Regarding Frames explores the ways that literary comics engage readers in the mutual construction of meaning. Part interpretive criticism, part philosophical meditation, Regarding Frames: Thinking with Comics in the Twenty-First Century explores the ways that literary comics engage readers in the mutual construction of meaning. Kwa draws from a wide range of philosophical, critical, and theoretical texts to analyze the visual and verbal narrative strategies that artists use. She examines the work of comic artists Gabrielle Bell, Michael DeForge, Kevin Huizenga, Laura Park, and Dash Shaw who construct their particular visions of the world. These creators' experiments with form pose questions about the difference between how things appear to be and how they are. Regarding Frames makes a case for the rewards of close reading at the surface.

Walter Crane (1845 1915) is best remembered today as the illustrator of whimsical stories for children, but in fact he worked in many styles and genres throughout his life. The son of a painter, he was apprenticed to a wood engraver at the age of thirteen, and his father died shortly afterwards. By the time his apprenticeship was completed, Crane was painting as well as engraving, and joined the circle of the Pre-Raphaelites, being especially influenced by the politics of William Morris and the aesthetics of the Arts and Crafts movement. This highly illustrated 1907 autobiography traces his life from his childhood in Torquay through the difficult period following his father's death to his success as an illustrator and decorative artist, describing work, politics and travel. Crane may have felt that he was not given recognition as a serious painter, but this engaging account of a happy life does not show it."

Molly Bang's brilliant, insightful, and accessible treatise is now revised and expanded for its 25th anniversary. Bang's powerful ideas remain unparalleled in their simplicity and genius: Explore the intricate and thought-provoking ideas that Bang brings to Picture This including thoughts about how the visual composition of images works to engage the emotions, and how the elements of an artwork can give it the power to tell a story. Why are diagonals dramatic? Why are curves calming? Why does red feel hot and blue feel cold? She asks the right questions to get your wheels turning while the illustrations and thoughtful designs bring the words to life. * Explores the mix of geometrical abstraction and emotional expressions, plus how a few clear principles can be used to build powerful visual statements. * Encourages you to answer the question, "How does the structure of a picture-or any visual art form-affect our emotional response?" * Includes powerful imagery and beautiful illustrations to help readers feel connected to the text. First published in 1991, Picture This has changed the way artists, illustrators, reviewers, critics, and readers look at and understand art. Molly Bang has authored and illustrated more than three dozen books and has won three Caldecott Honors, a Kate Greenaway Honor, and a Charlotte Zolotow Award, among other accolades, in her long career as a writer and artist. Picture This makes an imaginative and inspiring gift for any artist or loved one who is interested in design.

The Guild Handbook of Scientific Illustration, Second Edition

Sponsored by the Guild of Natural Science Illustrators and written by top illustrators, scientists, and industry experts, The Guild Handbook of Scientific Illustration, Second Edition is an indispensable reference guide for anyone who produces, assigns, or simply appreciates scientific illustration.

Offering broad coverage and more than 620 outstanding illustrations, this new edition offers up-to-date coverage on all aspects of this specialized field, from illustrating molecules and 3D modeling to important material and advice on copyright and contractual concerns, as well as establishing a freelance business.

With step-by-step instructions, in-depth coverage of illustrative techniques and related tools, and helpful advice on the day-to-day business of scientific illustrating, it is easy to see why scientific illustrators refer to this book as their "bible."

The relationship between palms and humans has been very close since the beginning of ancient civilisations and this relationship shows no signs of diminishing. Palms are as relevant today as they were for the ancient Aztecs, since they have always provided food, shelter, materials and medicines. The Culiacan Botanical Garden recognises the importance of palms for humans and has worked on obtaining and protecting various species. This collection is one of the largest in Mexico. Each entry includes the common name of the species, other names by which the palm is known, its scientific name, conservation status and geographical distribution. It also mentions the habitat, its main characteristics, the relationship it has with others species and how it arrived at the Botanical Garden. This volume offers a selection of images with details of the leaves, the fruit, the trunk and the flower. There are also illustrations by the artist Sofía Táboas about the species in the nursery.

Mr Strachan was asked if he could identify or explain the illustrations in an edition of the English Great Bible of 1541. Some were simple, others quite baffling. He set out to discover their meaning and history, and succeeded in tracing their derivation. At each stage a possible influence or explanation pointed a stage farther back; in the end he found that he had to cover virtually the whole history of illustration in printed bibles during their first century. He has set down his findings in this study. There is a considerable detective interest; one sees how successive renderings of a subject produced strange garblings, until certain pictures became apparently meaningless. It is all quite easy to understand, now that Mr Strachan has explained it; but he was working backwards in time, and it was a feat of ingenuity and perseverance to have reached his conclusions. All the more so in that he had to survey the entire range of bible-printing in every important European country.

