In the immediate aftermath of the Revolutionary War, only the wealthiest Americans could afford to enjoy illustrated books and prints. But, by the end of the next century, it was commonplace for publishers to load their books with reproductions of fine art and beautiful new commissions from amateur and professional artists. Georgia Brady Barnhill, an expert on the visual culture of this period, explains the costs and risks that publishers faced as they brought about the transition from a sparse visual culture to a rich one. Establishing new practices and investing in new technologies to enhance works of fiction and poetry, bookmakers worked closely with skilled draftsmen, engravers, and printers to reach an increasingly literate and discriminating American middle class. Barnhill argues that while scholars have largely overlooked the efforts of early American illustrators, the works of art that they produced impacted readers' understandings of the texts they encountered, and greatly enriched the nation's cultural life.

At the turn of the twentieth century, the demand for magazine and book illustrations was at an all-time high, offering women artists an unprecedented number of professional opportunities. This unique anthology features 120 color and black-and-white artworks by the Golden Age of Illustration's finest female illustrators, including Beatrix Potter, Kate Greenaway, and Jessie Willcox Smith.
A career in illustration represented an ideal opportunity for women in post-Victorian society. Every well-bred girl was schooled in the arts of sketching and drawing, and by working at home, a woman's modesty could remain uncompromised. Successful competition in a world dominated by male artists, however, called for determination as well as talent. This compilation celebrates the accomplishments of twenty-two female illustrators, including Elenore Abbott, Mabel Lucie Attwell, Elizabeth Shippen Green, Ruth Mary Hallock, Jessie Marion King, Dorothy Lathrop, Ida Rentoul Outhwaite, Margaret Winifred Tarrant, and others.

How did Victorians view their national past? Through case-studies of nineteenth-century history books, history textbooks, and historical novels, this monograph aims to explore the middle-class experience of English history. It highlights how history - once a popular pastime became the preserve of the professional, and it shows how text and image, popular and scholarly publications, multi-volumed histories and historical novels, all contributed to a varied picture of the national past.

In his Illuminated Books, William Blake combined text and imagery on a single page in a way that had not been done since the Middle Ages. For Blake, religion and politics, intellect and emotion, mind and body were both unified and in conflict with each other: his work is expressive of his personal mythology, and his methods of conveying it were integral to its meaning. There is no comparison with reading books such as Jerusalem, America, and Songs of Innocence and of Experience in Blake's own medium, infused with his sublime and exhilarating colors. Tiny figures and forms dance among the lines of the text, flames appear to burn up the page, and dense passages of Biblical-sounding text are brought to a jarring halt by startling images of death, destruction, and liberation. Blake's hope that his books would obtain wide circulation was unfulfilled: some exist only in unique copies and none was printed in more than very small numbers. Now, for the first time, the plates from the William Blake Trust's Collected Edition have been brought together in a single volume, with transcripts of the texts and an introduction by the noted scholar David Bindman. Includes: Jerusalem; Songs of Innocence and of Experience; All Religions are One; There is No Natural Religion; The Book of Thel; The Marriage of Heaven and Hell; Visions of the Daughters of Albion; America a Prophecy; Europe a Prophecy; The Song of Los Milton a Poem; The Ghost of Abel; On Homers Poetry and] On Virgil; Laocoon; The First Book of Urizen; The Book of Ahania; The Book of Los.

Explore the epic Star Wars saga through incredible cross-sections

More than 100 magnificent artworks bring the vehicles of Star Wars to life. New cross-sections, amazing detail, and comprehensive text make this the ultimate reference to the craft of a galaxy far, far away....

SEE
- Poe Dameron's X-wing in action
- The terrifying power of Darth Vader's TIE Advanced x1
- Obi-Wan Kenobi's fast and agile Jedi starfighter

DISCOVER
- The inner workings of Rey's speeder
- The advanced technology of the Rebel Alliance's U-wing
- The devastating weaponry of the Death Star

EXPLORE
- The famous corridors of the Millennium Falcon
- The brutal design of the Knights of Ren's Night Buzzard
- The mighty and fearsome Final Order Star Destroyer

