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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Iconography, subjects depicted in art
Get up close to the beauty and detail of nature through the artwork
of award-winning UK artist, Julia Trickey. See how ordinary and
sometimes overlooked subjects, such as leaves and fading flowers,
can be centre stage and come to life in this beautiful showcase of
some of Julia's best-loved botanical watercolours. Having been a
tutor of botanical art for many years, teaching as far afield as
Moscow and New York, Julia loves to help others explore the
potential of watercolour and to discover the keys to a good
botanical portrait. In this book she shares some of these insights
as well as the motivation behind her favourite projects, together
with some of the processes and watercolour techniques involved.
Take inspiration from these glowing, contemporary watercolours in a
book that is both beautiful and useful.
Beauty comes in all shapes and sizes - this collection of female
nudes is a celebration of the artist's view that the rubenesque
female form is beautiful and desirable. The art is soft and
sensual, and displays the larger woman in tasteful relaxed poses
that are at times dreamlike in form.
Ars Judaica is an annual publication of the Department of Jewish
Art at Bar-Ilan University. It showcases the Jewish contribution to
the visual arts and architecture from antiquity to the present from
a variety of perspectives, including history, iconography,
semiotics, psychology, sociology, and folklore. As such it is a
valuable resource for art historians, collectors, curators, and all
those interested in the visual arts. In this volume, Avraham Faust
considers a unique phenomenon in the material culture of ancient
Israel during the biblical period: pottery without painted
decoration. Moshe Idel, an expert on Jewish mysticism, sheds new
light on the figure of Helios in the Hammath Tiberias synagogue
mosaic, comparing it to descriptions of angel 'Anafi'el in the
Heikhalot literature and medieval Kabbalistic texts. Rahel Fronda
attributes a group of medieval Ashkenazi Bible manuscripts
containing similar micrographic ornaments to the same scribal
workshop, possibly near Wurzburg. Alexander Mishory reveals a
Scroll of Esther illuminated by one of the first Bezalel artists,
Shmuel Ben-David, and focuses on his use of fowl and fox imagery
deriving from an Arab fable. Artur Tanikowski discusses social
awareness and humanist values in the work of Polish modernists of
Jewish origin. The Special Item by Nurit Sirkis Bank is dedicated
to hasidic wedding rings. A silver ring, square on the outside,
round within, and engraved with the Hebrew letter he is understood
as a symbol of unity and harmony between man and woman, the human
and the Divine, nature and culture, and even good and evil.
Contributor Information: Walter Cahn, Professor, History of Art
Department, Yale University, Avraham Faust, Director, Tel 'Eton
Excavations, Institute of Archaeology, Martin (Szusz) Department of
Land of Israel Studies and Archaeology, Bar-Ilan University, Rahel
Fronda, Hebraica and Judaica Subject Librarian, Bodleian Library,
University of Oxford, Carole Herselle Krinsky, Professor, Art
History Department, New York University, Moshe Idel, Professor,
Department of Jewish Thought, Hebrew University of Jerusalem;
Senior Researcher, Shalom Hartman Institute, David Malkiel,
Professor, Department of Jewish History, Bar-Ilan University, Alec
Mishory, independent scholar, Israel, Ilia Rodov, Lecturer,
Department of Jewish Art, Bar-Ilan University, Nurit Sirkis Bank,
Curator, Wolfson Museum of Jewish Art, Hechal Shlomo; doctoral
candidate, Bar-Ilan University, David Stern, Professor, Jewish
Studies Faculty, University of Pennsylvania, Artur Tanikowski,
Graphic Department, Academy of Fine Arts, Warsaw; Faculty of
Humanities, Fryderyk Chopin Uiversity of Music, Warsaw; Curator,
Museum of the History of Polish Jews, Warsaw Volumes of Ars Judaica
are distributed by the Littman Library of Jewish Civilization
throughout the world, except Israel. Orders and enquiries from
Israeli customers should be directed to: Ars Judaica Department of
Jewish Art Bar-Ilan University Ramat-Gan 52900 Telephone: 03
5318413 Email: [email protected]
Sue Clyne is emerging as the UK's leading fantasy artist. She grew
up in the Norfolk countryside of rolling hills and woodlands. Her
school books were littered with doodles and sketches in margins and
on pages. She remains an intuitive artist. She has taken her lead
from a varied selection of great artists including Josephine Wall,
the late Susan Seddon Boulet and Salavador Dali.
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Visions
(Hardcover)
Shukar
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R774
R678
Discovery Miles 6 780
Save R96 (12%)
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Ships in 18 - 22 working days
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Walk With Me
(Hardcover)
Kev Howlett; Photographs by Kev Howlett
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R673
Discovery Miles 6 730
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Ships in 18 - 22 working days
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This volume focuses on the migration and acculturation of images in
Jewish culture and how that reflects intercultural exchange. Gender
aspects of Jewish art are also highlighted, as is the role of
images in interreligious encounters. Other topics covered include
the history, codicology, and iconography of a Haggadah produced in
the late fifteenth century.
The ERC-funded research project BuddhistRoad aims to create a new
framework to enable understanding of the complexities in the
dynamics of cultural encounter and religious transfer in pre-modern
Eastern Central Asia. Buddhism was one major factor in this
exchange: for the first time the multi-layered relationships
between the trans-regional Buddhist traditions (Chinese, Indian,
Tibetan) and those based on local Buddhist cultures (Khotanese,
Uyghur, Tangut) will be explored in a systematic way. The second
volume Buddhism in Central Asia II-Practice and Rituals, Visual and
Materials Transfer based on the mid-project conference held on
September 16th-18th, 2019, at CERES, Ruhr-Universitat Bochum
(Germany) focuses on two of the six thematic topics addressed by
the project, namely on "practices and rituals", exploring material
culture in religious context such as mandalas and talismans, as
well as "visual and material transfer", including shared
iconographies and the spread of 'Khotanese' themes.
Doyle constructs communion ecclesiology as a broad and inclusive
category that makes room for a range of legitimate approaches. He
examines the approaches of Johann Adam Mohler, Charles Journet,
Henri de Lubac, Yves Congar, Karl Rahner, Hans Urs von Balthasar,
Elizabeth Johnson, Joseph Ratzinger and many others.
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