The popular and reliable New King James Version with the enhanced readability of Thomas Nelson's custom NKJV font is now the perfect gift. The NKJV Gift and Award Bible is a great way to recognize someone for a job well done. This special-occasion Bible is affordably priced for bulk purchases, so it's a great choice to have on hand for graduations, baptisms, and birthdays, or as gifts for new church attendees. This Bible includes a presentation page, the words of Christ in red, a dictionary-concordance, charts, and full-color maps. Features Include: Improved readability of the Thomas Nelson NKJV Font Words of Christ in red Easy-to-use dictionary-concordance Miracles and Parables of Jesus Presentation page Full-color maps8.1-point print size

This set of 11 Nativity scene figures captures the most important moment in the story of when Jesus became a man.

This resin knitted Nativity Set has 11 pieces, of which each has been hand-painted.

The set features Joseph, Mary, Jesus, an Angel, Three Kings, a Sheepherder, a Cow, a Sheep and a Donkey.

Remember the significance of this moment, and keep it close to your family's hearts and minds this Christmas.

• Figurines are made with a Knitted design
• Resin
• Figurines vary in height, from 34mm up to 72mm
• Gift box dimensions: 284 x 178 x 52mm
•The figures are packaged securely into a polystyrene die-cut box to ensure that you receive your set in excellent condition.
• Packaged in a cardboard gift box - Packaging can be reused for storage

A dozen years in the making, The Inheritors weaves together the stories of three ordinary South Africans over five tumultuous decades in a sweeping and exquisite look at what really happens when a country resolves to end white supremacy.

Dipuo grew up on the south side of a mine dump that segregated Johannesburg’s black townships from the white-only city. Some nights, she hiked to the top. To a South African teenager in the 1980s—even an anti-apartheid activist like Dipuo—the divide that separated her from the glittering lights on the other side appeared eternal. But in 1994, the world’s last explicit racial segregationist regime collapsed to make way for something unprecedented.

With penetrating psychological insight, intimate reporting, and bewitching prose, The Inheritors tells the story of a country in the throes of a great reckoning. Through the lives of Dipuo, her daughter Malaika, and Christo—one of the last white South Africans drafted to fight for the apartheid regime—award-winning journalist Eve Fairbanks probes what happens when people once locked into certain kinds of power relations find their status shifting. Observing subtle truths about race and power that extend well beyond national borders, she explores questions that preoccupy so many of us today: How can we let go of our pasts, as individuals and as countries? How should historical debts be paid? And how can a person live an honorable life in a society that—for better or worse—they no longer recognize?

Met die konstante eise en druk van die daaglikse lewe, kan dit moeilik wees om tot stilstand te kom en God te ervaar. Topverkoperskrywer Joyce Meyer se praktiese manier van onderrig in hierdie geestelike oordenkings vir 365 dae sal jou aanmoedig om tyd vir jouself te maak sodat jy Moed vir Elke Dag kan ontvang!

Ontvang elke dag nuwe genade en seëninge wanneer jy tyd saam met God spandeer: terwyl jy sy Woord lees, luister en bid om sy leiding. Wanneer jy dit doen, sal God jou versterk en jou in staat stel om die lewe met wysheid en vrede in jou gemoed te hanteer, in plaas daarvan om bloot die dag agter die rug te probeer kry.

God sal jou deur moeilike tye verkwik en bemagtig met geduld en hoopvolle verwagting op die goeie dinge wat Hy vir jou beplan.

Hierdie boek met dagstukke vir die hele jaar het ook 'n pragtige ontwerk en omslag, en is die ideale geskenk vir die vrou in jou lewe.

Verkoopspunte:

• Bekende en gerespekteerde topverkoperskrywer
• Lojale lesersaanhang
• 365 voorsien daaglikse moed en krag
• Ideale geskenk
• 140 x 190 mm, hardeband met pragtige afwerkings

Aletté Winckler, influencer, voorkomskonsultant, vrou en ma neem jou met hierdie 366 dagstukkies nader aan God.

Sy daag jou reguit uit om die Here te vertrou in elke aspek van jou lewe: van ma-wees, jou gesin se finansies, die toekoms en negatiewe gedagtes tot jou selfbeeld, loopbaan en nog soveel meer. Ontdek saam met Aletté God se palet vol vreugde vir elke dag.

