"In this book, Miriamne Ara Krummel complicates the notion of the English Middle Ages as a monolithic age of Christian faith. Cataloguing and explicating the complex depictions of semitisms to be found in medieval literature and material culture, this volume argues that Jews were always present in medieval England, and it is only in rereading the historical record that it has been considered Judenrein-without Jews"--

This volume is devoted to the texts, traditions, and practices of the Land of Israel from the end of the Second Temple period through late antiquity. Based upon a conference organized by the Yeshiva University Center for Israel Studies, this collection uses a range of critical methodologies and sources, including the Palestinian and Babylonian Talmudim, archaeology, and Samaritan and Jewish liturgical poetry. It presents a vibrant, complex, and multi-layered series of snapshots of rabbinic culture, written by leading contemporary scholars.

This, the first volume of a five-volume edition of the third order of the Jerusalem Talmud, deals with Jewish marital law and related topics. The volume is concerned with levirate marriage, considering other Jewish sects at the same time, with forbidden marriages and the judicial treatment of missing husbands, with the incapability to marry, and with the status of married juveniles.The publication of one volume per year is planned. Key feature A- Continuation of the well-received English-Aramaic edition

The stories of Elisha the prophet have received scant attention in recent years, perhaps because they are so enigmatic. This study places the Elisha material firmly within the narrative of Genesis-2 Kings, and examines the effect these stories have on the reader's perception of the role of the 'prophet'. Using the narratological theories of Mieke Bal, David Jobling and others, Bergen shows that the Elisha stories present prophetism in a negative light, confining prophets to a rather limited scope of action in the narrative world.>

Students learn the seven blessings in the Shabbat morning Amidah. They uncover Jewish values and virtueshumility, acts of loving-kindness, healing others, sacred time, showing appreciation, and moreand think of ways to make them part of their own lives.

Special Feature: Textual variations in the prayersfor example, in Avot and G'vurotare highlighted graphically and in explanatory text boxes to show the diversity and breadth of Jewish practice, while highlighting the ties between all Jews.

Contents:

1. Adonai Sfatai Tiftah

2. Avot

3. G'vurot

4. K'dushah

5. K'dushat Hayom

6. Avodah

7. Hoda'ah

8. Birkat Shalom

9. Review

10. Elohai N'tzor

The Jewish people influenced Western civilization through their Bible and their religion. Basic to Judaism is the Sabbath. How did the Sabbath originate? How did it receive its name? Was it always observed from sundown to sundown?

The Nuremberg Miscellany [Germanisches Nationalmuseum Nurnberg, Bibliothek, 8 Degrees Hs. 7058 (Rl. 203)] is a unique work of scribal art and illumination. Its costly parchment leaves are richly adorned and illustrated with multicolour paint and powdered gold. It was penned and illustrated in southern Germany - probably Swabia - in 1589 and is signed by a certain Eliezer b. Mordechai the Martyr. The Miscellany is a relatively thin manuscript. In its present state, it holds a total of 46 folios, 44 of which are part of the original codex and an additional bifolio that was attached to it immediately or soon after its production. The book is a compilation of various Hebrew texts, most of which pertain to religious life. Others are home liturgies, Biblical exegeses, comments on rites and customs, moralistic texts, homiletic and ethical discourses, and an extensive collection of home liturgies, its major part being dedicated to the life cycle. The unparalleled text compilation of the Nuremberg Miscellany on the one hand, and the naive, untrained illustrations on the other hand, are puzzling. Its illustrations are hardly mindful of volume, depth or perspective, and their folk-art nature suggests that an unprofessional artist, possibly even the scribe himself, may have executed them. Whoever the illustrator was, his vast knowledge of Jewish lore unfolds layer after layer in a most intricate way. His sharp eye for detail renders the images he executed a valid representation of contemporary visual culture. The iconography of the Nuremberg Miscellany, with its 55 decorated leaves, featuring 25 text illustrations, falls into two main categories: biblical themes, and depictions of daily life, both sacred and mundane. While the biblical illustrations rely largely on artistic rendering and interpretation of texts, the depictions of daily life are founded mainly on current furnishings and accoutrements in Jewish homes. The customs and rituals portrayed in the miscellany attest not only to the local Jewish Minhag, but also to the influence and adaptation of local Germanic or Christian rites. They thus offer first-hand insights to the interrelations between the Jews and their neighbors. Examined as historical documents, the images in the Nuremberg Miscellany are an invaluable resource for reconstructing Jewish daily life in Ashkenaz in the early modern period. In a period from which only scanty relics of Jewish material culture have survived, retrieving the pictorial data from images incorporated in literary sources is of vital importance in providing the missing link. Corroborated by similar objects from the host society and with descriptions in contemporary Jewish and Christian written sources, the household objects, as well as the ceremonial implements depicted in the manuscript can serve as effective mirrors for the material culture of an affluent German Jewish family in the Early Modern period. The complete Nuremberg Miscellany is reproduced in the appendix of this book.

