Imagine horses that turn into men. Or skulls that morph into delicate ladies, dragons that switch in the blink of an eye to elephants, or chess tables that defy reality. Sounds like movie special effects, some Hollywood offering? Think again...
Seeing Double is a stunning collection of more than 170 images that trick the eye into seeing two different images - and never both at the same time! It's an amazing book that will captivate and delight in equal measure. Crammed into 160 full colour pages are double illusions, upside-downs, ambigousities, illusions galore and techniques that will astound and enthrall. Seeing Double - the ideal Christmas gift for those who love visual puzzles, mind benders, Escher prints and psychological games!

A great book for expressing your creative fashion urges, with doodling, drawing and colouring exercises to fill in.Fashion illustrator and lecturer Frances Moffatt provides suggestions and half-filled pages of drawings and doodles for you to continue. Including sections on designing your own fashion blog, creating your own festival fashions, styling street style models from across the globe, adding bling to celebrity pets and creating your own fashion patterns and prints. This book is packed full of fun exercises to get creative and bring out the fashionista in you. Unleash your creative potential by adding colour, patterns and glitter to these line drawings to make them unique to your style. Whether it's a simple colouring-in piece, or a more considered drawing, the suggestions offer something for everyone and encourage you to make the book about your own style.

This book offers practical help and guidance to aspiring illustrators. All areas of the job are covered - creating a portfolio; approaching potential clients; preparing for meetings and negotiating contracts; setting up a studio; maintaining a flow of work and managing one's time and cash. Self-promotion, creating websites, self-publishing and the pros and cons of agents are all explored. International illustrators are interviewed, discussing how they got their break in the industry, their experiences with clients, their methods of promoting work and more. In addition, leading art directors describe their approach to commissioning illustration, how they spot new talent, their thoughts on promotional material and their advice to up-and-coming illustrators. Packed with useful tips gleaned from the author's own career as an illustrator, and his work as an agent handling some of the best new talent, the book is an essential read for anyone looking to succeed in illustration.

'Ideal for wild children - beautifully illustrated, with great information, maps and data ... it's top bedtime reading' Chris Packham What do the ingenious sea otter, the incredible shrinking reindeer, the tree-dwelling baby dragon or the Dodo's long-lost cousin have in common? They are all at risk of disappearing from our world forever. This book is all about the amazing creatures that are now endangered around the globe, from oceans and forests to mountains and snow. Filled with beautiful beasts, glorious illustrations, facts and tales, it will make you fall in love with the animal kingdom - and maybe even try to save it.

This survey of Arthur Rackham's early work features 44 colour plates in addition to several black-and-white vignettes and spot illustrations. Most of the images depict fantastic dwarfs, giants, elves, and fairies as well as naturalistic illustrations far removed from the fairy world.

One of the most admired medical books of the Middle Ages, Medicina Antiqua is a compendium of popular Late Antique texts brought together in the 6th century. It contains writings on herbs and materia medica by authors heavily reliant on the works of Pliny and Dioscorides. Of the 50 surviving copies of this influential miscellany produced before the end of the Middle Ages, the present manuscripts is one of the most enticing. Executed in Southern Italy in the firt half of the 13th century, it is beautiful illustrated in vibrant body colour with plants, animals and scenes of medical treatments, faithfully drawn after late antique models. The facsimile of the complete manuscript is followed by an essay which sets the manuscript in the context of the history of medicine. Codicological information is also provided and all plants and animals are identified.

Basics Illustration 03: Text and Image explores the basic function of illustration: the interpretation of words into pictures and the interplay of text and image as two forms of visual representation. The basic principles of graphic communication are introduced through case studies and examples in which the relationships between illustration and text are analysed and explored. The book features a wide range of work demonstrating diverse visual languages, ideas, techniques and skills. It also examines the production of artefacts, for example, artists' books, graphic novels, posters and handmade typography, stencils, graffiti, and fonts designed by illustrators