Met insette van vriendinne soos Marciel Hopkins, Anel Alexander, Christi Panagio, Donnalee Roberts-Botha en Chireze Hoogendyk.

We all long to know God’s personal will for our lives. While we know God’s general guidance for our lives, we also want to discover how God is specifically calling us.

Discovering God’s Will for Your Life finds its starting point in the astonishing good news that God calls each one by name. It explores how this personal calling relates both to what God wants us to do and who God wants us to become.

In this guide, seasoned author Trevor Hudson provides practical ways in which you can discern God’s personal will for your own journey through life. As you practice these “discernment exercises”, your relationship with God will become a dynamic adventure of faith.

A sweeping account of the social and political world of the Roman emperors by 'the world's most famous classicist' (Guardian).

Cruel control freaks, diligent workaholics or extravagant teenagers? What were the emperors of Rome really like?

In her international best-seller SPQR, Mary Beard told the thousand-year story of ancient Rome. Now, she shines her spotlight on the emperors who ruled the Roman empire, from Julius Caesar (assassinated 44 BCE) to Alexander Severus (assassinated 235 CE).

Emperor of Rome is not your usual chronological account of Roman rulers, one after another: the mad Caligula, the monster Nero, the philosopher Marcus Aurelius. Beard asks bigger questions: What power did emperors actually have? Was the Roman palace really so bloodstained?

Emperor of Rome goes directly to the heart of Roman (and our own) fantasies about what it was to be Roman, offering an account of Roman history as it has never been presented before.

How were whites implicated in and shaped by apartheid culture and society, and how did they contribute to it?

In Ordinary Whites in Apartheid Society, historian Neil Roos traces the lives of ordinary white people in South Africa during the apartheid years, beginning in 1948 when the National Party swept into power on the back of its catchall apartheid slogan. Drawing on his own family’s story and others, Roos explores how working-class white peoples frequently defied particular aspects of the apartheid state but seldom opposed or even acknowledged the idea of racial supremacy, which lay at the heart of apartheid society.

This cognitive dissonance afforded them a way to simultaneously accommodate and oppose apartheid and allowed them to later claim they never supported the apartheid system. Ordinary Whites in Apartheid Society offers a telling reminder that the politics and practice of race, in this case apartheid-era whiteness, derive not only from the top, but also from the bottom.

Hugo ka Canham presents an understanding of life and death based on indigenous and black ways of knowing that he terms Mpondo theory.

In Riotous Deathscapes, Hugo ka Canham presents an understanding of life and death based on indigenous and black ways of knowing that he terms Mpondo theory. Focusing on amaMpondo people from rural Mpondoland, in South Africa’s Eastern Cape, Canham outlines the methodologies that have enabled the community’s resilience and survival.

He assembles historical events and a cast of ancestral and living characters, following the tenor of village life, to offer a portrait of how Mpondo people live and die in the face of centuries of abandonment, trauma, antiblackness, and death. Canham shows that Mpondo theory is grounded in and develops in relation to the natural world, where the river and hill are key sites of being and resistance. Central too, is the interface between ancestors and the living, in which life and death become a continuity and a boundlessness that white supremacy and neoliberalism cannot interdict.

By charting a course of black life in Mpondoland, Canham tells a story of blackness on the African continent and beyond.

Tonele en rolspelers uit die Anglo-Boereoorlog kry nuwe lewe in hierdie unieke versameling foto’s wat lewensgetrou ingekleur is. Dit bring vars perspektief op een van die belangrikste historiese gebeurtenisse in die Suid-Afrikaanse geskiedenis.

In die Anglo-Boereoorlog of Suid-Afrikaanse Oorlog het die twee Boererepublieke van Transvaal en die Oranje-Vrystaat teen die Britse Ryk te staan gekom. Hierdie verwoestende oorlog sou vir dekades lank nog ’n uitwerking hê op die Suid-Afrikaanse politieke, ekonomiese en sosiale landskap.

Lesers sal talle ikoniese foto’s in Die AngloBoereoorlog in kleur raaksien, maar ook verskeie wat nog nooit tevore gepubliseer is nie. Honderde boeke het die afgelope 120 jaar oor die oorlog verskyn, maar dit is die eerste een in volkleur.

Throughout the past 50 years, the courts have been a battleground for contesting political forces as more and more conflicts that were once fought in Parliament or in streets, or through strikes and media campaigns, find their way to the judiciary.

