Illuminators and Patrons in Fourteenth-Century England is a richly illustrated study of one of the treasures of the British Library, MS Egerton 3277, a psalter and book of hours made for Humphrey de Bohun (d. 1373), the vastly wealthy earl of Hereford, Essex, and Northampton, who employed two or more illuminators to work on the manuscript in his own castle at Pleshey, Essex. The interaction between the Bohun patron and the Bohun artists is a major focus of the book.

Along with a detailed commentary on the manuscript's more than three hundred pictorial subjects from the books of Kings of the Old Testament, the Gospel of Luke, and the Acts of the Apostles, the book includes twelve essays linking the British Library manuscript with others illustrated by the same artists for members of the Bohun family in the second half of the fourteenth century. The book is accompanied by a DVD reproducing every page in images that can be enlarged by the viewer to show the smallest details of the illustrations.

Caroline Fairchild has never met a mystic, never known the Magic, never matched wits with a dark queen and never ever ridden bareback on a unicorn. All she knows is that her life has taken a turn for the worst since her step mother banished her to the wood shed. But all that is about to change when she meets Ali, a mysterious girl of the garden who shares with her its secrets.Guided by a mystic and helped by the magic Caroline along with Uni, a mystical friend brought to life through the wonder of dreams, must struggle to find their way through the the forest of shadows. On the path they must confront their own fear and doubt; for it will be the only way they will be able to find and rescue Ali, the tiny miss who in fact has a secret of her own...perhaps the best kept secret of all

The cover of this book was designed by a grandson of the subject of this book. The broken heart signifies the pain and sadness of all three characters, the subject, the author, and artist. When Erma was twenty-nine years old, her mother told her that she had a big heart with two wings. One wing was strength, and the other was sadness. Mother told Erma she needed Christ in her life to balance that big heart. Two years ago, Erma received a gift at Christmas from her oldest daughter. When she opened the present, it was a ceramic heart with two wings. At the first sight of the gift, Erma burst out crying with memories from a saying from her mother. Her two other siblings who were there were stunned and didn't know what was going on. Imagine thirty years later how something from your past can come greet you.

Are you looking for a simple way to teach your child cursive? With enough lessons to spread out over a year, use Simply Cursive to help your child learn cursive the "simple" way

Filling in geometric shapes with a continuous colored pencil line prepares students in the Montessori Primary Casa, or classroom for three to six year olds, for cursive handwriting. My Montessori Coloring Book of Shapes helps children refine and perfect their fine motor control while simultaneously reinforcing what is practiced in the Casa. Written and illustrated by AMI Primary Diploma holder Mary Da Prato, My Montessori Coloring Book of Shapes defines Montessori prerequisites for successful handwriting that can be implemented at home.