WELGORA: The Equestrian Art of Alan Langford is written by the New Forest artist Alan Langford and illustrated throughout with his wonderful paintings and sketches. 'Welgora' means 'Romani horse fair', and Alan's book reflects his lifelong fascination for horses and the special relationship that they share with people, in particular with the Romanies. This interest grew from his early childhood when he lived with his family at Drapers Copse, Dibden. Alan writes, 'It was there that I met my first Romani gypsies. They were a tough lot, and their toughness became most apparent during the winter of 1962-1963. Everyone on that caravan camp had a hard time that winter. Water froze in the pipes, so there were times when there was no running water. Our beds were hard against the caravan walls and we awoke in blankets damp and cold from condensation.' As a young boy, Alan decided to make friends with some New Forest ponies and they quickly taught him a valuable lesson; 'I had taken some slices of stale bread from the bread bin in our caravan, determined to make friends with these wonderful creatures. I soon discovered a small herd and offered them crumpled slices of the bread from my flattened palm. The ponies were all eager to indulge in my generous offer and very soon all the bread was gone. That was when things started to turn for the worse.' As well as telling his life story, Alan's book has sketches, watercolours and large oil paintings on every page spread. His start in life did not favour a career in art, but after working as a mine worker in Australia, he moved back to work at Fawley Refinery on the edge of the New Forest, and took up studying art at night school. In time he found a full time job as an illustrator and later became a freelance comic strip artist, working on Warlord and 2000 AD. Eventually he took the big step of becoming a self-employed full-time artist. Alan makes use of his wide life experience and the time he has spent practising his craft, to get as close as he can to capturing 'the illusion of movement that compels me to paint'. The power of Alan's paintings will be appreciated by anyone who has seen or taken part in a 'welgora', a New Forest drift, the pony sales at Beaulieu Road Station or the Boxing Day Point to Point. He brings a life and energy to the people and horses so intense that you can almost feel their hot breath and smell the earth. His paintings of longstanding events and new annual traditions, such as 'Danny's Drive', provide a wonderful record of our country's living heritage. Alan regularly exhibits at Godshill, Exbury, Fritham and Burley, and gives talks and demonstrations to community and art groups. He is a member of the Society of Equestrian Artists - true recognition of his journey in art.

"All the Art That's Fit to Print" reveals the true story of the world's first Op-Ed page, a public platform that--in 1970--prefigured the Internet blogosphere. Not only did the "New York Times"'s nonstaff bylines shatter tradition, but the pictures were revolutionary. Unlike anything ever seen in a newspaper, Op-Ed art became a globally influential idiom that reached beyond narrative for metaphor and changed illustration's very purpose and potential.

Jerelle Kraus, whose thirteen-year tenure as Op-Ed art director far exceeds that of any other art director or editor, unveils a riveting account of working at the "Times." Her insider anecdotes include the reasons why artist Saul Steinberg hated the "Times," why editor Howell Raines stopped the presses to kill a feature by "Doonesbury"'s Garry Trudeau, and why reporter Syd Schanburg--whose story was told in the movie "The Killing Fields"--stated that he would travel anywhere to see Kissinger hanged, as well as Kraus's tale of surviving two and a half hours alone with the dethroned peerless outlaw, Richard Nixon.

"All the Art" features a satiric portrayal of John McCain, a classic cartoon of Barack Obama by Jules Feiffer, and a drawing of Hillary Clinton and Obama by Barry Blitt. But when Frank Rich wrote a column discussing Hillary Clinton exclusively, the "Times" refused to allow Blitt to portray her. Nearly any notion is palatable in prose, yet editors perceive pictures as a far greater threat. Confucius underestimated the number of words an image is worth; the thousand-fold power of a picture is also its curse.

Op-Ed's subject is the world, and its illustrations are created by the world's finest graphic artists. The 142 artists whose work appears in this book hail from thirty nations and five continents, and their 324 pictures-gleaned from a total of 30,000-reflect artists' common drive to communicate their creative visions and to stir our vibrant cultural-political pot.

An overview of the life and work of much-loved children's illustrator and author Judith Kerr, creator of classics such as The Tiger Who Came to Tea, and Mog. A thoughtful and intimate portrait, this book is not only a celebration of Judith Kerr's classic work, but a record of the hard work, development and serious intent behind it. Referencing Kerr's biographical novels, Joanna Carey introduces us to the illustrator as she goes about her daily life, showing us into her studio, exploring her materials, her relationship with her publisher and editors, and her reflections over the years. Drawing on a great range of previously unpublished visual material, we see behind the scenes of Kerr's unforgettable creations.

