In this book, the author presents the perspectives of several authors and designers on how to achieve an emotional graphic design. Even though they are not absolute truths and there is no guarantee that if a designer follows those principles people will be emotional attached to the work, they will certainly bring them closer to that. Emotional design is a design that reflects on the crucial role emotions have in the human ability to understand the world, promising to enhance the quality of life of its audience. A successful emotion-driven design improves the relationship between the audience and the 'product', creating deep emotional bounds between the two. There are already many theories talking about emotional design in product design, industrial design, and even web design. But what about graphic design? This book aims to bring the graphic designer closer to delivering an emotion-driven design.

Over seventy years of quintessential London views in one box In 1950, aged 19, David Gentleman arrived in the capital, ready to begin his life as an artist. Over the next seven decades, he would sketch, paint, and engrave his way through London, documenting the cityscape, and shaping it, too - most notably through his iconic mural in Charing Cross Underground Station. Combining world-famous imagery with unexpected scenes of daily life in the city, this box of London artworks is a treasure trove for all those who flock to the capital. 'David Gentleman is London's visual laureate' Quentin Blake

Cambridge University Library's collection of illuminated manuscripts is of international significance. It originates in the medieval university and stands alongside the holdings of the colleges and the Fitzwilliam Museum. The University Library contains major European examples of medieval illumination from the ninth to the sixteenth centuries, with acknowledged masterpieces of Romanesque, Gothic and Renaissance book art, as well as illuminated literary texts, including the first complete Chaucer manuscript. This catalogue provides scholars and researchers easy access to the University Library's illuminated manuscripts, evaluating the importance of many of them for the very first time. It contains descriptions of famous manuscripts, for example the Life of Edward the Confessor attributed to Matthew Paris, as well as hundreds of lesser-known items. Beautifully illustrated throughout, the catalogue contains descriptions of individual manuscripts with up-to-date assessments of their style, origins and importance, together with bibliographical references.

David Gentleman has lived in London for almost seventy years, most of it on the same street. This book is a record of a lifetime spent observing, drawing and getting to know the city, bringing together work from across his whole career, from his earliest sketches to watercolours painted just a few months ago. Here is London as it was, and as it is today: the Thames, Hampstead Heath; the streets, canals, markets and people of his home of Camden Town; and at the heart of it all, his studio and the tools of his work. Accompanied by reflections on the process of drawing and personal thoughts on the ever-changing city, this is a celebration of London, and the joy of noticing, looking and capturing the world. 'David has spent a lifetime depicting with wit and affection a London he has made his own' Alan Bennett 'He delivers a poetry of exultant concentration ... The surface fusion of the sensuous and the sharply modern is echoed by Gentleman's imagery' Guardian 'The artist and illustrator has been responsible for some of the most-seen public artworks in this country' The Times 'Perhaps the last of the great polymath designer-painters' Camden New Journal

A guide to the glories of Rome, conveyed by means of an artist's sketchbook Matthew Rice is a long-time observer and illustrator of cities, buildings and all those who inhabit them, with an uncanny ability to express the energy of a place through a few lines of ink and splashes of paint. In the first book in this new sketchbook series, he explored the glittering canals of Venice: now he turns his attention to Rome, the Eternal City. Rome is a place where the ancient, the baroque and the modern clash, and this tension runs through Matthew's paintings. In this guide, he makes sly juxtapositions of people and animals against the backdrop of the city's architectural and artistic wonders, its ruins and its ristoranti. Matthew's ability to notice detail, his sense of light and dark, his expert's knowledge of architecture and how it creates an atmosphere allows him to present Rome, in these pages, in its all its living, breathing splendour. Following the same landscape format as Matthew's real-life sketchbooks, Rome: A Sketchbook will combine enchanting watercolour illustrations with an informed, personal and witty text, and promises to delight all visitors to Rome, armchair or actual.

At the turn of the twentieth century, the demand for magazine and book illustrations was at an all-time high, offering women artists an unprecedented number of professional opportunities. This unique anthology features 120 color and black-and-white artworks by the Golden Age of Illustration's finest female illustrators, including Beatrix Potter, Kate Greenaway, and Jessie Willcox Smith.
A career in illustration represented an ideal opportunity for women in post-Victorian society. Every well-bred girl was schooled in the arts of sketching and drawing, and by working at home, a woman's modesty could remain uncompromised. Successful competition in a world dominated by male artists, however, called for determination as well as talent. This compilation celebrates the accomplishments of twenty-two female illustrators, including Elenore Abbott, Mabel Lucie Attwell, Elizabeth Shippen Green, Ruth Mary Hallock, Jessie Marion King, Dorothy Lathrop, Ida Rentoul Outhwaite, Margaret Winifred Tarrant, and others.

Alba the fish has spent her entire life collecting precious objects that drift down to the ocean floor. From delicate shells to brightly coloured coral, each year on her birthday she gathers one more precious item. But over the years, Alba notices her collection is losing its sparkle and that the world is changing. What are these bits of plastic and metal? As the coral reef fades, Alba decides to leave her home behind. Can an old fish teach the world how to bring colour back to the ocean?

The One-Hundred-Year-Old Fish gently highlights the issue of pollution. A beautifully illustrated picture book from exciting new talent Lara Hawthorne.

A highlight of the time-honored gathering of children's publishers in Bologna, Italy, the Illustrators Annual juried every year from the finest art at the show celebrates debut and storied talent from around the world, the talent that engages a whole new generation of book lovers. This glorious compendium of 2015's artwork and artist profiles can be read cover to cover or browsed through at random. And it not only provokes envy of the fair's attendees, but also inspires readers to marvel at the brilliance of the gifts shared by those whose work is discovered in these pages and to gleefully anticipate the future of children's books."

'Ideal for wild children - beautifully illustrated, with great information, maps and data ... it's top bedtime reading' Chris Packham What do the ingenious sea otter, the incredible shrinking reindeer, the tree-dwelling baby dragon or the Dodo's long-lost cousin have in common? They are all at risk of disappearing from our world forever. This book is all about the amazing creatures that are now endangered around the globe, from oceans and forests to mountains and snow. Filled with beautiful beasts, glorious illustrations, facts and tales, it will make you fall in love with the animal kingdom - and maybe even try to save it.