The Guild Handbook of Scientific Illustration, Second Edition

Sponsored by the Guild of Natural Science Illustrators and written by top illustrators, scientists, and industry experts, The Guild Handbook of Scientific Illustration, Second Edition is an indispensable reference guide for anyone who produces, assigns, or simply appreciates scientific illustration.

Offering broad coverage and more than 620 outstanding illustrations, this new edition offers up-to-date coverage on all aspects of this specialized field, from illustrating molecules and 3D modeling to important material and advice on copyright and contractual concerns, as well as establishing a freelance business.

With step-by-step instructions, in-depth coverage of illustrative techniques and related tools, and helpful advice on the day-to-day business of scientific illustrating, it is easy to see why scientific illustrators refer to this book as their "bible."

Carrington's beguiling letters take us beyond the Bloomsbury group to discuss sexual mores, how to be an artist, and what it is to be truly oneself. Known only by her surname, Dora Carrington was the star of her year at the Slade School of Fine Art, and was friends with some of the greatest minds of her day, including Virginia Woolf, Rosamund Lehmann and Maynard Keynes. For over a decade she was the companion of homosexual writer Lytton Strachey, and - stricken without him- killed herself when he died in 1932. Though she never achieved the fame her early career promised, in her determination to live life according to her own nature - especially in relation to her work and her fluid attitude to sex, gender and sexuality - she fought battles that remain familiar and urgent today. Now, through her passionate, playful and honest letters, we can encounter the maverick artist and compelling personality afresh and in her own words.

International number one bestselling author Jeffrey Archer is a master of the short story form, creating classic tales beloved by his fans and hitting the top of the bestseller lists. This illustrated edition is a collection of his best-loved stories.

In The Short, The Long and The Tall the master storyteller joins forces with renowned illustrator Paul Cox, to re-imagine twenty of Jeffrey Archer's most popular and feted short stories alongside beautifully rendered watercolour illustrations.

Find out what happens to the hapless young detective from Naples who travels to an Italian hillside town to solve a murder and ends up falling in love; and the pretentious schoolboy whose discovery of the origins of his father’s wealth changes his life forever. Revel in the stories of the woman who dares to challenge the men at her Ivy League university during the 1930s, and another young woman who thumbs a lift and has an encounter she will never forget. Discover the haunting story about four men whose characters are tested to the point of death. Finally, a short parable about how pointless war is, and how decent people are caught up in the crossfire of their leaders’ ambitions. This will be a must-buy for dedicated fans of both the author and illustrator’s work.

FOLLOWING FROM THE ENORMOUS SUCCESS OF WORDS AND PICTURES AND BEYOND THE PAGE , THIS THIRD VOLUME CONTINUES A NARRATIVE OF VISUAL ADVENTURES OF UNUSUAL DIVERSITY. Pens Ink & Places contains a wealth of new material, ranging from touching series of vignettes for Great Ormond Street Hospital to gigantic drawings for the Jerwood Gallery in Hastings; from the sombre apocalyptic landscapes of Riddley Walker to the energetic fantasy of Billy and the Minpins. This beautiful volume also includes Blake's unique illustrations made to accompany accompany the works of John Ruskin, La Fontaine, Lucius Apuleius and Beatrix Potter. Blake's commentary - straight, as it were, from the drawing board - explores the challenges and opportunities in the creation of drawings known around the world, as well as others seen here for the first time. It is clear from every page of this informative and richly illustrated volume that there has been no slackening of brio in the scratchy pen nib of an artist who has been called the `Godfather of Illustration'.