© ™ 2020 Lucasfilm Ltd

Discover the world of Labyrinth in this guide to the wondrous creatures of the Goblin King's realm, featuring illustrations by acclaimed artist Iris Compiet. From Ludo to Sir Didymus, to the Goblin King's legion of mischievous minions, Jim Henson's Labyrinth is packed with wondrous beings and chaotic critters. For the first time, Jim Henson's Labyrinth: Bestiary - A Definitive Guide to the Goblin King's Realm brings their world to life. Exploring the nature and behavior of each creature through original illustrations and insightful text, this is a must-have book for fans of Labyrinth, Jim Henson, and the fantasy genre. - ALL-NEW LABYRINTH ART: Experience the world of Labyrinth in a whole new way through the stunning art of acclaimed illustrator Iris Compiet (The Dark Crystal Bestiary: The Definitive Guide to the Creatures of Thra). - DISCOVER THE CREATURES OF LABYRINTH: This book features an in-depth look at every creature from the world of Labyrinth, covering the beloved 1986 movie as well as the wider world of the Goblin King's realm, including the hit comics and the original novelization. - AN EPIC ADDITION TO YOUR HOME LIBRARY: A gorgeous volume filled with incredible artwork, Jim Henson's Labyrinth: Bestiary is the definitive tribute to the fantastical creatures of this much-loved classic.

Across digital and print media, editorial illustrators create visuals to support text and convey ideas, but there is more to these illustrations than meets the eye. Internationally-recognised illustrator and educator Andy Selby takes you through the importance of context and content when responding to editorial illustration briefs, explaining how understanding of visual communication concepts leads to more successful illustrations - all while under the time pressure of editorial briefs. Covering ideation, development and execution, this book includes: - A short history of illustration as a political and social tool - How to use visual language, symbolism and satire and to what purpose - Representation of identity, ethics and society - both for impact and sensitive designs - Research, commercial judgement and experimentation - Professional conduct, self-promotion, responsibilities and plagiarism So whether you're illustrating a news story, summarising new scientific discoveries or creating an image for a magazine cover, Editorial Illustration will give you the skills to produce striking commercial designs on time and to brief.

The Haggadot commissioned by wealthy patrons in the Middle Ages are among the most beautifully decorated Hebrew manuscripts, and The `Brother' Haggadah - so-called because of its close relationship to The Rylands Haggadah in the collection of the John Rylands Library, Manchester - is one of the finest of these to have survived. Created by Sephardi - or southern - artists and scribes in Catalonia in the second quarter of the 14th century, it sets out the liturgy and sequence of the Passover Seder, a ritual feast by which Jewish families give thanks for the liberation of the Israelites from slavery in ancient Egypt as described in the Book of Exodus. This finely produced facsimile edition begins with an introduction by medieval scholar Professor Marc Michael Epstein, who sets out the background to the Passover and provides an analysis of the manuscript's iconographic scheme. Following are essays on the provenance of The `Brother' Haggadah by Ilana Tahan, head of the Hebrew and Christian collections at the British Library, and on the Shaltiel family, former owners of the manuscript, by Hebrew scholar Eliezer Laine. The book also contains a translation of the poems and commentary in the manuscript by the late Raphael Lowe, former Goldsmid Professor of Hebrew at University College London, and a translation of the Haggadah liturgy.

The mere mention of the title Star Wars can evoke all kinds of feelings and memories in a person. The trilogy that thrilled everyone in the late 70s and early 80s, the highly criticized prequels from the early 2000s, and the newer sequels are just added fuel to make the work of George Lucas shine dazzlingly in our lives. This book is an illustrated tribute to the fictional universe created by George Lucas, in which readers will find forty portraits of its most outstanding characters, such as Luke Skywalker, Darth Vader, Leia Organa, Han Solo, Yoda, Chewbacca, R2-D2, C-3PO, Rey, Stormtrooper, and Wilhuff Tarkin--along with sixty unpublished alternative posters! Twenty-seven artists from around the world show us their most personal vision through one or more illustrations, additionally expressing in a sentence what Star Wars means to them. In this way, many artists achieve their desire to share their life and work, and return the favor to what has inspired them, in turn becoming part of the legend, for a long, long time.

The first English-language collection of the titular artist, "The Art of Sachiko Kaneoya" chronicles the creator's work and themes for nearly a decade, showcasing the monstrous, the romantic, and the mortal suffering of her subjects. Inspired by anime and manga from the 50s and 90s, Kaneoya's global contingent of fans has never had a easily-obtainable volume of her work... until now.

"[A] gorgeously illustrated compendium."-SunsetThis lavishly illustrated atlas takes readers off the beaten path and outside normal conceptions of California, revealing its myriad ecologies, topographies, and histories in exquisite maps and trail paintings. Based on decades of exploring the backcountry of the Golden State, artist-adventurer Obi Kaufmann blends science and art to illuminate the multifaceted array of living, connected systems like no book has done before. Kaufmann depicts layer after layer of the natural world, delighting in the grand scale and details alike. The effect is staggeringly beautiful: presented alongside California divvied into its fifty-eight counties, for example, we consider California made up of dancing tectonic plates, of watersheds, of wildflower gardens. Maps are enhanced by spirited illustrations of wildlife, keys that explain natural phenomena, and a clear-sighted but reverential text. Full of character and color, a bit larger than life, The California Field Atlas is the ultimate road trip companion and love letter to a place.