NUQTEH This book is a comprehensive teaching instruction for Persian calligraphy (NASTALIQ). In fact, all lessons that are taught in my classes have been captured and transferred to a printed material which is this book. Besides, in order to make it more helpful and very close to live classes, and to cover verbal instruction, many more details are added to descriptions and illustrations to give students the confidence to feel they are in a live teaching atmosphere. All lessons were reviewed over and over, filtered, and modified before come to this book. Texts in this book are simple and intimate same as verbal instruction in live teaching. Those who have used the methods of this book have been able to pass tests to obtain official certificates for their proficiency. This book is useful for those who have the desire to learn Persian calligraphy but, their busy lives, inaccessibility to classes, and lack of teaching materials prevent them from following their goal. This book is an easy, fast, and effective method for beginners or it can be used as a reference for those that already attending Persian calligraphy classes. In short, this book is a platform to take a journey to beauty and infinite source of positive energy. Colorful illustrations along with explanation and graphical illustrations of pen movements make this book simple, effective and useful for beginners to experts, for those who are learning calligraphy as a hobby, a fun educational activity for children of aged 10+ and beneficial for meditation and spiritualism practice as well. It is also a good resource as a supplement for students of elementary Persian language (Farsi). This book contains 200 step-by-step lessons providing instructions for the entire Persian alphabet and instructions to combine letters. This is a new wave as visual teaching method that enables everyone to learn. Even those who do not have Persian language knowledge can learn Farsi and calligraphy from this book. To create a beautiful letter, the pen gets different positions, changes the angle while the pen is moving, and changes directions. For this purpose, descriptions, and graphical pictures of pen moves helps a detailed understanding and following directions. Students learn how to move their hand to give different trace of pen on the paper and gradually their moves and flexibility gets harmony with nature by following instructions. Persian calligraphy (NASTALIQ) is almost 90% curves and rotations. The whole universe is moving and moves are in a circle or oval shapes. It is a big challenge for beginner students to educate their hands to draw a circle or an oval with a wide tip pen. Experience shows that harmonizing intelligence and spirit with the nature effects on moves. Moves of the pen are smooth with consistent changes from one rotation to another, from ascent to descent and vice verse, from thick line to narrow and gently from a narrow to thick. These are all representing the nature. Ocean waves, a bird landing on water, rotation of galaxies, a water fall, and etc. are examples of such moves. Putting students in a position to absorb these moves along with their instincts of connections to the Mother Nature help them to get the concept of this calligraphy easier and faster. During learning, connecting to nature and learning rules constantly effects on each other and elevate the level of skills and more freedom and ultimately, a double benefits will be achieved: First: Writing nicely which would be an eye soothing (at any level). This will happen by practice. Second: Getting direct connection with nature. In another word, getting detached from daily lives and becoming a fresh person. Relaxation, being calm and peaceful, to be patient, and having a broader vision to the world and life would be a daily benefit from dawn to dusk.

The loop of an "l," the chewed-on pen, letters tiny or expansive: what we've lost in the error of typing and texting
When Philip Hensher realized that he didn't know what a close friend's handwriting looked like, he felt that something essential was missing from their friendship. It dawned on him that having abandoned pen and paper for keyboards, we have lost one of the ways by which we come to recognize and know another person: handwriting.
"The Missing Ink "tells the story of this endangered art. Hensher introduces us to the nineteenth-century handwriting evangelists who traveled across America to convert the masses to the moral worth of copperplate script; he examines the role handwriting plays in the novels of Charles Dickens; he investigates the claims made by the practitioners of graphology that penmanship can reveal personality.
But this is also a celebration of the physical act of writing: the treasured fountain pens, chewable ballpoints, and personal embellishments that we stand to lose. Hensher pays tribute to the warmth and personality of the handwritten love note, postcards sent home, and daily diary entries. With the teaching of handwriting now required in only five states and many expert typists barely able to hold a pen, the future of handwriting is in jeopardy. Or is it? Hugely entertaining, witty, and thought-provoking, "The Missing Ink "will inspire readers to pick up a pen and write.

"Cursive Handwriting Workbook for Girls" is designed to inspire girls' interest in learning and practicing cursive handwriting. Girls enjoy reading girlish phrases like "slumber party" or "share a friendship bracelet" and inspirational or motivational sentences like, "Beauty comes from within," or "Our generation is ready to change the world." Exercises like these help to make learning fun, whether in the classroom or at home.

This workbook focuses on writing phrases and sentences in cursive in three parts: Part 1 has mostly short phrases. Students copy and trace the words. The phrases become longer in Part 2. There are a couple of sentences and shorter phrases in Part 2, also, such that the transitions are not too abrupt. Students copy and trace the words. Part 3 advances onto sentences. At this stage, there is no tracing.

May your students or children improve their handwriting skills and enjoy reading and writing these girlish phrases and sentences.