Certainly, the legal system was used by both the apartheid state and its opponents. But it is in the post-apartheid era, and in particular under the rule of President Jacob Zuma, that we have witnessed a dramatic increase in ‘lawfare’: the migration of politics to the courts.

The authors show through a series of case studies how just about every aspect of political life ends up in court: the arms deal, the demise of the Scorpions, the Cabinet reshuffle, the expulsion of the EFF from Parliament, the nuclear procurement process, the Cape Town mayor…

Buckle up for a tour of South Africa – your guide the inimitable Sihle Khumalo.

Born in South Africa, and having lived here for almost fifty years, Khumalo reflects on the past and ponders the future of this captivating yet complex country. He delves into the history of the names given to our towns and cities (from Graaff-Reinet to Schweizer-Reneke to Zastron) and in the process raises issues we might not have interrogated fully.

This is a thought-provoking account by a South African who asks uncomfortable questions and forces his compatriots to contemplate what the future of this country (or cowntry) might hold. Why ‘cowntry’, Sihle? Consider the shady characters who’ve been milking this piece of land for centuries. And the fact that some politicians mispronounce the word ‘country’. But who knows? Maybe it is not mispronunciation – perhaps they’re giving us a message: the people in power are milking this country and it’s all just a game…

A first-ever collection of contemporary Muslim women’s khutbahs (sermons) drawing on their social, religious, and spiritual experiences and framed by original reflections on an emerging Muslim feminist ethics

Within the Muslim world, there is a dynamic and exciting social change afoot: a number of communities across the globe have embraced more gender-inclusive and representative ideas of religious authority. Within some spaces, women have taken on the role of preacher at the Jumu’ah (Friday) communal prayers. In other communities, women have been leading the prayers, officiating at marriage and funeral ceremonies, or participating on mosque boards or executive committees. These new developments signify a transformation in contemporary positions on gender and religious authority.

This pioneering book makes an innovative contribution to Muslim feminist ethics. It is grounded in a collection of religious sermons (khutbahs) by contemporary Muslim women in a variety of new and emerging contexts, in South Africa, Senegal, Egypt, Malaysia, Pakistan, Indonesia, Canada, Mexico, the United States, Germany, Denmark, and the United Kingdom.

Dana Snyman is volksbesit. Met Die binneland in verken dié geliefde skrywer ons land en sy mense vandag.

Dana reis landin, op soek na sekerheid en lig. Hy rou oor dié wat weggeval het, soos die ikoniese Fred Mouton. Hy gesels met Pipo die clown, die karwag wat Adriaan Vlok onthou en oom Bok Horn wat 'n leeu uitoorlê het.

In die nadraai van die pandemie, met beurtkrag, oorlog in Oekraïne en die politiek, begin mense moed opgee, ook oor hulself. Maar Dana vind hoop, liefde - en geloof.

The battle of Blood River, or Ncome, on 16 December 1838 has long been regarded as a critical moment in the history of South Africa. It is the culminating victory by the land-hungry Boers who had migrated out of the British-ruled Cape and invaded the Zulu kingdom in 1837.

Many Afrikaners long acclaimed their triumph as the God-given justification for their subsequent dominion over Africans. By contrast, Africans celebrate the war with pride for its significance in their valiant struggle against colonial aggression.

In this telling of the Boer invasion, John Laband deals even-handedly with the warring sides in the conflict, explaining both victory and defeat in the many battles that marked the war. Crucially, he takes the Zulu evidence into full account to present the less familiar Zulu perspective and to explain the decisions taken by the Zulu leaders, as they grappled with the existential threat of the Boer invasion.

The protagonists are placed in the context of a subcontinent experiencing a time of turmoil in the early nineteenth century. A time that saw the displacement of populations and migrations, the emergence of new, warlike African kingdoms such as that of the amaZulu, and the inexorable and violent advance of colonial settlement and rule.

Reynardt Hugo speel Dr Tertius Jonker in Binnelanders en was van 2011 tot 2019 lid van die Afrikaanse popgroep ADAM. Tog, agter al sy sukses, sangtoere, toekennings en die vele lofbetuigings is daar ’n diep gewonde en verlore siel. Nes duisende ander mans, het Reynardt jare lank gestoei om sy verwondheid met drank, dagga, vroue en pornografie te verdoesel. Sy oorlog was ’n soeke na betekenis en aanvaarding.