A selection of the world's most incredible things according to award-winning writer, comedian, artist and podcaster Rob Auton I Strongly Believe In Incredible Things is a book of poetic prose, musings, short stories and biro drawings detailing a selection of the Earth's incredible things by award-winning writer, comedian, artist and podcaster Rob Auton. Unique, enchanting and utterly life affirming, this is a collection of pages that come together to create the opposite of the news, becoming the tonic for the complicated gin that is the world we find ourselves in today: a humorous and heartfelt book that is the ying to the yang that is politics ;a book of breathing space that gives oxygen to rediscovering the beauty of living on earth with the aim of fuelling people to return to the coal-face of everyday life with optimism and wonder in their pockets. Inhaling all we have in common, exhaling all we don't. From bubble wrap to Killer Whales; frog spawn to empathy, hand-dryers to parents, I Strongly Believe in Incredible Things wants to take you on a journey back to the incredible planet we live on.

We are the result of our experiences; hence, focusing on what is carried out in our day-to-day is what makes life extraordinary. This illustrated journal presents 10 artists from all over the world that take small daily luxuries, nature, and welfare as inspiration to evoke instants of fleeting happiness.

As children, learning to read, we look first at the illustrations - but how do these tell their stories differently to the words? Words & Pictures explores this question through three encounters between writers and artists. It looks at how artists have responded to two great, contrasting works, Paradise Lost and Pilgrim's Progress; at Hogarth and Fielding, great innovators, sharing common aims; and at Wordsworth and Bewick, a poet and engraver, both working separately, but both imbued with the spirit of their age. A brief coda turns to a fourth relationship: writers and artists who collaborate from the start, like Dickens and Phiz, and Lewis Carroll and Tenniel.

Sometimes amusing, sometimes moving, this is a book to pore over and enjoy. The visions it considers link daily life to the universal, the passionate and the sublime.

Perhaps best known as the co-creator of and writer for the Goon Show, Spike Milligan has received accolades as a comedian, musician, poet and playwright. This mini wall calendar features a selection of his hilarious cartoons. The datepad features previous and next month's views.

Combining the smooth reading experience of the Thomas Nelson NKJV Comfort Print® typeface with the popular format of the Journal the WordTM Bibles.

Do you underline Scripture, take notes during sermons, or express your thoughts through journaling? The NKJV Journal the WordTM Bible is a trustworthy and indispensable resource for anyone who puts pen to paper for deeper engagement with God's Word. The extra-wide lined margins make this Bible ideal for note taking or journaling.

The NKJV Journal the WordTM Bible is truly inspirational from cover to cover and sure to make an excellent gift as a treasured personal keepsake. The Thomas Nelson NKJV Comfort Print® typeface is designed to honor the beauty of the New King James Version, providing a particularly smooth reading experience for longer engagement in God's Word.

Discover the fascinating connections between the world's greatest artists. Artistic Circles introduces some of the most inspirational stories of friendship, love, creativity and shared passions in the world of art. Whether through teaching, as in the case of Paul Klee and Anni Albers; a mutual muse, as seen in the flowers of Georgia O'Keeffe and Takashi Murakami; or an inspirational romantic coupling like that of Lee Krasner and Jackson Pollock. In telling the tales of these creatives lives and achievements - each extraordinary and oftentimes ground-breaking - Susie Hodge exposes the fascinating web of connections that have fostered some of the world's art masterpieces. Some are well-known, whereas others span both time and place, linking pioneers in art in fascinating and unexpected ways. Illustrated in colourful tribute to each artists' unique style, Artistic Circles is an illuminating and celebratory account of some of the art world's most compelling visionaries. A perfect introduction for students, and a source of new and surprising stories for art lovers.

A classic and indispensable account of graphic design history from the Industrial Revolution to the present Now in its third edition, this acclaimed survey explores the evolution of graphic design from the 19th century to the present day. Following an exploration of design's prehistory in ancient civilizations through the Industrial Revolution, author Stephen J. Eskilson argues that modern design as we know it grew out of the influence of Victorian-age reformers. He traces the emergence of modernist design styles in the early 20th century, examining the wartime politicization of regional styles. Richly contextualized chapters chronicle the history of the Bauhaus and the rise of the International Style in the 1950s and '60s, and the postmodern movement of the 1970s and '80s. Contemporary considerations bring the third edition up to date, with discussions of app design, social media, emojis, big data visualization, and the use of animated graphics in film and television. The contemporary phenomenon of the citizen designer, professionals who address societal issues either through or in addition to their commercial work, is also addressed, highlighting protagonists like Bruce Mau and the Center for Urban Pedagogy. This edition also features 45 additional images, an expanded introduction and epilogue, and revised text throughout. A newly redesigned interior reinforces the fresh contents of this now-classic volume.