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Books > Arts & Architecture > Industrial / commercial art & design
As one of the most successful fashion houses in existence, Chanel
owes much to the templates first laid down by its founder -
Gabrielle 'Coco' Chanel (1883-1971). Some of her most celebrated
designs, such as the two-piece suit, the little black dress and the
quilted handbag, remain in vogue to this day. Chanel designed first
and foremost for herself: by creating clothes fit for an
independent and active lifestyle, she anticipated the needs and
wants of the modern woman. This beautiful book showcases a stunning
array of Chanel's most notable designs from her 60 years in
fashion, largely drawn from the collections of the Chanel
Patrimoine, Paris and the V&A. It examines the cut,
construction, embellishment and provenance of the ensembles, as
well as the design themes and motifs Chanel returned to throughout
her career. Newly commissioned photographs of the selected pieces,
together with archival images, capture the design evolution of thie
fashion icon.
In Asian Political Cartoons, scholar John A. Lent explores the
history and contemporary status of political cartooning in Asia,
including East Asia (China, Hong Kong, Japan, North and South
Korea, Mongolia, and Taiwan), Southeast Asia (Brunei, Cambodia,
Indonesia, Malaysia, Myanmar, Philippines, Singapore, Thailand, and
Vietnam), and South Asia (Bangladesh, India, Iran, Nepal, Pakistan,
and Sri Lanka). Incorporating hundreds of interviews, as well as
textual analysis of cartoons; observation of workplaces, companies,
and cartoonists at work; and historical research, Lent offers not
only the first such survey in English, but the most complete and
detailed in any language. Richly illustrated, this volume brings
much-needed attention to the political cartoons of a region that
has accelerated faster and more expansively economically,
culturally, and in other ways than perhaps any other part of the
world. Emphasizing the "freedom to cartoon," the author examines
political cartoons that attempt to expose, bring attention to,
blame or condemn, satirically mock, and caricaturize problems and
their perpetrators. Lent presents readers a pioneering survey of
such political cartooning in twenty-two countries and territories,
studying aspects of professionalism, cartoonists' work
environments, philosophies and influences, the state of newspaper
and magazine industries, the state's roles in political cartooning,
modern technology, and other issues facing political cartoonists.
Asian Political Cartoons encompasses topics such as political and
social satire in Asia during ancient times, humor/cartoon magazines
established by Western colonists, and propaganda cartoons employed
in independence campaigns. The volume also explores stumbling
blocks contemporary cartoonists must hurdle, including new or
beefed-up restrictions and regulations, a dwindling number of
publishing venues, protected vested interests of conglomerate-owned
media, and political correctness gone awry. In these pages,
cartoonists recount intriguing ways they cope with
restrictions-through layered hidden messages, by using other
platforms, and finding unique means to use cartooning to make a
living.
This paperback treasury is perfect for the insatiable Magic Eye
fan. Challenge family and friends to see who can view these 88 new
eye-popping 3D images the fastest! This book is popular among many
Magic Eye fans, and a waiting room favorite in offices and schools.
Little Book of Prada is the pocket-sized and beautifully
illustrated story of the legendary fashion house. Understated
elegance and luxury, technologically advanced fabrics and sublime
originality of design are all hallmarks of the House of Prada. In
this miniature monograph, Laia Farran Graves documents the history
and heritage of the brand, from the company's origins as a
leather-goods manufacturer to the global fashion empire created by
Miuccia Prada. Little Book of Prada explores the evolutions and
innovations of the brand, as well as a design ethos informed by an
interest in minimalism and contemporary art. Images of individual
garments, catwalk shots and fashion photography pay tribute to one
of the world's most influential fashion houses and the woman behind
it, in a perfectly designed and stylish format that makes a perfect
gift for any lover of fashion.
Have you ever looked a bird dead in the eye and wondered what it
was thinking? With Effin' Birds, the most eagerly anticipated new
volume in the noble avocation of bird identification, you can
venture into nature with confidence. This farcical field guide will
help you identify over 200 birds, but more importantly, for the
first time in history, it will also help you understand what these
birds are thinking: The vainglorious grebe is acutely aware of its
own magnificence. The hipster pelican thinks the world is a
shitbarge. The overbearing heron wishes you better luck next time,
fucknuts. The counsellor swallow wants you to maybe try not being a
dickhead... and many, many more. Alongside beautiful,
scientifically accurate illustrations and a whole lot of swearing
is incisive commentary on modern life and the world we, as humans,
must navigate. Or maybe it's just some pictures of effin' birds,
okay?