Soldaat vertel van ’n klein seuntjie en die verwarrende wêreld waarin hy grootgeword het. Hy praat eerlik en opreg oor die impak wat sy ouers se egskeiding op hom gehad het, en die invloed van drankmisbruik in hulle huis, en hoe hy dit alles as jong seun ervaar het en daarvan moes sin maak. Hy praat openlik oor sy swakheid vir vroue en die gevolge van sy dade.

Vandag is Reynardt Hugo ’n suksesvolle jong man wat ’n groot impak maak. Die pad was lank en rof en hy moes vele uitdagings oorkom, maar vandag is sy lewe ’n ware getuienis van wat God kan doen met iemand wat op moedverloor se vlakte sit, en hoe God ’n storie van verwoesting in ’n storie van hoop kan verander.

Reynardt se verhaal is boeiend. Dit bevat al die elemente van tragedie, intrige, neerlaag en oorwinning, maar ook die heel belangrikste bestanddeel: die krag van die evangelie van Jesus Christus.

Fortune favours the bold. All great leaders of history have known this, and were successful because of the risks they dared to take. But today so many of us are paralysed by fear.

Drawing on ancient Stoic wisdom and examples across history and around the world, Ryan Holiday shows why courage is so important, and how to cultivate it in our own lives. Courage is not simply physical bravery but also doing the right thing and standing up for what you believe; it's creativity, generosity and perseverance. And it is the only way to live an extraordinary, fulfilled and effective life.

Everything in life begins with courage. This book will equip you with the bravery to begin.

Contesting one’s place remains central to confronting the lingering impact of colonisation and apartheid, emerging as it does out of the intermingling of our environments, histories, languages and experiences. In this volume, architects, anthropologists, artists, urban planners, activists and historians examine the ways in which people are rethinking, repurposing and reusing colonial and apartheid architecture and infrastructure. They seek to engage with ways in which history, art and architecture practices contest and subvert these protracted conditions in terms of social justice, development, conservation, heritage, land reclamation and urban renewal.

The focus is on colonial environments in different parts of South Africa and Africa to understand the history of disputed places and responses of remembrance, communal consideration, revival and conflict. In recent years, public awareness of the physical and environmental reminders of this past has been sharpened by sporadic campaigns and ongoing disputes around land, gentrification, repatriation and heritage. Globally, there has been a wave of public outcry and contestation about the place of racist names and statues in public spaces, litigation over abandoned and toxic sites, with calls for removal and restitution as an integral part of decolonisation. And there has been recognition of the lived experiences, knowledge and activities through which people and communities build their heritage.

In this context, questions about the place of colonial and apartheid planning and architecture and their past acquire salience and urgency in the present.

The Poisoners is a history of four devastating chapters in the making of the region, seen through the disturbing use of toxins and accusations of poisoning circulated by soldiers, spies, and politicians in Zimbabwe and South Africa.

Imraan Coovadia’s fascinating new book exposes the secret use of poisons and diseases in the Rhodesian bush war and independent Zimbabwe, and the apparent connection to the 2001 anthrax attacks in the United States; the enquiry into the chemical and biological warfare programme in South Africa known as Project Coast, discovered through the arrest and failed prosecution of Dr Wouter Basson; the use of toxic compounds such as Virodene to treat patients at the height of the Aids epidemic in South Africa, and the insistence of the government that proven therapies like Nevirapine, which could have saved hundreds of thousands of lives, were in fact poisons; and the history of poisoning and accusations of poisoning in the modern history of the African National Congress, from its guerrilla camps in Angola to Jacob Zuma’s suggestion that his fourth wife collaborated with a foreign intelligence agency to have him murdered.

But The Poisoners is not merely a book of history. It is also a meditation, by a most perceptive commentator, on the meaning of race, on the unhappy history of black and white in southern Africa, and on the nature of good and evil.

Ella Blumenthal’s story of surviving the Holocaust and building a new life in South Africa is a lesson in resilience, attitude and joy.

From the dying embers of the Warsaw Ghetto to the gas chambers of the Nazi concentration camps; from Poland to Paris, Palestine and eventually Cape Town; from stateless refugee to community pillar, Ella’s 100 years of life have been nothing short of herculean.

After decades, Ella is finally ready to tell her full story to bestselling author Joanne Jowell.