An Anthology of Asemic Handwriting is the first book-length publication to collect the work of a community of writers on the edges of illegibility. Asemic writing is a galaxy-sized style of writing, which is everywhere yet remains largely unknown. For human observers, asemic writing may appear as lightning from a storm, a crack in the sidewalk, or the tail of a comet. But despite these observations, asemic writing is not everything: it is just an essential component, a newborn supernova dropped from a calligrapher's hand. Asemic writing is simultaneously communicating with the past and the future of writing, from the earliest undeciphered writing systems to the xenolinguistics of the stars; it follows a peregrination from the preliterate, beyond the verbal, finally ending in a postliterate condition in which visual language has superseded words. An Anthology of Asemic Handwriting is compiled and edited by Tim Gaze from Asemic magazine and Michael Jacobson from The New Post-Literate blog. Contributors include: Reed Altemus, mIEKAL aND, Rosaire Appel, Francesco Aprile, Roy Arenella, Derek Beaulieu, Pat Bell, John M. Bennett, Francesca Biasetton, Volodymyr Bilyk, Tony Burhouse & Rob Glew, Nancy Burr, Riccardo Cavallo, Mauro Cesari, Peter Ciccariello, Andrew Clark, Carlfriedrich Claus, Bob Cobbing, Patrick Collier, Robert Corydon, Jeff Crouch, Marilyn Dammann, Donna Maria Decreeft, Alessandro De Francesco, Monica Dengo, Mirtha Dermisache, Bill Dimichele, Christian Dotremont, Jean Dubuffet, Max Ernst, Mark Firth, Eckhard Gerdes, Mike Getsiv, Jean-Christophe Giacottino, Marco Giovenale, Meg Green, Brion Gysin, Jefferson Hansen, Huai Su, Geof Huth, Isidore Isou, Michael Jacobson, Satu Kaikkonen, Jukka-Pekka Kervinen, Rashid Koraishi, Irene Koronas, Edward Kulemin, Le Quoc Viet & Tran Tr?ng Duong, Jim Leftwich, Misha Magazinnik, Matt Margo, Andre Masson, Nuno de Matos, Willi Melnikov, Morita Shiryu, Sheila E. Murphy, Nguyen Duc Dung, Nguyen Quang Thang, Pham Van Tuan, Francois Poyet, Kerri Pullo, Lars Px, Marilyn R. Rosenberg, Roland Sabatier, Ekaterina Samigulina & Yuli Ilyshchanska, Alain Satie, Karen L. Schiff, Spencer Selby, Peggy Shearn, Ahmed Shibrain, Gary Shipley, Christopher Skinner, Helene Smith, Lin Tarczynski, Morgan Taubert, Andrew Topel, Cecil Touchon, Louise Tournay, Tran Tr?ng Duong, Lawrence Upton, Sergio Uzal, Marc van Elburg, Nico Vassilakis, Glynda Velasco, Simon Vinkenoog, Vsevolod Vlaskine, Cornelis Vleeskens, Anthony Vodraska, Voynich Manuscript, Jim Wittenberg, Michael Yip, Logan K. Young, Yorda Yuan, Camille Zehenne, Zhang Xu, & others."

Calligraphy means "beautiful writing," and this book will show you how to do it. All you have to do is follow the easy, trace and copy examples! This how-to, beginner's instruction book is written mainly with "creative kids" in mind (age 10 and up) but will help anyone of any age to develop skill in this art! The book, penned entirely in a calligraphic hand, begins with an explanation of how to select the right pens, inks, and paper. Next, it introduces you to the Italic alphabet, a beautiful and highly versatile alphabet. After that, there are sections on Blackletter (particularly useful for certificates) and drawn letters. The book ends with an impressive list of creative projects the reader can work on. This is a simple, straight-forward and profusely illustrated calligraphy practice book. The author, Jim Bennett, wrote Calligraphy For Dummies and is also the founder of the Calligraphy WebRing. His website is www.studioarts.net.

