This book presents the exceptional group of illuminations in the Robert Lehman Collection at The Metropolitan Museum of Art. The miniatures and cuttings from medieval and Renaissance manuscripts in this collection represent the major schools of illumination that flourished in Europe from the fourteenth to the sixteenth century. Robert Lehman (1892-1969), one of the great private art collectors of the twentieth century, collected these illuminations as an extension of his remarkable collection of early European paintings and drawings.

Among the works catalogued here are a miniature by Simon Marmion--the "prince d'enluminure"--painted for a Breviary for Charles the Bold and Margaret of York, and, among the Italian illuminations, a "Last Judgment in an Initial C" by the great Florentine painter Lorenzo Monaco and an "Adoration of the Magi" by Francesco Marmitta. A "Self-Portrait "by Simon Bening and a "Virgin and Child" by Francesco Morone are early examples of small paintings on parchment conceived as independent works of art rather than as illustrations for manuscripts. Also here are a leaf painted for the Hours of ftienne Chevalier by Jean Fouquet, the most celebrated French painter of the fifteenth century, and a miniature "Holy Face" by Gerard David that was possibly created as an independent devotional image. All the illuminations in the Robert Lehman Collection are reproduced in color, and copious comparative illustrations supplement the extensive catalogue entries. This is the seventh in a projected series of sixteen volumes that will catalogue the entire Robert Lehman Collection.

Calligraphy means "beautiful writing," and this book will show you how to do it. All you have to do is follow the easy, trace and copy examples! This how-to, beginner's instruction book is written for all ages and will guide you to master your skill in this ancient and beautiful art! The book, penned entirely in a calligraphic hand, begins with an explanation of how to select the right pens, inks, and paper. Next, it introduces you to the Italic alphabet, a beautiful and highly versatile alphabet. After that, there are sections on Blackletter (particularly useful for certificates) and three more useful alphabets (Roman, Bookhand, and Uncial). The book ends with lessons on how to use calligraphy in creative projects from certificates to posters to maps. This is a simple, straight-forward and profusely illustrated calligraphy practice book. The author, Jim Bennett, wrote Calligraphy For Dummies and is also the founder of the Calligraphy WebRing. His website is www.studioarts.net.

This reference book studies the script, art, and culture of the early Arabic Kufic calligraphy. It presents around hundred historical stone inscriptions, coins, and manuscripts from early-Islamic Persia. In their book, the primary author and famed Iranian early Kufic expert and calligrapher, S.M.V. Mousavi Jazayeri, and his fellow co-authors read and analyze with meticulous detail the calligraphy, script, and art work of thirty-seven Kufic gravestone inscriptions, mainly from the Yazd providence of Iran. The carefully-selected inscriptional sample in this book illustrates the remarkable power and versatility of this early script, and the extent of the global role played by it in shaping societies and cultures of a vast area extending from China to Spain.