Ezra-Nehemiah has been neglected in biblical studies, but it is important as one of the few windows into the Persian period of Israel's history, the setting for so much of the final shape of the Hebrew Bible. To know this period is to know what influenced these redactors. In "Ezra and Nehemiah" Gordon Davies provides that knowledge using rhetorical criticism, a methodology that reveals the full range and progress of the book's ideas without hiding its rough seams and untidy edges.

The purpose of rhetorical criticism is to explain not the source but the power of the text as a unitary message. This approach does not look at plot development, characterization, or other elements whose roughness makes Ezra-Nehemiah frustrating to read. Instead, it examines the three parts of the relationship - the strategies, the situations, and the effects - between the speaker and the audience. Rhetorical criticism's scrutiny of the audience in context favors the search for the ideas and structures that are indigenous to the culture of the text.

Rhetorical criticism is interested in figures of speech as means of persuasion. Therefore, to apply it to Ezra-Nehemiah, Davies concentrates on the public discourse - the orations, letters, and prayers - throughout its text. In each chapter he follows a procedure that: (1) where it is unclear, identifies the rhetorical unit in which the discourse is set; (2) identifies the audiences of the discourse and the rhetorical situation; (3) studies the arrangement of the material; (4) studies the effect on the various audiences; (5) reviews the passage as a whole and judges its success. In the conclusion, Davies explains that Ezra-Nehemiah makes theological sense on its own terms, by forming a single work in which a range of ideas is argued.

Biblical scholars as well as those interested in literary criticism, communication studies, rhetorical studies, ecclesiology, and homiletics will find Ezra and Nehemiah enlightening.

Chapters are Ezra 1:1-6," "Ezra 4:1-24," "Ezra 5:1-6: 15," "Ezra 7," "Ezra 9-10," "Nehemiah 1- 2," "Nehemiah 3-7," and "Nehemiah 8-10."

"Gordon F. Davies is associate professor of Old Testament and dean of students at St. Augustine's Seminary of Toronto.""

In 1924, Professor Sperber graduated from Bonn University with a dissertation on "Das Propheten-Targum in seinem Verhaltnis zum masoretischen Text". He was then invited to prepare a critical edition of the Targum. Thus Professor Sperber began an immense task. The Bible in Aramaic is the fruit of more than forty years of study, during which he made innumerable trips to various countries in order to visit libraries and examine manuscripts. The first part of the Bible in Aramaic appeared in 1959. Needless to say that this work is indispensable for students of the Old Testament. Let the reviews that have accumulated over the years speak for themselves.

This book is the first documented history of Jewish crafts. It does away with the old prejudice about Jewish reluctance to do manual labor.

Marla Morris explores Jewish intellectuals in society and in the university using psychoanalytic theory. Morris examines Otherness as experienced by Jewish intellectuals who grapple with anti-Semitism within the halls of academia. She claims that academia breeds uncertainty and chaos.

Covering the period from the Maccabean revolt to the destruction of Jerusalem under Titus, Fairweather's impressive work should be an important point of reference for those wanting to develop their knowledge on the evolution of Judaism as a spiritual movement.

