Wilton House in Salisbury, England, has been the ancestral home of the Earl of Pembroke for nearly 500 years and boasts one of the most fascinating and varied histories of all Britain s historic houses. Shaped over centuries by the most significant names in architecture and interior design, Wilton is known as the finest example of Palladian architecture in England, with interiors by Inigo Jones and John Webb, furniture by William Kent and Thomas Chippendale, and unparalleled collections of both classical sculpture and Old Master paintings with masterpieces by Raphael, Titian, Rembrandt, and Tintoretto among its rooms. The book explores the development of the house and its collections, from the Van Dyck paintings in Jones s remarkable Single and Double Cube state rooms to the Arundel marbles housed in James Wyatt s Gothic-revival cloisters. With a foreword by the Earl of Pembroke, a revelatory text by the historian John Martin Robinson, and imagery drawn both from Wilton s private archives and from eminent architectural and interiors photographers, this book lifts the veil on Wilton House and its remarkable history.

Interior design can be considered a discipline that ranks among the worlds of art, design, and architecture and provides the cognitive tools to operate innovatively within the spaces of the contemporary city that require regeneration. Emerging trends in design combine disciplines such as new aesthetic in the world of art, design in all its ramifications, interior design as a response to more than functional needs, and as the demand for qualitative and symbolic values to be added to contemporary environments. Cultural, Theoretical, and Innovative Approaches to Contemporary Interior Design is an essential reference source that approaches contemporary project development through a cultural and theoretical lens and aims to demonstrate that designing spaces, interiors, and the urban habitat are activities that have independent cultural foundations. Featuring research on topics such as contemporary space, mass housing, and flexible design, this book is ideally designed for interior designers, architects, academics, researchers, industry professionals, and students.

Planners, architects, and designers can have a great impact on living environments and well-being. Well-being is a natural outcome of natural living, but it is important to realize that a real and comprehensive understanding of well-being can only be achieved through the continuity of the concept to all environmental scales starting from the biosphere and leading towards interiors. Since interior space is one of the most important determinants of our everyday experiences, its role in well-being as a conscious construct needs to be the most important concern of spatial design. Well-Being Design and Frameworks for Interior Space is a pivotal reference source that proposes a framework including different dimensions of well-being and that discusses the importance of each dimension through the examination of past and present living environments in an attempt to figure out the appropriate ways of thinking, living, and building that can lead to healthier environments and happier people. Factors discussed throughout the book include the history of the concept of living well, the evolution of well-being with age, the requirements that affect well-being, the potentials of certain design approaches for well-being, the existing environments (such as vernacular structures, heritage buildings) with specific advantages for well-being, changes in well-being requirements, interior environments with different functions (such as schools and home environments), and the intersections of interior design with other design disciplines. This book is ideally designed for architects, interior designers, planners, engineers, administrators, policymakers, researchers, academicians, and students.

This compact, heavily-illustrated guide makes it a snap to identify period styles from the 17th century to the present day. The Guide to Period Styles for Interiors, Second Edition is a comprehensive reference that combines depth of content with ease of use. Including examples and analysis on 17th-century Louis XIV through 20th-century Late Modern and each style in between, this new edition is also updated with the latest trends of the 21st century, including computer design, sustainable design, and modern office design. New sidebars interspersed throughout the book offer glimpses into historic design styles from around the globe. Each style section ends with a summary of key characteristics, major designers, and iconic fabrics. This book is an indispensable tool for identifying the trends throughout the history of interior design.

"Does your home tell the story of who you are?"
In "The Things That Matter, " Nate Berkus shares intimate stories from his life, introduces us to people who influenced him and helped him forge his sense of style, and opens up about the remarkable experiences that have left him forever changed, all of which find expression in how he lives today. From his most cherished flea market finds, to his beloved books and photos, to the many extraordinary mementos he's collected in his travels, every piece defines who he's become and what endures in his world.
Berkus invites readers into his own home as well as into twelve others, including a sleek steel-and-glass high-rise that soars above Chicago, a rustic cottage in the Hudson Valley, an ultra-chic atelier that maximizes every inch of space, a Greenwich Village townhouse that holds multiple art collections, and a study in meaningful minimalism in Marfa, Texas. The distinctive interiors beautifully displayed in this book offer revealing portraits of their owners' lives and the inspiring choices that have made them who they are today.
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"The Things That Matter" convincingly lays out Nate Berkus's philosophy that things "do" matter. Our homes tell our stories, they reflect the places we've been and the people we've loved along the way--and there can be no more beautiful design for living than that.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY "THE SEATTLE TIMES"