From all over the world, picture book illustrators sent original images and personal messages, in postcard form, for Migrations, an exhibition at the Biennial of Illustration, Bratislava, in 2017, curated by the University of Worcester's International Centre for the Picture Book in Society. Over fifty of the cards are reproduced in this very special book. The book is divided into themes of Departures, Long Journeys, Arrivals and Hope for the Future. The facsimile postcard text includes personal messages of hope from the illustrators, as well as quotes from writers including Emily Dickinson, WB Yeats, John Clare, and Anita Desai. Robert Macfarlane has written a poem specially for the postcard drawn by Jackie Morris. Illustrators include Christopher Corr, Marie-Louise Gay, Piet Grobler, Petr Horacek, Isol, Jon Klassen, Neal Layton, PJ Lynch, Roger Mello, Jackie Morris, Jane Ray, Chris Riddell, Axel Scheffler and Shaun Tan. In total, illustrators from 28 countries have contributed. Migrations carries a powerful message about human migration, showing how cultures, ideas and aspirations flow despite borders, barriers and bans.

This beautiful, fully illustrated book presents a compendium of artworks throughout history which have been inspired by myth, fantasy and the unreal. Artists have explored imaginary worlds and fantastical creatures for centuries, expressing the unreal and impossible, the mystical and mythical, via the medium of paint. But what draws them to the imaginary, the uncharted and the unknown? Is it merely an escape from reality? Or are they seeking a greater understanding of the human experience, or perhaps the very meaning of life itself? With myriad styles and methods of expression, what links artists through the ages? And how have these visual flights of fancy and imagination changed over the course of time? The Art of Fantasy is a visual sourcebook of all that is fantastical – from fine art to illustration, and from surrealists and symbolists to the creatives working in undefined territories. While the artists in our history books (Blake, Goya, Dali, Magritte, Ernst) first brought fantasy art to the galleries, it was the twentieth century artists who brought it to the masses. It is in this book that, for the first time, they are united and equally weighted, presenting a mesmerising and thoughtful curation of the best fantasy artwork out there. This is an inspiring collection for fans of myth, magic, fantasy and art history.

An extensively illustrated compendium of 45 expertly selected illuminated bibles that transport the reader through 1,000 years of history and across the Christian world. For two millennia the Bible has inspired the creation of art. Within this legacy of remarkable art and beauty, illuminated biblical manuscripts offer some of the best evidence for our understanding of early Christian painting and artistic interpretations of the Bible. Compiled and written by two internationally renowned experts, this beautiful book immerses the reader in the world of illuminated manuscripts of the Bible. Through its pictures we are transported across 1,000 years of history, passing chronologically through many of the major centres of the Christian world. Starting in Constantinople in the East, the journey moves on to Lindisfarne in the North, to imperial Aachen, back to Canterbury, then to Carolingian Tours in western France. Later we view some of the riches of Winchester, Mozarabic Spain, Crusader Jerusalem, the Meuse valley, northern Iraq, Paris, London, Bologna, Naples, Bulgaria, the Low Countries, Rome and Persia. Our journey ends in Gondar, the capital of imperial Ethiopia. Forty-five remarkable books - each a treasure in its own right - provide our itinerary through time and across continents. Together they enable us to explore and revel in the extraordinary art and beauty of illuminated biblical manuscripts, some of the finest but least-known paintings from the Middle Ages.

An Accordion Book doesn’t open, it unfolds. One side is filled with beautiful watercolour images of an animal: sometimes in motion, sometimes at rest. The other is filled with text – poems, descriptions, invocations – inspired by the same animal.Together they work as spells to summon the animal’s spirit. Jackie Morris has painted them using antique watercolours, some from boxes which hadn't been opened for over 150 years, woken from their slumber with a single drop of water.Fox and Otter are the first two Accordions in a series that will go on to include Hare,Owl,Hound and Cat among many others.

Our Albert Racinet Ancient Egypt art is a nod to vintage art and design that helped influence Art Deco of the early 20th century. Albert-Charles-Auguste-Racinet (1825-1893) was a French costume historian, painter, illustrator, and author. Racinet's publication L'Ornement Polychrome is a monumental collection of more than 100 richly-coloured lithographic plates depicting decorative artwork from ancient civilisations through the 18th century. 500-piece jigsaw puzzle Durable, compact, 2-piece box Gift box: 152 x 198 x 50 mm Completed puzzle: 482 x 355 mm teNeues NYC Stationery keeps up with fun and games at home with our museum-quality printed 500-Piece Puzzles. Packaged in durable, compact boxes, our 500-Piece Puzzles feature full-colour artwork, expertly-printed with nontoxic inks on sturdy, puzzle grey board.