Throughout the East, writing is held to be a gift from the gods, and the divinely inspired letters and characters are objects of the highest veneration. The religious significance of calligraphy has thus led to a unique development of the art of brush and ink in Japan, China, India, and Tibet. This beautifully illustrated book covers such topics as the history and spirit of Eastern calligraphy, the art of copying religious texts, the biographies of important Zen calligraphers, and practical instructions on materials and techniques for the contemporary student. No knowledge of the languages discussed is required for the reader to appreciate the study of this ancient practice.

John Stevens lived in Japan for thirty-five years, where he was a professor of Buddhist studies at Tohoku Fukushi University in Sendai. Stevens is a widely respected translator, an ordained Buddhist priest, a curator of several major exhibitions of Zen art, and an aikido instructor. He has authored over thirty books and is one of the foremost Western experts on Aikido, holding a ranking of 7th dan Aikikai. Stevens has also studied calligraphy for decades, authoring this classic "Sacred Calligraphy of the East." Other John Stevens titles that are likely to be of interest include "The Philosophy of Aikido, Extraordinary Zen Masters, " and "The Marathon Monks of Mount Hiei."

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This is one of the best resources for understanding the Tarot's mystical symbolism. It includes an updated history based on Place's The Tarot: History Symbolism and Divination, which "Booklist" said " may be the best book ever written on ...the tarot." This edition adds color illustrations of key works and comparative illustrations from the Renaissance, from alchemical texts, from ancient Egypt, and from occult sources. It views the Tarot as a 500-year visual conversation between artists, mystics, and occultists. The work is based on the 2010 Tarot exhibition at the LA Craft and Folk Art Museum, curated by Place, and includes the Visconti-Sforza Tarot, the 1st Italian printed deck, the oldest Tarot of Marseille, The 1st occult reference, the 1st occult Tarot, the 1st modern Tarot, the 1st New Age Tarot, and examples from popular modern decks including the Twilight Tarot, the Legacy Tarot, the Deviant Moon Tarot, the Annotated Tarot of the Sevenfold Mystery, and Place's Alchemical Tarot.

We are each distinctive individuals with unique styles of writing. Our handwriting is a tangible extension of our inner selves. Have you ever wondered what your handwriting says about you? With a basic understanding of handwriting analysis you can discover more about yourself and those around you. Graphology is the analysis of a handwriting sample. Graphologists can tell when someone is loyal, excitable or hiding something just from slight nuances in writing. Would you like to learn to do this too? Once you know the basics you will never look at handwriting in the same way again. With Analyze Your Handwriting, you can learn the fundamental skills necessary to determine if you will be compatible with another person, if someone is trustworthy and individual personality characteristics. It is an exciting, fun tool that you can use on a daily basis.

Chinese characters are written with "strokes" of a brush. The HanABC system has classified these different types of strokes using 24 Roman letters. Anyone who knows the proper stroke writing order of a character and the HanABC stroke classification system can write the "Romanization" of that character. Since the Roman alphabet has an established and well known order, HanABC has adopted this alphabetical order to sort Chinese information. This book includes the HanABC Romanizations for 14,515 Chinese characters. HanABC does not require a person to know the traditional radical, the number of strokes or the phonetics of a character. HanABC requires minimal rules, while still efficiently encoding the entirety of Chinese characters. HanABC facilitates quick and easy search in a sorted list. Thus, HanABC would be very well suited to sort dictionaries and telephone books, to index any book, or even for typing Chinese at a computer keyboard.

An Introduction to Greek and Latin Palaeography traces the development of handwriting in the Greek and Latin alphabets from the earliest papyri up to the book hands of the middle ages and the court hands of the seventeenth century. It is, without doubt, the best introductory text on the subject ever to appear in English. This edition has been completely reset, and the illustrations have been digitally enhanced. A few illustrations have been replaced. Sir Edward Maunde Thompson (1840-1929) entered University College, Oxford, in 1859 but had to leave before completing his degree. He entered the library of the British Museum (now British Library) in 1861 and became Keeper of Manuscripts in 1878. He was appointed Principal Librarian in 1888.