Johan Claassen, Naas Botha, Francois Pienaar, Gary Teichmann, Joost van der Westhuizen, Andre Vos and others.

Now fully updated with the accounts of Bobby Skinstad, Victor Matfield and Jean de Villiers, The Springbok Captains is the epic story that lies at the heart of South African rugby.

This book explores the impact of brutalist aesthetics on contemporary capitalism, emphasizing the blurring of natural and artificial realms and advocates Afro-diasporic thought as a solution for societal transformation.

Eminent social and critical theorist Achille Mbembe invokes the architectural aesthetic of brutalism in his latest book to describe society’s current moment, caught up in the pathos of demolition and production on a planetary scale. Just as brutalist architecture creates an affect of overwhelming weight and destruction, Mbembe contends that contemporary capitalism crushes and dominates all spheres of existence. In our digital, technologically focused era, capitalism has produced a becoming-artificial of humanity and the becoming-human of machines. This blurring of the natural and artificial presents a planetary existential threat in which contemporary society’s goal is to precipitate the mutation of the human species into a condition that is at once plastic and synthetic.

Mbembe argues that Afro-diasporic thought presents the only solution for breaking the totalizing logic of contemporary capitalism: repairing that which is broken, developing a new planetary consciousness, and reforming a community of humans in solidarity with all living things.