From the late eighteenth to the early twentieth century, hundreds of British women wrote about and drew from nature. Some--like the beloved children's author Beatrix Potter, who produced natural history about hedgehogs as well as fiction about rabbits--are still familiar today. But others have all but disappeared from view. Barbara Gates recovers these lost works and prints them alongside little-known pieces by more famous authors, like Potter's field notes on hedgehogs, reminding us of better known stories that help set the others in context.
The works contained in this volume are as varied as the women who produced them. They include passionate essays on the protection of animals, vivid accounts of travel and adventure from the English seashore to the Indian Alps, poetry and fiction, and marvelous tales of nature for children. Special features of the book include a detailed chronology placing each selection in its historical and literary context; biographical sketches of each author's life and works; a comprehensive bibliography of primary and secondary literature; and over sixty illustrations.
An ideal introduction to women's powerful and diverse responses to the natural world, "In Nature's Name" will be treasured by anyone interested in natural history, women, or Victorian and Edwardian Britain.

Before Andrew and Jamie, there was N. C. Wyeth. The star student of Howard Pyle's Brandywine School, Newell Convers Wyeth (1882-1945) created more than 3,000 illustrations in the course of his career. This original full-color collection focuses on his most popular illustrations, featuring early works that date from 1910-30. More than 100 iconic images include scenes from "The Last of the Mohicans, The Mysterious Stranger, Robin Hood, Robinson Crusoe, Rip Van Winkle, The Boy's King Arthur, " and other books.
Wyeth's fame and greatest commercial success derived from his work for Scribners' Illustrated Classics. Starting with the 1911 edition of "Treasure Island, " the artist provided images for more than 25 volumes in the series. Many of those illustrations appear here, in a treasury of stirring, dramatic visions that captured the imaginations of the storybook readers of a century ago and continue to speak to modern audiences.

Edward Ardizzone RA (1900-79) was one of relatively few British artists who defined the field of illustration for their generation. Although his work as an artist and illustrator was wide-ranging, it is for his illustrated children's books, almost continuously available since they were first published from the late 1930s onwards, that he is best known. This book provides the first fully illustrated survey of Ardizzone's work, analysing his activity as an artist and illustrator in the context of 20th-century British art, illustration, printing and publishing. Copiously illustrated with many previously unpublished images, Edward Ardizzone: Artist and Illustrator also contributes more broadly to the current reassessment and investigation of mid-20th-century British art and illustration. Alan Powers (author of the bestselling Eric Ravilious: Artist and Designer) has written a critically considered text which draws for the first time on the family's archives, those of Ardizzone's publishers, and conversations with those who knew the artist. This beautiful and enlightening book, which reflects in its design and production values the aesthetic of an artist who was closely involved in the production of his own illustrated books, will be a fascinating read both for specialists as well as for readers who have grown up with the unforgettable characters of Ardizzone's classic children's stories.

Jenny Uglow narrates the story of Walter Crane, an intriguing and most prolific figure not only in illustration, but in political culture more broadly. Uglow expertly weaves a fascinating study of how Crane's art and politics developed from his childhood love of Pre-Raphaelite painting to the influences of Morris and William Blake on the journals, books, banners, pamphlets and postcards he went on to create as he forged a new style for the international socialist movement. Comprising a staggering range of visual material, Crane's images became a symbolic code that leapt over linguistic boundaries. This book is a brilliant record of an artist who blended styles and influences like no one before him.

The surely soon-to-be million-copy bestselling sort-of inspirational parody.. A timeless parody of Charlie Mackesy's The Boy, the Mole, the Fox and the Horse. Enter the world of me, Panda, plus my sometime-friends Cat and Teddy. You will find us living our best lives, trying (and occasionally succeeding) to be kind to each other. The cat is quite nice but can be a little bit selfish. Teddy can come across as very nice, with his squeaky voice and looking so tiny and helpless. But I must warn you, Teddy can be a vicious little backstabber, actually. This is a book of nice illustrations and some words from which you will likely gain some sort of inspiration. Like: 'Just because you're struggling, it doesn't mean you're failing... But it might do.' 'Nothing beats kindness,' said the cat. 'Gin does', said Panda. 'If you don't stop saying inspirational things to me, I'm going to punch you up the hooter.' 'You OK, hun?' asked Panda, but he was just taking the piss. 'We're just so, so lucky to have each other as friends, and it's going to make a marvellous book.'

