Tracing back to the very basic origin of the Tamil language. This book is exclusively for voracious learners enabling them to have a good hold over the alphabets. This book consist of traceable as well as colourable letters ensuring that the learners are able to identify the proper form of letters. Enjoy this simple yet exclusive book of Tamil Alphabets

In The Handbook of Hebrew Calligraphy, acclaimed artist Cara Goldberg Marks offers both beginning and professional Hebrew calligraphers a detailed guide to this beautiful art form. She clearly describes every aspect of calligraphy: the materials and supplies needed by the artist, the techniques that must be mastered, considerations for designs and layout, and ideas for marketing and selling the finished product. Throughout the book, numerous illustrations and explicit instructions provide the reader with a thorough understanding of each letter form.

Sugawara and the Secrets of Calligraphy is a classic play from Japan's golden age of puppet theater. Written in the eighteenth century, it tells the tale of Sugawara no Michizane, a wronged scholar-official who, in death, joins the Shinto pantheon as a nurturer of scholarship and calligraphy. The story recounts Sugawara's entanglement with the powerful Fujiwara family, who accuse Sugawara of plotting against the emperor, resulting in his exile and death in 903. After a series of misfortunes befall those who conspired against him, Sugawara's enemies appease his spirit through deification. Sugawara and the Secrets of Calligraphy centers on three archetypical brothers and their wives. Their fates unfold against the intrigues surrounding Sugawara and his foes, which reflect the cultural values of the Edo period woven into a stylized past. This annotated translation by Stanleigh H. Jones Jr. replicates the play's poetic and idiomatic language and its original mix of register while also clarifying the drama's complex story and dialogue for students of Japanese literature and drama. An introduction situates the play within its eighteenth-century context and ninth-century setting and describes the relationship between bunraku puppet theater and kabuki. A unique illustrated appendix delves into the construction of puppets and the art of puppetry.

A modern approach to the ancient art of Sino-Japanese calligraphy. This volume contains 150 step-by-step illustrations and photographs to take the reader from the basic strokes to the complex. For many a deep and lasting interest in Japanese culture, its people and its language, begins with a fascination for beautifully drawn characters produced by a master calligrapher. Compared with the squarish, regular representation of Chinese characters reproduced in books, newspapers, and magazines by modern printing techniques, the appealing brush strokes of a

This catalogue presents masterpieces of calligraphy, painting, sculpture, ceramics, lacquers, and textiles from two of America's greatest Japanese art collections, which are featured in a landmark exhibition at the Asia Society in New York, from February to April, 2020. Impermanence is a pervasive subject in Japanese philosophy and art, and recognising the role of ephemerality is key to appreciating much of Japan's artistic production. The dazzling range of art and objects in this beautifully photographed exhibition catalogue show the broad, yet nuanced, ways that the notion of the ephemeral manifests itself in the arts of Japan throughout history. Insightful contributions from noted scholars explore the aesthetics of impermanence in religion, literature, artefacts, the tea ceremony, and popular culture in objects dating from the late Jomon period (ca. 1000-300 B.C.E.) to the 20th century. Contents: The Art of the Ephemeral; Works in the Exhibition: I. Retrieving Lost Worlds; II. Buddhism: Perpetual Impermanence; III. Tea: Choreographed Ephemerality; IV. Transforming Impermanence into Art. Published to accompany an exhibition at the Asia Society Museum, New York, between 11 February and 26 April 2020.

A"Manuscripts in Transition. Recycling Manuscripts, Texts and ImagesA" gathers together some 40 contributions by art historians specialised in research into book illuminations from the time of Charlemagne to Charles V's Habsburg empire (ca. 800-ca. 1550). The accent is mainly on the art of the illumination in the Gothic, Burgundian and Post-Burgundian periods. This anthology is the product of an international conference held in Brussels in 2002 in connection with the exhibition A"Medieval Mastery: Book Illumination from Charlemagne to Charles the Bold (800-1475) (Leuven, Stedelijk Museum Vander Kelen-Mertens). The central focus of the conference was the systematic re-use of texts and images in the Middle Ages. The examination of this theme resulted in the present fascinating series of articles.