Contributions by Paul Fisher Davies, Lisa DeTora, Yasemin J. Erden,
Adam Gearey, Thomas Giddens, Peter Goodrich, Maggie Gray, Matthew
J. A. Green, Vladislav Maksimov, Timothy D. Peters, Christopher
Pizzino, Nicola Streeten, and Lydia Wysocki. Recent decades have
seen comics studies blossom, but within the ecosystems of this
growth, dominant assumptions have taken root - assumptions around
the particular methods used to approach the comics form, the ways
we should read comics, how its ""system"" works, and the
disciplinary relationships that surround this evolving area of
study. But other perspectives have also begun to flourish. These
approaches question the reliance on structural linguistics and the
tools of English and cultural studies in the examination and
understanding of comics. In this edited collection, scholars from a
variety of disciplines examine comics by addressing materiality and
form as well as the wider economic and political contexts of
comics' creation and reception. Through this lens, influenced by
poststructuralist theories, contributors explore and elaborate
other possibilities for working with comics as a critical resource,
consolidating the emergence of these alternative modes of
engagement in a single text. This opens comics studies to a wider
array of resources, perspectives, and modes of engagement. Included
in this volume are essays on a range of comics and illustrations as
well as considerations of such popular comics as Deadpool,
Daredevil, and V for Vendetta, and analyses of comics production,
medical illustrations, and original comics. Some contributions even
unfold in the form of comics panels.
South Africa approaches 20 years of democracy and what better way to look back at the country's wild ride than through the lens of Zapiro.
Look back to see how far the country has come but also how much further we still need to go to fulfil the promise of those early years of democracy.
South Africa may have changed in twenty years but Zapiro's sharp wit and cutting satire have remained a welcome constant over the years.
In this follow-up to How to Draw Cars Like a Pro" and How to Draw
Choppers Like a Pro," award-winning car designer Thom Taylor teams
with kustom culture legend Ed Newton to reveal the tricks and
techniques top artists past and present have used to render crazy
cars and snarling drivers, warts-and-all. Chopped, slammed,
channeled, blown . . . from the late '50s through the '70s all of
these features and more lent themselves nicely to automotive art
that caricaturized the already severe design traits associated with
the cars of the period. More often than not, the whacked rods and
muscle cars depicted in this art were piloted by slobbering,
snaggle-toothed, wart-covered monsters with bulging, bloodshot
eyes. Beginning with a brief history of the form, Newton himself
traces the lineage of rod 'n' monster art to legends like Von
Dutch, Stanley "Mouse" Miller, Dean Jefferies, and his former
employer, Ed "Big Daddy" Roth. Taylor and Newton then proceed to
chapters covering everything from equipment to perspective, light
sources, and other technical considerations. Taylor also expands on
the cartooning, people, proportion, and color chapters from his
previous works, applying them to the subject at hand. In addition
to art by Newton and Taylor, the authors include dozens of examples
from current top automotive artists Darrell Mayabb, Dave Deal, John
Bell, and Keith Weesner.
"Whether it is a behind-the-scenes look at how these classic styles
came to be or taking a front-seat look at how iconic women taught
us how what it means to accessorize, this is a must-have for
fashion lovers." - BELLA magazine Women love handbags because they
are a perfect vehicle - not just for keys, credit cards, and
lipstick, but also their dreams and desires. Luxury labels made the
humble bag into a billion-dollar business in the 20th century, but
the bag is more than just a status symbol. Because it is constantly
being reinvented, it wields a greater influence on everyday fashion
than any hemline or silhouette. For the Love of Bags is a homage to
the power of the handbag: from icons like the Kelly Bag, the first
"must-have" item ever, to popular Paris fashion house labels and
the latest Instagram stars, this book details the history of the
"it" bag and decodes the messages handbags communicate. Text in
English, German and French.
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