Religion and Secularity traces the history of the conceptual binary of religion and secularity in Europe and the repercussions it had in other regions and cultures of the Eurasian continent during the age of imperialism and beyond. Twelve authors from a wide range of disciplines, deal in their contributions with the trajectory, the concepts of "religion" and "secularity/secularization" took, as well as with the corresponding re-configurations of the religious field in a variety of cultures in Europe, the Near and Middle East, South Asia and East Asia. Taken together, these in-depth studies provide a broad comparative perspective on a penomenon that has been crucial for the development of globalized modernity and its regional interpretations.

Rabbi Abraham Isaac Kook (1865-1935) was the first Ashkenazic chief rabbi of mandatory Palestine. Admired for the incredible diversity of his talents and interests--talmudist, halakhist, kabbalist, mystic, theologian, moralist, poet, and communal leader--Rav Kook's world outlook extolled breadth and derided narrow specialization. More than any other Orthodox thinker in modern times, he addressed, squarely and boldly, the confrontation between Judaism and the modern world. Kook serves as a natural model to those Jews who seek a religious understanding of and response to the culture and politics of the modern age.
These essays, most published here for the first time, offer a range of analyses and interpretations covering, in an accessible, systematic, and comprehensive fashion the major areas of Rav Kook's thought. Among the issues discussed are: his relationship to the Jewish mystical, philosophical, and halakhic traditions; poetry and spirituality; harmonism and pluralism; tolerance and its limits; Zionism, messianism, and politics; and Rav Kook today.

Every morning Jewish men offering their prayers to God in the traditional manner include the line Blessed are you Lord our God, King of the universe who has not made me a woman. Regardless of one's interpretation of this line, it is an inescapable fact that traditional Judaism views women and men and their places within Judaism quite differently.

But Judaism is not a static religion. It has always been influenced by changes in its surrounding environment. Throughout history, issues of gender have both influenced and been influenced by classical and modern Jewish perspectives. This transformation continues today, as feminist thinkers attempt to discover how modern women fit into Jewish thought and practice. Is halakhah gender inclusive? How do conceptualizations of the Jewish home effect Jewish women's identities? What is the relation between the experiences of historical Jewish women and the roles of their present day sisters? How have changing gender roles affected the identity of the Jewish male?

In this groundbreaking anthology, twenty scholars seek to address these and other questions. Among the many subjects covered are: gender boundaries in Kabbalah; images of Jewish masculinity; the challenge of women's rabbinic leadership; Jewish feminist theory; rabbinic responses to wife-beating; Orthodox women in the modern world; and patriarchy, Judaism, and Nazism in German feminist thought.

Prayer Companion 1 contains blessings for the home and synagogue, including Shabbat and the holidays, and selected prayers from the Friday evening and Shabbat morning services. Each chapter is tied thematically to the Shalom Ivrit 1 student text.

How the Wise Men Got to Chelm is the first in-depth study of Chelm literature and its relationship to its literary precursors. When God created the world, so it is said, he sent out an angel with a bag of foolish souls with instructions to distribute them equally all over the world-one fool per town. But the angel's bag broke and all the souls spilled out onto the same spot. They built a settlement where they landed: the town is known as Chelm. The collected tales of these fools, or "wise men," of Chelm constitute the best-known folktale tradition of the Jews of eastern Europe. This tradition includes a sprawling repertoire of stories about the alleged intellectual limitations of the members of this old and important Jewish community. Chelm did not make its debut in the role of the foolish shtetl par excellence until late in the nineteenth century. Since then, however, the town has led a double life-as a real city in eastern Poland and as an imaginary place onto which questions of Jewish identity, community, and history have been projected. By placing literary Chelm and its "foolish" antecedents in a broader historical context, it shows how they have functioned for over three hundred years as models of society, somewhere between utopia and dystopia. These imaginary foolish towns have enabled writers both to entertain and highlight a variety of societal problems, a function that literary Chelm continues to fulfill in Jewish literature to this day.

Examines dissent from rabbinic Judaism in the Middle Ages and Early Modern period to consider it as a category within the history and culture of the Jewish people.