The Spitz book of hours is one of the finest French books of hours in the collections of the Getty Museum. It is also one of the most original and inventive manuscripts painted in the International style. The Spitz Master, its primary illuminator, allows the narrative of the miniatures to fill the borders, bringing its pages alive in a fresh and engaging manner.
In new art-historical research, Gregory Clark places this manuscript's vivid, even witty, imagery in the turbulent context of Parisian culture around 1420. Clark also examines the book of hours in the context of medieval culture, the book trade in Paris, and the role of Paris as an international center of illumination. The Spitz Master: A Parisian Book of Hours is the first study devoted entirely to the manuscript and reproduces all the book's glowing miniatures in full color. It will serve as a lively introduction to the Spitz Hours for scholars and the general public alike.

Quentin Blake's illustrations are instantly recognisable to millions of people around the world. A new exhibition to be held at London's House of Illustration will explore an unusual aspect of Blake's work, however, exhibiting for the first time 100 examples of his works of art. 100 Figures, will feature all of the 100 exhibited works - ranging from large-scale oil paintings to drawings and prints, created between the 1950s and today. Works included date back to his post-grad years in the 1950s when he struggled to make a living as an illustrator and took life-drawing classes at Chelsea School of Art. It was here that he first engaged with the human figure, but soon, having observed how the human body behaves, he found he was able to draw it from memory in any pose, working from his vivid imagination. 100 Figures will also offer the chance to catch a rare glimpse of early oil paintings by Blake - some painted on hardboard since he was unable to afford canvases at that time and painted using commercial house-painters' brushes.

This book analyzes the fundamental aspects of graphically depicting a wide variety of jewelry. The relationships of volume, balance between full and empty, treatment of metal surfaces, warm and cool materials and the relationship between the support and the stone are explained in depth along with ways to illuminate jewelry, treatment of light and chiaroscuro play to add depth. The book begins with simple geometric structures and moves on to explore more complex forms through a range of distortions and multiplications. The goal is not to show finished pieces of jewelry but to provide the tools that will enable readers to acquire a work method that allows them to represent their ideas effectively. From orthogonal and axonometric projections to techniques (watercolor, tempera, ink, mixed technique) and different possible supports, readers will find a source of inspiration for developing their own designs. Rings, tiaras, precious stones, bracelets and chains) are graphically represented in this book as if they were real, along with effects such as depth, gloss and transparency.

Unique digital drawings from one of Switzerland's most prolific artists of today. Since early in his career, the Swiss artist Yves Netzhammer has used digital drawings as the basis of his work, which oscillates between sculpture and the moving image. Lines drawn into a space in abeyance visualize his figurative thought and beguile the viewer into bizarre, comical, and eerie associations. Netzhammer's refined and precise pictorial rhetoric plays a subtle game that permits the viewer a variety of interpretations and continually evades the deceptive moment of unambiguity. This results in images in which complexity and levity, formal strictness, or conceptual proliferation come to the front depending on one's point of view. Convex Thoughts is a bibliographical space that complements its predecessor, Concave Thoughts-together they are a guide for dreamers and musers, an endless storyboard from an art at the highs and lows of its time.

Philip Kelleway discusses the work of the Johnstone twins, two of the most prolific illustrators of children's books in 20th-century Britain.

This latest volume of the Society of Illustrators' annual is a gorgeous collection of the year's best illustrations derived from books, advertising, comics, and un-commissioned illustrations. Designed by D.J. Stout of the prestigious Pentagram Design firm, this massive volume presents not only the year's finest illustrative work, but also delves into the ideas behind the art as stated by the artists themselves. Each artist discusses the how to and why of their art, marking this annual both a visually stunning art book, and a riveting read into the creative process of today's top working illustrators.

Combining the smooth reading experience of the Thomas Nelson NKJV Comfort Print® typeface with the popular format of the Journal the WordTM Bibles.

Do you underline Scripture, take notes during sermons, or express your thoughts through journaling? The NKJV Journal the WordTM Bible is a trustworthy and indispensable resource for anyone who puts pen to paper for deeper engagement with God's Word. The extra-wide lined margins make this Bible ideal for note taking or journaling.

The NKJV Journal the WordTM Bible is truly inspirational from cover to cover and sure to make an excellent gift as a treasured personal keepsake. The Thomas Nelson NKJV Comfort Print® typeface is designed to honor the beauty of the New King James Version, providing a particularly smooth reading experience for longer engagement in God's Word.

Thinking Visually for Illustrators features a wide range of work, demonstrating diverse visual languages, context, ideas, techniques and skills. It also looks at the ways in which illustrators develop their own personal visual language. Contemporary illustrators from all over the world engaged in a diverse range of approaches to the discipline have contributed their artwork and commentaries on visual thinking and the working process. The text also features the work of recent graduates, present students and observations from educators past and present. This edition has been updated to include a new chapter on illustration for the digital context and new approaches to working.