Which nations have launched which animals into space? Which countries have no sea views? Where were our planet's now-extinct species last sighted? Who is behind the great avocado boom? Where can you hug the world's oldest trees? With infographic maps covering the entire globe, Wild Maps will delight cartography fans and nature lovers, as well as anyone with an interest in all that is fascinating and awe-inspiring on Planet Earth (and beyond). Beautifully designed and illustrated, Wild Maps is an eye-opening celebration of our world, and the plants and animals with whom we share it.

From internationally bestselling author Liz Climo comes I'm So Happy You're Here, a book to remind us to love ourselves. We all need a reminder that we're loved and we matter, and international bestselling author Liz Climo delivers that dose of warmth and love in her new book Sometimes we just need a little pep talk to remind us that we're doing our best. With help from her charming animal drawings, Liz Climo encourages us to embrace the joyful moments, get back up after falling down, and always love ourselves. A little book to let someone know how important they are to you or a thoughtful gift you can give to yourself, I'm So Happy You're Here highlights how truly amazing we are. Like a good friend, it will lift you out of low moments and keep you company until they've passed, making you laugh and cry while reminding you that you're loved, you matter, and we're all really happy you're here.

A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list and robust ivory text paper. THE ART. These charming, brightly-coloured story anthologies highlight the changing role of girls and women in the 1930s. Featuring cheerful illustrations of sporting, spirited girls ready for adventure, they are tangible evidence of the slow and steady social progress of the era, and the new freedoms and opportunities afforded to many women. HE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

teNeues NYC Stationery is proud to share our newest offering, classic Playing Cards with our signature style curated from museum art and illustrations from our favourite artists around the world printed on embossed, premium blue-core card stock in a gift box with flip-top magnetic closure. Cactus Party by the French artist who goes by Hello Marine is bold and fun with geometric shapes with on trend bold blue, aqua and neon yellow details. An update to the eighties party aesthetic we all love. Our little portable box is giftable and great for travel, fits in any bag and the magnetic closure keeps the cards together between games. Standard deck of 54 playing cards including 2x joker cards Full-colour, richly -printed artwork on embossed, blue-core card stock Giftable flip-top box with magnetic closure Box measures: 69 x 95 x 25 mm Hello Marine is a French illustrator and printmaker living in the UK. She was raised in Paris and the southwest of France. Hello Marine's style is bold, colourful, and joyful. Her illustrations appeal to adults and children alike.

"There was never an artist who came close to capturing horror and dread like Lee Brown Coye. He was master of the weird and grotesque illustration. Coye's sketches had the shape of nightmares."--Robert Weinberg, "The Weird Tales Story"

"It was always my belief that a good drawing was a good drawing, whether it was in the archives of the Metropolitain Museum or in a pulp magazine."-- Lee Brown Coye

No other artist working in mid-century pulp fiction created work as twisted as Lee Brown Coye. By the 1970s, after surviving a life-threatening illness, Coye would outdo himself, creating lurid illustrations exclusive to rare privately published books and fanzines. With nearly one hundred gloriously rendered Coye-penned images, "Pulp Macabre" showcases Coye's final and darkest era, containing some of the most passionately ghoulish artwork ever made.

Mike Hunchback is an enthusiast of various eras of extreme and bizarre underground art, and is currently working on a biography of original "Fangoria" magazine editor Robert "Uncle Bob" Martin.

Caleb Braaten operates Sacred Bones Records, which has recently teamed with David Lynch to release his new album "The Big Dream."

Now in spectacular full colour throughout, a special 10th anniversary edition of the internationally bestselling journal that started it all--with more than 7 million copies sold! Perhaps you're a seasoned Wreck-er, having made your way through one or more copies of Wreck This Journal. Or maybe you're new to the phenomenon (little do you know, this experience might just change your life). Whatever the case, you've found the perfect book to inflict damage on... The revolution is now in colour. Why colour? Because it's dangerous. And if it isn't dangerous, then it isn't worth doing. You are hereby challenged to now try everything you've never done with colour. Everything. Mixing, ripping, spewing, streaming, hurling, blowing up, throwing, dropping, exploding. Welcome to an all new-edition of Wreck This Journal, now in spectacular full colour! With a mix of new, altered, and favourite prompts, Wreck This Journal: Now in Colour invites you to destroy with colour. What colours will you use to &*%$ it up?