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Books > Language & Literature > Literature: history & criticism
Digital Modernism examines how and why some of the most innovative
works of online electronic literature adapt and allude to literary
modernism. Digital literature has been celebrated as a postmodern
form that grows out of contemporary technologies, subjectivities,
and aesthetics, but this book provides an alternative genealogy.
Exemplary cases show electronic literature looking back to
modernism for inspiration and source material (in content, form,
and ideology) through which to critique contemporary culture. In so
doing, this literature renews and reframes, rather than rejects, a
literary tradition that it also reconfigures to center around
media. To support her argument, Pressman pairs modernist works by
Pound, Joyce, and Bob Brown, with major digital works like William
Poundstone's "Project for the Tachistoscope: [Bottomless Pit]"
(2005), Young-hae Chang Heavy Industries's Dakota, and Judd
Morrissey's The Jew's Daughter. With each pairing, she demonstrates
how the modernist movement of the 1920s and 1930s laid the
groundwork for the innovations of electronic literature. In sum,
the study situates contemporary digital literature in a literary
genealogy in ways that rewrite literary history and reflect back on
literature's past, modernism in particular, to illuminate the
crucial role that media played in shaping the ambitions and
practices of that period.
York Notes Advanced offer a fresh and accessible approach to
English Literature. This market-leading series has been completely
updated to meet the needs of today's A-level and undergraduate
students. Written by established literature experts, York Notes
Advanced intorduce students to more sophisticated analysis, a range
of critical perspectives and wider contexts.
Take Note for Exam Success! York Notes offer an exciting approach
to English literature. This market leading series fully reflects
student needs. They are packed with summaries, commentaries, exam
advice, margin and textual features to offer a wider context to the
text and encourage a critical analysis. York Notes, The Ultimate
Literature Guides.
Presents eight essays on translations and reinterpretations of Old
Norse myth and saga from the eighteenth century.
William Blake's The Four Zoas is one of the most challenging poems
in the English language, and one of the most profound. It is also
one of the least read of the major poetic narratives of the
Romantic period. Spiritual History presents a much-needed
introduction to the poem, although it will also be of great
interest to those already familiar with it. This is the first
full-length study to examine in detail Blake's numerous manuscript
revisions of the poem. It offers a staged reading, one that moves,
as Blake himself moved, from simpler to more complex forms of
writing. Andrew Lincoln reads the poem in the light of two
competing views of history: the biblical, which places history
within the framework of Fall and Judgement, and that of the
Enlightenment, which sees history as progress from primitive life
to civil order. In so doing, he offers an account of the narrative
that is more coherent - and accessible - than much previous
criticism of the work, and Blake's much misunderstood poem emerges
as the most extraordinary product of the eighteenth-century
tradition of philosophical history.
This book examines Diderot's and d'Holbach's views on determinism
to illuminate some of the most important debates taking place in
eighteenth-century Europe. Insisting on aspects of Diderot's and
d'Holbach's thought that, to date, have been given scant, if any,
scholarly attention, it proposes to restore both thinkers to their
rightful position in the history of philosophy. The book
problematises Diderot's and d'Holbach's atheism by showing their
philosophy to be deeply rooted in the Christian tradition and
offers a more nuanced and historicised interpretation of the
so-called "Radical Enlightenment", challenging the notions that
this movement can be taken to be a perfectly coherent set of ideas
and that it represents a complete break with "the old". By
examining Diderot's and d'Holbach's works in tandem and without
post-romantic assumptions about originality and single authorship,
it argues that the two philosophers' texts should be taken as the
product of a fascinating collaborative form of philosophical
enquiry that perfectly reflects the sociable nature of intellectual
production during the Enlightenment. The book further proposes a
fresh interpretation of such crucial texts as the Systeme de la
nature and Jacques le fataliste et son maitre and unveils a key web
of concepts that will help researchers to better understand
Enlightenment philosophy and literature as a whole.
An enhanced exam section: expert guidance on approaching exam
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