A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list and robust ivory text paper. THE ARTIST. Tove Jansson was a Finnish-Swedish writer and artist. She first started painting Moomintrolls in 1935 but her stories live on and continue to be adapted and enjoyed by many generations. HE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

Our understanding of the human past is very limited. The mute evidence from excavation - the dusty pot shards, fragments of bone, slight variations in soil colour and texture - encourages abstraction and detachment. Reconstruction art offers a different way into the past, bringing archaeology to life and at times influencing and informing archaeologist's ideas. At its best it delivers something vivid, vital and memorable. Illustrating the Past explores the history of reconstruction art and archaeology. It looks at how attitudes have swung from the scientific and technical to a freer more imaginative way of seeing and back again. Through the exploration of seven artists' work, the reader is shown how the artist's way of seeing illustrates the past and sometimes how it has changed the way the past is seen. Illustrators working in archaeology are often anonymous and yet the picture that summarises an excavation can be the idea that endures. As well as drawing on her specialist knowledge, Judith Dobie uses conversation and correspondence to build a picture of how these artists' personalities, interests and backgrounds influences their art. Case studies featuring working sketches demonstrate how reconstruction artists deliver understanding and can change the interpretation of a site. This book celebrates and acknowledges reconstruction art within the field of archaeology.

A visual history of the spaceships, alien landscapes, cryptozoology, and imagined industrial machinery of 1970s paperback sci-fi artIn the 1970s, mass-produced, cheaply printed science fiction novels were thriving. The paper was rough, the titles outrageous, and the cover art astounding. Over the course of the decade, a stable of talented painters, comic book artists, and designers produced thousands of the most eye-catching book covers to ever grace bookstore shelves (or spinner racks). Curiously, the pieces commissioned for these covers often had very little to do with the contents of the books they were selling, but by leaning heavily on psychedelic imagery, far-out landscapes, and trippy surrealism, the art was able to satisfy the same space-race fueled appetite for the big ideas and brave new worlds that sci-fi writers were boldly pushing forward.In Worlds Beyond Time: Sci-Fi Art of the 1970s, Adam Rowe—who has been curating, championing, and resurrecting the best and most obscure art that 1970s sci-fi has to offer for more than five years on his blog 70s Sci-Fi Art—introduces readers to the biggest names in the genre, including Chris Foss, Peter Elson, Tim White, Jack Gaughan, and Virgil Finlay, as well as their influences. With deep dives into the subject matter that commonly appeared on these covers—spaceships, alien landscapes, fantasy realms, cryptozoology, and heavy machinery—this book is a loving tribute to a unique and robust art form whose legacy lives on both in nostalgic appreciation as well as the retro-chic design of mainstream sci-fi films such as Guardians of the Galaxy, Alien: Covenant, and Thor: Ragnarok.

An Accordion Book doesn’t open, it unfolds. One side is filled with beautiful watercolour images of an animal: sometimes in motion, sometimes at rest. The other is filled with text – poems, descriptions, invocations – inspired by the same animal.Together they work as spells to summon the animal’s spirit. Jackie Morris has painted them using antique watercolours, some from boxes which hadn't been opened for over 150 years, woken from their slumber with a single drop of water.Fox and Otter are the first two Accordions in a series that will go on to include Hare,Owl,Hound and Cat among many others.

This volume tackles the subject of illustration, technically, metaphorically and historically in nineteenth-century periodicals, displaying the ubiquity of the visual in the press: the articles cover material illustration, graphics, and design and metaphorical use of images in the letterpress, offering specific examples and theoretical approaches.

This is the first worldwide guide to contemporary Spanish-speaking authors and illustrators for young readers. It features personal and professional information on more than 200 contemporary Spanish-speaking authors and illustrators from Argentina, Bolivia, Chile, Costa Rica, Cuba, Mexico, Peru, Spain, the United States, Uruguay and Venezuela, as well as a complete listing of their books written in Spanish for children and young adults. Schon, author of numerous bibliographies of children's and young adult literature in Spanish, compiled the information from responses given by the authors themselves to a questionnaire she developed. Quotes from the authors about their work add a personal touch.

Following an introduction describing the scope, organization and selection criteria for the work, the biographical entries are organized alphabetically. Each entry contains place and date of birth; name of parents, spouse, and children; colleges attended and degrees earned; complete home and office addresses and telephone numbers; name of employer, position, and dates for each career post; memberships in professional and civic organizations; literary and professional awards received and dates; bibliography of books written/illustrated; revealing personal comments on special interests, aspirations, and thoughts as expressed by each author/illustrator; critical sources in which the writer's/illustrator's work has been discussed. An appendix at the end of the volume arranges the subjects by country of birth and/or residency. The market for the book is school (elementary through high school) libraries, children's departments of public libraries, bilingual departments of education, bilingual teachers, academic libraries.

'Coralie Bickford-Smith depicts nature at its most majestic' Financial Times An enchanting clothbound fable about growth, new life and finding hope in unexpected places, from the award-winning designer and creator of The Fox and the Star. One autumn evening, a young squirrel spots an acorn glinting on the forest floor. Eager to protect her treasure from watchful eyes and hungry mouths, she buries it deep in the heart of the forest. But when she returns after the icy winter, her acorn is nowhere to be found. Where could it be? 'Exquisite . . . illustrations are so vivid and patterned that each page feels alive' Observer