"All the Art That's Fit to Print" reveals the true story of the
world's first Op-Ed page, a public platform that--in
1970--prefigured the Internet blogosphere. Not only did the "New
York Times"'s nonstaff bylines shatter tradition, but the pictures
were revolutionary. Unlike anything ever seen in a newspaper, Op-Ed
art became a globally influential idiom that reached beyond
narrative for metaphor and changed illustration's very purpose and
potential.
Jerelle Kraus, whose thirteen-year tenure as Op-Ed art director
far exceeds that of any other art director or editor, unveils a
riveting account of working at the "Times." Her insider anecdotes
include the reasons why artist Saul Steinberg hated the "Times,"
why editor Howell Raines stopped the presses to kill a feature by
"Doonesbury"'s Garry Trudeau, and why reporter Syd Schanburg--whose
story was told in the movie "The Killing Fields"--stated that he
would travel anywhere to see Kissinger hanged, as well as Kraus's
tale of surviving two and a half hours alone with the dethroned
peerless outlaw, Richard Nixon.
"All the Art" features a satiric portrayal of John McCain, a
classic cartoon of Barack Obama by Jules Feiffer, and a drawing of
Hillary Clinton and Obama by Barry Blitt. But when Frank Rich wrote
a column discussing Hillary Clinton exclusively, the "Times"
refused to allow Blitt to portray her. Nearly any notion is
palatable in prose, yet editors perceive pictures as a far greater
threat. Confucius underestimated the number of words an image is
worth; the thousand-fold power of a picture is also its curse.
Op-Ed's subject is the world, and its illustrations are created
by the world's finest graphic artists. The 142 artists whose work
appears in this book hail from thirty nations and five continents,
and their 324 pictures-gleaned from a total of 30,000-reflect
artists' common drive to communicate their creative visions and to
stir our vibrant cultural-political pot.
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