Die slawe aan die Kaap het as draers en skeppers van kultuur, ten spyte van onderdrukking, ’n groot invloed uitgeoefen op die ontwikkeling van die samelewing aan die suidpunt van Afrika en veral van ’n inheemse, kreoolse kultuur.

In hierdie boek word die slawe se rol in die ontstaan van dié eiesoortige kultuur vir die eerste keer verken.

These Potatoes Look Like Humans offers a unique understanding of the intersection between land, labour, dispossession and violence experienced by Black South Africans from the apartheid period to the present.

In this ground-breaking book, uMbuso weNkosi criticises the historical framing of this debate within narrow materialist and legalistic arguments. His assertion is that for most Black South Africans the meaning of land cannot be separated from one’s spiritual and ancestral connection to it, and this results in him seeing the dispossession of land in South Africa with a perspective not yet explored.

Nkosi takes as his starting point the historic 1959 potato boycott in South Africa, which came about as a result of startling rumours that potatoes dug out of the soil from the farms in the Bethal district of Mpumalanga were in fact human heads. Journalists such as Ruth First and Henry Nxumalo went to Bethal to uncover these stories and revealed horrific accounts of abuse and routine killings of farmworkers by white Afrikaners. The workers were disenfranchised Black people who were forced to work on these farms for alleged ‘crimes’ against National Party state laws, such as the failure to carry passbooks.

In reading this violence from the perspectives of both the Black worker and the white farmer, Nkosi deploys the device of the eye to look at his research subjects and make sense of how the past informs the present. His argument is that the violence against Black farmworkers was not only on the exploitation of cheap labour, but also an anxiety white farmers felt about their settler-colonial appropriation of land. This anxiety, Nkosi argues, is pervasive in current heated public debates on the land question and calls for ‘land expropriation without compensation’. Furthermore, the dispossession of Black people from their land cannot be overcome until there is a recognition of the dead and restless spirits of the land, and a spiritual return to home for Black people’s ancestors. Until such time, the cycles of violence will persist.

This book will be of interest to academics and scholars working in the area of land and workers’ struggles but also to the general reader who wants to gain a deeper understanding of redress and social justice on multiple levels.

Renowned South African photographer Ranjith Kally captured iconic scenes throughout his career, such as his portrait Umkumbane, which has come to symbolise the shimmering jazz age of African townships in the 1950s.

When Miriam Makeba returned to Maseru, Lesotho, for a concert for black South Africans at the height of apartheid, Ranjith, too ventured to Lesotho and returned home with a remarkable image of an exiled singer poised between joy and heartbreak. And in a series of unflinching portraits, he documented with probity the horror of the forced removals in Natal.

As one of our country’s most prolific photojournalists, Ranjith’s pictures provide us with a glimpse into the tensions of the past and the events that shaped our future.

Gebed vir elke geleentheid bevat 100 gebede vir elke geleentheid om gelowiges se gebedslewe te versterk en aan te vul.

Somtyds wil ons graag ons harte na God wend maar ons kan nie die regte woorde vind om ons gevoelens aan die Here oor te dra nie. In hierdie boek het Hennie Maartens 100 hartsgebede saamgevoeg in ’n unieke bundel waarin die Here se kinders riglyne vir gebed kan vind om na die hemelse Vader uit te reik te midde van elke seisoen, situasie, lewensgebeurtenis of beproewing.

Hierdie is nie net die perfekte boek om ’n persoonlike gebedslewe te verryk nie, maar ook die ideale boek vir mense wat vir groepe moet bid, soos onderwysers, skoolhoofde, predikers, ouderlinge, selgroep-leiers en jeugleiers.

The beloved daughter of Jewish captives in Babylon, Keren is sold into Daniel’s household to help her family survive. She becomes Daniel’s most trusted scribe, while taking lessons and swordsmanship training alongside Daniel’s sons and their best friend, Jared.

But after a tragic accident changes the course of her life, Keren finds herself in a foreign country, charged with a mysterious task: teaching a shepherd boy how to become a lord. When she overhears whispers that hint at his true identity, she realizes she must protect him from the schemes of a bloodthirsty king.

Jared cannot forgive Keren. Still, he finds himself traveling over mountains to fetch her back to the safety of home. When he discovers the secret identity of Keren’s pupil, Jared knows he must help protect him. Love battles bitterness as they flee from the king’s agents, trying to save the boy who could one day deliver their people from captivity.